
NFL Kickoff 2022: Fox Sports Ops Team Preps for Super Bowl LVII, Eyes Busy Fall Season With FIFA World Cup Crossover MLB Postseason, college football, and NASCAR are also on the schedule By Jason Dachman
Friday, September 9, 2022 - 7:00 am
Print This Story | Subscribe
Story Highlights
With rights to the NFL, MLB Postseason, and high-profile college football, Fox Sports always has a crammed fall calendar. This year, however, the broadcaster is taking the logistical Tetris to a whole new level with the FIFA World Cup and Super Bowl LVII back-to-back. Throw in NASCAR's season-opening Clash at the Coliseum and Daytona 500 bookending Super Bowl LVII, and the gargantuan task ahead of Fox Sports' operations team becomes clear.
We don't have as big a [staff] as one might think, says Mike Davies, SVP, field and technical management and operations/chairman, Sports Video Group, Fox Sports. Luckily, we've got some amazing people - in both staff and freelance capacities - to make sure we are all set for what is going to be a very crazy end of '22 and beginning of '23. We are having to do a lot of stacking, and it's definitely spreading us thin, but it's all about planning, prioritizing, and finding the best people in the industry to work with us.
Fox Sports key operations leaders - SVP, Field Operations and Engineering, Kevin Callahan; VP, Field Operations and Engineering, Brad Cheney; VP, Studio Remote Operations, Rod Conti; and Director, Technical Operations, Dave Jones - have plenty of experience on large events, but the broadcaster is using its stacked fall schedule to further integrate upcoming leaders.
With this [run of events], we are taking the opportunity to delegate some key roles to our next generation of leaders in the department: [Director, Remote Engineering] Matt Battaglia; [Director, Remote Operations,] Rob Mikulicka; [Senior Manager, Technical and Field Ops,] Lindsay Waine; [Executive Director, Field Operations,] Sarita Meinking; Director, NFL Operations, Ted Kenney; and Director, Remote Operations, Phil Abrahams.
Davies gives a shout-out to the crewing department. Led by VP, Crewing Operations, Stacy Sunny, Director, Crewing, NFL, Michael Marble; and Director, Crewing, CFB, John Stapleton coordinate a roster of people numbering in the thousands per week, he points out. Their expertise is literally what powers the productions we do.
Fox Sports Vault: Increased Resources, Same Headcount Game Creek Video Encore mobile unit returns for the NFL on FOX A game the year; GCV Bravo, the B game. This year, all NFL on FOX games will also be produced and broadcast in 1080p. According to Davies, the Fox Sports Vault operation located at its L.A. broadcast center will continue to play a major role in NFL production this year.
Now in its third year as a mainstay for these big shows, he says, the Vault has allowed us to increase our [equipment] levels on NFL games - especially when it comes to EVS and graphics devices. The Vault is special for us not only because it allows us to add more resources to these shows without increasing the headcount or footprint [in the truck onsite] but, we believe, also created a fun and comfortable work environment that people genuinely enjoy working in.
In terms of cameras for NFL coverage, Fox has rolled out a few additional Sony HDC-5500 broadcast cameras and Sony HDC-P50 Steadicams this year. All field-level cameras on both the A and B games this year will have super-slo-mo capability - 4X, 6X, or 8X - and the broadcaster, will continue to look for new opportunities to bring in additional slo-mo capability as the season progresses. Davies says Skycam will be standard on the A game this year, with the possibility for a handful of productions featuring dual Skycams.
Any NFL game - no matter what level the game is for the network - is the most important game that week for the visiting and the home teams, says Davies. We put an awful lot of resources into not only our A game but our down-market games. That includes super-motion cameras across the board, Skycams where possible on those events, and different specialty items to make them feel big so that, when you watch a game on Fox Sports, you know it.
End-Zone Perspective: Expanded Use of C360 Pylon View Systems Fox Sports is also looking to further its deployment of C360 Technologies Pylon View cameras. In a partnership that began last year with the line-to-gain camera, Fox will look to incorporate these systems for its end-zone pylon cams. Pylon View offers a 200-degree video perspective of the goal line from the pylon, with the ability to digitally pan, tilt, and zoom for a more definitive view of a player scoring a touchdown.
