Sony Pixel Power calrec Sony

How broadcasters can make an incremental move to an all-IP environment

24/07/2019

How broadcasters can make an incremental move to an all-IP environment posted: 24/07/2019

by Olivier Suard, Vice President of Marketing, Nevion

According to research carried out on behalf of Nevion, in 2018, over 40% of global broadcasters had already started moving towards IP. Since then, this trend has become increasingly prevalent as broadcasters want to leverage the flexibility of IP to transform their workflows to do more with less .

The key to an effective and cost-efficient move to IP lies in considering how to move incrementally to the new technology, leveraging, where possible, existing investments.

Processing and connectivity

The move to IP is largely focused on the network, rather than the production equipment: broadcasters most commonly are or envisage using a mixture of SDI and IP equipment connected to an all-IP network. Adaption equipment is normally used to connect the SDI equipment to the IP core network. That said, connecting a lot of SDI equipment to an IP network may work out to be quite expensive. Furthermore, it might not be necessary, as that equipment will often be used together within the confines of a studio or control room. In these baseband islands , converting SDI signals to IP and back to SDI may be superfluous and using baseband routing technology may be the most cost-effective way to distribute signals.

Similarly, signal processing, such as audio embedding onto SDI signals or SDI frame synchronization, may be best done directly in a baseband environment rather than converting to IP, processing and converting back to baseband. Some may argue that broadcasters should, therefore, keep the existing large Master Control Room (MCR) matrices to handle this. This, however, is likely to be overkill in many cases. Also, if all the equipment needs to be connected centrally, it doesn't help solve the cabling headache.

Consequently, the most cost-effective distribution and routing for such islands is likely to be compact SDI routers located within the baseband islands. As these routers take on part of the job done by the MCR routers, they also need to offer a high level of redundancy and include SDI processing capabilities. These baseband islands can then be connected to the rest of the IP network through adaption equipment.

The use of fiber technology

The transport of baseband signals beyond studios has traditionally been handled by fiber, with technology providing the interface onto and from the fiber. As the industry moves to IP, the requirement for high data-rate transporting will continue to grow - with uncompressed HD requiring a minimum of 10GbE data rates. Fiber remains ideally suited to transport signals any distance longer than a typical patch cable.

While IP is transported over fiber, the conversion of baseband to optical links is still a less costly solution than baseband to IP conversions. Hence, if equipment located far away is baseband, it can be a more cost-efficient solution to transport the signals through baseband EO converters. As a result, optical transport technology will continue to be relevant in an IP world and any investment in that technology for the transport of signals today is an investment in the transport network of the future - using fiber to transport IP as well as baseband.

Mixed environments

While adaption equipment can ensure that the SDI world is connected to the IP world, and vice versa, a crucial issue is how to orchestrate and control flows between the two environments. Most media network management and control systems have been developed for SDI technology and cannot manage IP. Conversely, IP network management systems don't handle SDI. This is particularly problematic where the preferred option of a broadcaster is to keep some form of SDI routing in the network, for example, within specific studios. This calls for a versatile orchestration and SDN (Software Defined Network) control system that can handle both SDI and IP environments.

These systems hold a complete view of the network and can control both IP and SDI routers, as well as adaption equipment and other appliances. Therefore, this type of orchestration and SDN control system can provide deterministic paths through a mixed SDI/IP network infrastructure, which makes it possible for broadcasters to have the mixed SDI/IP environment most suitable for them.

Nevion slx-Series 2

In other words, with the right orchestration and SDN control systems, broadcasters don't need to move to an all-IP network at once. Instead, broadcasters can choose equipment based on functionality and cost, rather than SDI or IP connectivity and gain greater flexibility which makes for a more cost-effective transition to IP.

Broadcast control systems

Production staff are typically used to a specific broadcast control interface and are often reluctant to move away from it. However, popular broadcast control systems are not designed to control IP networks. The solution is to ensure that the broadcast control system can interface with the orchestration layer which is typically done via APIs provided by the broadcast control system and implemented in the orchestration system.

A tight coupling of the familiar broadcast control systems and the orchestration layer ensures that production staff can maintain their existing method of working, even as the underlying network technology evolves.

A smooth transition to IP

Building an all-IP network from scratch is a luxury reserved for those broadcasters moving to new facilities and starting with a greenfield site. For most broadcasters who are using IP to build out capacity or are adding new IP studios or control rooms, it's essential, for both practical and financial reasons, to maintain some SDI capability in the network.

Fortunately for broadcasters, the moving from baseband to IP can be an incremental transition wi
LINK: https://www.live-production.tv/news/products/how-broadcasters-can-make...
See more stories from liveproduction

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

04/07/2026

Detective Conan: Fallen Angel of the Highway Opens in Dolby Cinemas Across Japan, Presented in Dolby Atmos and Dolby ...

