The new feature Haunted Mansion delivers spooky fun inspired by the famed Disney theme park attraction. Telling the story of single-mom Gabbie (Rosario Dawson) and the eclectic group she gathers in an attempt to rid her new home of its hauntings, the movie reteamed director Justin Simien and cinematographer Jeffrey Waldron, who had previously collaborated on the first season of Simien's Netflix series Dear White People.
After the thrills of Haunted Mansion, Waldron rode straight into writer-director Nicole Holofcener's dramatic comedy You Hurt My Feelings, about married couple Beth (Julia Louis-Dreyfus) and Don (Tobias Menzies) and the strains on their relationship after Beth overhears her husband's candid comments. The gear-shift from one project to the next offered a creative rush for Waldron, who recounts the journey's twists and turns in this Q&A.
Panavision: How did you become involved in each project?
Jeffrey Waldron: Justin Simien and I clicked on the first season of Dear White People, sharing a love of film history and a lot of visual instincts. When he reached out about Haunted Mansion, I was so excited, not only by the idea of getting to shoot with Justin again but because I love the visual world of the source material, the original Disneyland ride. Actually landing the opportunity was an uphill battle like Justin, I was coming from independent film and television, so I worked hard to prove my potential and communicate a big vision for the film.
During the final stretch of shooting Haunted Mansion, I got a message from Nicole Holofcener we had shot together on HBO's Mrs. Fletcher and had stayed in touch and she asked if I might be available for a movie in New York City. I was heartbroken that I wasn't able to do it. When we wrapped Haunted Mansion, I checked back in to see how it went, and she told me it had been pushed. Suddenly our dates matched up, and we did You Hurt My Feelings together.
How would you describe the look that you and the director sought to create for each film?
Waldron: Well, these are very different looks!
For Haunted Mansion, we wanted to create a rich world built upon the visuals of the ride. To me, that meant a lot of color contrast between warms and cools, a lot of practical lamp sources, candles, firelight, shafts of moonlight, and a soft, dusty, painterly feel. There are a number of other looks in the film, from a flashback told through a crystal ball to the Ghost Realm' an astral plane painted in stark colors inspired by everything from a film negative to Hitchcock's Vertigo.
The script for You Hurt My Feelings managed to balance a very natural flow with a bit of a heightened, satirical edge. I took my approach from there: a softened realism lit from real-world sources but heightened to emphasize drama or lightness in parallel with the characters. We shot a lot of exteriors in New York in the spring, which fell into this soft, pastel approach well. I like to think of the result as natural and realistic but filtered through Nicole's nuanced writing and directing voice for the film.
For both projects, were there any particular visual references you looked at for inspiration?
Waldron: For Haunted Mansion, Justin and I brought in a lot of references: Hitchcock, The Twilight Zone, The Cincinnati Kid, street photography of New Orleans. I looked at lighting references from Crimson Peak and Tim Burton films like Beetlejuice and Alice in Wonderland. I'd say the biggest visual reference for all departments was consistently the ride itself. How did it strike this balance of scary and funny, and how do we bring that into a timeless-feeling but visually modern film?
For You Hurt My Feelings, I put together about a page of images I'd pulled from New York City photographers and some smaller personal films that leaned pastel and soft but felt real. Nicole looked at them only long enough to feel we were headed in a unified direction and then just started putting together the movie.
Rather than trying to emulate the entire look, there's often one small thing I like in each reference. I might use the picture to communicate a kind of green or cyan I love, or a specific kind of framing, or how they're using a super-wide lens or whatever it is. For me, rather than looking at a few whole images, it's about putting together a lot of them that each have one or two things I'm inspired by to add to the soup.
What brought you to Panavision for each of these projects?
Waldron: In early testing for Haunted Mansion, while they were building the sets, I took a camera around with a handful of lenses. When we put these images on the projector for Justin to see, it felt like a no-brainer that we wanted to shoot anamorphic the way they bend and fall off and everything, it just felt very haunted? Right off the bat, I had a lot of ambition for the film lens-wise. I knew Panavision had a long history of anamorphic optics to pull from as well as the ability to match them or modify them, plus the Herculean organizational ability to put all of this together in time.
For You Hurt My Feelings, it was a Tier 1 film with not a lot of money for a camera, and I appealed to Sal [Giarratano] at Panavision New York for help!
You used a mix of optics for Haunted Mansion. How did you determine which series to use for any given scene?
Waldron: I wanted to differentiate our waking world, which we shot with T Series; Madame Leota's crystal-ball story, shot with a special portrait' anamorphic lens set; and the Ghost Realm, which was shot with modified G Series. Each of these felt perfect for their role in the storytelling. The Ts felt more classical and buttoned-up; paired with a subtle bit of filtration, they looked great for the bulk of our scenes. The portrait lenses had heavy, glassy smears all around the
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
07/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/04/2026
Frequency, the engine behind many of the world's leading streaming television channels, at NAB 2026 will be launching new Studio services to help content ow...
07/04/2026
Ikegami USA has chosen NAB 2026 in Las Vegas as the launch platform for new additions to its range of broadcast-quality television production equipment. These w...
