
Making waves: How SailGP is working to bring its graphics production technology LiveLineFX to other sports By Heather McLean
Friday, May 31, 2024 - 13:00
Print This Story
SailGP rolled out a refreshed graphics package midway through Season 4 this year. Pictured here, the New Zealand Sail Grand Prix, Christchurch, March 2024
SailGP is in the process of making its graphics production technology, LiveLineFX, available for other sports. LiveLineFX, which is produced remotely from SailGP's broadcast studio in London for SailGP's broadcast partners in 212 international territories, processes 1.15 billion data requests per hour from each of the ten state-of-the-art F50 catamarans per hour. Supplied by Oracle Cloud, it is all done in real time to generate unrivalled performance information.
We caught up with Tom Peel, SailGP's director of LiveLineFX, and Melissa Lawton, SailGP's chief content officer, to find out more about the use cases and development of LiveLineFX.
Why did you decide to roll LiveLine out to other sports?
TP: SailGP wouldn't be the compelling viewing experience it is without LiveLine, and it's now grown to be a huge part of the commercial success, we can see opportunities everywhere too in both these areas to help other sports realise new opportunities.
ML: It's the obvious next step for such a high quality and well tested product.
Was this always the plan? So have you created this tech so that it is transferable? Or is it a happy coincidence that it can work in this way?
TP: LiveLine was developed for the America's Cup, so it started with a very specific focus. Since the launch of SailGP we have been working on making it more accessible for our own internal needs as we increase the number of events and the ease and efficiency of the system, so it's happened naturally but we have also kept doors open to enable easier integration with others.
Read more SailGP to push its Emmy Award-winning LiveLineFX graphics overlay to other sports properties
Have you already had enquiries about it from other sports?
ML: I had several enquiries after I spoke at Sportel in 2023; several people in the audience mentioned that they really needed something like the SailGP graphics for their TV coverage. This really sparked the momentum from my perspective to take it to the wider market.
The LiveLine team had already been testing with a number of entities to a create proof of concept, and we do have one of those rolling out in market this year.
How are you developing it exactly for us in other sports? What is being done to it?
TP: Keeping things generic on the input side helps keep a clean low bloat integration with anyone's current data systems, and redesigning our Sports Logic parts to be modular, maintaining a repeatable ecosystem but with access to add specifics for any use case.
Why is it best for out of stadium sports? What can it give them exactly?
TP: We can do stuff for stadiums too, but where it really makes sense is where there is no physical infrastructure for branding, and no physical framing of the field of play. Allowing less kit to be taken to events which not only helps ease costs away from the broadcast but also contributes to our sustainability purpose and goal to reduce the overall carbon footprint by 55% by 2025.
What are the features of LiveLine that are going to appeal most to other sports?
TP: Virtual advertising. It would be great to think that showing speeds and other statistics will be a game changer for other sports but ultimately, the commercial side of things is what really powers decisions these days and the sports storytelling can piggyback the commercial value.
Will this be an off-the-shelf proposition for other sports, or will it be tailored for them?
TP: Its always going to be somewhat tailored, depending on the problems which need solving, some things will work out of the box, while others will need to be specific.
For instance, in horse racing the course is very clearly within the fences so its horse by horse information which works best, but for events where the track is put in the middle of nowhere and there isn't much marking of the track, that's where you would get the biggest gains in explaining the sport.
How do you plan to develop LiveLine in the future to increase its appeal to other sports, and for SailGP?
TP: We keep building into the ecosystem and will be launching a LiveLineVR phone app at our SailGP event in New York at the end of June which I think is going to be a big hit and builds on the layers we already have years of experience in. Watch this space!
More from Sports Video Group
11/07/2025
Behind the Mic: Amazon Prime Preps for First Season of NBA Action; MSG Networks ...
11/07/2025
SVG New Sponsor Spotlight: Suite Studios' Craig Hering on Adapting to Client...
11/07/2025
2025 SVG Content Management Forum Breaks Down AI's Impact, Continued Transit...
11/07/2025
A Journey HOME: University of Nebraska's HuskerVision Goes IP Leaders from the HuskerVision and Lawo share their IP learnings By SVG Staff
Friday, July 1...
11/07/2025
CMSI, Remote Picture Labs, Ace ESPN's Cloud-Based Editing Efforts for Wimble...
11/07/2025
Netflix Enters the Live-Boxing-Production Ring for Round 2 With Historic Taylor-...
10/07/2025
5G for all? What the DFL's use of Easy5G and RefCam could mean for events in...
10/07/2025
Save the Date: PGA TOUR Studios Welcomes SVG Remote Production Summit on Oct 14-...
10/07/2025
Cloud on the Road: How Remote-Production-Service Providers Are Adapting to a New...
10/07/2025
Seattle Kraken's Ryan Schaber on the NHL Team Taking Live Game Productions I...
10/07/2025
FOX Sports Reboots Small Control Room in Los Angeles as Hub for Vertical-First P...
