Fox Sports Continues 1080p HDR Push With RailCam, Megalodon at 2022 Big East Tournament Digital-centric camera rounds out the 30-camera broadcasts By Kristian Hern ndez, Associate Editor
Friday, March 11, 2022 - 10:23 am
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Packed with upsets, close calls, and high-intensity action, the Big East Tournament is nearing its latter rounds at Madison Square Garden. For the conference's 40th consecutive competition at the World's Most Famous Arena, Fox Sports is highlighting each game with 1080p HDR workflows, a high-speed RailCam, a courtside Megalodon, and a hefty onsite presence.
Doug Fuchs is one of 150 Fox Sports staffers onsite at Madison Square Garden for the Big East Tournament.
Our crew is working more efficiently with [1080p HDR] every year that we do it, says Sarita Meinking, executive director, field operations, Fox Sports. The engineers that we have here are crucial to the production process.
Big Tech in the Big Apple: RailCam, Megalodon, 1080p HDR Workflows Since this is the third tournament produced at 1080p HDR, the broadcaster is accustomed to this flavor of production. Housed in Game Creek Video Encore, the same mobile unit that was used for the Daytona 500, the crew is augmenting the 10-game showcase with a handful of specialty cameras.
Most notable making its return is RailCam. Positioned on a 97-ft. track running the length of the floor, the robotic camera can cover 4 meters of the court per second. The production deploying two different cameras for this movable rig that gives fans a floor-level view: a Sony HDC-P31 with a tight lens and a Sony HDC-P50 with a wider lens. It all comes down to the preference of the person at the front bench.
Each director has their own unique look, says Doug Fuchs, manager, field operations, Fox Sports. Rich Russo likes more of a close-up look for the first half of games, and Brian Lilley likes more of a wide look for the second half of games.
RailCam is using a Sony HDC-P31 or Sony HDC-P50 at this year's Big East tourney.
This year's iteration of the RailCam is operated by two people: Matt Lassandro controls pan/tilt/zoom, and Frank Scacciaferro drives the rig up and down the track. This camera system has been covered a number of Big East Tournaments, but the broadcaster is always aiming to improve the way the device is handled.
Our goal is to have zero stutters when you see it stop and go [down the track], says Meinking. We change something every year to make these shots look as flawless as we can.
Another camera returning to the Garden is the highly popular Megalodon. Camera operator Jarrod Ligrani is behind the handheld, capturing cinematic shots of the players, benches, mascots, and more during pauses in the action. With fans once again in the stands, he also provides shots of the student section and pep bands.
One new addition to the mix is a camera dedicated to the digital-only live stream on the broadcaster's college-basketball Twitter feed. Fans are able to vote on what they'd like to see on any given game, and the selection receiving the most votes makes up this alternate-viewing option. For example, fans chose a camera concentrated on the Providence front court during the Friars' 65-61 victory over the Butler Bulldogs in Thursday's quarterfinals matchup. The main broadcast is also able to grab this feed and integrate it into the linear telecast.
Fox Sports' Jarrod Ligrani controls the courtside Megalodon.
The entire complement adds up to 30 cameras. Sony HDC-4300's and Sony HDC-5500's anchor the game's production, joined by four super-slo-mo cameras and six DreamChip POVs (one on each stanchion, two behind the glass, two in the hallways leading to the court). NEP Fletcher is supplying all robotic cameras.
Nationwide Productions: Remote Resources Support Tourneys in New York and Las Vegas College-basketball postseason is a busy time for Fox Sports. Besides back-to-back games in New York, the broadcaster is also responsible for production of three games in the Pac-12 Tournament: last night's quarterfinals tie between University of Washington and USC at 11:30 p.m. ET on FS1, tonight's semifinals finale featuring UCLA and USC at 11:30 p.m. on FS1, and the championship game on tomorrow at 9 p.m. on Fox. The entire competition, which is also being covered in 1080p HDR, is being played at T-Mobile Arena in Las Vegas. The staff in New York is using incoming and outgoing Haivision paths to link the onsite compound with the remote team in the broadcaster's Los Angeles facility, and, for the first time the L.A.-based team is deploying a full Home Run Production (the broadcaster's term for remote production) for the games in Las Vegas.
We're working with Pac-12 Networks and the conference on this new experience for us, says Meinking. We have pregame, postgame, and halftime coverage along with a slew of onsite cameras as well.
Fox Sports is balancing production of the two tournaments. The broadcaster was focused on games for the Big East Women's Basketball Tournament from Saturday, March 5 to Monday, March 7 at Mohegan Sun Arena in Uncasville, CT. This 10-game tournament was another Home Run Production and derived from Fox Sports' facility in Charlotte, NC.
Game Creek Video Encore is parked in the television compound at Madison Square Garden.
Planning for three tournaments was a lot of work, but we had multiple calls to coordinate all of our crews, says Meinking. It's a challenge, but we have the right people where they need to be.
Lively Onsite Presence: Studio Shows, 150-Person Team Travel to Manhattan Although the Pac-12 Tournament is being produced out of Los Angeles, Fox Sports has a large contingent of production professionals in New York City. The 150-person team is not o
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Fox Sports Continues 1080p HDR Push With RailCam, Megalodon at 2022 Big East Tournament Digital-centric camera rounds out the 30-camera broadcasts By Kristian Hern ndez, Associate Editor 
