Live From Paris 2024: CBC Calls Canada House Home, Enhances Connection With Athletes Moving out of the IBC puts the Canadian broadcaster right in the mix for French, English viewers back home By Ken Kerschbaumer, Editorial Director
Monday, August 5, 2024 - 3:39 am
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The CBC has taken a different approach to its Olympic operations. It has a technical center at the IBC, but its studio and production operations are located at Canada House, in the Cit des Sciences et de l'industrie. And it's paying dividends.
We are gaining the presence of athletes and families during the evening, says Francois Messier, executive director, production and sports, CBC. We get access to the athletes more quickly, and they stay with us longer because they're not going through a car wash of interviews. Instead of having them for two minutes, we get them for seven or eight minutes.
The CBC presence at Canada House includes a main studio complete with LED walls and comfortable guest and talent seating that doesn't involve a studio desk. A second studio for morning updates back home has seating for a small audience, and various standup positions are located around Canada House and various activation and fan zones. The CBC also has two standup positions at the TV tower at Trocad ro, one each for its French- and English-language networks.
Francois Legrand (left) and Francois Messier in the CBC's main studio in Paris
The IBC is more of a technical hub, where we take the feeds from OBS and ship them back to Canada, Messier says. All the signals go to both Montreal and Toronto to meet the specific needs of both the French- and English-language audiences.
About 150 production staffers are in Paris, he adds, with another 200 working in Montreal and about 50 in Toronto. French-language primetime programming is produced from Canada House; CBC programming is produced in Toronto. The French-language network has an onsite presence at three venues - swimming, athletics, gymnastics - but all other commentary is called from facilities in Canada.
With the Olympics being here in Paris, Messier says, we felt that [the French-language] network needed to be here, and the gymnastics commentary position will be used by the English-language team when basketball is played in the same arena this week. Back home, we have 12 voiceover booths.
The CBC studio set uses LED walls to create a warm look that seems to feature wood slates.
On the technical side, according to Francois Legrand, lead engineer, Olympics, CBC, a router at the IBC allows the CBC team to sub-switch signals that go to Canada. The signals from Canada House pass through the IBC before heading to Canada.
Because we have older equipment here, we still use SDI, he adds, but that's going to change. One challenge for the Milan 2026 Winter Games is that OBS will no longer deliver signals in 1080i, which is the CBC delivery format. Legrand says the broadcaster is determining how that will impact operations, including the potential to send more signals back home as 1080p and converting them there.
We are also using the OBS cloud service as a backup feed, he continues. If our own equipment fails, we can use that service.
A second studio in Canada House is particularly suited to providing morning updates to viewers back home.
Ten ENG teams service both networks, follow Canadian athletes, and get mixed-zone positions for events in which Canadian athletes compete. CBC relies on OBS connectivity from the mixed zones but also has TVU bonded-cellular transmission systems. And 5G was used for the Opening Ceremony, during which CBC had a journalist on the Team Canada boat.
One interesting wrinkle is the need to ensure that both networks are in sync and delivering the same live coverage of the same events at the same time, especially when it comes to the off-tube commentary over the prepackaged OBS feeds. The CBC is using a tried-and-true workflow: the video is sent to Canada for the off-tube teams to call the action, and the audio returns to Paris to be embedded in the video signal, which is sent to Toronto and Montreal as a complete package synchronized for both networks.
The video doesn't travel both ways, just the audio, notes Legrand. Moving forward with ST 2110 and with newer equipment, we can replicate that workflow just by working with the timestamps of the signal and virtually realigning everything at each side.
Canadian fans have been enthusiastically tuning in to Paris 2024: one in three Canadians (more than 13.3 million viewers) tuned in for the Opening Ceremony, and the time that viewers spend on digital platforms is double what it was during Tokyo 2020.
In the first week, the swimming gave Canadian viewers a reason to tune in, Messier says. That was a jumpstart for us. We're above our expectations in the daytime and afternoon in Canada on both linear and digital. We can stream up to 12 feeds, allowing people to look at gymnastics or volleyball or something else they want to watch. We also are requiring authentication this year, so we're getting a lot of data from those who are more engaged with our platforms.
Also helping? Committing to enabling viewers to better understand the athletes and the storylines. We've been creating stories and making sure the audience know the athletes before we show them during the Olympics, he says. We added a series of pregame shows and give people some idea of what to expect.
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Live From Paris 2024: CBC Calls Canada House Home, Enhances Connection With Athletes Moving out of the IBC puts the Canadian broadcaster right in the mix for French, English viewers back home By Ken Kerschbaumer, Editorial Director 
