Sony shows Camerimage 2016 new creative possibilities for film Los asistentes pueden ver las ltimas soluciones en acci n y, durante el festival, los principales directores est n compartiendo sus experiencias de uso con las soluciones CineAlta como la F55 y la F65 o el nuevo grabador de memoria port til AXS-R7.
Sony vuelve a este a o a Camerimage, que se celebra hasta el d a 19 en Bydgoszcz (Polonia), para presentar su creativa gama de cinematograf a digital CineAlta al completo, dise ada para ayudar a los directores de cine a capturar un nivel de detalle 4K, color y contraste sorprendentes. Los visitantes podr n ver toda la gama CineAlta, incluidas la F55 y la F65, junto con el nuevo grabador de memoria port til AXS-R7.
El resistente AXS-R7 se acopla perfectamente a las c maras CineAlta F5 y F55 para agilizar el flujo de trabajo de producci n 4K sin sacrificar la calidad, duplicando la grabaci n 4K de 60 fps a 120 fps con la F55. Su durabilidad lo vuelve perfecto para la realizaci n de documentales, as como para la producci n diaria. Sony mostrar tambi n su formato de grabaci n X-OCN (negativo de c mara original de gama de tonos ampliada, por sus siglas en ingl s) de 16 bits, cuando se utiliza con el AXS-R7, que incluye un nuevo y potente algoritmo para procesar los datos originales, lo que reduce los costes de almacenamiento multimedia al tiempo que garantiza la calidad de imagen. De este modo se consigue, por ejemplo, un 4K HDR rentable a la vez que se mantiene la m xima calidad a 16 bits.
Sony tambi n est mostrando el nuevo flujo de trabajo de la F65 con Pomfort, con etalonaje en directo durante el rodaje, y nuevas mejoras en soluciones de copia de seguridad y archivado, como el archivo de disco ptico (ODA) de Sony, desarrollado para ayudar a los cineastas a cuidar de la parte m s importante de la producci n: el contenido.
Sebastian Leske, responsable de marketing de cinematograf a en Sony Professional Solutions Europe, se ala que cada vez m s directores de fotograf a deciden grabar en 4K y alto rango din mico (HDR) debido a las nuevas posibilidades creativas que ofrece. Nuestra gama CineAlta se ha convertido en la elecci n de los directores de cine con la vista puesta en el futuro, que desean aprovechar las ventajas de estas tecnolog as para crear im genes que ofrecen el m ximo impacto emocional en pantalla .
Los asistentes podr n ver las ltimas soluciones en acci n y, durante el festival, los principales directores compartir n sus experiencias de uso con las soluciones de Sony. El cineasta Woody Allen eligi el modelo Sony CineAlta para su primera grabaci n digital,Cafe Society, que inaugur el Festival de Cine de Cannes a principios de este a o. El respetado directo de fotograf a Vittorio Storaro, que grab la pel cula con la c mara CineAlta F65 de Sony, ha comentado que la expresi n visual se remonta a la pinturas rupestre, luego la pintura sobre madera y sobre lienzo, la fotograf a en blanco y negro, en color, y el 3D. Ahora es el momento de lo digital. A lo largo de todos mis experimentos, me he esforzado por alcanzar un cierto nivel que me permitiese trabajar con comodidad. La nica c mara que, en mi opini n, est a la altura es la F65 de Sony, y no solo porque permite obtener im genes en 4K en color de 16 bits, que es lo m s cercano al nivel de la pel cula, aunque todav a no sea equiparable .
The title EPICs next premiere Billy Lynns Long Halftime Walk, dirigida por Ang Lee, constituye otro ejemplo de pel cula de ltima generaci n filmada con la F65. Los visitantes podr n disfrutar de un adelanto de la experiencia cinematogr fica del futuro con el tr iler en 4K/HDR en el estand de Sony.
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Sony shows Camerimage 2016 new creative possibilities for film Los asistentes pueden ver las ltimas soluciones en acci n y, durante el festival, los principales directores est n compartiendo sus experiencias de uso con las soluciones CineAlta como la F55 y la F65 o el nuevo grabador de memoria port til AXS-R7. 
