Tech Focus: Audio Monitoring, Part 1 - Immersive Sound Is Changing What Loudspeakers Are and Do Software steps in to manage the increase in speakers and greater complexity By Dan Daley, Audio Editor
Wednesday, January 15, 2025 - 7:00 am
Print This Story | Subscribe
Story Highlights
The big winners in the immersive-sound sweepstakes have clearly been the companies that make loudspeakers. With Dolby Atmos and other formats adding multiple side and overhead speakers for 7.1.4 and larger configurations, transducers are shipping by the pallet load. This dynamic has also boosted the consumer soundbar sector, which reached the $8 billion mark in 2024 and is headed toward an estimated $16 billion by 2032.
However, managing multiple loudspeakers in an intensive broadcast-mix environment, such as production trucks, requires more than just numbers: it needs its own kind of math, in terms of placement and positioning. That has led to development of a robust software market for such requirements as time alignment and automated imaging correction.
Genelec's Will Eggleston: In immersive installations, the challenge is always the need for quick and precise calibrations.
In immersive installations, says Will Eggleston, marketing director, Genelec, the challenge is always the need for quick and precise calibrations that account for level matching and [time-alignment] compensation, as well as room-environment equalization. Those are an absolute necessity.
He cites the GLM Genelec Loudspeaker Manager software, used for keeping multiple speakers correctly aligned in the tight confines of the audio compartment in the rear of most trucks. We find most trucks have been adapting from 5.1 surround to 5.1.4 immersive or maybe 5.1.2 with the use of four or two overhead [speakers], respectively. Noting that the GLM software can scale from stereo to 5.1 or 7.1.4 and higher, he says, The biggest challenge in these environments is usually space.
Another concern with multiple speakers is their size and geometry. A compact form factor, performance attributes, and various mounting options usually top the list of requirements for playback and durability, he adds, citing Genelec's basic analog-input 8030 and its Smart Active cousin, the 8330.
Reading the Room The freelance nature of the A1 cohort in the U.S. means that sports-audio mixers operate from a variety of trucks, each with its own acoustical environment. Getting a mix to translate is important, and DSP has been the silver bullet for that.
Several brands have developed room-correction systems for this. Some begin by focusing on LFE correction -JBL's Intonato 24 system, for instance, works solely below 500 Hz - but all are said to optimize frequency response to the spaces they're used in. Though differing somewhat, all speaker-calibration solutions need a point of reference in order to function.
This takes the form of a measurement process that captures a snapshot of monitor performance from a listening position based on several swept-tone passes. The resulting profiles and a predetermined target curve (that is, a flat or ideal frequency response) are the two main components of speaker calibration. The effects of the two curves are seen as after curves, which compensate tonal issues using EQ within each monitor channel, work to improve the phase relationship between monitors, and enable improved stereo and multichannel imaging.
Neumann's Jonathan Ruest: It's less about speaker size than about how well the speaker can adapt and translate in a different environment.
Room-correction software comes into play much more often now, especially in immersive environments, says Jonathan Ruest, head of sales and business development, Americas, Neumann, a speaker and microphone manufacturer. It's less about speaker size - although they do have to be more compact than not - than about how well the speaker can adapt and translate in a different environment.
Neumann's MA 1 Automatic Monitor Alignment system uses algorithms that calculate room geometries from individually calibrated measurement microphones to create a room-adaptive target curve. The software is run once on a speaker, which then uses that stored DSP data to adapt itself to new environments. (Each microphone has a serial number; with the serial number loaded into the MA1 software before tuning, the software calibrates the speaker for that individual mic's measurements.)
Mountability matters as much as speaker size, Ruest says, noting that the company has developed a mounting matrix that takes into account ceiling locations - necessary for Atmos - as well as more-conventional wall and stand mounting.
Finally, he points out, speakers need to be loud enough, a parameter that requires more than a volume knob that goes to 11. Unlike in music mixing, sports production involves a combination of elements, including sound effects and speech, and all must be heard clearly within a complex mix.
Immersive mixes tend to be more dynamic, he says. There are a number of considerations, especially as the number of speakers in a truck multiply.
Collectively, DSP systems will likely prove their value as more sports broadcasts move to the REMI/at-home model. Productions with endpoints perhaps in an A1's basement or garage home studio - a situation once propelled by pandemic policies but now more by economic exigencies - are making REMI workflows the norm in many cases.
In the larger picture, as various flavors of surround audio become ubiquitous and immersive sound grows ever closer to becoming a broadcast standard, digital technology is redefining what a loudspeaker is, what it does, how it does it, and where it can do it. In a soon-to-be-world of 5.1.4 and then some, it's perhaps not a moment too soon.
Click here for Tech Focus: Audio Monitoring,
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
17/05/2026
Delta Goodrem's Eurovision Eclipse marks end of a stellar run
17 May, 2026
Media releases
Bulgaria wins Eurovision 2026
Relive every spellbinding mome...
