Fuji lightens the 4K production with your new lens UA24x7.8

Fuji lightens the 4K production with your new lens UA24x7.8 IBC opens its lens for smaller broadcast aimed at production of approximately 4 K, with a total length of 220.5mm, and only 1.98 kilograms.

Fujinon lenses of Fujifilm they have enjoyed acclaim in the world of television for many years. As a result of its optical technology of ultra high quality and wide range, Fujinon lenses are also particularly suitable for all kinds of film production, sports, entertainment and news production.

Ahora, con el auge del 4K y HDR en televisi n y cine se requieren tecnolog as pticas de alta precisi n y movilidad como est ndar para este nivel de filmaci n mejorada y de alta calidad.

Lentes 4K para televisi n

Desde una amplia distancia focal de 4.5mm a un teleobjetivo de 1140mm, m s de 40 lentes originales componen la l nea de productos de Fuji tanto para ENG como EFP. Alta resoluci n, alto contraste, alto rango din mico son sus caracter sticas comunes.

Ahora, Fujifilm expande su portfolio de lentes con la ptica ligera y port til Fujinon UA24X7.8BERD (UA24x7.8). Quienes visiten el stand del fabricante en IBC pueden comprobar estos d as c mo con una longitud total de 220,5m es el objetivo de peque o del mundo con este nivel de prestaciones para entornos 4K as como el m s ligero ya que no supera los dos kilos de peso.

The goal, which will be released at the beginning of 2018, has a zoom of 24 x high magnification, covering a focal length from the wide-angle 7.8mm 187 mm. This portable zoom lens features a high mobility and operability.

With the new UA24x7.8, Fuji count already with eight models for capturing in 4 K. other zooms in hand in this line include the UA14x4.5B, UA18x5.5B, UA13x4.5B and UA22x8B lenses. A new study lens now available, the UA27x6.5B, and lenses of field, UA80x9, and UA107x8.4, complete the series.

In this case, has been very much in mind with high dynamic range (HDR) capture minimizing chromatic aberrations typical of this type of telefotos at the time making vivid colors to capture high-contrast scenes. For this reason, the new lens is ideal for sports broadcasts or shows 4K with enclosures illuminated with natural and artificial light to the fall of the evening.

The new UA24x provides an advanced, with support for 4K, in all range zoom optical performance. Includes the multilayer coating "HT-EBC (High Transmittance Electron Beam Coating)" Fujifilm that provides a high level of transmittance and color reproduction. HT-EBC, together with the unique Fujifilm Aspheric technology, reduces ghost and flare effects and increases light transmission.

La ltima tecnolog a de simulaci n ptica se ha empleado en el dise o ptico de las lentes para evitar la degradaci n de la resoluci n alrededor de los bordes y las aberraciones de control, logrando as una calidad de imagen de 4K en toda la gama de zoom. Una forma de apertura cercana a la de un c rculo se logra mediante la adopci n de nueve palas de apertura, lo que proporciona un bokeh m s natural.

En el RAI Center de msterdam, adem s del nuevo UA24X7.8BERD, Fuji exhibe sus lentes de cine de montura PL de gama alta, y la nueva Serie MK de lentes para cinematograf a digital.

Serie MK

The new MK50 - 135mm is showed for the first time as a complementary to the MK18 - 55mm T2.9 zoom, introduced in February, during the last NAB. Of the same size and weight as the MK18 - 55mm, but with a focal length of 50 - 135mm (both in the Super 35mm format), this lens weighs 980 grams with front diameters of 85 mm and length of 206 mm. The minimum distance of the MK50 - 135mm (MOD) object is 1.2 meters.

With a combined range of focal length of 18mm - 135mm, together with the MK50 and MK18 - 55 mm - 135 mm lenses, covers the range of most commonly used by emerging filmmakers. The series offers fast lens with a speed T2.9 throughout the zoom range, allowing a low depth of field.

The entire MK series is designed to thinking the cinematograph of either an event live, content online, documentary, corporate video, wedding, independent production or short film. Currently, MK eyeglasses are designed for E-mount cameras and offer advanced optical performance, ultra compact and lightweight design, as well as an excellent cost performance.

La aserie ofrece una funci n macro que permite una amplia gama de disparos en primer plano, y los engranajes de los tres anillos se colocan en el mismo lugar, lo que elimina la necesidad de volver a colocar los accesorios al cambiar las lentes.

Las lentes MK son compatibles con las c maras E-mount con sensor Super 35mm / APS-C. Las versiones de montaje X de las lentes MK (con distancias focales de 18-55mm y 50-135mm) utilizadas en la l nea Fujifilm Serie X de c maras digitales (con sensores APS-C) tienen previsto su lanzamiento a finales de este a o.

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