Sony Pixel Power calrec Sony

Oklahoma State University Gets New Baseball Home in O'Brate Stadium

27/02/2020

Oklahoma State University Gets New Baseball Home in O'Brate Stadium The venue boasts a Daktronics LED videoboard, connects to centralized control room By Kristian Hernandez, Associate Editor

Thursday, February 27, 2020 - 10:54 am

Print This Story | Subscribe

Story Highlights

Over the past two weeks, NCAA Division I baseball teams across the nation began their march on the Road to the 2020 College World Series in Omaha, NE. In the American heartland, more specifically in Stillwater, OK, Oklahoma State University is off to a 7-2 start and sits at No. 28 in the National Collegiate Baseball Writers Association poll. Having started the season in 38-year-old Allie P. Reynolds Stadium, the Cowboys will play their first-ever game in the new $60 million O'Brate Stadium when they open Big 12 Conference play on March 20.

Oklahoma State University is using this logo to commemorate the first season at O'Brate Stadium.

The construction is still ongoing but has been a smooth process, says C.J. Lickert, executive producer, Orange Power Studios, the athletic department's video-production unit. This brand-new stadium comes with new technology and connectivity that will enable better coverage for our fans inside of the venue as well as those watching on Big 12 Now on ESPN+.

From Fixed Digital to LED: OSU Crew Adapts to Modern Videoboard

To students or fans attending a ballgame for the first time, the amenities at O'Brate Stadium may seem like the standard, but, when the 1981 season opened at Allie P. Reynolds Stadium, fans in attendance were dazzled by what was then the latest and greatest in in-venue technology. Though upgraded over the years, the scoreboard's two-dimensional imaging and mostly stationary information like statistics and out of town scores severely limited Orange Power Studios' productions.

Fast forward to 2020, and this antiquated scoreboard has become obsolete. When the crew fires up content for the first pitch in O'Brate Stadium, the focal point will be a 28.8-ft.-high by 67.2-ft.-wide Daktronics LED videoboard beyond the left-field wall.

Construction having begun in March 2018, the exterior shell of the venue begins to take shape after a year's worth of work.

The biggest change in technology will be the move from a fixed-digit scoreboard to the use of a Daktronics LED board for scoring and video, says Lickert. This will give us the ability to display more statistical information as well as provide even more replays.

With the videoboard, which covers 2,000 sq. ft. of digital real estate, combining visual elements with the customary facts and figures will set O'Brate apart from the previous digs. In a fresh, more modern environment, the entire OSU baseball fanbase will benefit from this project, which broke ground in March 2018.

Overall, O'Brate Stadium will greatly improve our in-venue productions of Oklahoma State Baseball, Lickert says. Since OSU started playing in Allie P. [Reynolds Stadium] in 1981, there has been a number of upgrades along the way for the fan experience as well as in the locker room and the coaches offices. As for the older facility, it does not compare with what O'Brate will be able to provide in terms of technology.

The structure for the LED videoboard was set in place by late August 2018, past the outfield wall above the left-field concourse.

Besides enhanced technology, the new stadium will feature 3,500 permanent seats, 11 suites, and 400 premium seats in club and suite areas. The park has the ability to expand to 8,000 seats when necessary. Inside, a 7,400-sq.-ft. locker room will give players a home away from their dorms, and, on the educational end of the spectrum, a 50-person classroom with tiered seating will allow optimal film sessions or other visual presentations.

Midseason Move: Orange Power Studios' Relies on Two Centralized Control Rooms

Having opened its doors on April 4, 1981, Allie P. Reynolds Stadium has been the campus cathedral of baseball for nearly four decades. With its closure a month into the 2020 campaign, there will be a bit of a transition period between the final game in the old confines on March 15 and the first game in the new place five days later.

To ease the chaos that accompanies such a transition, Orange Power Studios' central hub in the west end zone of football's Boone Pickens Stadium will be at the ready. The centralization will come in handy during this stressful process.

We have preexisting, centralized control rooms with fiber connecting [them] to our sports facilities, says Lickert. We use these two control rooms for both our in-house and Big 12 Now on ESPN+ productions.

A 50-person classroom can accommodate a multitude of uses from team film sessions to other visual presentations.

In the broadcast-control room, Ross Video is at the center of operations with an Acuity production switcher, Xpression graphics, Abekas Mira replay systems, and Tria servers for video playback. In addition, ChyronHego's Duet CGs are on hand to deliver graphics to the screen. In the videoboard-control room, Daktronics Show Control will handle graphics needs for each baseball game.

Since being created in 2013, the production department's improved working space has allowed it to further expand its staff. The turning point came with the introduction of in-venue-production responsibilities.