The C360 Time Machine Replay feature enables operators to rewind, reframe, and freeze-frame a specific play for live TV and OTT platforms. Since this position requires the operator to both shade the camera and create replays, C360 has worked with Program Productions Inc. (PPI) to train a full fleet of operators for the Pylon View end-zone cameras this year.
We're using the C360 cameras in the end zone this year, which gives us that pan, tilt, and zoom [functionality] almost like a miniature robo on the pylons, says Davies. Even better is that, since you're capturing the entire volume of big paramorphic frame, you never miss anything. I think it's going to take a few reps to get used to it and establish the workflow to get things on the air as soon as possible, but early indications are that the C360 end-zone pylons are going to be a big enhancement to our coverage.
Amazon Prime, CBS Sports, and ESPN are also using C360 Pylon View systems in various capacities this year.
Time-Synced Replays: Sony Hawkeye in Split-Screen Fox Sports is also experimenting with expanding its use of Sony Hawkeye officiating technol
More from Sports Video Group
04/12/2025
SVG Sit-Down: ProximaVision's Claudio Lisman on Why Tethered Drones Could Be...
04/12/2025
SVG Campus Shot Callers: Imry Halevi, Senior Associate Director of Athletics, Co...
04/12/2025
Platinum White Paper: LiveU Lightweight Sports Production: A Step Change in Spor...
04/12/2025
London to Riyadh: DAZN brings the boxing glamour to new production levels for Be...
04/12/2025
Analysis: Paramount bets on the battering ram' with Champions League play By Callum McCarthy, Editor-at-Large
Tuesday, December 2, 2025 - 10:12
Print ...
04/12/2025
Space City Home Network Launches SCHN DTC App for Astros and RocketsThe Rockets and Astros were previously the lone NBA and MLB teams without a DTC appBy Jason...
04/12/2025
SVG Summit 2025 Preview: Content Workflows Workshop Spotlights Evolution of Spor...
04/12/2025
New Sponsor Spotlight: Geotech's Patrick Wambold On the Unreal Engine Revolu...
04/12/2025
Curt Gowdy Jr. - Master Storyteller, Nationally and RegionallyBy Jason Dachman, Editorial Director, U.S.
Thursday, December 4, 2025 - 1:52 pm
Print This Sto...
03/12/2025
MLS Cup 2025 Production To Feature Four iPhone 17 Pros as Game-Coverage CamerasStay tuned to SVG on Friday for our in-depth story on this year's MLS Cup pro...
03/12/2025
SVG LIVE! 2025: All Sessions Now Available to Watch on SVG PLAYThe inaugural event placed a spotlight on the exciting world of live entertainmentBy SVG Staff
...
02/12/2025
Case Study: How Mid-Atlantic Sports Network Moved to All-IP Distribution in 60 D...
02/12/2025
2025 Sports Broadcasting Hall of Fame: Lee Corso, Coach, Commentator, FirebrandBy Ken Kerschbaumer
Tuesday, December 2, 2025 - 7:00 am
Print This Story | S...
02/12/2025
SVG All-Stars: Dan Nabors, Senior Director, Remote Engineering, TNT SportsThe veteran tech leader is helping guide Warner Bros. Discovery's at-home' re...
02/12/2025
Epic rematch: DAZN on bringing Eubank Jr v Benn II to spectacular life with 1080...
02/12/2025
National Lacrosse League Opens Season With New Cloud-Based Official Replay-Revie...
02/12/2025
Platinum White Paper: The Cinematic Look in Live Production - Bridging Aesthetic...
02/12/2025
SVG India Announces Advisory Board; JioStar's Prashant Khanna Named ChairmanBy Ken Kerschbaumer
Tuesday, December 2, 2025 - 11:15 am
Print This Story |...
02/12/2025
SVG Summit 2025 Preview: New AI Production Tools Workshop' Features ESPN, F...
26/11/2025
SVG Sit-Down: Prime Video EP Mike Muriano Previews Massive Black Friday Slate Fe...
