
Multi-camera cinematic production solutions shop Funicular Goats turns heads, both for its noteworthy credentials and memorable name. Since launching in 2019 with co-founding trio Morgan Kellum, James Coker, and Aaron Cooke at the helm, the company has quickly established a stellar reputation across the live event, broadcast, and streaming production communities. Its unmatched multi-camera equipment, workflow, and technical management expertise is tapped for an array of projects, including big-name concert productions, the annual big game halftime show, comedy specials, and more. Funicular Goats embeds itself in every project from beginning to end, using a proven cinematic multi-camera workflow as a starting point, which includes all the standard tech for moving signals throughout the chain and live grading including AJA equipment.
Typically, producers reach out to Funicular Goats directly regarding projects, but the company also receives inquiries from tech managers, directors, and DPs. Its team works closely with all key project stakeholders to plan a well-thought-out, multi-camera workflow design, and the encompassing tech including cameras, comms, the engineering fly pack, cameras, wireless systems for the cameras, transmission (digital, broadcast, or satellite) fiber infrastructure, and on-set monitoring solutions. Projects average 10-20 cameras per show, but the team has worked on projects involving up to more than 30 cameras.
Across productions, Funicular Goats must manage different elements and workflow refinement, but ninety percent of the time, the project demands live grading, which means AJA FS-HDR real-time HDR/WCG converters are on set. Running a camera log feed through the FS-HDR allows the team to achieve a more comprehensive range of RGB to build a better look than using just an RCP camera control alone.
Productions are often looking for ways to execute their projects but aren't certain how to do it, so they lean on us. We advise them on how to make it happen and help them achieve the look they're aiming for in the most efficient way, shared Morgan. We have a comfortable history of doing shows in certain ways and using specific tools (like FS-HDR for live color grading and frame sync), so we ll lean into that, but we also figure out how to modify the workflow and our fly packs and fiber systems to suit each client's specific needs."
Projects typically require SDR delivery, but Funicular Goats is seeing HDR requests grow, especially for concert productions and larger scale event broadcasts. To this end, FS-HDR has become a Swiss army knife for the team. James shared, We love FS-HDR, from its redundant power to the fact that we can count on it to do what it's supposed to without fail. It has great features for everything from embedding to frame syncing and live grading; it does it all.
FS-HDR also supports conversion needs across Funicular Goat projects. The team may need to use it to help step down a 12G-SDI or 6G-SDI feed from a cinema camera to 1080 for viewing, as well as for coloring and recording. The device also enables frame rate conversion, which the team will leverage when moving from 24p to a broadcast standard for a truck workflow. They might bring back a log feed 23.98p that will hit their distribution amplifier (DA) and into a switcher where they cut 23p. Out of the DA, that feed might go to the FS-HDR, where they can then go 29.9p and elsewhere with it to a line cut, and cut 29.97p for broadcast.
In addition to live grading, recording is essential to Funicular Goats' workflow designs. The team often completes 4K recordings with a cinema camera, with a 1080 workflow out for a reference line for added flexibility. If delivering a 1080 project, they'll record the loaded or color corrected 1080 files to AJA Ki Pro Ultra 12G ProRes and DNx recorders/players. This approach ensures they have a master finish of the project as well as the 4K log footage to work with. If footage is already color corrected, Funicular Goats can do an online cleanup with those files or edit with them as well. They may opt to use Ki Pro Ultra 12G as a quad HD recorder for four 1080 feeds on one project, or for backup 1080 recordings, ISOs of the cameras, or to create multiple copies of a program or multiple views on others. Sometimes, they'll even do a 6G-SDI or 12G-SDI into the Ki Pro Ultra 12G. When they need to hand off thumb drives with H.264 recordings after an event, they often use AJA Ki Pro GO.
We love our Ki Pros because they're so flexible; they give us a lot of options and provide a cost-effective way to record in different flavors. We get edit ready files that we can have our downloader dump onto a drive to be shared with production, added Morgan. AJA gear like Ki Pro Ultra 12G and FS-HDR are staples in our inventory, and we use them on nearly every show because they've got such a great track record of being reliable. We also use of a ton of other AJA products everything from the KUMO 3232-12G routers, to the 12GDA and Hi5 Mini-Converters, throw down distribution amplifiers, and FS2 frame syncs.