We use a mix of freelancer, full-time [staffers], and students for our crew, notes Lickert. In previous years, without the big screen, the broadcast productions had an 18- to 20-person crew with eight to 10 freelancers, six to eight students, and two full-timers. With the addition of the in-house shows, this number rose to 26-28 crew members with a slightly more student-heavy ratio.

Show and Tell: New Venue Sweetens Recruitment, Campus-Wide Support
LINK: https://www.sportsvideo.org/2020/02/27/oklahoma-state-university-gets-...
See more stories from svg

North America Stories

21/04/2026

Live From NAB 2026: BitFires Colin Bonzey on Growing Spark Platform for Live Cloud-Based Productions

Cloud-based production isnt going anywhere, and BitFire is doubling down by prov...

21/04/2026

Live From NAB 2026: AWSs Jason Dvorkin, Regina Rossi on Driving Innovation With Al-Based Workflows

The topic of artificial intelligence has a stranglehold on the sports-video-prod...

21/04/2026

Live From NAB 2026: T-Mobile for Business' Jason Schnellbacher on Enhancing 5G for Sports Fans, Broadcasters

5G is still a hot topic in live event production, and this workflow continues to...

21/04/2026

Live From NAB 2026: Appears Ed McGivern on Fox Sports Deal, New XM Platform, and VX Software Debut

At the 2026 NAB Show, Ed McGivern, GM and President of Appear US, discusses the ...

21/04/2026

NAB 2026: Studio Network Solutions launches on-premise AI suite for media production workflows

Studio Network Solutions (SNS) has announced an on-premise AI suite designed for...

21/04/2026

NAB 2026: Suite Studios integrates file-streaming technology into Frame.io Drive

Suite Studios has integrated its file-streaming technology into the newly announced Frame.io Drive, a desktop application from Adobe company Frame.io. The colla...

21/04/2026

NAB 2026: Net Insight integrates InSync FrameFormer into Nimbra Edge for media processing

Net Insight has integrated InSync Technology's FrameFormer into the Nimbra E...

21/04/2026

NAB 2026: Fox Sports selects Appear X Platform for live production infrastructure

Fox Sports has selected Appear as a technology partner to support the next phase...

21/04/2026

NAB 2026: Diversified appoints Tyler Affolter as Chief Revenue Officer

Diversified has appointed Tyler Affolter as Chief Revenue Officer (CRO) to lead the company's commercial organisation. The appointment follows the firm'...

21/04/2026

NAB 2026: Layercake integrates Bitmovin into Streamcake platform for end-to-end media orchestration

Layercake has formalised the integration of Bitmovin's video streaming infra...

21/04/2026

NAB 2026: International Judo Federation extends global content distribution partnership with SES

The International Judo Federation (IJF) has extended its distribution partnershi...

21/04/2026

NAB 2026: Glookast integrates Cinnafilm Tachyon plugin to enable GPU-accelerated video processing

Glookast has launched the Cinnafilm Tachyon plugin for its Media Producer and Me...

21/04/2026

NAB 2026: Cadena Tres selects Eutelsat for television signal distribution in Mexico

Eutelsat has entered into an agreement with Cadena Tres, a division of Grupo Ima...

21/04/2026

NAB 2026: Dolby and TV Azteca deploy Dolby Atmos for free-to-air broadcast

Dolby Laboratories and TV Azteca have partnered to introduce Dolby Atmos immersive audio to free-to-air television broadcasts. The implementation utilises the A...

21/04/2026

Verizon and FOX Entertainment leverage 5G and AI for remote production of Extracted

FOX Entertainment partnered with Verizon to overcome significant production hurd...

21/04/2026

NAB 2026: Osprey Video to showcase expanded IP infrastructure and orchestration at NAB Show 2026

Osprey Video has announced its technology showcase for the NAB Show 2026, highli...

21/04/2026

NAB 2026: Riedel introduces IP-based production updates including multiviewer, commentary control and audio connectivity solutions

Riedel Communications (Booth C4908) introduced a range of new solutions at NAB S...

21/04/2026

SportsTechBuzz at NAB 2026, Day 3: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

21/04/2026

NAB 2026: Blackmagic Design Announces URSA Cine Immersive 100G and URSA Cine Live Encoder

Blackmagic Design has announced the URSA Cine Immersive 100G, an immersive cinem...

21/04/2026

Live From NAB 2026: Clark Wire & Cables David McCarthy Showcases New Connectivity, Enclosure Solutions for Modern Broadcast Workflows at NAB Show 2026

Clark Wire & Cable is continuing its evolution from cable supplier to full-scale solutions partner for broadcast and live production. At the 2026 NAB Show, we s...

21/04/2026

Ricky Sensitively Portrays a Post-Incarceration Coming-of-Age

Rashad Frett attends the 2025 Sundance Film Festival premiere of Ricky at Eccles Theatre on January 24, 2025, in Park City, UT. (Photo by George Pimentel/Shut...

