MIAMI, Florida - October 2024 - Bob Marley was larger than life, and the sheer scale of The Marley Brothers: The Legacy Tour reflected that. The recent outing, featuring five of his sons-Ziggy, Stephen, Julian, Ky-Mani and Damian-boasted a total of 19 musicians, singers, and one Rastafarian flag-waver onstage for the tour, which kicked off in Vancouver and concluded in Miami in early October. The Legacy Tour is notable in part because it marked the first time that the siblings have performed together on the road in two decades. But it's breathtaking to have had that many artists onstage at the same time. Small wonder then that monitors alone required two engineers manning two consoles-both DiGiCo Quantum338 desks-in addition to a Quantum852 used at front of house. The three desks collectively shared three SD-Racks with 32-bit Stadius pre-amp cards on an Optocore loop, with one SD-Rack on the secondary loop at front of house providing AD/DA conversion for outboard gear, all provided by Clair Global, along with an L-Acoustics K1/K2 PA system with A15 and A10 fills.
In addition to a huge stage to manage, it was a demanding tour, says Jason Redz Reynolds, the journey's monitor engineer for the 18 Wisycom IEMs the production used. Twenty-three shows in four weeks-grueling but energizing, he says as the tour neared its Miami finale. But also complex, as Reynolds shared monitor duties with Steve Thom, who was mixing all of the d&b audiotechnik M2 wedges and a J8/J-SUB stack per side for the stage, in a rare large-scale blend of speaker and IEM monitor infrastructure. Only two of the brothers-Ziggy and Ky-Mani-are on in-ears, while Stephen, Damian, and Julian are all on wedges and side-fills, he explains. I mix the ears and Steve mixes the speakers. It's unusual to see that these days, but it's what each artist onstage needs.
Adds Thom, It is a little bit like two separate worlds: Jason's fairly self-contained in his IEM world and I'm fairly self-contained in my monitor world. But we do overlap on the input side of things, where he may be able to notice something has a little bit of a buzz or a little bit of a hum on it that I may not notice because there's just so much noise going on out on deck. He's got his IEMs directly in his ears, isolated, so he can hear some of those little nuances a little bit better than I can. We work together and share the same Quantum platform.
Reynolds says the Quantum338 has been the perfect desk for this complex production, noting that its three very bright screens make using the consoles outdoors very effective, even in the brightest sunlight. We used to be on Quantum5 desks, but this tour is an amphitheater tour, so we're outside and our soundchecks are in the daytime, he explains. So the major upgrade from the Q5s has been the screens.
Processing is also part of the charm for him. I'm using quite a bit of Nodal Processing as well as Mustard processing, he says. I'm using Nodal Processing mainly on the drummer because of how he likes to hear his drums versus how everybody else needs them: a lot less compression on his rim, his side stick mic, and other stuff to make him comfortable, but different processing for everybody else. And then some Mustard processing to give it a little bit of an analog sort of flavor.
When you get down into connectivity, which is a major thing for me, especially since I'm using quite a bit of MADI, having the two DMI slots onboard is a major boost. With 95 inputs coming from the stage, not including talkbacks, I would need eight MADI ports (four pairs) to be able to have 128 channels of multitrack recording and virtual soundcheck along with 128 channels going to my KLANG:konductor, running at 96kHz. The additional connectivity options that are available with the DMI slots make this possible. The connectivity you find on Quantum consoles is absolutely unparalleled.
Reynolds says that the integration between the consoles and the KLANG:konductor is next-level. It's what enables me to give every IEM user onstage exactly the kind of immersive mix they want, he says. I've been using KLANG pretty much since the beginning, since 2018, starting with the :fabrik. I find it very difficult to go back to mixing in stereo; I can't get the space in the mix that I can achieve with KLANG. My approach is creating space in the mix as you would if you're mixing a record. So putting things in the right places, where they can be heard without over-EQing and over-processing them to create that space, is what the :konductor gives me.
What that translates into is a near-studio experience onstage. That's what we're trying to accomplish, says Reynolds. It's why Steve [Thom] mixes the side-fills almost like a PA mix, like it's a full mix. We want it sounding as close to the record as possible. And we can accomplish that with DiGiCo and KLANG.
Steve Thom is focused exclusively on the stage's wedge and side-fill monitors. He says the band members and vocalists who prefer that kind of monitoring want a front-of-house type mix onstage, and the Quantum338 console he pilots allows him to give them exactly what they want. I'm using the Spice Rack a fair bit. I'm actually using the Naga 6 [multiband dynamic EQ], and I've got one instance of the Chilli 6 [six-band, dynamic, multiband compressor/expander] on the side-fill mix, and every vocal mic has its own instance of the Naga, just to help smooth out some of the tonality coming through the wedges, explains Thom, who also acts as audio crew chief on the tour. So when the brothers hit certain notes, they don't just stand out or sound harsh or anything like that. It's a great tonality-smoothing tool.
I'm also using a fair bit of the Mustard processing: different flavors of com
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Zero in on one that says yes (and no)
Andy Marken May 29, 2026
0 Comments
Hero image courtesy of Deposit Photos
For content creators the most difficu...
