The gritty action thriller Raze' starts midnight screenings this weekend at the IFC Center in NYC. Join us as we take a look back at our interview with the incredible Zoe Bell from last year.
Note: This interview was originally published during the 2013 Tribeca Film Festival.
With the hard-hitting Raze, Zoe Bell has proved herself a force to be reckoned with in front of and behind the camera. We spoke to the actress/producer about finding the essence of her character, striking the right tone, and the pressures of her dual roles.
Tribeca: Tell us a little about Raze. What attracted you to the project initially?
Zoe Bell: Initially it wasn't planned as a feature film. Josh Waller (the director) and I have known each other a long time, and he'd been talking with Kenny Gage about this concept. When I first came aboard, I wasn't sure if they were talking about a short or maybe a web series. All they basically told me is that it was heavy female action. They talked me through the script that they had for the short. It sounded really exciting.
The idea was definitely in line with something I would be interested in doing. Josh and Kenny seemed really passionate and excited about the project in a way that suggested real commitment. I don't mean to sound jaded, but often people are pitching an idea just because they think it might have potential but not because they love it. You know what I mean? When they asked me to be creatively involved, I knew that they were talking my language. I love that part of the process. When they offered that I could come on as producer, I was like, Shit yes, I would absolutely love to do that.
Tribeca: Given that you're a stuntwoman by trade, it must have been rewarding to use your skills in a lead role in a narrative feature-length film. Can you talk about your collaborative process with Josh Waller while making Raze?
ZB: It was awesome working with Josh because we had known each other so long. We didn't have to be careful of whether we offended each other or not. We could just throw ideas out he could project them or I could project them. It made for a very fluent process.
Tribeca: Sabrina is different from the other women because, while they are fighting to keep their loved one alive, she is fighting to save the daughter she never knew.
ZB: I lived with Sabrina for a very long time leading up to it because I was part of the process of the film being turned into a feature. I had done a lot of preparation with Sabrina when the script was in its first rendition as a short, so when they were writing the feature, I was able to offer the history I had given Sabrina.
At one point, we were jumping around a lot and shooting completely out of sequence. Sabrina's emotional journey is quite tense. So I constantly had to break down exactly where I was within her journey so that we could keep everything fresh. It was super collaborative, and I just loved being a part of the process.
I wanted to show the audience how emotionally difficult it is for women to fight.
Tribeca: Needless to say, you lead an impressive cast of strong women, including Rachel Nichols, Rebecca Marshall, and Bailey Anne Borders. However, there is a mini Death Proof reunion with Tracie Thoms and the un-credited Rosario Dawson. Were they always on board?
ZB: Well, Rachel, Rosario and I were disappointed, that I didn't get to fight either of them [laughs]. We were like, We should've re-written it! I was really honored that those guys came aboard, and I reached out to Tracie really early on and told her about the film. Even before I'd even sent her the script, I just said, I'd love you to be a part of this. All she had to do was speak with her agent and she was in.
Rosario was a surprised to me. I was busy concentrating on being both the lead and a producer, so I was not involved with all the casting decisions. Tracie and Josh brought on Rosario. For obvious reasons, it was very important to me who we cast because of the action sequences. I had just finished this fight on set, and I passed this woman in the hall and I thought God, that's so weird; she just looked like Rosario to me for a second. When I realized it was her, I started crying like someone had just thrown me a surprise party!
Rosario appeared in the film for Tracie and me. It was this gorgeous reunion. Tracie and Rosario have been my friends since basically the beginning of my acting career. Tracie was the first actor I had realistic dialogue with in a film. She taught me so much. She's just such a massive talent.
Tribeca: Due to its violent nature and intense themes, Raze is not a movie for everyone. As a producer, can you talk about how important it was to find the right tone for the film?
ZB: Oh, massive. It was an ongoing conversation. At some point, I sat down with the boys and said, Look, I'm starting to get this feeling that we're running downhill, and my body is starting to go faster than my feet, and I'm going to fall on my face. Because we were so excited and we just got traction, there were quite a few moments when we had to stop and ask, Where are we going? What are we doing? So that our baby lives to run, we have to get it to walk first.
We were really careful to not let the film fall into the women in prison category. You know, chicks with big tits in their undies and stuff. Luckily, Josh is an incredibly character-driven director. Along with these amazing fight sequences, we had to have that driving heart. We had to allow the film to shock audience, but not for the sake of being shocking. We all wanted it to feel shocking because the audience understands that someone's killing someone in order to live.
When you see a lot of female action in movies, it's usually heightened or cartoonish or just some woman in latex and heels. A
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The gritty action thriller Raze' starts midnight screenings this weekend at the IFC Center in NYC. Join us as we take a look back at our interview with the incredible Zoe Bell from last year. 
