
How broadcasters can make an incremental move to an all-IP environment posted: 24/07/2019
by Olivier Suard, Vice President of Marketing, Nevion
According to research carried out on behalf of Nevion, in 2018, over 40% of global broadcasters had already started moving towards IP. Since then, this trend has become increasingly prevalent as broadcasters want to leverage the flexibility of IP to transform their workflows to do more with less .
The key to an effective and cost-efficient move to IP lies in considering how to move incrementally to the new technology, leveraging, where possible, existing investments.
Processing and connectivity
The move to IP is largely focused on the network, rather than the production equipment: broadcasters most commonly are or envisage using a mixture of SDI and IP equipment connected to an all-IP network. Adaption equipment is normally used to connect the SDI equipment to the IP core network. That said, connecting a lot of SDI equipment to an IP network may work out to be quite expensive. Furthermore, it might not be necessary, as that equipment will often be used together within the confines of a studio or control room. In these baseband islands , converting SDI signals to IP and back to SDI may be superfluous and using baseband routing technology may be the most cost-effective way to distribute signals.
Similarly, signal processing, such as audio embedding onto SDI signals or SDI frame synchronization, may be best done directly in a baseband environment rather than converting to IP, processing and converting back to baseband. Some may argue that broadcasters should, therefore, keep the existing large Master Control Room (MCR) matrices to handle this. This, however, is likely to be overkill in many cases. Also, if all the equipment needs to be connected centrally, it doesn't help solve the cabling headache.
Consequently, the most cost-effective distribution and routing for such islands is likely to be compact SDI routers located within the baseband islands. As these routers take on part of the job done by the MCR routers, they also need to offer a high level of redundancy and include SDI processing capabilities. These baseband islands can then be connected to the rest of the IP network through adaption equipment.
The use of fiber technology
The transport of baseband signals beyond studios has traditionally been handled by fiber, with technology providing the interface onto and from the fiber. As the industry moves to IP, the requirement for high data-rate transporting will continue to grow - with uncompressed HD requiring a minimum of 10GbE data rates. Fiber remains ideally suited to transport signals any distance longer than a typical patch cable.
While IP is transported over fiber, the conversion of baseband to optical links is still a less costly solution than baseband to IP conversions. Hence, if equipment located far away is baseband, it can be a more cost-efficient solution to transport the signals through baseband EO converters. As a result, optical transport technology will continue to be relevant in an IP world and any investment in that technology for the transport of signals today is an investment in the transport network of the future - using fiber to transport IP as well as baseband.
Mixed environments
While adaption equipment can ensure that the SDI world is connected to the IP world, and vice versa, a crucial issue is how to orchestrate and control flows between the two environments. Most media network management and control systems have been developed for SDI technology and cannot manage IP. Conversely, IP network management systems don't handle SDI. This is particularly problematic where the preferred option of a broadcaster is to keep some form of SDI routing in the network, for example, within specific studios. This calls for a versatile orchestration and SDN (Software Defined Network) control system that can handle both SDI and IP environments.
These systems hold a complete view of the network and can control both IP and SDI routers, as well as adaption equipment and other appliances. Therefore, this type of orchestration and SDN control system can provide deterministic paths through a mixed SDI/IP network infrastructure, which makes it possible for broadcasters to have the mixed SDI/IP environment most suitable for them.
Nevion slx-Series 2
In other words, with the right orchestration and SDN control systems, broadcasters don't need to move to an all-IP network at once. Instead, broadcasters can choose equipment based on functionality and cost, rather than SDI or IP connectivity and gain greater flexibility which makes for a more cost-effective transition to IP.
Broadcast control systems
Production staff are typically used to a specific broadcast control interface and are often reluctant to move away from it. However, popular broadcast control systems are not designed to control IP networks. The solution is to ensure that the broadcast control system can interface with the orchestration layer which is typically done via APIs provided by the broadcast control system and implemented in the orchestration system.
A tight coupling of the familiar broadcast control systems and the orchestration layer ensures that production staff can maintain their existing method of working, even as the underlying network technology evolves.
A smooth transition to IP
Building an all-IP network from scratch is a luxury reserved for those broadcasters moving to new facilities and starting with a greenfield site. For most broadcasters who are using IP to build out capacity or are adding new IP studios or control rooms, it's essential, for both practical and financial reasons, to maintain some SDI capability in the network.
Fortunately for broadcasters, the moving from baseband to IP can be an incremental transition wi
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
16/10/2026
The LA Clippers have announced their local television plan for the 2026-27 seaso...
16/10/2026
At sports-media summit, he describes the success of the one-year-old agreement a...
16/10/2026
Parks Associates, in partnership with InterDigital, has published a white paper ...