29/05/2026
With InfoComm 2026 just weeks away, NDI is giving attendees plenty of reasons to...
29/05/2026
Reaffirming a partnership that has defined Canadian sports broadcasting since 19...
29/05/2026
Mobile/tablet is No. 2 device for watching TV, suggesting that the sports-production industry needs to take another look at the format
Ring Digital's Sprin...
29/05/2026
Berliner Ensemble, one of Berlin's five major theater companies, has expande...
29/05/2026
Solid State Logic will showcase its new compact, fly-away TCA Tour audio product...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, passed away last month on April 12 ...
29/05/2026
Paramount+ will be the English-language U.S. home for Barclays Women's Super...
29/05/2026
Further strengthening its virtualisation strategy to fully support broadcasters ...
29/05/2026
Swiss broadcaster Canal Alpha has deployed Harmonic's award-winning, software-based XOS Advanced Media Processor to modernize playout operations across cant...
29/05/2026
PTZOptics will showcase a new generation of intelligent video workflows at InfoComm 2026, June 17-19, Las Vegas. Visitors to booth N8227 will see how PTZOptics ...
29/05/2026
Arizona's Family has launched the Arizona's Family Sports (AZFS) streaming app, a new direct-to-consumer destination for live, local sports. The app is ...
29/05/2026
Starting in 2027, DAZN will be the exclusive home of The Canadian Football Leagu...
29/05/2026
Comcast Business has detailed the advanced network infrastructure it has deploye...
29/05/2026
In two-day event, leaders from academia and industry explored solutions to chall...
29/05/2026
The Basketball Tournament (TBT), now entering their 13th year of competition, ha...
29/05/2026
Roku has launched FOX One as a Premium Subscription on The Roku Channel in the U.S. Roku customers can now subscribe to FOX One using their Roku account for liv...
29/05/2026
In its sixth year, the broadcaster's coverage has become a global brand and ...
29/05/2026
Ratings Roundup is a rundown of recent ratings news and is derived from press re...
29/05/2026
The days are getting longer, the temperatures are rising, and playlists are filling up for the season. With summer around the corner, Spotify's global edito...
29/05/2026
New retro-inspired MPC announced
There are few devices that have gained the status held by Akai Pro's MPC range, and in recent years, the company have s...
29/05/2026
Save up to 30 on acclaimed titles
Following a successful launch at Superbooth 2026, Bjooks have revealed that they will be continuing the Kickstarter campa...
29/05/2026
Binaural monitoring application improved
Genelec have just released an update that brings some powerful new features to their HRTF-based binaural headphone ...
29/05/2026
6 June 2026 at SAE Institute, London, UK
IMSTA FESTA 2026 is almost upon us, with some of the biggest names in pro-audio set to descend upon SAE Institute i...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, died April 12, 2026, at his home in...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Comparing 5 AI Video Enhancers for Restoring Old Video Quality
Kate Luvis May 29, 2026
0 Comments
Digitizing VHS, MiniDV, and other legacy formats doe...
29/05/2026
Studio Hamburg Builds New Post Pipeline with DaVinci Resolve Studio
Brie Clayton May 29, 2026
0 Comments
Workflow replaces a patchwork of legacy tools...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
At the Intersection of Music and Dance, an Epic Collaboration Boston Conservatory musicians and dancers found creative parallels in their recent performance o...
29/05/2026
May 29 2026, 09:00 (PDT) Dolby and rednote Bring More Immersive Storytelling to...
29/05/2026
Something fundamental has shifted in how people consume media. Audiences aren't abandoning television or radio content; they're just expanding how, wher...
29/05/2026
Youtube exclusive special drops today
Watch now
UKTV today announces another e...
29/05/2026
Back to All News
The Official Trailer of Physical 100 Italy, on Netflix From Se...
29/05/2026
Genelec announces V2.1 for Aural ID binaural headphone monitoring application posted: 29/05/2026
Aural ID 2.1 enhances binaural monitoring for stereo and ...
29/05/2026
At just 20 years old, Sean Melia from Summerhill Co. Meath has been revealed as the winner of Super Garden 2026. Sean is the youngest ever contestant and winner...
MIAMI, Florida - October 2024 - Bob Marley was larger than life, and the sheer scale of The Marley Brothers: The Legacy Tour reflected that. The recent outing, featuring five of his sons-Ziggy, Stephen, Julian, Ky-Mani and Damian-boasted a total of 19 musicians, singers, and one Rastafarian flag-waver onstage for the tour, which kicked off in Vancouver and concluded in Miami in early October. The Legacy Tour is notable in part because it marked the first time that the siblings have performed together on the road in two decades. But it's breathtaking to have had that many artists onstage at the same time. Small wonder then that monitors alone required two engineers manning two consoles-both DiGiCo Quantum338 desks-in addition to a Quantum852 used at front of house. The three desks collectively shared three SD-Racks with 32-bit Stadius pre-amp cards on an Optocore loop, with one SD-Rack on the secondary loop at front of house providing AD/DA conversion for outboard gear, all provided by Clair Global, along with an L-Acoustics K1/K2 PA system with A15 and A10 fills.
