TVBEurope meets Laetitia Michetti, head of production at SCENESIS Pictures, who shares her insights into the post production world
By TVBEurope Staff
Published: April 18, 2024
TVBEurope meets Laetitia Michetti, head of production at SCENESIS Pictures, who shares her insights into the post production world
target=_blank title=Share on LinkedIn class=share-linkedin>
Talk us through an average day in your role? As Head of Production at SCENESIS Pictures my days are so varied and hugely stimulating. Throughout the day, I engage in constant communication with various departments such as CG and animation artists, VFX supervisors, colourists, as well as clients acting as a central hub for all project information exchange. I ensure adherence to project schedules, deadlines, budgets, confidentiality agreements, and specific artistic and technical requirements, drawing from the experience of recent projects like Ravens. A significant portion of my time is also dedicated to document-related tasks, collaborating with departments like legal, human resources, and accounting. Additionally, I oversee studio security, equipment maintenance, and generate reports to track progress.
The SCENESIS team see themselves as digital DOPs creating real world architectural environments for all projects with the finest in lighting and detailing from our bespoke archive. To create the most hyper-real, most natural, most involved CG environments, at SCENESIS we guarantee a diverse range of innovative post-production services are available in-house, catering to all project requirements. By establishing a boutique studio environment we really try to foster a warm, familial atmosphere for both clients and our team. We have worked hard to ensure SCENESIS is a true creative home for 3D, VFX, compositing and colour - working on post production for TV, film, advertising and video game content.
How did you get started in the media industry? My journey in the media industry began with a long-standing fascination with VFX and a deep passion for films and great TV. All our team are mad about the craft and the programmes they get to touch with some of the SCENESIS team having worked on Lupin, The Serpent Queen and more.
What training did you have before entering the industry? Before entering the industry, I primarily worked as a writer, storylines co-writer and reader, collaborating closely with directors. My focus was on crafting compelling narratives rather than technical aspects, which I acquired through practical experience.
Why do you enjoy working in the industry? I find immense joy in delving into storylines, discovering new narratives and universes, and assembling the perfect team for each project. Witnessing the gradual realisation of a project, step by step, is incredibly fulfilling. Moreover, the constant communication with individuals possessing diverse and complementary skills fosters continuous learning and growth. Working in the industry allows me to immerse myself in captivating narratives like the current SCENESIS feature Ravens, directed by writer-director Mark Gill, and produced by the production company Vestapol, founded in Paris by Mark Gill and Cyril Cadar. The film chronicles the life of Japanese photographer Masahisa Fukase. Collaborations with talented actors such as Tadanobu Asano and Kumi Takiuchi have enriched my understanding of storytelling dynamics. Projects like Ravens, post produced by us here at SCENESIS Pictures, exemplify the fusion of artistic vision and technical expertise, making each day a rewarding exploration of creativity. At SCENESIS we really have tried to prioritise designing an inspiring space that empowers artists to unleash their creativity and produce their finest work.
What piece of advice would you offer someone looking to explore a role similar to yours? For those considering a role similar to mine, I recommend cultivating skills such as strong organisational abilities, clear communication, forward planning and a good memory! Additionally, acquiring a comprehensive understanding of VFX, CGI, and film knowledge is essential. Flexibility and resilience are crucial traits in a collaborative environment, alongside an unwavering passion for the work. Embracing opportunities to collaborate with diverse teams and studios enriches one's understanding of the industry's dynamic landscape.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
19/08/2026
As the cost of IP nears price parity with traditional SDI, Reynolds argues that ...
19/08/2026
A private 5G bubble was chosen instead of traditional broadcast RF for the race ...
19/08/2026
(L-R) Rafael Manuel and Isabel Sicat attend the Filipi ana premiere during the 2026 Sundance Film Festival at The Ray Theatre on January 23, 2026, in Park Cit...
19/08/2026
Studio owners invited to have their say on rates cuts
The Music Producers Guild (MPG) are inviting UK-based studios to take part in an in-depth survey that ...
19/08/2026
Vintage-inspired desktop interface revealed
Harrison's latest hardware offering sees them head into the world of audio interfaces, delivering a 10-in/12...
19/08/2026
Granular effect remains locked to scale and tempo
Described as your dream granular effect , Minimal Audio's latest creation is capable of turning any s...
19/08/2026
First polyphonic SWAM instrument incoming
Audio Modeling's latest physical-modelling orchestral instrument is just around the corner, and is now availab...
19/08/2026
World Cup Games Generate 84 Billion Minutes Across FOX, Fox Sports 1 and NBCU...
