
IP contribution and distribution: transformative change Jiri Matela, CEO of Comprimato, analyzes in this article how IP connectivity offers a new flexibility both in distribution and contribution circuits.
There is much talk about IP infrastructures at the moment. Typically, the talk centres on live production and interoperability between systems. This is, of course, extremely important. But there is another area in which it has the potential to deliver transformative change.
To get content from a remote location back to the broadcast centre, traditionally you booked a contribution circuit (called backhaul in the USA). This was usually just that: a single circuit. So if you were covering, say, a major football match, you had a single feed from the outside broadcast truck back to the studio.
Major venues would have broadcast circuits permanently installed. These were video cables, and thus of no use for any other purpose, which meant that the provider - usually the local telco - had to charge a significant sum to cover the costs of installation and provision.
Where there were no video circuits available, productions were forced to use line-of-sight microwave links (which were limited in range and location) or satellite uplinks. Like fixed links, both radio solutions were expensive, risky in terms of resilience, and in the case of satellite links added a significant latency.
With the coming of realtime connectivity for professional audio and video, all this changed. By converting the feed to IP it no longer needed a specialist link, and could be carried as data over any bearer that had sufficient bandwidth. In particular, as telcos installed high capacity dark fibre across their territories, and particularly in the sort of metropolitan areas home to major sports stadiums, the stream could be carried as data alongside other traffic.
This saved cost, as telcos tended to charge for the amount of data carried, so broadcasters only paid for what they used. It also increased resilience, as geographically diverse redundant paths could be used, with the receiving device switching seamlessly between the strongest signals.
Multiple feeds
Successfully delivering contribution over IP depended on good signal routing, and on high quality codecs to achieve broadcast quality in the optimum bitrate. While H.264 was widely used, and now H.265 is being considered, this was seen as an ideal application for JPEG2000. This codec provides high video quality with 10:1 compression ratio for contribution applications and its wavelet algorithms are generally considered to degrade more gracefully than the discrete cosine transforms used in MPEG-type compression.
JPEG2000 also allows for uncompressed but packetised delivery, when no quality compromises can be tolerated.
Once broadcasters accepted the concept of mild compression on contribution circuits, and IP carriage of those streams, then the obvious question became can we carry more than one stream from the venue to the studio. It is this which is transformative for production.
It makes possible the ability to deliver multiple parallel feeds from an event. For rugby or football, you could have different cuts for each team. For an athletics event you could have separate track- and field-oriented feeds. You could provide an international feed alongside a domestic production which included an on-site studio for discussions and presentation.
It also means that you can deliver alternative content alongside the main feed, allowing the rights-holder to package an event in different ways for different platforms. All these provide new ways to engage with the audience, and to monetise the coverage of the event.
Local and remote distribution
Another important requirement is to deliver multiple feeds at the location. An obvious use case is for a video referee, who will want to look at multiple camera angles. Rigging a large number of video feeds is challenging and time-consuming: running in a single fibre is much simpler.
While video referees are usually located at the event, in time it may be that major sports will follow the lead of the NBA in America, which has a centralised video referee centre collecting feeds from all simultaneous games.
Broadcasters frequently provide courtesy feeds to stadium screens, and to other areas in the venue such as the press box and radio commentary. Again, distribution of multiple feeds over fibre is much easier to provide.
This concept can then be carried on to distribution, the delivery of streams from the broadcaster. Again, this is traditionally a single channel output over a video circuit, which is then modified for the platform at each individual headend. So the broadcast signal will be compressed by hardware at the headends for terrestrial, cable and satellite before multiplexing; and it will be transcoded for storage for video on demand, and for live streaming across multiple platforms.
This architecture is inherently expensive, because it requires dedicated devices for each stream at each headend. It is also a quality risk, because the transcoders are outside the physical control of the broadcaster, being remote.
This same architecture of presenting multiple video streams along a single or multiple strands of dark fibre can be applied to distribution. This allows the broadcaster or content provider to maintain quality control over all the encoding in house, distributing all the different formats required ready packaged.
Software encoding
Central to moving these ideas from a theoretical discussion to a practical solution is the ability to encode and stream potentially large numbers of high quality strands in a cost-effective manner.
Comprimato's core specialist skill lies in implementing high quality codecs in software, to run on standard IT platforms, and particularly on GPUs. This has allowed us to develop t
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
14/10/2026
Staines-upon-Thames, UK, 13, October, 2026 - Yospace, the trusted leader in Dynamic Ad Insertion (DAI), has been selected by Court TV to monetize its ad-suppor...
14/10/2026
The Silicon Valley Video Summit (SVVS), the premier gathering for the region'...
14/10/2026
Hosted at Warner Bros. Discovery's Techwood Studios, the event explored the ...
14/10/2026
Tape simulator plug-in gains native version
Universal Audio's recreation of the Empirical Labs FATSO has just become the latest of the company's plu...
