
(04/08/2014) The Ranger program was a series of nine unmanned space missions by the United States in the 1960s, between 1961 and 1965, whose objective was to obtain the first close-up images of the surface of the Moon: large-scale topographic information needed for the Surveyor and Apollo projects. The Ranger spacecraft were designed to take images of the lunar surface, transmitting those images to Earth until the spacecraft were destroyed upon impact. A series of mishaps, however, led to the failure of the first six flights.
Ranger 7 was the first US space probe to successfully transmit close images of the lunar surface back to Earth. It was also the first completely successful flight of the Ranger program. Launched on July 28, 1964, Ranger 7 was designed to achieve a lunar impact trajectory and to transmit high-resolution photographs of the lunar surface during the final minutes of flight up to impact. Ranger 7 reached the Moon on July 31, 1964.
Rangers 6, 7, 8, and 9 were the so-called Block 3 versions of the Ranger spacecraft. The spacecraft consisted of a hexagonal aluminum frame base 1.5 m across on which was mounted the propulsion and power units, topped by a truncated conical tower which held the TV cameras. Two solar panel wings, each 739 mm wide by 1537 mm long, extended from opposite edges of the base with a full span of 4.6 m, and a pointable high gain dish antenna was hinge mounted at one of the corners of the base away from the solar panels. A cylindrical quasi omnidirectional antenna was seated on top of the conical tower. The overall height of the spacecraft was 3.6 m. The equipment for picture shots was fully redesigned in Rangers 7, 8 and 9.
The spacecraft carried six television Vidicon cameras. The cameras were arranged in two separate chains, or channels, each self-contained with separate power supplies, timers, and transmitters so as to afford the greatest reliability and probability of obtaining high-quality video pictures. No other experiments were carried on the spacecraft. The first channel had two full-scan cameras, one wide angle (25 degree field of view and 25-mm focal length) designated the A-camera and one narrow angle (8.4 degree field of view and 76-mm focal Ranger 7 Block 3 versionlength) B-camera. The other channel had four partial-scan p-cameras, two narrow angle and two wide angle.
The three cameras positioned on the bottom row were fitted with the Angenieux 25mm f:0.95 M1 lenses ( for wide-angle shots) inside specially modified housings, while the top 3 cameras were fitted with the same B&L 76mm f2 Super-Baltar lenses that were used in the Ranger 6 mission (for narrow-angle shots). The 25 mm Angenieux wide angle lenses were added to the package for Ranger 7 and following Rangers, meaning that basically the three successful and celebrated missions of the ranger program all used the Angenieux lenses, while the earlier six (failed) missions did not.
copyrighted by liveProduction.tv Ranger 7 photographed its way down to target in a lunar plain, Mare Cognitum, south of the crater Copernicus. The full-scan camera system began transmitting pictures at 1308 UT on July 31, 1964, 17 min 13 sec prior to impact. The partial-scan system initiated transmission of pictures at 1312 UT, 13 min 40 sec prior to impact. The last full-scan transmission occurred between 2.5 and 5 sec before impact, while the last partial-scan picture was taken between 0.2 and 0.4 sec before impact and achieved resolution to 0.5 m. Image motion is more severe in the last pictures. The experiment returned 4308 photographs of excellent quality, 1000 times better than from the best telescopes from Earth.
Parallel to Ranger program, Angenieux collaborated with the NASA for the preparation of Apollo program whose objective was to send man on the Moon. NASA set up the Mercury (1958-1963) and Gemini (1964-1966) programs in order to test equipment configuration and develop travel techniques for the astronauts at close distance from the Earth before their trip to the moon.
As the aim of Mercury missions was to send a man in space, Gemini missions aim was the control of the space craft. A 18mm prime Angenieux lens mounted on a Maurer 16mm film camera was on board of Gemini 10 spacecraft whose primary objective was to rendezvous and docking with Gemini Agena target vehicle. Gemini 10 was the first fully successful Gemini mission.
In May 1969 the Apollo 10 spacecraft carried a Westinghouse TV color camera equipped with a 6x25 Angenieux zoom providing the first color video images of the crew and of the moon shot from a short distance. The same camera was used in Apollo 11 command module, shooting live in color the astronauts Niels Amstrong and Buzz Aldrin on their trip to and from the moon surface. A Maurer 16mm film camera equipped with the 18mm Angenieux lens was also onboard of the command module shooting from a window the maneuver of the Lunar Module separating and docking with the command module.
