Tech Focus: Audio Monitoring, Part 1 - Immersive Sound Is Changing What Loudspeakers Are and Do Software steps in to manage the increase in speakers and greater complexity By Dan Daley, Audio Editor
Wednesday, January 15, 2025 - 7:00 am
Print This Story | Subscribe
Story Highlights
The big winners in the immersive-sound sweepstakes have clearly been the companies that make loudspeakers. With Dolby Atmos and other formats adding multiple side and overhead speakers for 7.1.4 and larger configurations, transducers are shipping by the pallet load. This dynamic has also boosted the consumer soundbar sector, which reached the $8 billion mark in 2024 and is headed toward an estimated $16 billion by 2032.
However, managing multiple loudspeakers in an intensive broadcast-mix environment, such as production trucks, requires more than just numbers: it needs its own kind of math, in terms of placement and positioning. That has led to development of a robust software market for such requirements as time alignment and automated imaging correction.
Genelec's Will Eggleston: In immersive installations, the challenge is always the need for quick and precise calibrations.
In immersive installations, says Will Eggleston, marketing director, Genelec, the challenge is always the need for quick and precise calibrations that account for level matching and [time-alignment] compensation, as well as room-environment equalization. Those are an absolute necessity.
He cites the GLM Genelec Loudspeaker Manager software, used for keeping multiple speakers correctly aligned in the tight confines of the audio compartment in the rear of most trucks. We find most trucks have been adapting from 5.1 surround to 5.1.4 immersive or maybe 5.1.2 with the use of four or two overhead [speakers], respectively. Noting that the GLM software can scale from stereo to 5.1 or 7.1.4 and higher, he says, The biggest challenge in these environments is usually space.
Another concern with multiple speakers is their size and geometry. A compact form factor, performance attributes, and various mounting options usually top the list of requirements for playback and durability, he adds, citing Genelec's basic analog-input 8030 and its Smart Active cousin, the 8330.
Reading the Room The freelance nature of the A1 cohort in the U.S. means that sports-audio mixers operate from a variety of trucks, each with its own acoustical environment. Getting a mix to translate is important, and DSP has been the silver bullet for that.
Several brands have developed room-correction systems for this. Some begin by focusing on LFE correction -JBL's Intonato 24 system, for instance, works solely below 500 Hz - but all are said to optimize frequency response to the spaces they're used in. Though differing somewhat, all speaker-calibration solutions need a point of reference in order to function.
This takes the form of a measurement process that captures a snapshot of monitor performance from a listening position based on several swept-tone passes. The resulting profiles and a predetermined target curve (that is, a flat or ideal frequency response) are the two main components of speaker calibration. The effects of the two curves are seen as after curves, which compensate tonal issues using EQ within each monitor channel, work to improve the phase relationship between monitors, and enable improved stereo and multichannel imaging.
Neumann's Jonathan Ruest: It's less about speaker size than about how well the speaker can adapt and translate in a different environment.
Room-correction software comes into play much more often now, especially in immersive environments, says Jonathan Ruest, head of sales and business development, Americas, Neumann, a speaker and microphone manufacturer. It's less about speaker size - although they do have to be more compact than not - than about how well the speaker can adapt and translate in a different environment.
Neumann's MA 1 Automatic Monitor Alignment system uses algorithms that calculate room geometries from individually calibrated measurement microphones to create a room-adaptive target curve. The software is run once on a speaker, which then uses that stored DSP data to adapt itself to new environments. (Each microphone has a serial number; with the serial number loaded into the MA1 software before tuning, the software calibrates the speaker for that individual mic's measurements.)
Mountability matters as much as speaker size, Ruest says, noting that the company has developed a mounting matrix that takes into account ceiling locations - necessary for Atmos - as well as more-conventional wall and stand mounting.
Finally, he points out, speakers need to be loud enough, a parameter that requires more than a volume knob that goes to 11. Unlike in music mixing, sports production involves a combination of elements, including sound effects and speech, and all must be heard clearly within a complex mix.
Immersive mixes tend to be more dynamic, he says. There are a number of considerations, especially as the number of speakers in a truck multiply.
Collectively, DSP systems will likely prove their value as more sports broadcasts move to the REMI/at-home model. Productions with endpoints perhaps in an A1's basement or garage home studio - a situation once propelled by pandemic policies but now more by economic exigencies - are making REMI workflows the norm in many cases.
In the larger picture, as various flavors of surround audio become ubiquitous and immersive sound grows ever closer to becoming a broadcast standard, digital technology is redefining what a loudspeaker is, what it does, how it does it, and where it can do it. In a soon-to-be-world of 5.1.4 and then some, it's perhaps not a moment too soon.
Click here for Tech Focus: Audio Monitoring,
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
15/07/2026
The 2026 FIFA World Cup is a big deal for DAZN, which has distribution rights in three markets: Italy, Spain, and Japan. Each requires a different editorial app...
15/07/2026
As sports-media organizations manage rapidly growing content libraries and incre...