14/10/2026
Bitwig Studio now integrates with Rekordbox
Bitwig have joined forces with AlphaTheta to bring together two different areas of modern music creation: DJing ...
14/10/2026
New granular synthesis plug-in revealed
Delta Sound Labs have just launched a new granular synthesis plug-in that allows composers, producers and sound desi...
14/10/2026
Double the Eurovision!
14 October, 2026
Media releases
SBS turns up the volume as the official Australian broadcaster for Eurovision Asia
Also, the searc...
14/10/2026
Mastering complex signal environments: Rohde & Schwarz launches new R&S ADD607 c...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
SMPTE, the home for media professionals, technologists and engineers, is expanding its presence in Africa through a series of industry events in South Africa th...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
HuskerVision, the video production and multimedia operation for University of Nebraska Athletics, has deployed Grass Valley K-Frame production switchers and LDX...
14/10/2026
Eden Project, the UK-based visitor attraction, social enterprise and educational charity, is using the LiveU EcoSystem to produce and deliver its new Eden Proje...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
IPC Announces Plans to Showcase its One Connect Intercom Platform at
NAB New York 2026
Visit IPC as a Featured Vendor in the Dale Pro Audio Booth
IPC, a le...
14/10/2026
Dr Trauma selected for Dynamic Television Scripted Initiative 14 October 2026
L-R: Sarah Bailey, Troy Lum.
Screen Australia and Dynamic Television today annou...
14/10/2026
3D Artists Design Cars for GTA VI in a No-AI Rendering Challenge
Brie Clayton October 13, 2026
0 Comments
3DModels.org has opened its annual Car Rende...
14/10/2026
RE:Vision Effects Announces ARRI Film Lab 1.5 Release
Brie Clayton October 13, 2026
0 Comments
ARRI Film Lab 1.5 adds many user requested features inc...
14/10/2026
MTI FILM DRS Nova V7.0 Major Release Now Available
Brie Clayton October 13, 2026
0 Comments
A step forward in digital film restoration
DRS Nova V7.0 ...
14/10/2026
As our world becomes increasingly digital, demand for electricity is surging while the transition to cleaner energy systems is creating new challenges. Yet desp...
13/10/2026
#GALSNGEAR has released Season 3 of its Tequity Talk podcast, with new episodes dropping every Tuesday through December 15. Hosted and executive produced by #GA...
13/10/2026
Most Valuable Promotions (MVP) has appointed Joe Setley as Senior Vice President...
13/10/2026
Zixi and TAG Video Systems have announced an extended integration enabling the Z...
13/10/2026
LTN has announced an integration between LTN Schedule Playout and Sony's Ci Media Cloud platform, connecting cloud-based media management with linear playou...
13/10/2026
Infront has established a new management structure for Infront Productions. Amikam Kranz, Senior Vice President Media, Betting, Technology and Production, assum...
13/10/2026
Just Women's Sports (JWS) has announced three developments: the acquisition ...
13/10/2026
Cinematographer Philip Lozano AFC used the Sony Rialto Mini (VENICE Extension Sy...
13/10/2026
In a fundamental change, one expensive act of content creation could become many...
13/10/2026
The annual event will explore streaming, personalization, partnering with indepe...
13/10/2026
Freestyle Chess has announced a partnership with Game+, bringing coverage to 3.5 million households across Canada and the United States. The partnership launche...
13/10/2026
The St. Louis Blues and Gray Media have announced a multi-year partnership to si...
13/10/2026
Spalk has announced expanded multilingual commentary partnerships with the NBA and NFL. For the NBA, Spalk will provide remote broadcasts in Greek, Portuguese, ...
13/10/2026
Every NHL team. Five hours of nonstop hockey. ESPN's Frozen Frenzy is back
The busiest night of the NHL season returns tonight with ESPN's NHL Frozen F...
13/10/2026
The longtime production-facilities provider also continues to roll out new mobil...
13/10/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
13/10/2026
StreamU, the college athletics livestreaming network from TheLinkU and Twitch, has opened its first on-campus content studio at UC Berkeley. Cal student-athlete...
13/10/2026
By Ramona Flume
One of the most exciting things about the Sundance Film Festiva...
13/10/2026
Two new MPE-capable libraries announced
Sonora Cinematic's The Founders Locker line-up has just gained two new additions: Penombra Celli and Penombra Vi...
13/10/2026
Debut offering in new oneTHNG plug-in series
Modular synth experts Modbap have just announced the launch of Fidelity Theory, a new creative effect that mark...
13/10/2026
Last week, SGL Carbon celebrated the expansion of its production capacity at its St. Marys site (USA). SGL Carbon has invested around USD 100 million in the exp...
13/10/2026
Rohde & Schwarz presents unique R&S NTS transfer standards for RF power traceabi...
13/10/2026
The Minister of Sport, Arts and Culture, Mr Gayton McKenzie, invites suitably qu...