10/07/2025
SVG Sit-Down: MSE's Zach Leonsis, ViewLift's Rick Allen Go Deep on Joint...
09/07/2025
Monumental Sports & Entertainment, ViewLift Unveil Broadcast/Streaming Joint Ven...
09/07/2025
SVG Europe Audio State of Wireless Mics Forum: If we lose the spectrum, it...
09/07/2025
Tech Focus: Athlete Audio - Venues Provide Sound Just for the Players From locker room to field of play, personalized systems help rev up the athletes By Dan D...
08/07/2025
Groundbreaking Gamecocks: Inside University of South Carolina's Four-Control...
08/07/2025
Monumental Sports & Entertainment's Samantha Brady on the Power of the RSN...
08/07/2025
Live From 2025 FIFA Club World Cup: FIFA, HBS Focus on Tournament Wrap, With an ...
08/07/2025
SVG Rewind: NESN Goes Behind the Scenes of 1975 Red Sox Retro Broadcast NESN is following up the retrocast with a week-long celebration of the Green Monster By...
07/07/2025
1-2 Punch: The Cloud, Generative AI, and the Future of Sports-Content Distributi...
07/07/2025
Tests and decisions: Formula E host broadcaster Aurora on launching new AR graph...
07/07/2025
Building tension: Using new AR graphics for storytelling at the Formula E penult...
07/07/2025
Altitude Sports' Matt Krol on the Success of the RSN's In-Arena Postgame...
07/07/2025
SVG Rewind: Four NFL Clubs Bring Us on Set of Respective Media Day Shoots An in-depth conversation with 49ers Laura Johnson, Ravens Jay O'Brien, Las Vegas R...
07/07/2025
Cosm To Build Fifth Shared Reality Venue in Cleveland as Part of Bedrock's ...
02/07/2025
Progressive realism: Aurora on taking up the broadcast reins for World RX alongs...
02/07/2025
Great speed: New host broadcaster Aurora on getting the World RX 2025 season pro...
02/07/2025
Seat of its pants: Aurora boxes clever and looks ahead for the FIA as new host b...
02/07/2025
UEFA Women's Euro 2025: EBU, BBC Sport and Sunset Vine talk coverage plans, ...
02/07/2025
UEFA Women's Euro 2025: Women's Super League launches new content series...
02/07/2025
UEFA Women's Euro 2025: Ignite puts fans and players front and centre with t...
02/07/2025
Storytelling in the Live Game Broadcast: ESPN Director Jimmy Platt Breaks Down t...
02/07/2025
CONCACAF's Miguel Angel Garcia on the Gold Cup's Enhanced 2025 Productio...
01/07/2025
SVG New Sponsor Spotlight: Spyrosoft's Jonathan Witty on Futher Business Exp...
01/07/2025
The NIL Effect: How the Shifting Business of College Athletics Impacts On-Campus...
01/07/2025
Cherry on the cake: Inside the technical production of the Tour de France 2025 w...
01/07/2025
NESN's Josh Jun on Keeping Alternative Broadcasts Fresh for Boston Red Sox, ...
01/07/2025
TNT Sports Races Back Into NASCAR With Fresh Look, Familiar Edge Production approach emphasizes creative freedom, bold storytelling, casual-fan-friendly tone B...
27/06/2025
How smarter compression is creating a sustainable future By Michael Burns
Monday, June 23, 2025 - 14:13
Print This Story
Live sport is especially vulnerab...
27/06/2025
Behind the Mic: FOX Sports Ratchets Up UEFA Women's EURO 2025 With Top-Class...
27/06/2025
RTL Group To Acquire Sky Deutschland By George Bevir, Editorial Director, SVG Europe
Friday, June 27, 2025 - 8:00 am
Print This Story | Subscribe
Story ...
27/06/2025
Frictionless, At Scale: The Current State of Live Video Streaming Techology Leaders from Bitmovin, Comcast Technology Solutions, Harmonic, IMAX, and Phenix brea...
27/06/2025
Marquee Sports Network's Nick Steger on Meeting the Moment of the Contending...
27/06/2025
NHL Draft 2025: The League Is Primed for First Decentralized Draft in Non-Pandem...
26/06/2025
10th-Annual SVG Regional Sports Production Summit Presents Useful Roadmap for th...
26/06/2025
The Big Cloud Debate: Public vs. Private vs. Hybrid Tech leaders from CineSys, Diversified, and Net Insight breaks down all flavors of cloud By Jason Dachman, ...
26/06/2025
Program Productions' Jess Kowatch on Training the Next and Current Gener...
25/06/2025
SVG College Summit 2025: Select Sessions Now Available to Watch on SVG PLAY Tackling the latest in college sports video: NIL, live production, virtual productio...
25/06/2025
ESPN Is Set To Bring AR Graphics to Wimbledon, Revamps Bunker and Studio 18 VO B...
24/06/2025
2025 NBA Draft: ABC/ESPN Prepares for Two-Day Draft at Barclays Center Partners Game Creek Video, CP Communications, NEP Specialty Capture will be on hand By M...