When it comes to horror films, production teams work hard to find new approaches to scare audiences. Today, with Dolby Atmos and immersive sound growing in popularity, there are even more ways to give viewers a fright. That's exactly what Re-recording Mixer Jonathan Wales accomplishes for the horror shows and films on which he works, both as a freelancer and for Warner Brothers Studios.
Wales didn't set out to specialize in horror, but a 30-year-long career path brought him there. I tend to work on a lot of horror movies, he says. It wasn't supposed to be that way, but when you start doing something well, people notice, and you end up doing more of it. It was an accidental career path, but it's a fun genre to work in. Right now, there's probably an even amount of time spent between original series content and horror films and shows.
Among Wales' most notable mixing projects are Netflix projects like Haunting of Hill House, Midnight Mass and Fall of the House of Usher. His feature-length film credits include Insidious, The Red Door and The Black Phone. When he's not working on re-recording projects, Wales is also a scoring mixer and is credited with mixing the score for every Mike Flanagan project, from the first episode of Haunting of Hill House in 2018, forward.
Wales says he has also seen a change in the way directors and producers attack horror projects. Over the past five to 10 years, there has been an increasing trend towards mixing in Atmos as the primary format, he explains. That requires us to have solutions that handle a lot of detailed format conversions like upmixing and downmixing, while simultaneously managing level specs. That's how I've come to grow my relationship with NUGEN Audio.
Wales credits the brand's Halo Upmix as being one of his go-to tools. It sounds natural and you can control what it's doing in a very understandable way, he continues. It's one thing to be able to make tweaks in a plug-in, it's quite another to have them be predictable and do what you expect. That's one great benefit of NUGEN plug-ins. Another thing I like about Halo Upmix is that it has relatively low latency. Some upmixing plug-ins have incredible processing delays and that's not very useful. People in my line of work can't use extremely high-latency plug-ins while working in real-time.
Halo Upmix has become a staple on Wales' scoring work as well. It played a huge role on the Fall of the House of Usher,' he adds. I use it on all sorts of audio elements, including things you wouldn't expect like individual stereo background files. Sometimes I like to deploy it just to see what happens. With music especially, there are always songs we try to make sound bigger. One of the great things about this plug-in is when you expand a track and then later have to fold it back down, your efforts aren't working against you. There are plug-ins out there that do an okay job making tracks sound bigger, but when it comes time to make the tracks smaller, they start sounding really strange. Halo Upmix doesn't suffer from that problem. It's very up-down compatible. NUGEN was also one of the first companies that provided a way to fully upmix beyond 5.1, into Atmos, in a way that makes sense.
As many of Wales' latest projects are for Netflix, keeping his projects to spec has become especially critical. We use NUGEN's VisLM loudness meter as a sort of bible on level specs, he says. That plug-in is very important because it maintains a history of what you've been doing over the length of the program. So, if something isn't quite in spec, you can find the exact placement of the problem and go directly to that section to make corrections. The results are reflected in real-time, so you can decipher if you're making something better. It provides exceptional visual feedback of the information that you need.
Wales says NUGEN Audio's Halo Downmix is another of his go-to solutions. There are many downmix plug-ins, and, to some degree, they all do the same thing, but Halo Downmix actually gives you a level of base management control when going from 5.1 to stereo, he says. Its feedback also massively exceeds all other plug-ins. As we're having to cope with even larger formats folding down, I think Halo Downmix has become an increasingly important tool for me. It used to be that it didn't make a difference which fold-down software you used, but all the extra tools you get from Halo Downmix are very important and they have a good reason to be there.
As a longtime NUGEN user, Wales says Halo Upmix, Halo Downmix and VisLM those three plug-ins are in every template I have. There is no scenario where I'm not using them. The plug-ins are very well written, by people who really care. When you're using tools that are involved in your final delivery chain, that's really important.
Wales continues on, saying The plug-ins are also very efficient. They're not processor hogs that you can only use offline to experiment. When you get facetime with a director, you want to be able to make changes right there in real-time; these tools allow that. NUGEN is also very good at issuing updates for compatibility or corrections. That level of dependability is important. You want to use tools that you can trust, from companies that stand behind their solutions.
For more information about NUGEN Audio products, visit: https://nugenaudio.com.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
06/05/2026
Gravity Media Chief RF Communications Engineer Glenn Willems uses Wisycom RF over Fiber and wireless solutions across major cycling events and international mar...
06/05/2026
A Sennheiser Spectera module is now available in Bitfocus Companion and Buttons, enabling direct integration of Spectera with the two software platforms. The mo...
06/05/2026
Ted Turner, the visionary media entrepreneur whose appetite for disruption helpe...
06/05/2026
Peacock is going all-in on the beautiful game - streaming all 104 FIFA World Cup...
06/05/2026
New pricing tiers for vocal/dialogue restoration tool
NoiseWorks Audio's AI-powered vocal and dialogue processing plug-in is now available in three diff...
