Blue & Malone, Detectives imaginaries, animation and real image at the Goya Awards 193 planos, 25 mil fotogramas y 100 mil horas de render son algunas de las cifras que dan idea de las dimensiones de este proyecto que integra personajes 3D en fondos reales y que ha llevado cuatro a os a os de trabajo.
Blue & Malone, Detectives Imaginarios ya es finalista a los 28 Premios Goya de la Academia de Cine, y su valor diferencial para alzarse con el galard n al Mejor Corto de Animaci n es la integraci n en imagen real. Esta combinaci n de 3D y 2D con imagen real es lo que ha hecho que esta producci n de El Viaje Imposible P.C. haya logrado en menos de un a o, 6 premios y 50 selecciones en festivales de todo el mundo, incluyendo Jap n (24th Yubari International Fantastic Film Festival) , un mercado de dif cil acceso en cuanto a animaci n se refiere.
Un total de 193 planos, 25.000 fotogramas y 100.000 horas de render son algunas de las cifras que han alcanzado estos innovadores productores al integrar personajes 3D en fondos reales. Para concluir este trabajo de cuatro a os en el que colaboraron 184 profesionales de 17 pa ses, Blue & Malone se convirti en el primer corto espa ol financiado a trav s del crowdfunding.
Next Limit collaboration and SGO
Adem s, encontr importantes apoyos de empresas punteras en nuevas tecnolog as, partners como Next Limit que, con xitos a sus espaldas como The impossible o Ice Age, aportaron su software y ayudaron con la simulaci n de las secuencias de agua y de la creaci n y movimiento de los m s de 2 millones de pelo del personaje de Blue con los softwares Realflow y Maxwell respectivamente, adem s de utilizar una t cnica de superproducciones en la que se capta la luz en el rodaje de una secuencia real para despu s reflejarla de la misma manera sobre los personajes animados.
SummuS and SGO are other companies that have opted for Blue & Malone. La primera, encargada del renderizado de Tadeo Jones, proporcion a El Viaje Imposible las infraestructuras necesarias para finalizar la producci n con la m xima potencia a trav s de la granja de render m s potente en Espa a. La segunda, mediante el software Mistika, utilizado en Star Trek o The Hobbit, se encarg de la postproducci n de Blue & Malone a trav s de un trabajo en tiempo real en el que se compusieron los personajes animados sobre el rodaje de imagen real ajustando todos los detalles para obtener un acabado perfecto.
Testado con xito en salas de cine por miles de personas, ni os y mayores este corto de animaci n cuenta con las voces de Alex O Dogherty Carlos Areces, Juli n L pez y Carolina Noriega. Adem s, est recibiendo apoyos de actores y humoristas como, Juli n L pez, actor conocido por sus papeles en Que se mueran los feos, Con el culo al aire o Muchachada Nui; Ra l Cimas, de Museo Coconut, La Hora Chanante o Tapas, Jos Luis Gil, reconocido actor de doblaje y protagonista de La que se avecina y quien, adem s, participa junto a otro de los colaboradores, Mauro Mu iz en la obra El gran favor o Ernesto Sevilla, quienes interaccionan con los detectives Blue y Malone para solucionar casos imposibles como la verdadera existencia de los Reyes Magos.
El pr ximo paso de Blue & Malone, Detectives Imaginarios es llegar a la gran pantalla con estos divertidos personajes, para lo cual ya cuentan con el apoyo de un importante grupo inversor y con el inter s de una de las principales televisiones del pa s.
El Viaje Imposible Producciones Cinematogr ficas es una productora creada en 2007 que desarrolla proyectos de animaci n en tres dimensiones, tanto para el mercado publicitario o el mbito institucional (The trip to the water for the community of Madrid or The voyage of the paper para el Ministerio de Medio Ambiente) como producci n propia, habiendo realizado, entre otros trabajos Mad & Bad, una serie de animaci n en 3D distribuida en televisi n y plataformas multimedia digitales (tel fonos m viles e Internet).
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Blue & Malone, Detectives imaginaries, animation and real image at the Goya Awards 193 planos, 25 mil fotogramas y 100 mil horas de render son algunas de las cifras que dan idea de las dimensiones de este proyecto que integra personajes 3D en fondos reales y que ha llevado cuatro a os a os de trabajo. 