In order to capture those images, it was necessary to create a special zoom lens that was small, light, easy to operate and compatible with the Westinghouse camera equipped with a 25mm sensor. Ang nieux transformed the back of the 6 x 12.5 lens into 6 x 25, and adapted it to specific conditions. Ang nieux was able to develop a special mechanical lubrication process, as the standard lubrication would evaporate in the void and cover the lenses in fine spray. It was also necessary to develop a new way of treating optical surfaces while protecting all the equipment from solar radiation.
In November 1969 the Westinghouse TV color camera was set on the moon surface during the Apollo 12 mission but was never used due to technical failure after being exposed to the sun. The first color video images were sent from the moon surface, taken through the Angenieux 6x25mm zoom, in January 1971 during Apollo 14
Most recent headlines
06/10/2025
France T l visions, France's leading broadcaster, has received the 2025 EBU ...
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
30/08/2025
WASHINGTON The Federal Communications Commission has adopted its FY 2025 Regulatory Fees Order that establishes the regulatory fee rates for the broadcast stati...
29/08/2025
Australian Red Cross and SBS launch training to help workplaces in the fight aga...
29/08/2025
The National Film and Video Foundation (NFVF), an agency of the Department of Sp...
29/08/2025
L3Harris Technologies has concentrated decades of expertise across the entire enterprise to develop affordable and reliable best-of-breed solutions to rapidly c...
29/08/2025
BURBANK, Calif. The CW Network and the Pac-12 Conference have announced a new media rights deal that will extend their broadcast partnership beginning with the ...
29/08/2025
NEW YORK Gracenote has released a new analysis of its global video dataset showing that the number of FAST channels grew nearly 14% from Q1 2025 and 76% since 2...
29/08/2025
SAN JOSE, Calif. Harmonic has announced a series of improvements to its live sports streaming solution that the company said will improve fan engagement, protec...
29/08/2025
NEW YORK and LOS ANGELES Fox Corp. and YouTube TV last night announced a renewal of the full portfolio of Fox networks, including Fox News Channel, Fox Business...
29/08/2025
Budapest, Hungary, August 2025 - The integration of Microsoft Teams Rooms (MTR) with Lightware's Taurus universal matrix switchers delivers a new level of f...
29/08/2025
Frequency, the engine behind many of the world's best-known streaming television channels, today announced it will launch Studio Live, a next-generation uni...
29/08/2025
In an era when AI and cyber resilience are essential, Scality will mark the 10th anniversary of Scality Day on October 16, 2025 in Paris. This flagship global e...
29/08/2025
Disguise's In-House Creative and Technical Teams Pre-Visualised, Programmed and Delivered Content for the Experience, All Powered by EX 3+
Technology solu...
29/08/2025
Disguise will be demonstrating the latest workflows for TV, film and live events on a number of partner booths at the show
Disguise, the industry-leading tech...
29/08/2025
STOCKHOLM, Sweden Accedo will showcase Accedo Compose, its AI agent-powered modular orchestration layer that assists streaming providers in transitioning client...
29/08/2025
LOS ANGELES Cineverse has announced that it is working with Xperi to bring four of its streaming channels to automobiles for the first time as part of the DTS A...
29/08/2025
DALLAS & ATLANTA Gray Media has announced an agreement with the sports streaming service Victory+ to simulcast 17 Dallas Stars NHL games in 15 television market...
29/08/2025
NEW YORK AND CULVER CITY Comcast NBCUniversal and Amazon have announced new and extended distribution agreements that will expand the content available on their...
29/08/2025
FOOTHILL RANCH, Calif. RED Digital Cinema will feature its Cine-Broadcast Module supporting live broadcast workflows during IBC2025, Sept. 12-15, at the RAI Ams...
29/08/2025
29 Aug 2025
Kyivstar Rings Opening Bell at Nasdaq Marking Landmark Listing and ...
29/08/2025
More than half of all NFL games live on Sky for the first timeFriday 29 August 2025
Sky Sports has announced a new three-year deal with the NFL, extending its ...
