
"What we wanted to do was to build a file system that would support any resolution at any number of streams"
Author:
ContributorPublish date:
Aug 16, 2018
The M&E industry is one of the fastest evolving sectors. The rapid progression of frame rates and video revolution has a considerable impact on production and post-production teams, and their storage and capacity requirements. Throughout the production process, a film increases from approximately 10 TB to roughly 350 TB and the number of workstreams with users working on the same dataset grows rapidly.
To solve this data storage challenge, Technicolor created a scalable and future-proof storage infrastructure using Excelero NVMesh to provide workstations with access to high bandwidth and low latency performance that accommodates streaming, editing and reel presentation at any time.
Future-proofing post-production storage
Like many data centre and infrastructure teams at production and post-production houses, Technicolors IT department along with engineering director Amir Bemanian, were struggling to keep up with the rapid evolution from one resolution to the other.
4K is becoming the default resolution and 8K is on the horizon, and frame rates are increasing from 24 and 30 frames per second to 48fps and even 60fps. The additional storage capacity and thus also bandwidth that is needed for higher frame rates increases linearly: doubling the frame rate from 30fps to 60fps also doubles the storage needs. And increasing the resolution from 2K to 4K quadruples the storage requirements. When a studio switches from 2K 30fps to 4K 60fps, the post-production house also needs to be prepared to store and stream eight times the volume of data, which is a substantial increase.
On top of this, there are also possible investments in extra cameras, additional visual effects, High Dynamic Range (HDR), colour depth, and more. Yet another challenge for post-production workflows is avoiding dropped frames, caused by insufficient performance and high latencies, which impacts the technical quality of an asset and results in on-screen motion.
A common problem is that many companies in the M&E industry such as Technicolor, retain infrastructures which are typically based on a Fibre Channel network with storage arrays serving tens of workstations. This means that the speed to ingest data to the workstations from the Fibre Channel storage arrays is simply too slow and does not scale. At Technicolor, workstreams had to be duplicated in order for multiple people to work on the dataset at the same time.
In order to be better prepared for current and future storage and streaming needs, Amir Bemanian and his team at Technicolor began exploring new "future-proof" storage and network architectures. "What we wanted to do was to build a file system that would support any resolution at any number of streams," explains Bemanian. "And that was essentially impossible until 2017 where we saw an alignment of technologies: the networking, the PCIE slot, the NVMe drives and also the software - from Excelero - that glued it all together. This combination of technologies enabled us to do storage in a very different way to traditional methods.
The IT infrastructure required to feed dozens of workstations of 4K files at 24 fps is mind-boggling and that doesn't even consider what storage demands we'll face with 8K or even 16K formats, Bemanian continues. It's imperative that we can scale to future film standards today. Now, with innovations like the shared NVMe storage that Excelero provides, Technicolor can enjoy a hardware-agnostic approach, enabling flexibility for tomorrow while not sacrificing performance.
Excelero's NVMesh for Any-K workflows
NVMesh software-defined block storage features Elastic NVMe, a distributed block layer that allows any application to utilise pooled NVMe storage devices across a network at local speeds and latencies. Distributed NVMe storage resources are pooled with the ability to create arbitrary, dynamic block volumes that can be utilised by any host running the NVMesh block client. These virtual volumes can be striped, mirrored or both while enjoying centralised management, monitoring and administration. In short, applications can enjoy the latency, throughput and IOPS of a local NVMe device while at the same time getting the benefits of centralised, redundant storage. NVMesh is deployed as a virtual, distributed non-volatile array and supports both converged and disaggregated architectures, giving customers full freedom in their architectural design.
By deploying Excelero NVMesh and six standard NVMe servers powered by Intel 3D NAND flash, Technicolor achieved 4K streaming at 60fps to over 50 workstations concurrently. Delivering 99.8 per cent of local NVMe storage server performance across the network, the solution offers twice the performance of competing solutions at 50 per cent of the cost and requires a much lower data centre footprint.
After an initial proof of concept, the storage solution was brought into production within four weeks for use with a major Hollywood feature film. So far, three projects have been run successfully on the software-defined system.
A major benefit is that the architecture has created an optimal environment where multiple members of the post-production team can simultaneously view and work on the same data set. Bemanian concludes: "It has generated a positive and productive end user experience.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
25/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/07/2026
Export FCP7 to XML Without Needing FCP7 Installed
Dave Rice July 24, 2026
0 Comments
I've created an open source tool that allows you to export FC...
25/07/2026
Documentary Sell Your House Edited with DaVinci Resolve Studio
Brie Clayton July 24, 2026
0 Comments
Filmmakers post feature documentary from opposite...
25/07/2026
Time to Act: Bringing a New Opera to Life Boston Conservatory at Berklee vocal arts students played a vital role in shaping the opera's creative developme...
