Based on the best-selling mystery novel of the same name, the feature Where the Crawdads Sing tells the story of Kya (Daisy Edgar-Jones), a young woman who grew up isolated in the North Carolina marshes and is implicated in a murder. Directed by Olivia Newman, the movie was shot by cinematographer Polly Morgan, ASC, BSC, whose long history of working with Panavision goes back to her days as a production assistant in London. Panavision recently spoke with Morgan about her collaboration with Newman and their choice of optics for the feature.
Panavision: What attracted you to Where the Crawdads Sing?
Polly Morgan, ASC, BSC: I read the book during the pandemic in the summer of 2020. I was pregnant, and when I read about this young girl growing up alone in nature, it really resonated with me and my experience as a child. I grew up in remote English countryside, in a valley next to a river. The country road that led to our farmhouse was a mile long, completely off the beaten track. I would spend lots of my time down by the riverbanks and walking through the woods alone. I deeply connected with Kya's story, her love of nature and her resilience to succeed no matter what life threw at her.
How did you become involved in shooting the movie?
Morgan: After I had my son in October [2020], my agent told me they were going to make the book into a movie. She tried for a long time to get me an interview with the director, but I wasnt on the list of DPs that the studio were looking at. With no other option, I wrote Livi a letter, expressing how much I loved the book, what it meant to me and how much I would love to work together to bring the story to life.
After she got my letter, we arranged a Zoom call and then talked for hours. I had made a pitch deck showing inspirations and ideas for the visuals, and we were on exactly the same page. In fact, she showed me the book she created when meeting for the job, and they were very similar.
After my meeting with Livi, I had to then go through a series of meetings with producers and studio execs. I think there was some trepidation because they didnt see much nature work in the material that I had shot before; in this business, unless you've already proven that you can do something, people are nervous that you cant do it. Luckily, they responded to the deck I had put together, and when I discussed our plans with camera movement, they felt more at ease.
When I got to the call to say I had been offered the job, I was overwhelmed. I was so excited to get to work with Livi and thrilled that I was going to be able to create the imagery I had imagined when reading the book.
Can you describe the pitch deck you made?
Morgan: I organized the book based on themes of color and how different colors and contrast would play within Kya's life. I highlighted the difference in contrast and color in the present-day courtroom and jail with the time periods of the 1950s, '60s and '70s, from Kya's childhood, and through her life as a young woman. My references were based on bringing the natural world into the viewers experience in a subjective way to connect them emotionally to the story. I used references from [the movies of] Terrence Malick, Jane Campion and David Lowery, images that focused on the play of light and quiet details. The concept was to make a commercial movie that was still artful and had a balance of scope and intimacy.
How would you describe the look that you and Olivia Newman wanted for the movie?
Morgan: I suppose its cinematic naturalism. The look is very soft and pretty. We embraced a pastel color palette and created a neutral LUT that was very true to the colors created by the production and costume designers. There is so much green in the frame, so we stayed away from any warmth that would add yellow and make the greens feel digital and artificial.
My approach to lighting was to always make sure that we had details in the shadows, with no deep, rich blacks. The landscape at night can very quickly fall into nothing, so I hid fixtures deep in the background to ensure there was always detail in the image and that the contrast would remain soft all the way through post.
Livi and I had a very clear idea of how we wanted to move the camera and frame the image. We wanted to do things to make it more unique to us, like certain angles that spoke emotionally to Kyas internal state. We played with focus and various modes of camera support. The words in the book are so lyrical, and we wanted the camera movement to reflect that. We employed Steadicam and various arms to move the camera as well as keeping a remote head on the dolly and always moving with the action on dance floor or track. Handheld was also employed for the more intimate and emotional scenes.
You ended up using a new set of Panavision prototype large-format spherical lenses for the movie. What made you choose those lenses for the look you wanted?
