COLORFRONT TRANSKODER CERTIFIED FOR DOLBY ATMOS Transkoder delivers object-based audio support and faster-than-realtime DCPs Budapest, July 7, 2015 - Colorfront (www.colorfront.com), the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, today announced that Colorfront Transkoder, its automated, standalone system for high-quality digital file conversion, has been certified by Dolby Laboratories for the creation of Dolby Atmos Digital Cinema Packages (DCPs). With the expansion of Transkoder's toolset to include support for Dolbys acclaimed object-based audio format, post production studios can leverage Transkoder's extreme performance to create Dolby Atmos DCPs at up to ten-times faster-than-realtime, making Transkoder a reliable, cost-effective and feature-rich alternative to other systems. Using Dolby Atmos object-based audio, sound experts have the creative freedom to place sound anywhere in the movie theatre - not just where there happen to be speakers - to deliver an immersive listening experience. Sound mixers can tag each sound object with precise directions as to where it should appear or move in the room. Dolby Atmos takes into account the unique configuration of each venue, to ensure a consistent, high-quality audio experience regardless of the size and shape. Thanks to an intelligent decoder box, sound objects are rendered and distributed to the required number of speakers. Dolby Atmos is a remarkable technology that brings an exciting dynamic to the cinema-going experience, said Aron Jaszberenyi, managing director of Colorfront. The official certification of Colorfront Transkoder for Dolby Atmos further expands Transkoders comprehensive capabilities, gives DCP mastering facilities new levels of performance and productivity, and establishes Colorfront as the premier provider of mastering solutions for high-end digital cinema. Soundfirm, Australias largest independent picture and sound post production company, with facilities in Melbourne, on the Fox Studios' lot in Sydney and in central Beijing, recently purchased Transkoder for digital cinema mastering at its newly-constructed Melbourne headquarters. Soundfirm recently completed picture and sound post, including a Dolby Atmos mix, for the feature film The Dressmaker, starring Liam Hemsworth, Kate Winslet, Judy Davis and Hugo Weaving. Soundfirm has been Australia's premiere film and television sound post-production facility for over thirty years, and we keep the company at the leading-edge by continual investment in people and technology, said Soundfirm CEO, Roger Savage. In Melbourne we offer Australia's only Dolby Atmos Mixing and Mastering stage. Now with Colorfront's Dolby-certified Transkoder in the workflow, we can power our way to final 2K and 4K DCPs, including a full Dolby Atmos sound mix and subtitles. This continues our tradition of working at the vanguard of cinema innovation. Colorfront products are renowned for consistently delivering cutting-edge features and setting fresh performance standards. Transkoder runs on cost-effective Supermicro, HP Z840 and new Mac Pro platforms. It has unique, GPU-accelerated, faster-than-real-time capabilities, and a comprehensive toolset which combine make it the ultimate tool for HFR UHDTV and 4K-6K-8K digital cinema applications. Along with object-based audio technology support, Transkoder's features include 240FPS JPEG2000 encode-decode, DCP/DCI-compliant mastering, IMF/IMP authoring, packaging, verification and QC. Harnessing Colorfront Transkoder, Dolby Atmos mixes can be easily integrated into DCI and SMPTE DCP mastering processes, with the DCP created at up to ten times faster than realtime. Colorfront will demonstrate Transkoder, along with its Express Dailies and On-Set Dailies systems, at SMPTE 2015 in Sydney, Australia from July 14-17, 2015. About Dolby Atmos:Dolby Atmos delivers moving audio-sound that can be precisely placed and moved anywhere in three-dimensional space, including overhead. It brings entertainment alive all around the audience in a powerfully immersive and emotive experience. Since its introduction in the cinema in 2012, Dolby Atmos has been embraced by all the major Hollywood studios, 14 Academy Award -winning directors, and 27 Academy Award winning sound mixers, among others. To learn more about Dolby Atmos, visit dolby.com/Atmos. About Colorfront: Colorfront, based in Budapest, Hungary, is one of Europes leading DI and post production facilities. The company was founded by brothers Mark and Aron Jaszberenyi, who together played a pivotal role in the emergence of non-linear DI. The companys R&D team earned an Academy Award for the development of Lustre, Autodesks DI grading system, and a Primetime Engineering Emmy for the Colofront On-Set Dailies. Combining this in-depth expertise with a pedigree in the development of additional cutting-edge software, Colorfront offers todays most advanced technologies for scanning and recording, DI grading, conforming, digital dailies, VFX, online and offline editing, cinema sound mixing, mastering and deliverables. For further information please visit www.colorfront.com. Media Contact:
Aron Jaszberenyi
E: aron
colorfront.com
T: +36 1 880 3900
M +36 30 311 1792
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Zero in on one that says yes (and no)
Andy Marken May 29, 2026
0 Comments
Hero image courtesy of Deposit Photos
For content creators the most difficu...