16/10/2026
Cisco is expanding its work with the Atlanta Hawks, Cleveland Cavaliers, and Brooklyn Sports & Entertainment (BSE) as the 2026-27 NBA season gets underway, prov...
16/10/2026
Broadcast Management Group (BMG) has introduced Media Command, a private cloud broadcast platform that integrates recording, media asset management (MAM), chann...
16/10/2026
TNDV and GameTime Productions have expanded their remote production responsibilities for Team Boxing League (TBL) for the league's recently completed fourth...
16/10/2026
In-venue and creative video staffers at the professional and collegiate level have one major thing in common: the intensity and attention to detail ramps up dur...
16/10/2026
Broadcast and streaming are converging around live media. Traditional broadcasters increasingly distribute their linear services through streaming platforms alo...
16/10/2026
DAZN and Guardians League, a new professional franchise surf racing series, have announced a multi-year global broadcast partnership. Guardians League events wi...
16/10/2026
Sobatech Group is producing live coverage of the F4 Spanish Championship and Eur...
16/10/2026
The Walt Disney Company and Dude Perfect have announced an integrated creative partnership. Dude Perfect will develop original content for its own channels insp...
16/10/2026
Onsite studio show will accompany game productions in San Francisco and Atlanta
...
16/10/2026
Grass Valley s AMPP platform continues to grow in popularity, especially with th...
16/10/2026
FloSports and the National Lacrosse League (NLL) have entered a multiyear media partnership that makes FloSports the exclusive global streaming home of the NLL....
16/10/2026
At PBR Teams Series: Maverick Days at UBS Arena in Belmont Park, NY, PBR Executive Producer Jason Jacquette took a few minutes with SVG to discuss how his team ...
16/10/2026
(Suzanne Cordeiro/Shutterstock for Sundance Film Festival)
By Patty Consolazio
...
16/10/2026
Standalone calibration, automatic bass management & digital I/O
The ARC Studio was a significant release for IK Multimedia, and was praised for offering a c...
16/10/2026
Classic compressor returns in 1U form
There are few pieces of gear that have achieved the status held by the SSL Bus Compressor, and it's now officially...
16/10/2026
Latest cinematic instrument unveiled
Zero-G say that their latest creation isn't your typical sample library or collection of instruments, but rather a ...
16/10/2026
Real-time MIDI orchestrator updated
Forma Labs Audio have recently launched a significant update that brings some powerful new features to their real-time M...
16/10/2026
The launch of the autumn programming schedules on traditional TV channels translated into a noticeable increase in total video viewership. Poles spent an averag...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Globecast, a leading provider of media integration and managed services for the sports broadcast industry, will showcase the latest developments in Content Exch...
16/10/2026
Boston Conservatory Wind Ensemble Presents America at 250 The free event, taking place at Samuel Adams Park at Faneuil Hall, features a program of inspiring A...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
ON Creative Visual Tech Provider has completed the audiovisual design and integration for Nubank Arte Lab, Brazil's largest permanent immersive art space. T...
16/10/2026
Beam Dynamics has appointed Brian Mauger as Regional Sales Manager, North America, strengthening its commercial team as the company expands across media, broadc...
16/10/2026
Secret Weapon Post Uses DaVinci Resolve Studio for Gregg Araki Films
Brie Clayton October 15, 2026
0 Comments
Remote post house delivers I Want Your ...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
The Stand that started it all in a matched pair of the industry-trusted C-Stands The 2-Pack provides both in a choice of chrome or black finish...
16/10/2026
New lineup brings professional rigging, lens support, power, and mounting flexibility to Sony's compact cinema camera
Wooden Camera today announced a new p...
16/10/2026
Cinematographer John Matysiak ( Old Henry, Winning Time, Big George Foreman ) brings a vivid breathlessness to the near-wordless film Motor City. An actio...
16/10/2026
Next Jazz Legacy Celebrates Five Years of Mentorship and Impact Across the Jazz ...
16/10/2026
Friday 16 October 2026
The Alessia Cup, powered by Sky, returns with Lioness an...
16/10/2026
Friday 16 October 2026
iPhone Duo now available to pre-order with savings of up...
16/10/2026
Republic of Ireland defenders back their future careers while nominating local c...
16/10/2026
Friday 16 October 2026
LOITV arrives on Sky Glass and Sky Stream
Sky customers in the Republic of Ireland can now enjoy the pulsating SSE Airtricity Men's...
16/10/2026
Nominations Announcement - RT Radio 1 Folk Awards
Celebrating the very best in folk music in Ireland from the past year
Awards event LIVE in Vicar Street and...
16/10/2026
RT has today announced that MaeBee, a brand-new animated series, will premiere ...
15/10/2026
E! and USA Sports will air Live from the Orange Carpet: WNBA Finals, a one-hour live special hosted by Lilly Singh, on Monday, October 19 at 6 p.m. ET / 3 p.m. ...