25/07/2026
Beyond the Score For Dean of Music Kevin Haden, the boundless possibilities of classical music begin with process.
July 24, 2026
By
Kevin Haden
Michelle ...
25/07/2026
Reading the Room As music director of two major orchestras, conductor Jonathon Heyward aims to make the concert hall a space for everyone.
July 24, 2026
By
...
24/07/2026
Referee hat cameras, player/coach mics, and virtual graphics will be deployed at the three-day event for the first time
The NFL FLAG Championships return to ES...
24/07/2026
Qvest, Ateme, and Scaleway have partnered to offer broadcasters, media organizat...
24/07/2026
LTN has completed satellite-to-IP migrations for more than 3,000 broadcaster, MVPD (Multi-Channel Video Programming Distributor), head-end, and content owner si...
24/07/2026
Chyron has released Virtual Placement 8.1, an update to its live sports virtual graphics platform. The release adds workflow and graphics changes across chroma ...
24/07/2026
Riedel's RefCam Live was used for the first time at an international soccer match during a friendly between the German men's national team and Ghana in ...
24/07/2026
USSI Global said it is prepared to help broadcasters, satellite network operators, and media organizations manage the next phase of C-band spectrum clearing, fo...
24/07/2026
FuboTV and The Athletic have launched The Athletic Video Hub on Fubo, bringing The Athletic's sports video content to connected TV (CTV) for the first time....
24/07/2026
Tagboard and Momento have partnered to bring Momento's fan reaction photos to venue videoboards in real time following big plays. The Seattle Mariners will ...
24/07/2026
Stephen Arnold Music (SAM) created an anthem called The World Is Here for Fox ...
24/07/2026
Caz TV has acquired Brazilian broadcast rights to the entire WTA Tour driven by Mercedes-Benz, covering all WTA 250, WTA 500, and WTA 1000 tournaments. The agre...
24/07/2026
SiriusXM and WWE have launched WWE Radio on SiriusXM channel 156, beginning Monday, July 27. The channel will carry live audio of WWE Premium Live Events, audio...
24/07/2026
Harvard Athletics produces more than 325 live NCAA Division 1 sports events and 500 edited videos per year. To manage video capture, streaming, recording, and s...
24/07/2026
Chyron's PRIME 5 graphics platform supported live graphics workflows for NBCUniversal Telemundo's FIFA World Cup 2026 coverage across Telemundo, Univers...
24/07/2026
Wearable tech returns to the coverage, and a brand-new mobile unit is rolled out for the 2026 edition
The 21-stage Tour de France is nearing its conclusion. Th...
24/07/2026
More than 20 cameras, extensive player and coach audio, and a REMCO production model will power coverage of the league's showcase
For an event designed to ...
24/07/2026
New broadcast tool uses live timing, telemetry, and predictive analysis to decode real-time team decision-making for fans at home...
24/07/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
24/07/2026
First string library captured at Studio Richter Mahr
The latest sample library to be created at Max Richter's Studio Richter Mahr facility captures the ...
24/07/2026
Official emulation of Blackbird Studios reverb chamber
In their latest collaboration with Blackbird Studios, KIT Plugins have captured the sound of the Stud...
24/07/2026
Sohonet's partners at BIND Studio have published a great case study on the V...
24/07/2026
Angela Gomez brings over 14 years of experience in broadcast communications and audio engineering, specialising in live outside broadcasts, live sports and larg...
24/07/2026
Between the maturation of IP and remote production workflows, collegiate sports production is advancing rapidly. For an Ivy League institution like Harvard, kee...
24/07/2026
iWedia, a global provider of software solutions for connected TV devices, today announces the launch of Teatro Factory, a new operator-facing software factory o...
24/07/2026
Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 11.57 billion one-to-one addressable advertisements into live video streams during the 2026 ...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Current DASDEC software enables customers to comply with the FCC's new 15-character password mandate without requiring updates
LYNDONVILLE, N.Y. July 23,...
24/07/2026
At the IBC2026 Show, SDVI will give European media organizations their first hands-on look at the next-generation Rally media supply chain management platform f...
24/07/2026
Sonnet Technologies at IBC2026
Brie Clayton July 23, 2026
0 Comments
Hero image: Sonnet Twin25G T5 Thunderbolt 5 Adapter
At this year's IBC Sho...
24/07/2026
Musora Enhances Online Music Lessons with Blackmagic Design
Brie Clayton July 23, 2026
0 Comments
Director of Production Josh Holliday details workflo...
24/07/2026
Interview with Production 360. Original article published here
The theme of thi...
24/07/2026
Article courtesy of postPerspective
Read the article
While Toy Story 5 maintai...
24/07/2026
Kerry and Mayo fans Up For The Match as excitement builds in Croke Park on the e...
23/07/2026
Staines-upon-Thames, UK, 23rd, JULY, 2026 - Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 11.57 billion one-to-one addressable advertisem...