07/04/2026
April 19, 2026, Las Vegas Kiloview, an innovative provider of AV-over-IP technologies, will showcase its latest broadcast IP solutions at NAB 2026, presenting...
07/04/2026
Bitmovin has announced support for Server-Guided Ad Insertion (SGAI) across its playback products using HLS interstitials, enabling more advanced ad-supported s...
07/04/2026
Synamedia is unveiling AI by Quortex at The NAB show, a just-in-time AI plugin framework that applies intelligence only when needed across video processing, dis...
07/04/2026
Cuez will showcase four additions to its cloud-based newsroom, rundown and automation platform at NAB Show 2026 (April 18 22, Las Vegas, Booth N1867):
Cuez ...
07/04/2026
CueScript to Showcase Innovations at NAB that Add Mobility Options, Ease Editing...
07/04/2026
Barix Extends Transport Options for Multi-Engine IP Encoder
Brie Clayton April 7, 2026
0 Comments
New for NAB, Barix adds SRT and RIST support to Mult...
07/04/2026
Elite Media Technologies Selects Interra Systems' BATON File-Based QC Soluti...
07/04/2026
Tightrope Media Systems to Debut Cablecast LiveBridge for Simultaneous Streaming...
07/04/2026
Cuez Brings Four New Innovations to NAB 2026: From Story-Centric Newsroom to Ope...
07/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/04/2026
Designed for synchronized multi-stream playback, low-latency delivery, and real-time analytics, MATCH introduces a unified viewing experience for sports broadca...
07/04/2026
Berklee Students to Honor George Martin with Performance of Original Scores The orchestra, led by associate professor Xander Rovang, will perform several work...
06/04/2026
Michigan legends bring a new voice to the broadcast as TNT Sports and CBS Sports...
06/04/2026
From high school sports all the way up to the major leagues, building high-quali...
06/04/2026
Quickplay, an AI company for the media and entertainment industry, has been accepted into the Advanced tier of the TwelveLabs Ecosystem Partner Program. Quickpl...
06/04/2026
Grass Valley has announced the Future Playmakers Program, a global initiative to...
06/04/2026
El l der de operaciones impulsa la producci n en estudio mientras encuentra insp...
06/04/2026
The ops leader helps lead the charge in studio for the Spanish-language broadcas...
06/04/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
06/04/2026
The National Hockey League (NHL), in partnership with Verizon and the New Jersey Devils, today announced the opening of the NHL Innovation Lab powered by Verizo...
06/04/2026
Rock League, a new professional curling league, has announced that ESPN+ will stream its inaugural 2026 season for fans in the United States. The first Rock Lea...
06/04/2026
Advanced Systems Group has announced the appointment of Andrea (Andy) Cummis as Vice President of Systems Design and Engineering. In this role, she will lead de...
06/04/2026
Backed by Bolt Ventures, the venture brings Bryson DeChambeau, Grant Horvat, and...
06/04/2026
With this environment we can start that collaboration even earlier because we ca...
06/04/2026
Like the immortal lives of vampires, some stories never really end. That's t...
06/04/2026
As podcasting continues to evolve, growth increasingly means building beyond aud...
06/04/2026
Multiband dynamics plug-in enhanced
California-based developer FSK Audio have released a significant update for their innovative multiband dynamics processo...
06/04/2026
Share official & user-created full-rig presets
IK Multimedia's latest TONEX update makes it possible for users of the popular amp and effects modelling ...
06/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/04/2026
Dalet Showcases Dalia Agentic AI and End-to-End Media Workflows at NAB Show 2026
Brie Clayton April 6, 2026
0 Comments
Dalet, a leading technology and...
06/04/2026
OpenDrives Shows Off Sports Expertise in Sports Business Hub located in NAB Show...
06/04/2026
Proton to Demonstrate 3D Application at NAB 2026
Brie Clayton April 6, 2026
0 Comments
Yet further creative potential unleashed through innovation in ...
06/04/2026
Autoscript Highlights Voice-Driven Prompting and PTZ Solutions at NAB 2026
Brie Clayton April 6, 2026
0 Comments
Experience Autoscript Voice, PTZ prom...
06/04/2026
Mediaproxy Highlights Significant Enhancements to its LogServer suite at NAB Sho...
06/04/2026
Wayne, N.J., April 6th, 2026 Phantom High-Speed announces the release of PCC 4...
06/04/2026
April 6th, 2026
TRIBECA STUDIOS AND LILLY ANNOUNCE WINNERS OF INAUGURAL VITAL...
06/04/2026
Back to All News
Netflix Expands Kids Entertainment Lineup With Playground App ...
05/04/2026
Tackles all reported bugs!
SoundBridge have just announced the launch of a new update that introduces a couple of minor changes to their remote collaboratio...
The new feature Haunted Mansion delivers spooky fun inspired by the famed Disney theme park attraction. Telling the story of single-mom Gabbie (Rosario Dawson) and the eclectic group she gathers in an attempt to rid her new home of its hauntings, the movie reteamed director Justin Simien and cinematographer Jeffrey Waldron, who had previously collaborated on the first season of Simien's Netflix series Dear White People.
