The new feature Haunted Mansion delivers spooky fun inspired by the famed Disney theme park attraction. Telling the story of single-mom Gabbie (Rosario Dawson) and the eclectic group she gathers in an attempt to rid her new home of its hauntings, the movie reteamed director Justin Simien and cinematographer Jeffrey Waldron, who had previously collaborated on the first season of Simien's Netflix series Dear White People.
After the thrills of Haunted Mansion, Waldron rode straight into writer-director Nicole Holofcener's dramatic comedy You Hurt My Feelings, about married couple Beth (Julia Louis-Dreyfus) and Don (Tobias Menzies) and the strains on their relationship after Beth overhears her husband's candid comments. The gear-shift from one project to the next offered a creative rush for Waldron, who recounts the journey's twists and turns in this Q&A.
Panavision: How did you become involved in each project?
Jeffrey Waldron: Justin Simien and I clicked on the first season of Dear White People, sharing a love of film history and a lot of visual instincts. When he reached out about Haunted Mansion, I was so excited, not only by the idea of getting to shoot with Justin again but because I love the visual world of the source material, the original Disneyland ride. Actually landing the opportunity was an uphill battle like Justin, I was coming from independent film and television, so I worked hard to prove my potential and communicate a big vision for the film.
During the final stretch of shooting Haunted Mansion, I got a message from Nicole Holofcener we had shot together on HBO's Mrs. Fletcher and had stayed in touch and she asked if I might be available for a movie in New York City. I was heartbroken that I wasn't able to do it. When we wrapped Haunted Mansion, I checked back in to see how it went, and she told me it had been pushed. Suddenly our dates matched up, and we did You Hurt My Feelings together.
How would you describe the look that you and the director sought to create for each film?
Waldron: Well, these are very different looks!
For Haunted Mansion, we wanted to create a rich world built upon the visuals of the ride. To me, that meant a lot of color contrast between warms and cools, a lot of practical lamp sources, candles, firelight, shafts of moonlight, and a soft, dusty, painterly feel. There are a number of other looks in the film, from a flashback told through a crystal ball to the Ghost Realm' an astral plane painted in stark colors inspired by everything from a film negative to Hitchcock's Vertigo.
The script for You Hurt My Feelings managed to balance a very natural flow with a bit of a heightened, satirical edge. I took my approach from there: a softened realism lit from real-world sources but heightened to emphasize drama or lightness in parallel with the characters. We shot a lot of exteriors in New York in the spring, which fell into this soft, pastel approach well. I like to think of the result as natural and realistic but filtered through Nicole's nuanced writing and directing voice for the film.
For both projects, were there any particular visual references you looked at for inspiration?
Waldron: For Haunted Mansion, Justin and I brought in a lot of references: Hitchcock, The Twilight Zone, The Cincinnati Kid, street photography of New Orleans. I looked at lighting references from Crimson Peak and Tim Burton films like Beetlejuice and Alice in Wonderland. I'd say the biggest visual reference for all departments was consistently the ride itself. How did it strike this balance of scary and funny, and how do we bring that into a timeless-feeling but visually modern film?
For You Hurt My Feelings, I put together about a page of images I'd pulled from New York City photographers and some smaller personal films that leaned pastel and soft but felt real. Nicole looked at them only long enough to feel we were headed in a unified direction and then just started putting together the movie.
Rather than trying to emulate the entire look, there's often one small thing I like in each reference. I might use the picture to communicate a kind of green or cyan I love, or a specific kind of framing, or how they're using a super-wide lens or whatever it is. For me, rather than looking at a few whole images, it's about putting together a lot of them that each have one or two things I'm inspired by to add to the soup.
What brought you to Panavision for each of these projects?
Waldron: In early testing for Haunted Mansion, while they were building the sets, I took a camera around with a handful of lenses. When we put these images on the projector for Justin to see, it felt like a no-brainer that we wanted to shoot anamorphic the way they bend and fall off and everything, it just felt very haunted? Right off the bat, I had a lot of ambition for the film lens-wise. I knew Panavision had a long history of anamorphic optics to pull from as well as the ability to match them or modify them, plus the Herculean organizational ability to put all of this together in time.
For You Hurt My Feelings, it was a Tier 1 film with not a lot of money for a camera, and I appealed to Sal [Giarratano] at Panavision New York for help!