April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...

01/06/2026

Dolby Sets the New Standard for Premium Entertainment at CES 2026

January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026 Throughout the week, Dolby brings to life the latest innovatio...

22/05/2026

Study: AI Labeling Does Not Hurt Video Ad Performance

Share Copy link Facebook X Linkedin Bluesky Email...

22/05/2026

NAB Show Makes 200+ Sessions Available on Demand

Share Copy link Facebook X Linkedin Bluesky Email...

22/05/2026

Torneos Upgrades Multichannel Playout with Imagine's Versio

Share Copy link Facebook X Linkedin Bluesky Email...

21/05/2026

CBS Sports Expands WNBA Tip-Off Show To Cover Half of 20-Game, Regular-Season Package

Game Creek Video Columbia and Celtic, NEP Supershooter 8 will house onsite produ...

21/05/2026

SVG Students To Watch: Christina Zelin, Rowan University

Freshly graduated, this upstart producer, director, and camera operator is already working as an AP on videoboard shows for the Philadelphia Phillies In the li...

21/05/2026

Media Links Announces Channel Partnership with Clearcast Asia Ahead of BroadcastAsia 2026

Media Links has announced a channel partnership with Clearcast Asia, a broadcast...

21/05/2026

SiriusXM and NASCAR Announce Multi-Year Broadcasting Agreement Renewal

SiriusXM and NASCAR have announced a multi-year renewal of their broadcasting agreement. SiriusXM will continue to carry live broadcasts of every NASCAR Cup Ser...

21/05/2026

Audio-Technica Hosts High-Density Wireless Microphone Demo at Technica House in New York City

Audio-Technica held a demonstration event at its Technica House location in New ...

21/05/2026

RTL Deutschland Selects Ateme Frame-Rate Conversion Technology for Live Event Workflows

Ateme has announced that RTL Deutschland has selected Ateme's software-based...

21/05/2026

BCC Live Deploys LiveU LU900Q for Record-Breaking IRONMAN Texas Broadcast

LiveU has announced that BCC Live deployed the LU900Q intelligent production unit for the first time during the 2026 Memorial Hermann IRONMAN Texas North Americ...

21/05/2026

Mark Aitken to Receive 2026 ATSC Mark Richer Industry Leadership Medal

ATSC has announced that Mark Aitken, President of ONE Media and Senior VP of Advanced Technology at Sinclair Broadcast Group, will receive the 2026 Mark Richer ...

21/05/2026

BBright Outlines MXL Integration Strategy for Software-Defined Broadcast Workflows

BBright has published a technical analysis of the Media eXchange Layer (MXL), de...

21/05/2026

Esports World Cup 2026 to Be Held in Paris, France

The Esports Foundation has announced that the 2026 Esports World Cup (EWC) will be hosted in Paris, France, from July 6 through August 23. The event marks the f...

21/05/2026

Chyron Announces PRIME Scorebug and Expanded Chyron LIVE Scorebug Capabilities

Chyron has announced PRIME Scorebug, a scorebug solution built on the PRIME Platform for on-premises sports production, and has expanded Chyron LIVE with purpos...

21/05/2026

Media Links Integrates Xscend Platform with DataMiner at BroadcastAsia 2026

Media Links has announced the integration of its Xscend IP transport platform with Skyline Communications' DataMiner xOps platform. The integration will be ...

21/05/2026

SVG New Sponsor Spotlight: Nova Lume CEO Jim Casey on Bringing Flexible IP Intercom to Live Production

As live sports productions continue to demand more flexible, scalable, and cost-...

21/05/2026

SVG Rewind: ESPN's Use of POVORA Wireless Tilt Control CapCam Gives College Football Fans a First-Person View of the Game

In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into...

21/05/2026

Join Shade in Miami and Atlanta for Post-Production Networking Events

Hey Miami & Atlanta post-production folks! Shade is hosting a free private suite at a Braves game (6/2) and Marlins game (6/5) and have about a dozen extra tic...

21/05/2026

Phoenix Suns, Mercury, and Gray Media Extend Broadcast Partnership Through 2030

The Suns and Mercury become the first NBA and WNBA teams to make games available under a single broadcast partner across both over-the-air and streaming....

21/05/2026

Apple TV, MLS to Produce First Major Pro Sporting Event Shot Entirely on iPhone 17 Pros

iPhones are part of the the regular production rotation for Friday Night Baseba...

21/05/2026

SVG Rewind: AIQ: Where Data Meets Dirt Technology Brings Real-Time Data Analysis to Rodeo

In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into...

21/05/2026

Filmmakers' Favorites: Sundance Film Festival Alums on Welcome to the Dollhouse

Heather Matarazzo as Dawn Wiener in Todd Solondz's Welcome to the Dollhouse...