06/05/2026
Popular mixing & routing software overhauled
Following a recent public beta test, RME have launched the final release version of the powerful mixing and rou...
06/05/2026
New SOS Video Feature
Focusrites ISA C8X is a milestone product that brings together the companys analogue heritage and their expertise in digital audio. Yo...
06/05/2026
Polands Miecznik-class frigates are part of the largest contract in Polish shipbuilding history. (Image Credit: PGZ Stocznia Wojenna)...
06/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/05/2026
Riedel Communications today announced the expansion of its leadership structure as part of a strategic initiative to strengthen both its operational management ...
06/05/2026
For nearly three decades, Veteran Production Sound Mixer and Five-time Emmy Award Winner Dirk Sciarrotta has helped define the sonic identity of the long-runnin...
06/05/2026
ZEISS CinCraft LensCore: Cinema Lens Looks for Compositing
Brie Clayton May 6, 2026
0 Comments
ZEISS announces the launch of CinCraft LensCore, a nove...
06/05/2026
Wisycom Solves Extreme RF Challenges Across Miles of Live Action for Gravity Med...
06/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/05/2026
Narrative Entertainment has partnered with Encompass to deliver high-quality subtitling of its Great! network content using the Altitude Intelligence AI assiste...
06/05/2026
SipRadius, widely recognized for making content processing and connectivity secure and seamless, is proud to launch a dramatic new approach to AI content creati...
06/05/2026
When the broadband and media industry gathers at ANGA COM in Cologne from May 19 to 21, Big Blue Marble will be at the forefront. The international broadcast an...
06/05/2026
Cinegy GmbH, a leading developer of software-defined television technology, is proud to exhibit at MPTS for the first time. Visitors to the stand will discover ...
06/05/2026
Val Jeanty Receives 2026 Doris Duke Artist Award Jeanty, a composer, percussionist, and turntablist, is the fourth Berklee recipient of the prestigious award ...
06/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/05/2026
When live cycling races and international marathons stretch for miles across cities and countryside, there is no margin for RF failure in live broadcast. As Chi...
06/05/2026
Oberkochen/Germany, May 5, 2026
ZEISS announces the launch of CinCraft LensCore, a novel solution for creating physically based cinematic lens looks for visual...
06/05/2026
Wednesday 6 May 2026
Sky commissions feature documentary to mark 10th anniversa...
06/05/2026
Wednesday 6 May 2026
Sky and Formula 1 agree long-term partnership across UK, Ireland and Italy
Sky in the UK & Ireland to remain the home of Formula 1 until ...
06/05/2026
Sky Zero Footprint Fund-backed TV campaign launches nationwide, supported by new...
06/05/2026
Wuppertal May 6, 2026
Riedel Expands Leadership Structure, Appoints Marc Engro...
06/05/2026
SAN JOSE, Calif. - May 6, 2026 - Harmonic (NASDAQ: HLIT) today announced its latest broadband innovations for ANGA COM 2026, highlighting its vision for a new e...
06/05/2026
Statement from Rupert Murdoch, Chairman Emeritus, Fox Corporation on Ted Turner&...
06/05/2026
Friday 8 May on RT One and RT Player
Meet the NSPCA team caring for and protecting animals in need in this six-part series
Fly on the wall, six-part series...
06/05/2026
The race to build the world's most powerful AI factories demands networking ...
06/05/2026
How changes to proteins can alter drug interactions for new precision therapies Scripps Research team maps how chemical modifications to proteins affect drug bi...
05/05/2026
Experts from the world of academia, tech, business, politics and media convened for a Thomson Talks at the Cambridge Disinformation Summit in April. It's th...
05/05/2026
Three phones were hardwired for power and transmission to the truck; camera feat...
05/05/2026
The creative studio behind campaigns for the NBA, Fanatics Sportsbook & Casino, ...
05/05/2026
Nielsen has announced results from a co-viewing pilot program covering February&...
05/05/2026
viztrick AiDi, an on-device AI solution developed by Nippon TV, delivered global...
05/05/2026
ARRI has announced Omnibar, a battery-powered, IP65-rated multi-color LED linear...
05/05/2026
Imagine Communications has announced that France T l visions is the first broadc...
05/05/2026
The Women's National Basketball Association (WNBA) and Bell Media today announced a multiyear agreement to broadcast and stream WNBA games in Canada beginni...
05/05/2026
SVG is proud to announce Warner Bros. Discovery's Techwood Studios in Atlant...
05/05/2026
With no operator required, AutoMic workflow automates talent identification on U...
When it comes to horror films, production teams work hard to find new approaches to scare audiences. Today, with Dolby Atmos and immersive sound growing in popularity, there are even more ways to give viewers a fright. That's exactly what Re-recording Mixer Jonathan Wales accomplishes for the horror shows and films on which he works, both as a freelancer and for Warner Brothers Studios. 