29/08/2025
Back to All News
RIV4LRIES: The Trailer of the New Series With Samuele Carrino ...
29/08/2025
Get ready for an inspiring and emotional insight into the world of competitive Irish dancing with My Story: Tomi Champion of the World airing on RT 2 this monda...
29/08/2025
RT has today announced that David McCullagh is to be the new presenter of RT Radio 1's flagship Today programme, which airs every weekday at 10am, replaci...
28/08/2025
By Kristin Feeley, Director, Documentary Film & Artist Programs
If you want to tell untold stories, if you want to give voice to the voiceless, you've got ...
28/08/2025
Directed by Steven Bognar and Julia Reichert, Sundance Institute-supported Amer...
28/08/2025
Corridos have been a cornerstone of M sica Mexicana for generations, telling stories rooted in everyday life. Now, a new chapter is taking shape: motivational c...
28/08/2025
Los corridos han sido un pilar de la M sica Mexicana durante generaciones, contando historias enraizadas en la vida cotidiana. Ahora, un nuevo cap tulo est tom...
28/08/2025
Earlier this month, we promised our Verano Forever party would bring the heat, a...
28/08/2025
L3Harris will provide the Polish F-16V fleet with the Viper Shield electronic warfare system as part of an upgrade program....
28/08/2025
Bilbao, August 26, 2025 - AgileTV, an international television and video technol...
28/08/2025
Ken Wilkinson is an Emmy Awards nominated New York audio engineer who specialises in production sound mixing for film, commercial, episodic and documentary work...
28/08/2025
NEW YORK FuboTV today announced that it will launch Fubo Sports, a skinny bundle that focuses on sports with a subscription price of $56 monthly....
28/08/2025
NEVADA City, Calif. At IBC2025, Sept. 12-15 at the RAI Amsterdam, Telestream will debut its new Global Ingest strategy, introducing a next-generation ingest arc...
28/08/2025
Dr. Rhoda Bernard Releases Groundbreaking Debut Book on Accessible Arts Educatio...
28/08/2025
TAG Video Systems, the leader in software-based IP end-to-end workflow monitoring, deep probing, and real-time visualization, has named Oliver Gappa as Sales Di...
28/08/2025
AI-based voice enhancement will be among a series of innovations making their IBC 2025 debut on the DHD stand B46 in Hall 8 at the RAI Amsterdam Convention Cent...
28/08/2025
Telef nica Servicios Audiovisuales (TSA), the leading system integrator and service provider in the media sector in Spain, with the support of Appear, the globa...
28/08/2025
To fully immerse sailing fans in the world's biggest offshore yacht race, production company, Optical Media turned to LiveU's On-site Production solutio...
28/08/2025
Working with Calrec on its most recent overhaul, radio and television broadcaster, WNED has migrated to a fully IP infrastructure with multiple Type R consoles,...
28/08/2025
Cleeng, the Subscriber Retention Management (SRM ) inventor, has unveiled Cleeng Pro, the first-ever direct-to-consumer (D2C) subscription management platform t...
28/08/2025
Zixi, the industry leader in live broadcast-quality video over IP, today announced that French media distribution platform OKAST has selected Zixi to enable rel...
28/08/2025
Solution offers a streamlined, speaker-free architecture to optimize integration with premium external loudspeakers and advanced loudness metering
Nixer Pro Au...
28/08/2025
Cinegy, the premier provider of software-defined television technology, has announced a strategic partnership with Vision One Touch Film Production Services L.L...
28/08/2025
Telestream, a global leader in media workflow technologies, will debut its new Global Ingest strategy at IBC2025, introducing a next-generation ingest architect...
28/08/2025
Tier 1 operator selects Broadpeak to power high-performance, unified CDN solution across Norway, Sweden and Finland
Broadpeak, a leader in streaming and moneti...
28/08/2025
Leading video software provider, Synamedia, today announced that 24 Frames Digital, one of India's leading live event streaming service providers, has chose...
28/08/2025
Meet VisualOn at IBC2025: See What's Next in AI-Powered Video Streaming Join VisualOn at IBC2025 and discover how our AI-driven Optimizer and advanced media...