Funicular Goats' credits span the Elton John concert at Dodger Stadium, The Weekend: Live at SoFi Stadium for HBO Max, as well as comedy specials and the annual big game, and more. For the big game halftime show earlier this year, Funicular Goats captured 29.97p from Sony VENICE 2 cameras. The feeds were sent to its production truck with an AJA KUMO 3232-12G router on-board. The feeds hit their distribution amplifiers first, and were then sent through the router and Funicular Goats' 12 FS-HDRs, as well as through 16 additional FS-HDRs on site, and then into the switcher and out for broadcast distribution. The FS-HDRs enabled the DIT crew to work with the log and HDR feeds and bounce them back and forth while also su
North America Stories
09/07/2025
WASHINGTON The NAB Leadership Foundation (NABLF) has announced the graduation of the 2025 Broadcast Leadership Training (BLT) class. The classs successful compl...
09/07/2025
Faced with rising costs, the proliferation digital services and the difficulty of managing many different subscriptions, two-thirds (66%) of consumers say they ...
09/07/2025
Daniel S. McCoy, a Production Sound Mixer and Sound Consultant for cinema, commercial and live events, has utilized DPA Microphones for over 25 years. In the ea...
09/07/2025
- A Celebration of Optical Excellence Uniting the Lens World's Leading Optical Minds -
CVP, one of Europe's leading resellers and providers of profe...
08/07/2025
One of the most exciting things about the Sundance Film Festival is having a fro...
08/07/2025
ATLANTA and CINCINNATI Gray Media and The E.W. Scripps Co. have agreed to swap television stations across five midsized and small markets, resulting in the crea...
08/07/2025
ALAMEDA, Calif. Clear-Com has announced new software updates to its Arcadia Central Station that enable connectivity across Clear-Com products as well as third-...
08/07/2025
PRINCETON, N.J. Triveni Digital has launched its NextGen TV Innovation Partnership Program, an initiative to support public broadcasters in their transition to ...
08/07/2025
WASHINGTON In response to a request by LPTV broadcaster HC2 that the Federal Communications Commission allow its stations to become datacasters using 5G broadca...
08/07/2025
As TV broadcasters shift from wary tire-kicking to increasingly enthusiastic adoption of AI technology, new ways of doing things are taking hold at lightning sp...
08/07/2025
Content personalization has been a hot topic ever since the emergence of niche cable networks and the VCR in the 1980s allowed consumers to access content geare...
08/07/2025
Broadpeak, a leader in streaming and monetization at scale, announces that major French media group RMC BFM has selected Broadpeak's server-side ad insertio...
08/07/2025
MBS, a leading service integrator and managed gateway operator, has announced an agreement with SES to acquire a part of its media services in Germany and the U...
08/07/2025
WASHINGTON Federal Communications Commission Chair Brendan Carr is applauding the passage of President Donald Trump's One Big Beautiful Bill and provision...
08/07/2025
SYDNEY RTS has announced that Channel 7 Sydney has deployed a new comms system from the intercom vendor as part of a larger ST-2110 upgrade....
08/07/2025
ATLANTA & CINCINNATI Gray Media, Inc. and The E.W. Scripps Company have entered into agreements to swap television stations across five mid-sized and small mark...
08/07/2025
Groundbreaking Gamecocks: Inside University of South Carolina's Four-Control...
08/07/2025
Monumental Sports & Entertainment's Samantha Brady on the Power of the RSN...
08/07/2025
Live From 2025 FIFA Club World Cup: FIFA, HBS Focus on Tournament Wrap, With an ...
08/07/2025
SVG Rewind: NESN Goes Behind the Scenes of 1975 Red Sox Retro Broadcast NESN is following up the retrocast with a week-long celebration of the Green Monster By...
08/07/2025
Back to All News
The Monster of Florence: The Four-Episode TV Series Directed b...