29/05/2026
With InfoComm 2026 just weeks away, NDI is giving attendees plenty of reasons to...
29/05/2026
Reaffirming a partnership that has defined Canadian sports broadcasting since 19...
29/05/2026
Mobile/tablet is No. 2 device for watching TV, suggesting that the sports-production industry needs to take another look at the format
Ring Digital's Sprin...
29/05/2026
Berliner Ensemble, one of Berlin's five major theater companies, has expande...
29/05/2026
Solid State Logic will showcase its new compact, fly-away TCA Tour audio product...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, passed away last month on April 12 ...
29/05/2026
Paramount+ will be the English-language U.S. home for Barclays Women's Super...
29/05/2026
Further strengthening its virtualisation strategy to fully support broadcasters ...
29/05/2026
Swiss broadcaster Canal Alpha has deployed Harmonic's award-winning, software-based XOS Advanced Media Processor to modernize playout operations across cant...
29/05/2026
PTZOptics will showcase a new generation of intelligent video workflows at InfoComm 2026, June 17-19, Las Vegas. Visitors to booth N8227 will see how PTZOptics ...
29/05/2026
Arizona's Family has launched the Arizona's Family Sports (AZFS) streaming app, a new direct-to-consumer destination for live, local sports. The app is ...
29/05/2026
Starting in 2027, DAZN will be the exclusive home of The Canadian Football Leagu...
29/05/2026
Comcast Business has detailed the advanced network infrastructure it has deploye...
29/05/2026
In two-day event, leaders from academia and industry explored solutions to chall...
29/05/2026
The Basketball Tournament (TBT), now entering their 13th year of competition, ha...
29/05/2026
Roku has launched FOX One as a Premium Subscription on The Roku Channel in the U.S. Roku customers can now subscribe to FOX One using their Roku account for liv...
29/05/2026
In its sixth year, the broadcaster's coverage has become a global brand and ...
29/05/2026
Ratings Roundup is a rundown of recent ratings news and is derived from press re...
29/05/2026
The days are getting longer, the temperatures are rising, and playlists are filling up for the season. With summer around the corner, Spotify's global edito...
29/05/2026
New retro-inspired MPC announced
There are few devices that have gained the status held by Akai Pro's MPC range, and in recent years, the company have s...
29/05/2026
Save up to 30 on acclaimed titles
Following a successful launch at Superbooth 2026, Bjooks have revealed that they will be continuing the Kickstarter campa...
29/05/2026
Binaural monitoring application improved
Genelec have just released an update that brings some powerful new features to their HRTF-based binaural headphone ...
29/05/2026
6 June 2026 at SAE Institute, London, UK
IMSTA FESTA 2026 is almost upon us, with some of the biggest names in pro-audio set to descend upon SAE Institute i...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, died April 12, 2026, at his home in...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Comparing 5 AI Video Enhancers for Restoring Old Video Quality
Kate Luvis May 29, 2026
0 Comments
Digitizing VHS, MiniDV, and other legacy formats doe...
29/05/2026
Studio Hamburg Builds New Post Pipeline with DaVinci Resolve Studio
Brie Clayton May 29, 2026
0 Comments
Workflow replaces a patchwork of legacy tools...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
At the Intersection of Music and Dance, an Epic Collaboration Boston Conservatory musicians and dancers found creative parallels in their recent performance o...
29/05/2026
GLOOKAST LAUNCHES CINNAFILM TACHYON PLUGIN FOR MEDIA PRODUCER AND MEDIA SERVICES
This release first appeared here.
Visit our Tachyon product page or contact...
29/05/2026
May 29 2026, 09:00 (PDT) Dolby and rednote Bring More Immersive Storytelling to...
29/05/2026
Something fundamental has shifted in how people consume media. Audiences aren't abandoning television or radio content; they're just expanding how, wher...
29/05/2026
Youtube exclusive special drops today
Watch now
UKTV today announces another e...
29/05/2026
Back to All News
The Official Trailer of Physical 100 Italy, on Netflix From Se...
29/05/2026
Genelec announces V2.1 for Aural ID binaural headphone monitoring application posted: 29/05/2026
Aural ID 2.1 enhances binaural monitoring for stereo and ...