15/07/2026
HBS director of digital Johannes Franken talks SVG Europe through the operation built to serve FIFA World Cup 2026 rights holders remotely from Stratford, east ...
15/07/2026
IBC has unveiled the conference program for IBC2026, with this year's event ...
15/07/2026
Software-defined wideband RF platform supports 96-kHz monitoring, streamlined fr...
15/07/2026
New AI-powered module enables broadcasters and content owners to extract dialogu...
15/07/2026
Weeklong gathering at EBU headquarters will test new IPMX capabilities and expand certified product ecosystem...
15/07/2026
Force Tech has announced the appointment of Bryan Adams, CTS, as Vice President of Integration. Adams will oversee AV and broadcast integration project delivery...
15/07/2026
USA Sports has announced an exclusive English-language agreement with the Bundes...
15/07/2026
ITV Sport's FIFA World Cup 2026 coverage has been produced from one of the m...
15/07/2026
Program will provide professional camera kits, training, and technical support to participating local newsrooms...
15/07/2026
San Francisco church becomes first U.S. deployment of the 2 M/E production switcher...
15/07/2026
Former ESPN and NFL Network executive to advise startup league on media, distribution, technology, and fan engagement...
15/07/2026
The Houston-based RSN is the live-game home of the Astros and Rockets...
15/07/2026
Launched alongside new FreqSoft installer
Designed to bridge the gap between hardware and software, Freqport's FreqInOut FO1 unit provides a simple way ...
15/07/2026
Save up to 55% on software until 23 July 2026
Expressive E have just launched their Summer Offer sale, with discounts of up to 55% now applied across their ...
15/07/2026
Real-time stem-separation tool updated
zplane have recently released a new and improved version of their real-time stem-separation plug-in which they say ma...
15/07/2026
A new benchmark in bass enhancement
Described as a new benchmark in bass enhancement , Baby Audio's latest release has been designed to augment the lo...
15/07/2026
DMC Production's AR 1 and AR 2 units reverse the conventional OB workflow, keeping all production-critical processing at the venue while operators work remo...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
GigaCloud, a leading Ukrainian cloud service provider, and Cubbit, the first geo-distributed cloud storage enabler, today announced a new Business Alliance Part...
15/07/2026
SMPTE, the global society for media professionals, technologists, and engineers, has announced the launch of the SMPTE 110th Anniversary Campaign, a fundraising...
15/07/2026
Studio Technologies, a leading manufacturer of high-quality audio, video, and fiber-optic solutions, unveils the new StudioComm Model 762 Stereo Level Control, ...
15/07/2026
COW Jobs: Producer, Virtual Events - Hybrid, Full Time, Salaried
Brie Clayton July 15, 2026
0 Comments
Producer, Virtual Events (Hybrid | Full-time | ...
15/07/2026
Brazilian media organization builds nationwide CDN with Broadpeak's high-performance software for low-latency streaming and new content distribution service...
15/07/2026
DHD announces a new utility designed to increase the efficiency of its audio mixing systems during initial installation and subsequent configuration.
Anyone w...
15/07/2026
BCNEXXT Brings Next-Generation Vipe to IBC2026, Breaking the 1:1 Channel-to-Server Ratio New innovations liberate broadcasters from legacy playout infrastructur...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Wednesday 15 July 2026
Screeners and press pack now available: Gomorrah: The Or...
15/07/2026
Trinity's Treasures features Ruth Negga, Eleanor McEvoy, and David Norris, a...
15/07/2026
Join geographer Dr Susan Hegarty, Engineer Tim Joyce and Architect Orla Murphy a...
15/07/2026
Home to leading manufacturers, robotics pioneers, infrastructure builders and gaming, of course, Japan is one of the world's centers of AI - building across...
14/07/2026
South end zone videoboard, cloud-based control system will be ready for 2026 football season...
14/07/2026
Redesigned website, enhanced mobile app unify content, ticketing, and personalized fan engagement...
14/07/2026
Agreement spans sponsorship sales, digital monetization, radio production, and new practice facility naming rights...
14/07/2026
Independent league adds 14 regional sports network affiliates, growing distribut...
14/07/2026
New strategy aims to unify competitions, content, fan engagement, and commercial...
14/07/2026
ESPN and Disney+ become exclusive home of PFL events in key international MMA market...
14/07/2026
Gill will oversee engineering, technology, and sports operations across the company's 64 local television stations...
14/07/2026
Submitted by North American Broadcasters Association (NABA)
As broadcasters con...
14/07/2026
Modernized mobile unit combines HOME Apps, mc 56 console, and IP infrastructure ...
14/07/2026
Every match of the 32-team tournament will air across ION and Scripps Sports platforms in English and Spanish...
14/07/2026
FloHockey to stream every game of the annual international tournament under four...
Tech Focus: Audio Monitoring, Part 1 - Immersive Sound Is Changing What Loudspeakers Are and Do Software steps in to manage the increase in speakers and greater complexity By Dan Daley, Audio Editor 