Morgan: Dan Sasaki [Panavision's senior vice president of optical engineering and lens strategy] reached out to me during Covid, and we talked about an independent movie I was going to do that was about a female running out in the countryside. I knew I wouldn't be able to control the light, so I was looking for lenses that were going to be softer so the natural light wouldn't be so harsh on the actor's face. He mentioned some prototypes that he was building and said they might work really well.
I never shot that movie, as I was having my baby by the time it went, but when I spoke to Livi, we talked about lenses, and I knew that Dan's glass would be a great fit. I knew I wanted to shoot the movie in large format to embrace a more expansive field of view, and I also knew that anamorphic lenses would counteract that.
I took Livi out to Panavision in Woodland Hills to chat with Dan. We looked at a variety of l
Europe Stories
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
09/10/2026
September 10 2026, 06:00 (PDT) Dolby Expands Dolby OptiView Platform with New Capabilities at IBC 2026
New Sports Intelligence helps providers better unders...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
29/09/2026
Two new plug-ins launch alongside updated bundles
Zynaptiq have just announced the launch of two new plug-ins, alongside new and improved versions of two of...
29/09/2026
All-in-one bus processor revealed
Wes Audio's ng product range has come a long way since it was first introduced, and now includes a tasty selection of ...
29/09/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
29/09/2026
We tend to think we live in a digital world, with hopes and fears around artificial intelligence (AI), quantum computing, data centres and the next big technolo...
29/09/2026
Today, in partnership with the American Academy of Pediatrics (AAP), Apple relea...
29/09/2026
Final Cut Camera, the professional filming app for iPhone, receives a major upda...
29/09/2026
RT lyric fm is proud to announce the annual Choirs for Christmas competition callout. Warm up those vocal chords and join us on RT lyric fm for a celebration ...
28/09/2026
EQ plug-in can now be played via MIDI
Scaler Music have recently released a new and improved version of their patented musical EQ plug-in, kitting it out wi...
28/09/2026
New synth developed in collaboration with philterSoup
Boutique effects pedal and Eurorack manufacturer Animal Factory Amps have announced that the new compa...
28/09/2026
Rohde & Schwarz adds an integrated multi-channel pulse analysis option to its FS...
28/09/2026
Monday 28 September 2026
Sky launches Full Fibre 1.6 Gbps for millions of homes
Sky has launched a new Full Fibre 1.6 Gbps product, rolling out from today, gi...
28/09/2026
Arvato Systems Highlights It's Role for Automotive Manufacturers and Suppliers
TISAX
Arvato Systems has successfully completed the TISAX Level 3 assess...
28/09/2026
Crimecall, presented by Carla O'Brien, returns tonight for a brand new series at 9.35pm on RT One and RT Player.
In tonight's episode, alongside appe...
28/09/2026
CELEBRATING 40 YEARS AT THE HEART OF NEW IRISH WRITING
LIVE FROM POETRY IRELAND, DUBLIN AND ON RT RADIO 1 FROM 7PM
DETAILS: www.rte.ie/writing | FOLLOW: #r...
27/09/2026
New compact pedal packs in 120 effects
The latest multi-effects pedal from Boss is a compact unit that promises to give any pedalboard a massive boost in s...
26/09/2026
Launched alongside three new expansion packs
In celebration of their 30th anniversary, Native Instruments have released a major update for their Maschine 3 ...
25/09/2026
Algorithm update & new DVA vibrato-detection engine
A new flagship version of Antares' iconic pitch-correction software has arrived, and along with a co...
25/09/2026
New flagship unit to arrive in early 2027
Two notes Audio Engineering have revealed that a new and improved version of their hugely popular reactive load bo...
25/09/2026
AI-free mixing tool gets an upgrade
Launched in October 2025, Tim Exiles Finalist is an algorithmic mixing tool that's been designed for those who don&#...
25/09/2026
Rohde & Schwarz Mobile Test Summit 2026 puts the spotlight on 6G - registrations...
25/09/2026
In our latest blog, Tim Pearson reflects on IBC 2026 and considers the main learnings against an industry that saw AI finally coming out of the labs and into pr...
