
Maleficent, the sorceress par excellence of Disney, comes to life on the big screen Rodada con las c maras ARRI Alexa Plus y Studio, con lentes Panavision Primo, y trabajando en un formato ARRIRAW (2,8K), Disney estrena la adaptaci n a la gran pantalla de la villana del cl sico de 1959 La Bella Durmiente'.
Disney estrena este fin de semana en todo el mundo, Mal fica, la adaptaci n a la gran pantalla de la villana del cl sico de 1959 La Bella Durmiente.
Mal fica es una bell sima joven con un coraz n puro y unas asombrosas alas negras. Crece en un entorno id lico, un apacible reino en el bosque, hasta que un d a un ej rcito de invasores humanos amenaza la armon a del pa s. Mal fica se erige en la temible protectora de su reino, pero al final es objeto de una despiadada traici n que endurecer su coraz n hasta convertirlo en piedra. Cegada por sus ansias de venganza, Mal fica libra una batalla pica con el rey de los humanos y como resultado lanza una maldici n sobre Aurora, su hija reci n nacida. Cuando la ni a crece, comprende que Aurora tiene la llave de la paz en el reino, y tambi n de la verdadera felicidad de Mal fica.
La pel cula est interpretada por Angelina Jolie en el papel de Mal fica, Sharlto Copley, Elle Fanning, Sam Riley, Imelda Staunton, Juno Temple y Lesley Manville.
La pel cula est producida por Joe Roth y dirigida por Robert Stromberg, con Angelina Jolie, Don Hahn, Matt Smith, Palak Patel, Sarah Bradshaw y Michael Vieira como productores ejecutivos. Linda Woolverton escribi el gui n.
Curiosities of the shooting
Mal fica se ha rodado con las c maras ARRI Alexa Plus y Studio, con lentes Panavision Primo, trabajando en un formato ARRIRAW (2,8K). EFilm se encarg de la intermediacion digital, mientras que la tecnolog a de Codex jug un papel destacado en todo el workflow.
La producci n cont con un n mero extraordinario de sets f sicos. Los dise adores de producci n Gary Freeman y Dylan Cole, junto con el decorador de plat Lee Sandales, trabajaron con Stromberg para crear fondos exteriores e interiores a la altura de esta gran epopeya. Se construyeron cerca de 40 plat s, desde una habitaci n de 1,10 m2, al Gran Sal n de 460 m2.
El castillo es una recreaci n f sica, tanto en su interior como en su exterior, del castillo de la pel cula animada de 1959. Es grandioso, con suelos de m rmol y materiales y acabados del siglo XVI y est amueblado con antig edades. Se tard 14 semanas en construir, empleando 250 operarios, y un departamento art stico de 20 personas.
Ricky Baker, ganador de siete Oscar, dirigi el departamento de efectos especiales de maquillaje. Se encarg de los cuernos y las pr tesis de p mulos de Angelina Jolie as como de otros maquillajes especiales de personajes. Baker y su equipo esculpieron tres juegos diferentes de cuernos bas ndose en el look original de Mal fica en la pel cula animada. Los cuernos est n fabricados con una resina de uretano, un material ligero y duradero. Para que todas las pr tesis de Angelina Jolie encajaran con los ngulos de su rostro, el equipo hizo un molde de su cabeza y elabor mejillas y orejas de goma siguiendo esos contornos. En el caso de Angelina Jolie, se invert an cuatro horas diarias en colocarle la pr tesis.
En la producci n se utiliz la t cnica de captura de movimiento para las tres Hadas (Imelda Staunton, Juno Temple y Lesley Manville) cuando se filmaron en su tama o original de 53 cm para captar todos los matices del talento de las tres actrices. El equipo de efectos visuales utiliz 150 marcadores en cada una de las caras para reproducir sus expresiones faciales en los personajes generados por ordenador. Estos divertidos personajes se caricaturizaron ligeramente en el tama o de 53 cm, con cabezas m s grandes y se exageraron sus siluetas naturales para que no parecieran personas normales reducidas a 53 cm de altura.
The look
Conseguir el look perfecto para la pel cula de acci n real era muy importante tanto para el director Robert Stromberg como para Angelina Jolie. A Angelina no s lo le fascinaba el personaje sino tambi n su aspecto , dice Stromberg. Trabajamos juntos para conseguir un personaje que no fuera una imagen estereotipada, pero tambi n era imprescindible que el p blico reconociera inmediatamente a Mal fica .
El trabajo de recrear el traje de Mal fica a partir de la pel cula animada recay en la dise adora de vestuario Anna B. Sheppard, conocida por su trabajo en La lista de Schindler y El pianista , que le valieron sendas nominaciones a los Premios de la Academia. La dise adora de vestuario ten a que crear dos mundos muy diferentes, uno con criaturas que viven en un bosque de hadas y otro que es un reino humano. Sheppard empez sus investigaciones estudiando el siglo XV, el arte renacentista franc s e italiano en cuadros, bocetos y esculturas.
El look del personaje de Mal fica que aparec a en la pel cula animada de 1959 fue obra del animador Marc Davis, al que debemos los cuernos de Mal fica y su estilo elegante con capas fluidas y gargantillas altas. As que Sheppard empez con estas referencias para encontrar el aspecto de Mal fica. Despu s de ver La Bella Durmiente , Sheppard a adi los elementos de dise o y afirma: El personaje que procede de esa pel cula es Mal fica. Utilic colores que se parecen a la pel cula de Disney. Creo que en la gran escena del bautismo, el aspecto de Mal fica es el que todo el mundo espera. Es la Mal fica de la versi n animada, s lo que mucho m s hermosa .
La dise adora de vestuario se ala: Los trajes de Mal fica evolucionan y pasan de las tonalidades verde musgo y los tejidos et reos a los colores oscuros y las formas esculturales con tejidos mucho m s pesados con much simo volumen. Las pieles artificiales y los accesorios de plumas que crearon dise adores especializados se utilizaron para darle un aspecto mucho m s oscuro y siniestro al perso
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