Sony Pixel Power calrec Sony

Live From Daytona 500: BSI Prioritizes Consistent Testing, Driver Safety With Visor Cam

16/02/2020

Live From Daytona 500: BSI Prioritizes Consistent Testing, Driver Safety With Visor Cam The company is using the iconic race to test improvements to picture quality By Kristian Hernandez, Associate Editor

Saturday, February 15, 2020 - 5:40 pm

Print This Story | Subscribe

Story Highlights

Embracing a stock-car-racing lifestyle comes with risks. Reaching speeds upwards of 200 mph, drivers face danger at every turn. At the Daytona 500, Broadcast Sports International (BSI) will give fans a glimpse of what it's like behind the wheel with Visor Cams on the helmets of two participating drivers: No. 48 Jimmie Johnson and No. 77 Ross Chastain.

The helmet of both Jimmie Johnson (pictured here) and Ross Chastain will be equipped with a Visor Cam.

NASCAR has been great over the years about having this gear in the cars, says Peter Larsson, president, BSI. They've really gone a long way to make sure that the cars that aren't carrying a camera have the equivalent weights and aerodynamic shape.

MORE FROM DAYTONA 500

Fox Sports Headlines 20th Consecutive Year With FPV Racing Drone, 80-Ft. Strada Crane

SMT Digitizes 62-Year-Old Race With Broadcast, Team Data-Tracking

Fox Sports' Mike Davies and Dave Hill Preview the Network's 20th Consecutive Season

NASCAR Productions Embraces At-Home Production Model for Super Bowl of Racing

Game Creek Video Provides Total Structural Backbone in the Compound

Fox Sports Stresses Audio From the Loudest Sport on Earth

Photo Gallery: A Weekend at the Daytona 500

Guess and Check: Testing Becomes a Crucial Step in the Process

In special cases like the Visor Cam, the BSI team did their due diligence in the research and development lab. Over the past six months, testing was done to ensure that Johnson and Chastain would be equipped with a reliable and durable product.

There were tests where they would put the helmet on a big steel block and drop these heavy weights on it, because one of the big things that you didn't want to happen was there be enough mass or solidness left in the camera that it could split the helmet open in a severe impact, says Larsson. There also was a lot of sled testing where they would put a dummy in a sled with weight and slide it down a 30-ft. path into a brick wall.

In the testing stages, the technical team wanted to make sure that, during a crash, the camera would essentially disintegrate and detach from the driver's helmet.

There's a certain range of motion that your neck can expand before it will sustain any permanent damage, he says. [NASCAR] wanted to see if there was going to be an increase in movement because of the extra weight. So they did an awful lot of work to make sure that there'd be no extra danger.

Some drivers may deem this application a bit intrusive, but BSI reassured them on the effort's intended purpose and gained their trust.

The biggest concern was an issue of liability because there's a big difference between a driver's choosing to put a GoPro-esque device on a helmet and our telling them to do it, Larsson explains. There are still some drivers that say no, and that's fine, but we tried to make [this device] as small, light, and non-intrusive as possible.

These helmet POV cameras will give fans a view from the driver's perspective.

Prepare for the Worst: Development for Possible Contingency Plans

As Johnson and Chastain fly down the track, the chance of these POV cameras going offline greatly increases. Despite all the testing that these cameras went through, a high-speed impact could potentially do severe damage. All Larsson and his team can do is hold their breath and hope for the best possible result.

It's in the lap of the TV gods at that point, says Larsson. In the old days at Daytona, the pit stops, albeit intense, were a little more leisurely. [NASCAR] would actually let us get in and get to the stuff in the car. [My team] does a good job at testing, but it's just going to be what it's going to be.

In case something actually breaks, BSI has a building in the infield near pit row that turns into a makeshift repair shop.

If it breaks, he explains, you can get two bad pieces and get enough to create substantial machining capabilities back in the office. The camera shop will fix anything that we send them. We lose very few [cameras], he adds. If there is a wreck or something like that, the only time we actually lose equipment is if there's a fire or when the cars [slide] into the wall.

Same Sport, Different Procedure: How Visor Cam Changes for Indy 500

NASCAR isn't the only motorsport where Visor Cams make an appearance. In 3 months, the Indianapolis 500 will deploy these cameras on certain drivers on the IndyCar circuit. Besides the car's being an entirely different structure, other challenges come with what would seem a similar camera deployment.

The basic concepts are the same, Larsson points out. Indy is a specific animal just because the speeds are so fast, and, with the catch fencing, the RF is more difficult.

RF implementation varies given the different capacities at each venue. Indianapolis Motor Speedway, for example, seats about 235,000 people and, with the area in the infield, can accommodate about 400,000. Daytona International Speedway, on the other hand, seats about 101,500 people, with a maximum of about 168,000 including the infield.