COLORFRONT TRANSKODER CERTIFIED FOR DOLBY ATMOS Transkoder delivers object-based audio support and faster-than-realtime DCPs Budapest, July 7, 2015 - Colorfront (www.colorfront.com), the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, today announced that Colorfront Transkoder, its automated, standalone system for high-quality digital file conversion, has been certified by Dolby Laboratories for the creation of Dolby Atmos Digital Cinema Packages (DCPs). With the expansion of Transkoder's toolset to include support for Dolbys acclaimed object-based audio format, post production studios can leverage Transkoder's extreme performance to create Dolby Atmos DCPs at up to ten-times faster-than-realtime, making Transkoder a reliable, cost-effective and feature-rich alternative to other systems. Using Dolby Atmos object-based audio, sound experts have the creative freedom to place sound anywhere in the movie theatre - not just where there happen to be speakers - to deliver an immersive listening experience. Sound mixers can tag each sound object with precise directions as to where it should appear or move in the room. Dolby Atmos takes into account the unique configuration of each venue, to ensure a consistent, high-quality audio experience regardless of the size and shape. Thanks to an intelligent decoder box, sound objects are rendered and distributed to the required number of speakers. Dolby Atmos is a remarkable technology that brings an exciting dynamic to the cinema-going experience, said Aron Jaszberenyi, managing director of Colorfront. The official certification of Colorfront Transkoder for Dolby Atmos further expands Transkoders comprehensive capabilities, gives DCP mastering facilities new levels of performance and productivity, and establishes Colorfront as the premier provider of mastering solutions for high-end digital cinema. Soundfirm, Australias largest independent picture and sound post production company, with facilities in Melbourne, on the Fox Studios' lot in Sydney and in central Beijing, recently purchased Transkoder for digital cinema mastering at its newly-constructed Melbourne headquarters. Soundfirm recently completed picture and sound post, including a Dolby Atmos mix, for the feature film The Dressmaker, starring Liam Hemsworth, Kate Winslet, Judy Davis and Hugo Weaving. Soundfirm has been Australia's premiere film and television sound post-production facility for over thirty years, and we keep the company at the leading-edge by continual investment in people and technology, said Soundfirm CEO, Roger Savage. In Melbourne we offer Australia's only Dolby Atmos Mixing and Mastering stage. Now with Colorfront's Dolby-certified Transkoder in the workflow, we can power our way to final 2K and 4K DCPs, including a full Dolby Atmos sound mix and subtitles. This continues our tradition of working at the vanguard of cinema innovation. Colorfront products are renowned for consistently delivering cutting-edge features and setting fresh performance standards. Transkoder runs on cost-effective Supermicro, HP Z840 and new Mac Pro platforms. It has unique, GPU-accelerated, faster-than-real-time capabilities, and a comprehensive toolset which combine make it the ultimate tool for HFR UHDTV and 4K-6K-8K digital cinema applications. Along with object-based audio technology support, Transkoder's features include 240FPS JPEG2000 encode-decode, DCP/DCI-compliant mastering, IMF/IMP authoring, packaging, verification and QC. Harnessing Colorfront Transkoder, Dolby Atmos mixes can be easily integrated into DCI and SMPTE DCP mastering processes, with the DCP created at up to ten times faster than realtime. Colorfront will demonstrate Transkoder, along with its Express Dailies and On-Set Dailies systems, at SMPTE 2015 in Sydney, Australia from July 14-17, 2015. About Dolby Atmos:Dolby Atmos delivers moving audio-sound that can be precisely placed and moved anywhere in three-dimensional space, including overhead. It brings entertainment alive all around the audience in a powerfully immersive and emotive experience. Since its introduction in the cinema in 2012, Dolby Atmos has been embraced by all the major Hollywood studios, 14 Academy Award -winning directors, and 27 Academy Award winning sound mixers, among others. To learn more about Dolby Atmos, visit dolby.com/Atmos. About Colorfront: Colorfront, based in Budapest, Hungary, is one of Europes leading DI and post production facilities. The company was founded by brothers Mark and Aron Jaszberenyi, who together played a pivotal role in the emergence of non-linear DI. The companys R&D team earned an Academy Award for the development of Lustre, Autodesks DI grading system, and a Primetime Engineering Emmy for the Colofront On-Set Dailies. Combining this in-depth expertise with a pedigree in the development of additional cutting-edge software, Colorfront offers todays most advanced technologies for scanning and recording, DI grading, conforming, digital dailies, VFX, online and offline editing, cinema sound mixing, mastering and deliverables. For further information please visit www.colorfront.com. Media Contact: 
