
--
Rising Sun Pictures served as a principal visual effects provider for The Eight Hundred; the epic war film from director Guan Hu and Huayi Brothers Media and Haining Seventh Image Movie & Media Co Ltd. The film centers on the true story of the 1937 Battle of Shanghai where a Chinese battalion mounted a determined defense of the Sihang Warehouse from the invasion of the Japanese army. Working in collaboration with BangBang Pictures, Beijing, and overall VFX Supervisor RSP's Tim Crosbie, RSP contributed scores of richly detailed, seamless visual effects to support the film's riveting combat scenes, all set around a massive warehouse complex near the city center.
The Eight Hundred, sets a new standard for production value in Chinese cinema. The lavish production spanned more than three years and included the building of an exact-scale replica of the 6-story, concrete Sihang Warehouse riverside structure, where much of the action takes place. Principal cinematography by DP Cao Yu (ASC) was captured in 6.5K with ARRI Alexa 65 camera systems.
The majority of RSP's work focused on a lengthy sequence representing the battle's decisive third day. The Japanese unleash a vicious aerial attack on the Chinese soldiers on the roof of the warehouse. The fighting is witnessed by thousands of foreigners and Chinese civilians from the relative safety of Shanghai's international Concessions, now called The Bund, located just across the river from the warehouse.
The studio's team created CG set-extensions, showing the ruined city of Shanghai to augment production footage of the practical warehouse set. That included thousands of individual buildings and other structures, many in ruins, as well as debris, fire, smoke, snow and other atmospheric elements. Additionally, they animated fighter aircraft and an airship as well as a CG horse running through the interior of the warehouse.
RSP's set extensions were monumental in scale. Crosbie notes that the warehouse set was more than a kilometer in length and that over two kilometers of green screen, 15 meters high, was used around the perimeter. RSP was given responsibility for the largest key shots in the film because of its deep experience, especially with war-themed historical recreations, says Crosbie. The RSP team did such a great job hitting the mark early on for the look that we needed to tell the story. It made my job so much easier when I could present shots to Guan Hu that usually hit and often exceeded his expectations.
VFX Supervisor Tom Wood, who led the project for RSP, says that the CG sets not only had to be large, they also had to be finely articulated and rigorously accurate due to the sweeping camerawork employed in the sequence. The camera travels with planes and an airship moving over the landscape so details that begin in the far distance are later seen close up, he explains. We had to build out houses to a distance of five kilometers from the warehouse.
Guan Hu's production team supplied RSP with many photos of 1930s Shanghai, before and after the battle, and other reference media. The film's art department also built a 3d model of the city at the time of attack to use as the basis for building the practical set as well as initial previs needs. RSP's team used that material to ensure that homes and buildings were accurate in terms of style, color and texture, and that the layout of the city was historically accurate.
The research conducted by the production team was very impressive, recalls CG Supervisor Julian Hutchens. They supplied us with loads of material. We took all those ingredients, ingested them one by one, rebuilt them and adjusted them to scale. We took considerable care to render those thousands of buildings and the associated props. It pushed the instancing to the limit.
Once the general layout of the environment was established and key buildings set in place, artists worked to hone details. We looked at everything closely to see if anything was missing, notes Hutchens, like slate planks between floorboards and busted bricks on the edges of walls. To heighten realism, we varied the color and shape of rubble, or added a car or a bicycle. It was quite fun.
Integrating CG and effects into the live action plates required special care due to the super high resolution of the production footage and the distinctive style of the cinematography. It was shot with a very short shutter speed, says 2D Supervisor Guido Wolter. That meant there was very little motion blur. Most action films use fast camera moves. People are running around and debris is falling. The action is distorted making it easier to blend things. Here, every detail is crystal clear, like a still photograph.
As a further complication, Wolter adds, many of the shots in the battle sequence are long some extending for more than a thousand frames. We had to double down in our attention to detail because the audience is going to see it all, he observes. They have time to explore every shot.
The final results, according to Wood, are very convincing. He believes that audiences will feel that they are witnessing living history. The film quality is amazing, he says. Guan Hu does a wonderful job in choreographing the action, going back and forth between different characters and different aspects of the battle.
In addition to the battle sequence, RSP worked on several shots showing views of the devastated city from the perspective of Japanese aircraft. They also contributed to a few more fanciful scenes. In one instance, CG artists animated a white horse that gallops through the interior of the warehouse. (In the context of the story, the horse plays an allegorical roll.) Another scene involved a dreamlike flashback to an ancient Chinese battleground, a reference to an event in history that's very
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
02/09/2026
Professional and collegiate clubs, leading vendors discuss current trends in stadium production
On. Aug. 12, the 2026 SVG Venues & Teams Summit explored the ev...
02/09/2026
SoFi Stadium, YouTube Theater, and Hollywood Park have completed an infrastructure upgrade expanding game presentation and broadcast production capabilities acr...