25/11/2025
SVG All-Stars: Blayke Scheer, Senior Director, Creative Content, YES NetworkThe Indiana alum has turned storytelling into an artform for more than two decadesBy...
25/11/2025
Op-Ed: With FCC's C-Band Auction on the Horizon, Broadcasters Need Proven, C...
25/11/2025
Analysis: Is Baller League really the future of sport? By Callum McCarthy, Editor-at-Large
Tuesday, November 25, 2025 - 10:10
Print This Story
With KSI on...
25/11/2025
Platinum Whitepaper: The Growth of Broadcast in the World of Major Large Scale E...
25/11/2025
SVG Summit 2025 Preview: SVG Women's Sports WorkshopBy Samantha Gabay
Tuesday, November 25, 2025 - 10:27 am
Print This Story | Subscribe
Story Highlig...
25/11/2025
SVG New Sponsor Spotlight: CacheFly's Matt Levine on the Evolving Role of th...
25/11/2025
Peacock's EA SPORTS Madden NFL Cast Levels Up on Thanksgiving With SkyCam as...
24/11/2025
HBO's The Shuffle' Reveals Longtime Connection of Sports and Entertainm...
24/11/2025
2025 Sports Broadcasting Hall of Fame: Hiroshi Kiriyama, Sony Broadcast (and Ind...
24/11/2025
SVG Summit 2025 Preview: FIFA, NBC Olympics, Fox Sports, CBS Sports, Netflix, NF...
24/11/2025
Case Study: YES Network Streamlines Broadcast Operations with Beam DynamicsBy SVG Staff
Monday, November 24, 2025 - 11:18 am
Print This Story | Subscribe
...
24/11/2025
Platinum White Paper: More of Everything: How Broadcasters are Changing Their Ap...
24/11/2025
Versant Media USA Sports President Matt Hong on How Versant Has Best of Both Wor...
24/11/2025
SVG Sit-Down: NABA Director-General Rebecca Hanson on How FCC's C-Band Aucti...
24/11/2025
SVG New Sponsor Spotlight: Bolin Technology's Sapan Doshi on the Proliferati...
21/11/2025
Platinum White Paper: Appear Shares Why Media Exchange Is the Missing Link in So...
21/11/2025
NWSL Championship 2025: CBS Sports To Deploy Two-Point FlyCam for Match Coverage...
21/11/2025
NWSL Caps 2025 Season With Awards Show, Skills Challenge ProductionsA team of 70 is on the ground in California to produce both eventsBy Mark J Burns, SVG Contr...
21/11/2025
USL and NEP Ready for Largest USL Championship Final Production EverThe broadcast from Tulsa, OK, will air CBS and TUDN on Saturday at 12 p.m. ETBy Jason Dachma...
21/11/2025
With Two New Teams, PWHL Boosts Production Workforce and Central Review for Seas...
20/11/2025
MLB Media-Rights Shakeup: NBC's New Three-Year Deal Covers Sunday Night Bas...
20/11/2025
MLB Media-Rights Shakeup: New Deal Will Bring 30 National Games to ESPN's Li...
20/11/2025
MLB Media-Rights Shakeup: Netflix Lands Opening Night, Home Run Derby, Field of ...
20/11/2025
MLB Media-Rights Shakeup Overview: ESPN, NBCU, Netflix Ink Three-Year DealsESPN gets new 30-game package, MLB.TV; NBC extends Sunday nights; Netflix adds tentpo...
20/11/2025
SVG Students To Watch: Henry Thuss, Indiana UniversityThe Southern California product has his goals set on the front benchBy Brandon Costa, Director of Digital ...
20/11/2025
Done+Dusted's Guy Carrington on Creating the Spectacular League of Legends W...
20/11/2025
FIA Extreme H World Cup Host Broadcaster Aurora Goes Inside the Production of th...
20/11/2025
Platinum White Paper: Amagi Utilizes Cloud Production for Sports Events - Multi-...
20/11/2025
2025 Sports Broadcasting Hall of Fame: Marc Herklotz, Steady Hand Behind the Sce...
20/11/2025
NFL Deep Dive: How 32 Cameras at Each Stadium Drive Virtual Measurement, Boundar...