You used a mix of optics for Haunted Mansion. How did you determine which series to use for any given scene?
Waldron: I wanted to differentiate our waking world, which we shot with T Series; Madame Leota's crystal-ball story, shot with a special portrait' anamorphic lens set; and the Ghost Realm, which was shot with modified G Series. Each of these felt perfect for their role in the storytelling. The Ts felt more classical and buttoned-up; paired with a subtle bit of filtration, they looked great for the bulk of our scenes. The portrait lenses had heavy, glassy smears all around the
Most recent headlines
11/12/2025
Dalet, a leading provider of cloud-native, end-to-end media workflow solutions, ...
20/11/2025
LONDON The winners of the Rise Awards 2025, which recognize women and companies whose achievements have stood out in the media technology industry, have been an...
20/11/2025
SANTA MONICA & NEW YORK Lionsgate's Worldwide Television Distribution Group and Debmar-Mercury have launched MovieSphere Gold in more than 30 million homes....
20/11/2025
ALAMEDA, Calif. Clear-Com has introduced its four-channel HelixNet beltpack, a next-generation advancement of its widely used two-channel model, and anticipates...
20/11/2025
NEW PROVIDENCE, N.J. Streaming technology and services provider Kiswe has launched Kiswe Core, a next-generation cloud-based platform designed to simplify the s...
20/11/2025
MOUNTAIN VIEW, Calif. Dolby Laboratories has signed on as an official signature partner of the Bay Area Host Committee (BAHC) for the 2026 Super Bowl and the we...
20/11/2025
STUTTGART, Germany 3 Screen Solutions (3SS) has announced that the Canadian multiservice operator Telus has launched its Telus TV+ entertainment platform on Sam...
20/11/2025
Major League Baseball has announced deals with ESPN, NBCUniversal and Netflix covering 2026-2028 that make ESPN the exclusive rightsholder of MLB.TV, see regula...
20/11/2025
Berklee Presents Holiday Extravaganza: Duke Ellingtons The Nutcracker Suite and ...
19/11/2025
Sphere Sound Kicks Up Its Heels at Radio City Music HallUltra-immersive system from the singular Las Vegas venue is also ready for sportsBy Dan Daley, Audio Edi...
19/11/2025
The Future of Stadium and Arena Video Control Rooms: Tech Leaders Talk 4K, IP, a...
19/11/2025
One Year at Intuit Dome: Walking Through the Stunning Arena's Advanced Video...
19/11/2025
SVG Sit-Down: IMG's Francois Westcombe Goes Inside IMG's Annual Digital ...
19/11/2025
Inside Brighton & Hove Albion's fan-first media machine By George Bevir
Tuesday, November 18, 2025 - 10:10
Print This Story
Brighton & Hove Albion'...
19/11/2025
Rock Chalk Rebuild, Part 1: Kansas Athletics Brings New Production Power to Rebu...
19/11/2025
Rock Chalk Rebuild, Part 2: A Pro's Guide to Kansas Athletics' New Video...
19/11/2025
MLB Media Rights Shakeup: NBC Inks Three-Year Deal for Sunday Night Baseball, Pe...
19/11/2025
Rohan Parashuram Kanawade attends the premiere of Sabar Bonda (Cactus Pears) at the 2025 Sundance Film Festival at Egyptian Theatre on January 26, 2025, in Pa...
19/11/2025
Awards season is heating up, and the International Documentary Association just ...
19/11/2025
Aerojet Rocketdyne President Ken Bedingfield and Arkansas Gov. Sarah Huckabee Sanders were joined by state and local officials to celebrate the groundbreaking o...
19/11/2025
L3Harris and PentenAmio formalise their teaming agreement at MilCIS 2025, streng...
19/11/2025
Calrec gives Phoenix Broadcast Solutions its full support in strategic multi-year enterprise partnership New Singapore OB company invests in Calrec technology f...
19/11/2025
October brings a larger audience in front of TV screens. The cooler autumn weather and the continuation of new programming schedules brought increases in both t...
19/11/2025
IRVING, Texas Nexstar Media Group and Tegna filed applications on Nov. 18 with the Federal Communications Commission (FCC) seeking its consent to transfer broad...