19/08/2026
July brought typical peak-holiday drops in viewership, driven primarily by viewers stepping away from screens and a visible decline in reach across both traditi...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Henry joins BCE as the company accelerates its commercial strategy and expands its international presence across the media, broadcast and technology markets. He...
19/08/2026
iWedia, a leading provider of software solutions for connected TV devices, today announced a major milestone in Android platform optimization with the successfu...
19/08/2026
NTP Technology announces that ST 2110-30 audio-over-IP connectivity with AES67 and RAVENNA capabilities is now available for the brand's world-class audio i...
19/08/2026
Net Insight has been selected to provide its Nimbra platform by the service provider Big Blue Marble, formerly ORS Group, as the core media transport solution f...
19/08/2026
LiveU has supported Coventry City FC and several other top-flight UK football clubs through one of their most demanding live production challenges of the year, ...
19/08/2026
Nature Seekers Documentary Shot with Blackmagic URSA Cine 12K LF
Brie Clayton August 18, 2026
0 Comments
Filming endangered turtles required camera...
19/08/2026
Neyrinck Brings D-Control Consoles Back to Life on Apple Silicon with D-Control ...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Riedel Communications today announced that Edith Cowan University (ECU) in Perth, Australia, implemented a comprehensive communications infrastructure that brin...
19/08/2026
QuickLink, a leading provider of award-winning video production and remote guest contribution solutions, will spotlight a major leap forward in remote guest con...
19/08/2026
Integrated platform melds media asset management, playout automation and newsroom workflows
EMAM, PlayBox Neo and SNEWS have officially launched Nuvex, a conne...
19/08/2026
Screen Australia releases the Private Investment Toolkit to strengthen screen in...
19/08/2026
Do Aussies truly value local content? Unpacking Screen Currency 2026 with Deirdr...
19/08/2026
There's an early Christmas gift for Bookish fans, as UKTV confirms the re-commission of the hit U&alibi drama, created by and starring Mark Gatiss. Viewers ...
19/08/2026
Wednesday 19 August 2026
Sky gives sports fans the chance to watch multiple liv...
19/08/2026
On Saturday September 5 Katie Taylor will step into the ring for the fight of her life against Flora Pili in front of 80,000 fans in Croke Park. A legendary fig...
18/08/2026
SportStream 2026, a free three-day virtual event, will take place September 15-17. One registration provides access to all three days of live programming and on...
18/08/2026
BeckTV will introduce BeckFlow to the European market at IBC2026, demonstrated on the Providius stand (10.F53).
BeckFlow is a web-based schematic documentation...
18/08/2026
Boland Communications will introduce a SMPTE ST 2110 input option for its 4K monitors at IBC2026, along with a new 55-inch super-narrow bezel display for video ...
18/08/2026
Dolby Laboratories and the Seattle Seahawks have announced a partnership integrating Dolby OptiView into the Seahawks' live streaming coverage, making the S...
18/08/2026
For BMG Executive Producer of Sports Production, Graham Taylor, producing live s...
18/08/2026
TMRW Sports has appointed Rufus Hack as President of Golf, a newly created role in which he will lead the company's golf businesses including TGL presented ...
18/08/2026
SMT will provide race technology for FOX Sports' coverage of the Freedom 250 Grand Prix of Washington, D.C. on August 23, when the NTT INDYCAR SERIES races ...
18/08/2026
The live, YouTube-native roundtables combine fan voices, credentialed reporters,...
18/08/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
18/08/2026
The industry legend sounds off on replacing the Heat's iconic Medusa score...
18/08/2026
William F. Rasmussen, the sports fan-turned broadcaster and entrepreneur whose out-of-the-box idea of a 24-hour cable sports network, ESPN, changed forever the ...
18/08/2026
DAZN Group has completed its acquisition of ViewLift, a provider of streaming and digital solutions for sports content owners. The acquisition was first announc...
18/08/2026
The American Association of Professional Baseball (AAPB) has added SI TV, Sports Illustrated's 24/7 streaming channel, as a broadcast partner for the remain...
18/08/2026
The Esports Foundation has announced that the inaugural Esports Nations Cup (ENC), originally scheduled for November 2026 in Riyadh, will be postponed to Novemb...
18/08/2026
Diversified has announced a new Global Managed Services Practice, consolidating the company's managed services capabilities into one organization. Rob Mello...
18/08/2026
Appear has completed a proof of concept with Thoroughbred Racing Productions (TRP), demonstrating multi-camera remote live production over bonded 5G cellular an...
TVBEurope meets Laetitia Michetti, head of production at SCENESIS Pictures, who shares her insights into the post production world