16/05/2026
Helps to deliver a clean, balanced midrange
Developed alongside Newfangled Audio, the latest plug-in in Eventide's software collection has been designed...
16/05/2026
Brings onboard stem rendering to RANE System One
Engine DJ have just released Engine DJ 5.0, a free update for their Engine DJ OS embedded hardware and Engi...
16/05/2026
Boris FX Continuum Pairs AI Precision and Advanced Creative Controls
Jessie Electa Petrov May 16, 2026
0 Comments
The 2026.5 release adds automatic de...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Seattle Sounders FC and Seattle Reign FC, in partnership with RAVE Foundation an...
15/05/2026
Dan Brumm has served as sound designer on Bluey, the Australian children's t...
15/05/2026
The Professional Audio Manufacturers Alliance (PAMA) and Shure Incorporated are accepting applications for the 6th annual Mark Brunner Professional Audio Schola...
15/05/2026
Netflix has announced an expanded NFL schedule for 2026 and beyond under a four-year partnership extension with the NFL through the 2029-30 season. Each season,...
15/05/2026
Ateme is supporting TVRI (Televisi Republik Indonesia) with a contribution and d...
15/05/2026
Concacaf has announced the launch of a new website and mobile app built on Deltatre's FORGE platform. Concacaf.com and the mobile app, available on iOS and ...
15/05/2026
Eutelsat has announced the launch of QBC Business Economic Channel by Qatar Media Corporation, broadcasting in 4K/UHD via Eutelsat's 7/8 West video neighbo...
15/05/2026
Major League Soccer has announced four original content series timed to the 2026...
15/05/2026
The Alliance for IP Media Solutions (AIMS) has announced it will exhibit and present at InfoComm 2026, taking place June 13-19 at the Las Vegas Convention Cente...
15/05/2026
InfoComm 2026 will take place June 13-19 (exhibits June 17-19) at the Las Vegas Convention Center. The show will include sessions and exhibits covering broadcas...
15/05/2026
Tracy McGrady's Ones Basketball League (OBL) and FuboTV Inc. have announced ...
15/05/2026
Disguise has partnered with Creative Technology (CT) to deliver visual playback ...
15/05/2026
Sony Electronics has announced two new products for professional imaging: the Alpha 7R VI full-frame mirrorless camera and the FE 100-400mm F4.5 GM OSS super-te...
15/05/2026
In-venue and creative video staffers at the professional and collegiate level ha...
15/05/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
15/05/2026
For sports organizations, the most valuable assets are often the most sensitive:...
15/05/2026
The NFL's broadcast partners released their 2026 regular season schedules ye...
15/05/2026
When MMA icons Ronda Rousey and Gina Carano meet inside the Hexagon at Intuit Do...
15/05/2026
Daniel Roher attends the Tuner Premiere during the 2026 Sundance Film Festival at Eccles Theatre on January 22, 2026 in Park City, Utah. (Photo by Neilson Bar...
15/05/2026
Last night, the Spotify Podcast Awards in Mexico returned to the country's capital. Now in its second year, the evening honors creators whose voices are hel...
15/05/2026
Rebranded show announced
Ahead of their 2026 return, Music Expo have announced that they have now officially changed their name to the MONO Music Conference...
15/05/2026
Fuzz pedal joins UK companys line-up
UK-based pedal makers Buzzing Bugs Audio Devices have recently unveiled their latest creation, the Bolster. Said to pay...
15/05/2026
Joint Statement: News Bargaining Incentive
28 April, 2026
Media releases
The vibrancy of Australian democracy relies on the robust and open exchange of new...
15/05/2026
Call it Deltavision, Australia's through to the Grand Final of this year'...
15/05/2026
Join Calrec at MPTS 2026 | May 13-14 | Stand A40 | Olympia, London We're looking forward to meeting up with customers and partners at this year's Media ...
15/05/2026
86% of media planners would move more linear TV budget to CTV if they had show-level targeting and reporting - and 65% would also shift dollars from programmati...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Clear-Com will showcase new communications solutions and major platform updates at InfoComm 2026 (Booth N7005), June 17-19, in the North and Central Halls of t...
15/05/2026
Following an outstanding inaugural year in 2025, Rise AV is proud to announce the return of its flagship leadership initiative, Elevate. The programme continues...
15/05/2026
Berklee Announces Lineup for Inaugural AI Music Summit The three-day event puts musicians at the center of the future of music creation, ethics, and the indus...
15/05/2026
Lightware returns to InfoComm 2026 with a focused showcase of scalable USB-C connectivity, next-generation AV-over-IP solutions, and technologies that help over...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Delivering a live, arena-scale production of a massively popular band is no small feat. Between expansive in-arena LED walls and a global live stream fed to onl...
Tech Focus: Audio Monitoring, Part 1 - Immersive Sound Is Changing What Loudspeakers Are and Do Software steps in to manage the increase in speakers and greater complexity By Dan Daley, Audio Editor 
