The Social Dilemma Joins Documentary Premieres; Born into Brothels and High Art Are From The Collection Films Special Event Love Fraud Confirmed as Day One Screening
Park City, UT - Sundance Institute adds three feature films to the 2020 Sundance Film Festival's robust slate of independent work today, alongside previously announced work. The Institute also confirmed that previously-announced Special Event, Love Fraud, will screen on Day One of the Festival. The Festival will take place in Park City, Salt Lake City and at Sundance Mountain Resort January 23-February 2, 2020.
Pulling from the vault of festivals past, archival selection High Art will be presented thanks to a newly created DCP provided by Focus Features/Universal Pictures. Lisa Cholodenko's feature debut, featuring a breakthrough performance from Patricia Clarkson and Radha Mitchell, and an award-winning turn from Ally Sheedy, High Art premiered at the 1998 Sundance Film Festival and won the Waldo Salt Screenwriting Award. High Art follows an ambitious female magazine editor has a chance encounter with her neighbor, a brilliant photographer whos lost in an underworld of sex and drugs. As the two begin a passionate love affair, a powerful struggle ensues and a story of ambition, sacrifice, seduction and other career moves unfolds.
Born into Brothels, the second archival screening, won the Documentary Audience Award when it premiered at the 2004 Sundance Film Festival. A tribute to the resiliency of childhood and the restorative power of art, Born into Brothels is a portrait of several unforgettable children of prostitutes living in the red light district of Calcutta. Photographer Zana Briski gives the children cameras as they learn to see the world with new eyes. The film, which highlights the immensely restorative, empowering, and liberating nature of art, went on to win an Academy Award for Documentary Feature in 2005. Nearly lost in a fire, Born into Brothels has been digitally restored, and a DCP was created through a collaboration between Sundance Institute, UCLA Film & Television Archive, and the Academy Film Archive branch of the Academy of Motion Picture Arts and Sciences.
Archival screenings are made possible by the Sundance Institute Collection at UCLA, and give audiences the opportunity to discover and rediscover the films that have shaped the heritage of both Sundance Institute and independent storytelling. To address the specific preservation risks posed to independent film, including high costs of storage, lab closures, issues around intellectual property rights, and damage from neglect, Sundance Institute partnered with UCLA Film & Television Archive in 1997 to form the Sundance Institute Collection at UCLA.
The Collection has grown to over 4,000 holdings representing nearly 2,300 titles, and is dedicated to preserving independent feature-length and short films supported by Sundance Institute. Celebrating the history of independent film, past From the Collection screenings have included The Blair Witch Project, Hours and Times, River of Grass, Paris is Burning, Desert Hearts, Daughters of the Dust, El Mariachi, sex, lies, and videotape, Hoop Dreams, and Paris, Texas.
DOCUMENTARY PREMIERES The Social Dilemma / U.S.A. (Director: Jeff Orlowski, Screenwriters: Vickie Curtis, Davis Coombe, Jeff Orlowski, Producer: Larissa Rhodes) - Never before have a handful of tech designers had such control over the way billions of us think, act, and live our lives. Insiders from Google, Twitter, Facebook, Instagram, and YouTube reveal how these platforms are reprogramming civilization by exposing what's hiding on the other side of your screen. Cast: Vincent Kartheiser, Skyler Gisondo, Kara Hayward. World Premiere
FROM THE COLLECTION Born into Brothels / U.S.A. (Directors: Zana Briski, Ross Kaufman) - A tribute to the resiliency of childhood and the restorative power of art, Born into Brothels is a portrait of several unforgettable children of prostitutes living in the red light district of Calcutta. Photographer Zana Briski gives the children cameras as they learn to see the world with new eyes.
High Art / U.S.A. (Director and screenwriter: Lisa Cholodenko, Producers: Dolly Hall, Jeffrey Levy-Hinte, Susan A. Stover) - A story of ambition, sacrifice, seduction and other career moves. Syd, an ambitious female magazine editor, has a chance encounter with her neighbor one night, the enigmatic Lucy, a brilliant photographer whos lost in an underworld of sex and drugs. As the two begin a passionate love affair, a powerful struggle ensues - will Lucy be saved or will Syd be destroyed? Cast: Patricia Clarkson, Tammy Grimes, Gabriel Mann, Radha Mitchell, Bill Sage, Ally Sheedy.
The Sundance Film Festival
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Sorry to Bother You, Won't You Be My Neighbor?, Eighth Grade, Get Out, The Big Sick, Mudbound, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs and sex, lies, and videotape. The Festival is a program of the non-profit Sundance Institute . 2020 Festival sponsors include: Presenting Sponsors - Acura, SundanceTV, Chase Sapphire; AT&T; Leadership Sponsors - Adobe, Amazon Studios, DIRECTV, Dropbox, Netflix, Omnicom Group, Southwest Airlines , Stella Artois , WarnerMedia; Sustaining Sponsors - Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, Fire TV, GEICO, High West Distillery, Hulu, IMDbPro, Lyft, Unity Technologies, University of Utah Health; Media Sponsors - The Atlantic, IndieWire, Los Angeles Times, The New York Times, Variety, The Wall Street Journal. Sundance Institute recognizes critical support from the S
