
The design company Ao Gitsune recently released a new amazing creation: a levitating skull, which has been 3D printed to better meet the project's creative needs.
The printed part was made through Sculpteo's services (www.sculpteo.com). Perpetually floating in the air, this piece of art is a beautiful metaphor for the boundlessness of the human imagination.
Based in Paris, the brand Ao Gitsune - which means blue fox in Japanese - knows the 3D printing process. Their aim is to create home furniture, such as bathroom objects, office accessories, or a range of lighting products, and almost all of their products were prototyped with a 3D printer. Additive manufacturing is the perfect solution to work out their new creations, as it is for smaller companies.
The Ankou project is different than just a means of prototyping - 3D printing has been used to produce the final versions of the levitating skull, thus bringing life to its designers' ideas.
Everything started from an exploration of the concept of modern vanity and some experimentations on electromagnetic levitation. Levitation is one of the first absolute laws on Earth, so powerful that it affects everything. It is very similar to passing time. We decided to use gravity as a metaphor for time. Being able to break away from the attraction is a subtle yet strong metaphor to show the infinite' power of human imagination against the relentless force of time. The little idea made its way, step by step - a challenge as magnetic levitation won't allow design errors - gathering knowledge, skills and a lot of time explained Guillaume Kuntz.
Lightweight for Levitation
In order to make it possible, Ao Gitsune's designers first had to find a material light enough to meet the levitational constraints. Sculpteo's polyamide material was perfect for that. Weighing in at about 0,9 g/ cm3, it allowed them to conceive a solution which is both lightweight and visually attractive. Using an SLS printer (Sculpteo uses either OS Formiga P100, P110, P395, and P730s) Ao Gitsune could produce their objects with a high precision. Their prints had a precision of 100 m, and it even reaches 60 m when Batch Control is activated.
Beyond that, Sculpteo's polyamide material allowed Ao Gitsune various finishing options. When using the right finishing method, polyamide prints can be attached, painted, polished, and more. Sculpteo's polyamide material allowed them to get the high quality finishes required to produce their fine pieces of art. That's how Ao Gitsune attained such a beautiful, gold gilded surface.
For now a small series has been produced, but more levitating skulls are to come, with different finishes and colors.
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