21/05/2026

Create, Control, and Personalize Your Listening Across Every Moment

Spotify has always been about helping you find something you want to listen to. And over the years, we've learned your taste and the moments that matter to ...

21/05/2026

You Know Every Song. We Saved You Two Tickets. Introducing Reserved.

Getting concert tickets today can feel like a race you're set up to lose. You show up at the right time, refresh endlessly, and still miss out. Too often, ...

21/05/2026

Books on Spotify: New Updates for Listeners and Authors

In 2022, Spotify entered a new chapter by introducing audiobooks to our platform. Since then, we've grown our catalog to include more than 700,000 titles, e...

21/05/2026

Investor Day 2026 Remarks From Spotify Co-CEOs Alex Norstrm and Gustav Sderstrm

Opening remarks ALEX Good morning everyone, I'm Alex [Norstr m]. GUSTAV And I'm Gustav [S derstr m]. ALEX Whether you've been following our j...

21/05/2026

Spotify's 2026 Investor Day Recap: Raising Ambition for the Next Era of Media

Today, Spotify hosted our third Investor Day in New York City, offering the fina...

21/05/2026

Spotifys Investor Day 2026: Ambitioniert in die nchste ra der Medien

Spotify hat heute seinen dritten Investor Day in New York City veranstaltet und der Finanzwelt tiefere Einblicke in das Gesch ft, die Produktstrategie und die l...

21/05/2026

Rcapitulatif de l'Investor Day 2026 de Spotify : Des ambitions renouveles pour la prochaine re des mdias

Aujourd'hui, Spotify a organis son troisi me Investor Day New York. En pl...

21/05/2026

Il riepilogo dell'Investor Day 2026 di Spotify: eleviamo le ambizioni per la prossima era dei media

Oggi, a New York City, Spotify ha presentato il suo terzo Investor Day, offrendo...

21/05/2026

Resumen del Investor Day 2026 de Spotify: elevando la ambicin para la prxima era de los medios

Hoy Spotify celebr su tercer Investor Day en Nueva York, donde ofrecimos a la c...

21/05/2026

Rangkuman Investor Day Spotify 2026: Meningkatkan Ambisi untuk Era Media Berikutnya

Hari ini, Spotify menyelenggarakan Investor Day yang ketiga di New York City, me...

21/05/2026

2026 (Investor Day):

2026 : (Investor Day) , , . ...

21/05/2026

2026 :

20 2026 ...

21/05/2026

Resumo do Investor Day 2026 do Spotify: elevando a ambio para a prxima era da mdia

Hoje, o Spotify realizou seu terceiro Investor Day em Nova York, oferecendo co...

21/05/2026

2026: Spotify

Spotify Investor Day ...

21/05/2026

Spotify'n 2026 Investor Day zeti: Medyann Yeni a in Byk Hedefler

Spotify bug n, 20'nci y l d n m m z kutlad m z bu y lda, finans camias na, i modelimiz, r n stratejimiz ve uzun vadeli vizyonumuz hakk nda daha detayl ...

21/05/2026

Cinematic Motion & Ethereal Flows for Sonuscore's The Score

Two new Story Packs join orchestral instrument line-up Sonuscore have just introduced two new additions to The Score, marking the instrument's first maj...

21/05/2026

Heavyocity release Oblivion Drums

30,000 samples, 99 presets & 504 loops Heavyocity are well known for their hard-hitting cinematic instruments, and their latest release is no exception to t...

21/05/2026

Rohde & Schwarz AI powered voice to data: The future of air traffic control takes flight at Airspace World 2026

Rohde & Schwarz AI powered voice to data: The future of air traffic control take...

21/05/2026

Redefining Persistent and Affordable Airpower for Special Operations Forces

SKY RAIDER II INTERNATIONAL's modular open systems architecture delivers expanded operational reach and mission flexibility....

21/05/2026

From Payload to Platform: Autonomous ISR Where It Actually Matters

ASO-enabled WESCAM MX-10 systems conduct systematic wide-area maritime search patterns, autonomously managing sensor scan operations to expand coverage, reduce ...

21/05/2026

Sports content accounts for fastest-growing portion of top global SVOD catalogs

HBO Max, a new addition to Gracenote Data Hub, is home to the most sports programming among major streamers NEW YORK May 21, 2026 New analysis by Gracenote...

21/05/2026

Study: Nearly Half of U.S. Viewers Watch Video With Captions

Share Copy link Facebook X Linkedin Bluesky Email...

21/05/2026

Apple TV to Capture MLS Game Entirely on iPhone 17 Pro

Share Copy link Facebook X Linkedin Bluesky Email...

21/05/2026

MPTS 2026 Draws Record Numbers for Landmark 10th Annivers...

The UK's leading event for the creative industries united thousands of professionals for two days of networking, debate, industry insight and getting hands-...