The Look gets with Pablo Ro cinematic atmosphere in the tv movie Quirke

The Look gets with Pablo R o cinematic atmosphere in the tv movie Quirke With just three days per chapter, the London postproduction get with Pablo R o carry out color correction, finishing and forming one of the most anticipated BBC miniseries.

The London postproduction The Look has just completed post-production and the new movie by the BBC tv color correction, Quirke, with Quantel Pablo Rio suite.

Set in the 1950s in Ireland and Boston, Quirke It is a miniseries consisting of three chapters which narrates the story of the eponymous pathologist who investigates sudden death victims.

Quirke It has been highly praised for the high quality of its production and its film noir look at those alternating moments of bright with a wonderful atmosphere and unusually artistic cinematography.

In front of the color correction in The Look it has been Thomas Urbye. "Each of the three 90-minute movies had different directors and photo directors." The concept of the producer of the series, Lisa Osborne, was to create a coherent and cinematographic aspect that catch the viewer through the three stories, punctuating moments with strong color to accentuate the characters and particular environments. For example, when the main character Quirke it hits a bottle in a moment of despair, I wanted to create a sturdy, gloomy look through scenes, which reflected the difficult moment that was going on. Instead, the House of Sarah and Mal is opulent, with its bright orange dress stands out in all its scenes"highlights Urbye.

"Together with Top BoyThis is the work of which I am most proud in the past three years. I really liked the depth of history and got deeply involved from the outset. The cinematic approach of all involved in combination with the budget helped me face this television project, but with clear film look. Quirke It was much more as three individual films since they were connected to taking the Viewer to a very special atmosphere. All teamed up to create something with a large load of suspense", adds Urbye.

In record time

The colourful admits that they only set out of "three day per episode for color and finish, all carried out in Pablo R o with the help of managers and directors of photo." Everything was even more special when De Lane Lea, with whom we have worked with a lot, audio mixing. Really helped to add even more sense to this atmosphere of cinema".

Pablo Rio with color Neo control panel thus helped The Look to create the cinematic sensation using just the masterful use of contrast curves. In addition, the fact that a single system allows correction of color, finish and shaped saved much time.

Las compa as est n gastando mucho dinero en contenidos de calidad. Los espectadores esperan cada vez m s que la televisi n y el cine tenga los mismos acabados de alta calidad. Nosotros siempre hemos trabajado duro para asegurarnos de que entendemos exactamente lo que el director est tratando de lograr y para lograr los proyectos visualmente m s atractivos posible. Tratamos de mejorar la narraci n ya no se trata de vamos a hacer que se vea bonito' sino vamos a contar una historia real'. Nuestro Pablo Rio es la herramienta perfecta para ayudarnos a hacerlo , concluye Urbye.

LINK:	http://www.panoramaaudiovisual.com/en/2014/06/09...
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