02/09/2026
Comcast Technology Solutions (CTS) has announced a suite of AI-powered workflow applications for broadcasters, content owners, and operators, built on its Video...
02/09/2026
The North American Broadcasters Association (NABA) and the Association of Professional Wireless Production Technologies (APWPT) have announced a partnership to ...
02/09/2026
Carolina Hurricanes, Anaheim Ducks, Columbus Blue Jackets, Dallas Stars, Minneso...
02/09/2026
New LED provides enhanced quality control, quicker show prep, detailed productio...
02/09/2026
Combines the Phat Drive with high-voltage valve circuit
The latest pedal from Keeley Electronics combines their popular Phat Mode drive pedal with an all-ne...
02/09/2026
Free version of virtual mixing room plug-in introduced
Lewitt's Space Replicator plug-in provides users with a virtual monitoring environment that aims ...
02/09/2026
Two new mixing & mastering plug-ins revealed
AIR Music Tech have just introduced the Stereophonic Bundle, a pair of processing plug-ins designed to provide ...
02/09/2026
Rohde & Schwarz has achieved initial verification of 3GPP Rel. 17 power-saving f...
02/09/2026
Bilbao - 3rd September 2026 -AgileTV, a leading provider of end-to-end TV and vi...
02/09/2026
Why agentic media supply chains need experience design built around visibility, reversibility and human authority
When AI can generate a functional interface ...
02/09/2026
Six-country survey finds 26% of sports fans frequently unable to determine where...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
KOKKEDAL, DENMARK, SEPTEMBER 1, 2026 DPA Microphones announces its new 6388 CORE Headset Microphone, a high-performance directional headset designed for dema...
02/09/2026
Pliant Technologies will highlight its CrewCom CXD 32CF 32x32 Dante /AES67 Digital Audio Network Interface, a powerful connectivity solution designed to expand ...
02/09/2026
iWedia, a leading provider of software solutions for connected TV devices, today announced two enhancements to Teatro Pulse, its end-to-end TV service operation...
02/09/2026
Signiant, trusted by the media industry for accelerated content movement for more than 20 years, will showcase the latest evolution of the Signiant Platform at ...
02/09/2026
With a contractual agreement to supply a leading UK sports broadcaster with outside broadcast services for 104 football matches per season over the next four ye...
02/09/2026
IBC2026 will put sport firmly at the centre of the global media and entertainment technology conversation with the strongest sports showing in the event's h...
02/09/2026
PTZOptics will bring a hands-on showcase of intelligent video production to IBC2026 (11-14 September, RAI Amsterdam), with demonstrations spanning new camera te...
02/09/2026
OOONA, a global provider of professional management and production tools for the media localization industry, today announced the launch of OOONA Go, a ready-to...
02/09/2026
EON Media will make its European debut at IBC2026 (September 11-14, RAI Amsterdam) in the show's Future Tech Zone (Hall 14.FT5). The company is launching it...
02/09/2026
Frequency, the engine behind many of the worlds leading streaming television channels, will demonstrate at IBC2026 how integrating intelligence throughout chann...
02/09/2026
On-device AI platform gives broadcasters and content creators purpose-built tools for real-time vertical video production and AI-enhanced sports coverage...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Next-Generation Freeform Control Surfaces Lay the Foundation for AI-Enabled Media Operations
At IBC2026 (Sept. 11 14, RAI Amsterdam, Stand #1.B73), Imagine Com...
02/09/2026
Friedrichstadt-Palast in Berlin, the world's largest theater stage, has modernized its backstage production infrastructure with a comprehensive Riedel solut...
02/09/2026
Women in Media announces that it will host the two-day Reel/Forward in-person conference devoted to navigating today's production scene. Guests can enjoy pa...
02/09/2026
The expanded partnership brings Teradek's Live Production solutions to New Media AV's European dealer and integrator network, opening new opportunities ...
02/09/2026
QuickLink, a leading provider of award-winning video production and remote guest contribution solutions, announces a major expansion to its award winning Studio...
02/09/2026
BCNEXXT, the developers of the advanced playout platform Vipe, today announced that premium entertainment brand Foxtel has selected Vipe to underpin playout for...
02/09/2026
SubtitleNEXT helps HOT Telecom's subtitling team keep a cool head with reliable QC capabilities
Profuz Digital, global developer of digital media and local...
02/09/2026
Case Study: Mission Digital Strengthens Battery Safety with Safe-ion
As productions become increasingly dependent on battery-powered equipment, the safe storag...
02/09/2026
LA JOLLA, CA-Influenza viruses constantly shapeshift to evade recognition by the immune system. This shapeshifting occurs in critical proteins like hemagglutini...
02/09/2026
LA JOLLA, CA-Clinicians often use a medical test called a 12-lead electrocardiogram (ECG) to diagnose heart problems, which uses electrodes placed on the chest ...
02/09/2026
LA JOLLA, CA-Proteins may look like rigid molecular structures, but inside our c...