08/07/2025
Back to All News
Shooting of 53 Sundays, Cesc Gays New Project, Is Finished
Entertainment
08 July 2025
GlobalSpain
Link copied to clipboard
Download the f...
08/07/2025
Modern AI applications increasingly rely on models that combine huge parameter c...
07/07/2025
Advanced vision solutions deliver more than reliable night vision for tactical-edge warfighters. Today's technological advances can provide the capability f...
07/07/2025
BALTIMORE Sinclair has named Narinder Sahai its executive vice president and chief financial officer, effective immediately....
07/07/2025
Riedel Communications today announced the launch of RefSuite, a powerful new Managed Technology solution tailored to professional sports workflows. RefSuite com...
07/07/2025
Regional base will foster client engagement, partner collaboration, and executive touchpoints
Skandha Media Services, a leading provider of cloud-native media ...
07/07/2025
Advanced Systems Group, LLC (ASG), a technology and services provider for media creatives and content owners, announced its Against All Odds - ASG Builds Cutti...
07/07/2025
Agreement secured on the strength of Skandha's proven track record in delivering reliable managed services across the full content life cycle for existing h...
07/07/2025
Back to All News
The Long-Awaited Trailer is Here: Alice in Borderland' Se...
07/07/2025
Back to All News
Anime for Every Fan: Fueling a New Era of Global Storytelling
Entertainment
07 July 2025
GlobalUnited StatesJapan
Link copied to clipboard...
07/07/2025
1-2 Punch: The Cloud, Generative AI, and the Future of Sports-Content Distributi...
07/07/2025
Tests and decisions: Formula E host broadcaster Aurora on launching new AR graph...
07/07/2025
Building tension: Using new AR graphics for storytelling at the Formula E penult...
07/07/2025
Altitude Sports' Matt Krol on the Success of the RSN's In-Arena Postgame...
07/07/2025
SVG Rewind: Four NFL Clubs Bring Us on Set of Respective Media Day Shoots An in-depth conversation with 49ers Laura Johnson, Ravens Jay O'Brien, Las Vegas R...
07/07/2025
Cosm To Build Fifth Shared Reality Venue in Cleveland as Part of Bedrock's ...
07/07/2025
Back to All News
She Walks in Darkness, Agust n D az Yanes New Film, Premieres ...
05/07/2025
Back to All News
Superestar, the Story of a Star Who Never Changed. Premiering July 18
Entertainment
05 July 2025
GlobalSpain
Link copied to clipboard
Dis...
04/07/2025
By Lucy Spicer
Editor's note: We are deeply saddened by the passing of Robe...
04/07/2025
Introducing CVP Auctions: Trusted Tech, At Auction-Only Prices
Brie Clayton July 4, 2025
0 Comments
A New Destination for Film and Broadcast Gear at U...
04/07/2025
Unveiling China's Ecological Wonders with URSA Mini Pro 12K
Brie Clayton July 4, 2025
0 Comments
Nature Documentaries Freeze Epic Momentsin Extrem...
04/07/2025
Create Any Planet in After Effects
Graham Quince July 4, 2025
0 Comments
The Advanced 3D renderer in After Effects makes it really easy to import 3D o...
04/07/2025
Custom Gradient Colorize for Resolve Fusion
Simon Ubsdell July 4, 2025
0 Comments
Digging into the theory of the gradient colorize process to build ou...
04/07/2025
Watching live sports on TV these days is a delicate balance for broadcasters how much information is too much?...
04/07/2025
WASHINGTON As Federal Communications Commission Chair Brendan Carr works to achieve his goal of a very busy, productive summer at the FCC, the agency has rele...
04/07/2025
Other World Computing Launches OWC Guardian USB-C Hardware-Encrypted Portable SS...
04/07/2025
CANAL Brings MotoGP to Vision Pro with Blackmagic URSA Cine Immersive
Brie Clayton July 3, 2025
0 Comments
Experience MotoGP like never before as CA...
03/07/2025
To achieve a true level of decisive overmatch, communication systems must be as ...
03/07/2025
The Broadcasters Foundation of America has named Ray Hopkins, president of U.S. distribution at Paramount Global, to its board of directors....