
When Devin Lund, director of photography for The Aviators on PBS, goes on assignment, he's got to be ready for constant change.
Sometimes we're dealing with the military. Sometimes we're dealing with private aircraft owners. I've got to be ready to deal with last-minute changes. It always happens, Lund explains.
So Lund and his crew have put together a flexible production kit to deal with the hectic nature of their shoots. One move that helped the crew to organize was the idea to deploy cameras that were all about the same size: Sony EX3, EX5 and the Canon 5D.
Lund's Sachtler tripod systems also play a major role in this plan. He uses SpeedLock 75 CF legs and FSB-8 heads for everything. The quick releases all match, so the crew doesn't have to go hunting for a specific tripod or tools and hardware to change the release plate. Any camera can go on any tripod, any slider can go on any tripod. We're not constantly looking around for a tripod of a different size. The same Sachtler fluid heads are mounted on slider or jib arms.
Most of the Aviator footage is shot outdoors, and Lund finds himself constantly changing lenses and other accessories. The camera package weight's always changing, and I just make my small counterbalance adjustments and get right back to shooting.
Based on his long experience with Sachtler, he said he's confident in the fluid head's performance when he's shooting at the telephoto end of his zoom lenses. I do enjoy the Sachtler's ability to do smooth pans while on the longer lens. I've always trusted the Sachtlers for the ability to do that.
During a break in The Aviator's production schedule, Lund took an assignment to shoot a research team working in the Arctic. Though the shoot was in the summer, without extremes in temperature, there were other environmental hazards for his equipment: wind and sand.
It's really like a giant sand quarry, said Lund. I was very worried about the camera, but I didn't even have any concerns about the Sachtler tripod system. I knew how well sealed it is and that it was going to hold up.
For more information visit http://www.sachtler.com or contact: Sachtler, 16 Progress Drive, Shelton CT 06484
About Sachtler
Sachtler, founded in 1958 by cameraman Wendelin Sachtler, is a worldwide market leader for professional camera support systems for cinematography and television production, its name a symbol of top quality and reliability for decades. With an extensive range of camera support systems as well as a finely modulated product line of reportage lighting, Sachtler is the highly qualified partner for broadcast and film applications. Since 2000 Sachtler has been offering the artemis modular camera stabilizer system. With its numerous workshops and training sessions, the Wendelin Sachtler Academy has become a top address worldwide for invaluable know-how and the exchange of information, creating the ideal international platform for creative talents. Along with other leading brands in the broadcast and professional videographer industry, Sachtler is part of Vitec Videocom, a Vitec Group company. For more information on Sachtler, visit http://www.sachtler.com
About Vitec Videocom
Vitec Videocom brings together some of the most respected, most innovative and most sought-after brands in the industry: Anton/Bauer, Autoscript, Litepanels, OConnor, Petrol, Sachtler, Vinten and Vinten Radamec. It acts as an endorsing brand for these market-leading broadcast, film and pro video products, encouraging multi-brand system sales and simplifying the way that customers worldwide do business.
Vitec Videocom is an operating division within the Vitec Group, an international business serving customers in the broadcast, photographic and military aerospace and government markets. Vitec is based on strong, well known, premium brands on which its customers rely on worldwide.
Vitec Videocom - innovative products around the camera.
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