19/11/2025
Vitec has acquired Datapath, a developer of real-time video processing for large-scale video walls, AVoIP content distribution and KVM control in mission-critic...
19/11/2025
NEVADA CITY, Calif. Telestream has introduced ARGUS Version 2.3, which introduces Live Look, a feature that lets operators inspect live and on-demand streams vi...
19/11/2025
STAMFORD, Conn. and NEW YORK Charter Communications, Inc. has announced a major deal with Amazon Web Services (AWS) that establishes AWS as one of Charters stra...
19/11/2025
TOKYO Atomos has announced a major firmware update that brings integrated camera control to the Ninja TX GO and Ninja TX its new CFexpress-based monitor-recor...
19/11/2025
Berklee's Signature Series Reimagines the Musical and Visual Artistry of Col...
19/11/2025
PlayBox Neo departed the NAB Show New York 2025 on a high note. The company's all-new PlayBox Neo Suite made a splash on the show floor, drawing strong inte...
19/11/2025
AAVBR (American Audio Visual Baton Rouge), a leading full-service event production company serving Louisiana and the Gulf Coast region, has enhanced its product...
19/11/2025
In its mission to deliver live event services combining advanced engineering with a creative approach to captivating live sports and entertainment experiences, ...
19/11/2025
NEW YORK Short-form vertical video has exploded across platforms like TikTok, Instagram and YouTube, but a new survey commissioned by Media.net, a provider of c...
19/11/2025
NEW YORK YES Network, the regional sports network home of the New York Yankees and Brooklyn Nets, and CAMB.AI have struck a partnership they said will leverage ...
19/11/2025
WASHINGTON The Federal Communications Commission has issued detailed guidance on filings that were disrupted by the government shutdown. While many of those fil...
19/11/2025
NEW YORK The popularity of NFL games is largely responsible for continued seasonal momentum in TV viewership into October (measured Sept. 29-Oct. 26), according...
19/11/2025
DirecTV has announced that its MyFree DirecTV streaming service has added seven new channels. Those include four sports services, NBA FAST, Red Bull TV, DAZN Ri...
19/11/2025
SURREY, U.K. Mark Roberts Motion Control (MRMC) has launched Flair Bridge, a compact device that transforms how operators control the company's motion-contr...
19/11/2025
WASHINGTON The Federal Communications Commission, which is continuing to rapidly ramp up its operations after the end of the federal government shutdown, has se...
19/11/2025
IRVING, Texas Nexstar Media Group and Tegna filed applications on Nov. 18 with the Federal Communications Commission (FCC) seeking its consent to transfer broad...
19/11/2025
Martin Freeman, Jessie Buckley, Wu-Tang Clan's Raekwon, Eddie the Eagle and ...
19/11/2025
Rohde & Schwarz collaborates with Broadcom to enable testing and validation of n...
19/11/2025
Back to All News
Innato, starring Imanol Arias and Elena Anaya, arrives on Netf...
19/11/2025
Back to All News
Guillermo del Toro Sits Down With Troll 2 Director Roar Uthaug...
19/11/2025
Some projects feel monumental from the moment the first phone call comes in. When BCE, the host broadcaster appointed to coordinate the national coverage, asked...
19/11/2025
November 19 2025, 08:00 (PST) BAY AREA HOST COMMITTEE AND DOLBY PARTNER TO DELIVER IMMERSIVE FAN EXPERIENCES
During the Week of Football's Biggest Game...
19/11/2025
Michael D. Higgins: Ireland's Ninth President features RT Archives footage and interviews across seven decades
Watch Wednesday 19 November at 9:35pm on RT...
19/11/2025
Scripps Research scientists receive $1.1 million to advance AI modeling for HIV vaccine development New AI system helps scientists rapidly pinpoint the most pro...
18/11/2025
Independent media across Central America are operating under intensifying financial pressure, yet there is a clear appetite for models that can sustain both ind...
The new feature Haunted Mansion delivers spooky fun inspired by the famed Disney theme park attraction. Telling the story of single-mom Gabbie (Rosario Dawson) and the eclectic group she gathers in an attempt to rid her new home of its hauntings, the movie reteamed director Justin Simien and cinematographer Jeffrey Waldron, who had previously collaborated on the first season of Simien's Netflix series Dear White People.