21/04/2026

MAS and Lockheed Martin Announce F-35 Sustainment Partnership in Quebec

MAS and Lockheed Martin partner to establish an F-35 depot in Canada, enabling in-country sustainment and creating high-skilled aerospace jobs....

21/04/2026

Nielsen data shows Australian outdoor and sport retailers are changing how they advertise to win over outdoor enthusiasts

Advertising strategies shift as competition grows for a large, active and qualit...

21/04/2026

ATSC Celebrates 3.0's Global Expansion

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

Cinematic Feel Makes Survivor' Built to Last

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

Live Event Technology Expands Fan Engagement

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

MS NOW Uses Community to Build Up Its Brand

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

Why Broadcast Is Well-Positioned to Safeguard Freedom of Speech

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

AWS Demos AI Tools to Deliver Vertical Video

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

Video Podcasting Leaps in Popularity

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

Audio Systems Get Boost From Cloud and AI

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

Layercake Deepens Bitmovin Integration to Power End-to-End Media Orchestration with Streamcake

Layercake Deepens Bitmovin Integration to Power End-to-End Media Orchestration w...

21/04/2026

Cobalt Digital Announces Launch of blueCORE at NAB Show 2026: Compact Powerhouse Signal Processors for SDI and ST 2110 Workflows

Cobalt Digital Announces Launch of blueCORE at NAB Show 2026: Compact Powerhouse...

21/04/2026

On-Premise AI Suite from Studio Network Solutions Debuts at NAB Show 2026

On-Premise AI Suite from Studio Network Solutions Debuts at NAB Show 2026 Melanie Ciotti April 21, 2026 0 Comments Unlimited processing, no cloud depe...

21/04/2026

IBC appoints Tim Banham as Chief Commercial Officer to dr...

London, 21 April 2026 IBC today announced the appointment of Tim Banham as its first Chief Commercial Officer (CCO), a newly created role that reflects the or...

21/04/2026

Motion Design Tools - April 2026

Motion Design Tools - April 2026 Roland Kahlenberg April 21, 2026 0 Comments Within 2 days, Maxon and Canva announced pro-level motion design apps - A...

21/04/2026

Chaos and Zero Density to Showcase Real-Time Ray Tracing for Virtual Studios and XR

Chaos and Zero Density to Showcase Real-Time Ray Tracing for Virtual Studios and...

21/04/2026

Diversified Appoints Tyler Affolter Chief Revenue Officer

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

TV Azteca to Bring Dolby Atmos to Free-To-Air TV in Mexico

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

Maxon Announces Free Tools and Mobile Expansion of ZBrush...

Cinema 4D brings professional 3D workflows to iPad. The return of Autograph now free for individual users. ZBrush expands to Windows on Arm. See it all at NAB...

21/04/2026

Bitfocus improves availability, security and user managem...

Software version 1.6 extends enterprise functionality to place Buttons at the heart of media operations at any scale Bitfocus, the Norwegian software develope...

21/04/2026

Cobalt Digital Announces Launch of blueCORE at NAB Show 2...

Cobalt Digital Announces Launch of blueCORE at NAB Show 2026: Compact Powerhouse Signal Processors for SDI and ST 2110 Workflows Compact, multi-function stan...

20/04/2026

Live From NAB 2026: Sonys Hugo Gaggioni Highlights HDR Advances, Software-Defined Workflows

At the 2026 NAB Show, Sony is showcasing a broad slate of innovations across liv...

20/04/2026

Live From NAB 2026: Fujinons Stosh Durbacz on Expanding the 4K Broadcast Lens Lineup With New Portable Zooms, 94x Box Lens

Fujifilm is sharpening its focus on core broadcast production with a new wave of...

20/04/2026

Live From NAB 2026: Rock-It Sports' John Walberg on Powering Logistics, Shipping for the 2026 FIFA Men's World Cup

This upcoming summer in North America is going to be a busy one. The 2026 FIFA M...

20/04/2026

NAB 2026: Glookast outlines product updates including Media Producer UX, connectors and Premiere Pro panel

Glookast (Booth W1661) announced a series of product updates at NAB Show 2026, c...

20/04/2026

NAB 2026: Matrox Video and Amagi collaborate on cloud-based broadcast workflows using ORIGIN framework

Matrox Video and Amagi announced a collaboration to integrate the Matrox ORIGIN ...

20/04/2026

NAB 2026: Riedel SimplyLive supports expanded centralised VAR system for Argentina football league

Riedel Communications (Booth C4908) announced that the Asociaci n del F tbol Arg...

20/04/2026

NAB 2026: Ikegami introduces VFE-P07D OLED viewfinder with integrated LCD monitor

Ikegami (Booth C3819) announced the VFE-P07D monocular OLED viewfinder at NAB Sh...