You go up there, set up, test, and you think everything's all right, but, when race day comes [at the Indy 500], everything is totally different because you start getting all these microwaves that are sitting in the stands, Larsson adds. Since Daytona is a much more open environment, the [team] has a lot more experience to know exactly where things need to be to get a better product out there.

Always Improving: BSI Uses Daytona T
LINK: https://www.sportsvideo.org/2020/02/15/live-from-daytona-500-bsi-prior...
See more stories from svg

North America Stories

21/04/2026

Live From NAB 2026: BitFires Colin Bonzey on Growing Spark Platform for Live Cloud-Based Productions

Cloud-based production isnt going anywhere, and BitFire is doubling down by prov...

21/04/2026

Live From NAB 2026: AWSs Jason Dvorkin, Regina Rossi on Driving Innovation With Al-Based Workflows

The topic of artificial intelligence has a stranglehold on the sports-video-prod...

21/04/2026

Live From NAB 2026: T-Mobile for Business' Jason Schnellbacher on Enhancing 5G for Sports Fans, Broadcasters

5G is still a hot topic in live event production, and this workflow continues to...

21/04/2026

Live From NAB 2026: Appears Ed McGivern on Fox Sports Deal, New XM Platform, and VX Software Debut

At the 2026 NAB Show, Ed McGivern, GM and President of Appear US, discusses the ...

21/04/2026

NAB 2026: Studio Network Solutions launches on-premise AI suite for media production workflows

Studio Network Solutions (SNS) has announced an on-premise AI suite designed for...

21/04/2026

NAB 2026: Suite Studios integrates file-streaming technology into Frame.io Drive

Suite Studios has integrated its file-streaming technology into the newly announced Frame.io Drive, a desktop application from Adobe company Frame.io. The colla...

21/04/2026

NAB 2026: Net Insight integrates InSync FrameFormer into Nimbra Edge for media processing

Net Insight has integrated InSync Technology's FrameFormer into the Nimbra E...

21/04/2026

NAB 2026: Fox Sports selects Appear X Platform for live production infrastructure

Fox Sports has selected Appear as a technology partner to support the next phase...

21/04/2026

NAB 2026: Diversified appoints Tyler Affolter as Chief Revenue Officer

Diversified has appointed Tyler Affolter as Chief Revenue Officer (CRO) to lead the company's commercial organisation. The appointment follows the firm'...

21/04/2026

NAB 2026: Layercake integrates Bitmovin into Streamcake platform for end-to-end media orchestration

Layercake has formalised the integration of Bitmovin's video streaming infra...

21/04/2026

NAB 2026: International Judo Federation extends global content distribution partnership with SES

The International Judo Federation (IJF) has extended its distribution partnershi...

21/04/2026

NAB 2026: Glookast integrates Cinnafilm Tachyon plugin to enable GPU-accelerated video processing

Glookast has launched the Cinnafilm Tachyon plugin for its Media Producer and Me...

21/04/2026

NAB 2026: Cadena Tres selects Eutelsat for television signal distribution in Mexico

Eutelsat has entered into an agreement with Cadena Tres, a division of Grupo Ima...

21/04/2026

NAB 2026: Dolby and TV Azteca deploy Dolby Atmos for free-to-air broadcast

Dolby Laboratories and TV Azteca have partnered to introduce Dolby Atmos immersive audio to free-to-air television broadcasts. The implementation utilises the A...

21/04/2026

Verizon and FOX Entertainment leverage 5G and AI for remote production of Extracted

FOX Entertainment partnered with Verizon to overcome significant production hurd...

21/04/2026

NAB 2026: Osprey Video to showcase expanded IP infrastructure and orchestration at NAB Show 2026

Osprey Video has announced its technology showcase for the NAB Show 2026, highli...

21/04/2026

NAB 2026: Riedel introduces IP-based production updates including multiviewer, commentary control and audio connectivity solutions

Riedel Communications (Booth C4908) introduced a range of new solutions at NAB S...

21/04/2026

SportsTechBuzz at NAB 2026, Day 3: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

21/04/2026

NAB 2026: Blackmagic Design Announces URSA Cine Immersive 100G and URSA Cine Live Encoder

Blackmagic Design has announced the URSA Cine Immersive 100G, an immersive cinem...

21/04/2026

Live From NAB 2026: Clark Wire & Cables David McCarthy Showcases New Connectivity, Enclosure Solutions for Modern Broadcast Workflows at NAB Show 2026

Clark Wire & Cable is continuing its evolution from cable supplier to full-scale solutions partner for broadcast and live production. At the 2026 NAB Show, we s...

21/04/2026

Ricky Sensitively Portrays a Post-Incarceration Coming-of-Age

Rashad Frett attends the 2025 Sundance Film Festival premiere of Ricky at Eccles Theatre on January 24, 2025, in Park City, UT. (Photo by George Pimentel/Shut...