25/09/2026
Friday 25 September 2026
How to watch an unmissable weekend of women's football on Sky Sports and NOW
Sky Sports and NOW will broadcast seven live games f...
25/09/2026
Friday 25 September 2026
YAGA trailer released, coming exclusively to Sky and N...
25/09/2026
Watch this space: a new strategic direction for UK media. Arqiva has submitted its response to the Governments Green Paper on the future of television distribut...
25/09/2026
Want to be part of this year's Late Late Toy Show?
Final call for applications in search for this year's stars
The most wonderful night of the year is...
24/09/2026
The next generation of multitrack recording for live sound
The latest version of Waves' dedicated live multitrack recording software delivers an array ...
24/09/2026
An idea machine for musicians
Described as an idea machine for musicians , the latest addition to Polyend's growing collection of guitar pedals combin...
24/09/2026
Alignment tool gains multitrack layout
Synchro Arts have just launched the latest version of their renowned time-alignment plug-in, and it's said to be ...
24/09/2026
Synth gains DAW Control & Ctrl-e integration
Expressive E have just released a major firmware update that brings some interesting new features to the Osmose...
24/09/2026
Rohde & Schwarz expands its system amplifier portfolio with the R&S SAM200 for a...
24/09/2026
September 24, 2026
The Hitachi Startup Challenge FY26 invites innovative startu...
24/09/2026
Download Now!
To receive a short case study showcasing NHK Technologies, Inc. (NT) s audio setup, please enter the following details:
--
First Name* Fir...
24/09/2026
LUXEMBOURG, September 24, 2026 - SES, a space solutions company, has commenced construction of a new satellite manufacturing facility in Kockelscheuer, Luxembou...
24/09/2026
Thursday 24 September 2026
Sky Mobile named Best MVNO at the Mobile Industry Aw...
24/09/2026
London, 24th September 2026: UKTV has commissioned an eighth series of Canal Boat Diaries (8x60') for U (u.co.uk) and U&YESTERDAY, with waterways explorer R...
24/09/2026
Reinaldo Marcus Green, director of six-time Academy Award-nominated King Richard...
24/09/2026
From the buzz of your phone when a message arrives to surgeons being able to feel' the patients they are examining from hundreds of kilometres away, these ...
24/09/2026
As Q4 approaches, retailers enter the most critical sales window of the year the golden quarter.
Stretching from October through December, this period encomp...
24/09/2026
Key Takeaways
Harmonic's cOS virtualized platform enables Lightcurve to de...
24/09/2026
COLD Launches Insider Club on Supercast, Giving True Crime Fans Ad-Free Listenin...
24/09/2026
The home interiors retailer signs up for third year as sponsor
RT Commercial today announced that Harry Corry has signed up to a third year as sponsor of Live...
24/09/2026
RT Radio 1 Folk Awards Tickets on Sale
Dolores Keane to be inducted into the...
23/09/2026
Includes natural and processed patches
The Crow Hill Company's latest sample library captures a children's choir comprising a troupe of boys perform...
23/09/2026
Plug-in offers six bands of saturation
Kreuzberg Audio's product range includes a selection of plug-ins and virtual instruments aimed primarily at hard-...
23/09/2026
Latest DAW update now live
SoundBridge have announced that the latest update for the remote-collaboration-focused DAW is now available. The release of Sound...
23/09/2026
Rohde & Schwarz acquires NEOSAT and PHYTRONIC and strengthens its competencies i...
Based on the best-selling mystery novel of the same name, the feature Where the Crawdads Sing tells the story of Kya (Daisy Edgar-Jones), a young woman who grew up isolated in the North Carolina marshes and is implicated in a murder. Directed by Olivia Newman, the movie was shot by cinematographer Polly Morgan, ASC, BSC, whose long history of working with Panavision goes back to her days as a production assistant in London. Panavision recently spoke with Morgan about her collaboration with Newman and their choice of optics for the feature.