21/04/2026

MAS and Lockheed Martin Announce F-35 Sustainment Partnership in Quebec

MAS and Lockheed Martin partner to establish an F-35 depot in Canada, enabling in-country sustainment and creating high-skilled aerospace jobs....

21/04/2026

Nielsen data shows Australian outdoor and sport retailers are changing how they advertise to win over outdoor enthusiasts

Advertising strategies shift as competition grows for a large, active and qualit...

21/04/2026

ATSC Celebrates 3.0's Global Expansion

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

Cinematic Feel Makes Survivor' Built to Last

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

Live Event Technology Expands Fan Engagement

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

MS NOW Uses Community to Build Up Its Brand

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

Why Broadcast Is Well-Positioned to Safeguard Freedom of Speech

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

AWS Demos AI Tools to Deliver Vertical Video

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

Video Podcasting Leaps in Popularity

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

Audio Systems Get Boost From Cloud and AI

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

Layercake Deepens Bitmovin Integration to Power End-to-End Media Orchestration with Streamcake

Layercake Deepens Bitmovin Integration to Power End-to-End Media Orchestration w...

21/04/2026

Cobalt Digital Announces Launch of blueCORE at NAB Show 2026: Compact Powerhouse Signal Processors for SDI and ST 2110 Workflows

Cobalt Digital Announces Launch of blueCORE at NAB Show 2026: Compact Powerhouse...

21/04/2026

On-Premise AI Suite from Studio Network Solutions Debuts at NAB Show 2026

On-Premise AI Suite from Studio Network Solutions Debuts at NAB Show 2026 Melanie Ciotti April 21, 2026 0 Comments Unlimited processing, no cloud depe...

21/04/2026

IBC appoints Tim Banham as Chief Commercial Officer to dr...

London, 21 April 2026 IBC today announced the appointment of Tim Banham as its first Chief Commercial Officer (CCO), a newly created role that reflects the or...

21/04/2026

Motion Design Tools - April 2026

Motion Design Tools - April 2026 Roland Kahlenberg April 21, 2026 0 Comments Within 2 days, Maxon and Canva announced pro-level motion design apps - A...

21/04/2026

Chaos and Zero Density to Showcase Real-Time Ray Tracing for Virtual Studios and XR

Chaos and Zero Density to Showcase Real-Time Ray Tracing for Virtual Studios and...

21/04/2026

Diversified Appoints Tyler Affolter Chief Revenue Officer

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

TV Azteca to Bring Dolby Atmos to Free-To-Air TV in Mexico

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

Maxon Announces Free Tools and Mobile Expansion of ZBrush...

Cinema 4D brings professional 3D workflows to iPad. The return of Autograph now free for individual users. ZBrush expands to Windows on Arm. See it all at NAB...

21/04/2026

Bitfocus improves availability, security and user managem...

Software version 1.6 extends enterprise functionality to place Buttons at the heart of media operations at any scale Bitfocus, the Norwegian software develope...

21/04/2026

Cobalt Digital Announces Launch of blueCORE at NAB Show 2...

Cobalt Digital Announces Launch of blueCORE at NAB Show 2026: Compact Powerhouse Signal Processors for SDI and ST 2110 Workflows Compact, multi-function stan...

21/04/2026

Tribeca Festival 2026 Announces Television And Podcast Lineup

April 21st, 2026 Press Materials Available Here TRIBECA FESTIVAL 2026 ANNOUNCES TELEVISION AND PODCAST LINEUP Tribeca Television Spotlights the 50th Season o...

20/04/2026

Live From NAB 2026: Sonys Hugo Gaggioni Highlights HDR Advances, Software-Defined Workflows

At the 2026 NAB Show, Sony is showcasing a broad slate of innovations across liv...

20/04/2026

Live From NAB 2026: Fujinons Stosh Durbacz on Expanding the 4K Broadcast Lens Lineup With New Portable Zooms, 94x Box Lens

Fujifilm is sharpening its focus on core broadcast production with a new wave of...

20/04/2026

Live From NAB 2026: Rock-It Sports' John Walberg on Powering Logistics, Shipping for the 2026 FIFA Men's World Cup

This upcoming summer in North America is going to be a busy one. The 2026 FIFA M...

20/04/2026

NAB 2026: Glookast outlines product updates including Media Producer UX, connectors and Premiere Pro panel

Glookast (Booth W1661) announced a series of product updates at NAB Show 2026, c...

20/04/2026

NAB 2026: Matrox Video and Amagi collaborate on cloud-based broadcast workflows using ORIGIN framework

Matrox Video and Amagi announced a collaboration to integrate the Matrox ORIGIN ...

20/04/2026

NAB 2026: Riedel SimplyLive supports expanded centralised VAR system for Argentina football league

Riedel Communications (Booth C4908) announced that the Asociaci n del F tbol Arg...