Sony Pixel Power calrec Sony

How the BBC used a private 5G network for its Commonwealth Games coverage

18/08/2022

Ian Wagdin, senior technology transfer manager at BBC R&D, talks to TVBEurope about the broadcasters recent deployment of a private 5G network, and the lessons learnt

By Jenny Priestley

Published: August 18, 2022

Ian Wagdin, senior technology transfer manager at BBC R&D, talks to TVBEurope about the broadcaster's recent deployment of a private 5G network, and the lessons learnt

target=_blank title=Share on LinkedIn class=share-linkedin>

During the Commonwealth Games, the BBC tested 5G standalone non-public networks to provide live pictures from the centre of Birmingham.

Ian Wagdin, senior technology transfer manager at BBC R&D, talks to TVBEurope about what happened, and the lessons learnt.

Why did you take the decision to trial using 5G during the Commonwealth Games rather than an event like the Women's Euros? The Commonwealth Games is an ideal event with lots of activity over a long period from a fixed location. We knew we would have the ideal test conditions but also the ability to plan ahead and work with various teams to deliver their requirements. We started thinking about this trial before Christmas and worked with multiple teams both internally and externally to deliver a complex trial.

Had you done any testing before The One Show broadcast? We worked with BT and Vislink/Mobile Viewpoint to test the theory in the labs. We have also done some work on our own NPN in partnership with the University of Strathclyde. Up until now, these have been more focused on low latency applications for radio cameras, rather than the contribution workflow and how you might deploy this type of solution to support newsgathering and colour pieces around a major event. We have also piloted similar projects in partnership with the IBC Accelerators, but all of these have been one-off isolated trials using bespoke technologies and not a multiday deployment using commercial equipment.

The One Show's Richie Anderson live in Birmingham Was that the first time 5G has been used on a non-sport broadcast? We have used the public 5G networks since they became available in 2019, but this is the first time that we have deployed a standalone non-public network of this type. Public networks do provide a step up in the current technology, but they suffer from some limitations in that they are often reliant on 4G cores as well as being used by the public. By deploying the network in this way, we can guarantee quality of service as well as tune the network for greater uplink capabilities. We are also able to tune our coverage area so we can be sure of where our cameras will work and where they may be less reliable.

Who were your partners on the trial, and why did you choose to work with them? The network has been provided by BT Media and Broadcast and the camera encoders by Vislink's Mobile Viewpoint. BT are keen to explore the commercial and regulatory model for this type of solution and Mobile Viewpoint have a long history in bonded networks as well as the Vislink expertise in broadcast radio cameras, which means we could test multiple aspects of the solution.

Were you able to use network slicing? We did not need to deploy network slicing as part of this trial as we only had two devices with a dedicated uplink of 150 Mbps and there would have been no benefit in slicing the network. We are working on other projects that do benefit from slicing both on public and private networks.

How did the trial go, were there any surprises? The trial went better than expected with coverage proving more robust than we had anticipated. We were also able to explore behaviours such as cell hand over and roll over to the public network. As with all experimental technologies we wanted to measure a lot of edge use cases. Mobile networks behave differently from traditional broadcast diversity networks and this led to some issues with cell handover - we are working to better understand how this could be managed.

The BBC's network is in N77 spectrum centred on 4050 MHz, which enables it to tune for better uplink What was the biggest challenge? The biggest challenge with this type of project is to define and keep within scope. We took some conscious decisions to work on areas that had not been tested to date and not replicate previous work that has been done previously. As an industry, we have been very joined up with lots of sharing of outcomes though groups such as 5G MAG and the IBC Accelerators, and we are working with multiple partners to identify what worthwhile tests and trials look like.

Did you have RF backup in case of any problems? As this was an R&D trial, we were clear from the beginning that we were not broadcast critical. The BBC deployed both RF and bonded cellular over the period of the games to support its broadcast requirements.

Do you have plans to test the technology again soon? If so, when and what for? We are working on several 5G projects including the 5G Records project, which we will show on the EBU stand at IBC, as well as on some IBC Accelerator trials that build on what we have learnt from previous years. We also have our own NPN which we would like to use. We have proven the technology but there are some commercial and regulatory issues that need to be better understood to support this type of deployment. We are in close conversations with several broadcasters on how this technology may be deployed in the future.

What do you view as the future of 5G in broadcast production? There are several areas where 5G could benefit production. 5G is an IP based technology and while traditional RF is very well understood, as we move from digital to IP based workflows we want to start to take advantage of this. We want to explore how we may be able to use the backhaul for reverse channels such as camera control, talkback, prompters, tally lights etc, as well as how we can integrate wi
LINK: https://www.tvbeurope.com/media-delivery/how-the-bbc-used-a-private-5g...
See more stories from tvb

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

04/07/2026

Detective Conan: Fallen Angel of the Highway Opens in Dolby Cinemas Across Japan, Presented in Dolby Atmos and Dolby ...

April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...

01/06/2026

Dolby Sets the New Standard for Premium Entertainment at CES 2026

January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026 Throughout the week, Dolby brings to life the latest innovatio...

02/05/2026

Dalet Flex LTS Delivers Smarter Search, Faster Editing, and an AI-Ready Foundation for Modern Media

Dalet, a leading technology and service provider for media-rich organizations, t...

01/05/2026

NBCUniversal's Peacock to Be First Streamer to Integrate Dolby's Full Suite of Premium Picture and Sound Innovations

January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...

20/04/2026

Google Cloud Embraces the Rise of Agentic Production

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Creators Go All in on AI, Niche Content

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

NBC Sports' Jon Miller: Broadcast Is Having a Moment'

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Beyond the Lift and Shift': Cloud Migration's New Mandate

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Virtual Production Finds Its Footing

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Corporate Creators: All Companies Are Media Companies Now

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

IABM Rebrands as the International Association of MediaTech

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

CBS Detroit Debuts New AR/VR Technology-Driven Studio

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Fox Sports Taps Appear X Platform for Remote Production

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

CueScript and Lighting Design Group Expand Customer Oppor...

CueScript and Lighting Design Group Expand Customer Opportunities Through New Partnership Find both companies at 2026 NAB Show in CueScript Booth # C 4720 ...

20/04/2026

Layercake Deepens Bitmovin Integration to Power End-to-En...

[Sydney, NSW, 20 April 2026] - Layercake, the company behind the intelligent media orchestration platform Streamcake, today announced the formalisation of its i...

20/04/2026

FOX Sports selects Appear X Platform for next-generation...

Deployment spans FOX Sports' REMI infrastructure, IP production for a major global soccer event, and its Jewel Events production systems Appear, a global l...

20/04/2026

Pro Sound Effects Launches the Industry's First and Only Native Sound Effects Integration for Avid Media Composer at NAB 2026

Pro Sound Effects Launches the Industry's First and Only Native Sound Effect...

20/04/2026

SBE Elevates Fred Willard to SBE Fellow

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Blackmagic Design Announces Blackmagic Camera for iOS 3.3 Update

Blackmagic Design Announces Blackmagic Camera for iOS 3.3 Update Brie Clayton April 20, 2026 0 Comments New update adds camera control and monitoring ...

20/04/2026

Maxon Announces Free Tools and Mobile Expansion of ZBrush and Cinema 4D

Maxon Announces Free Tools and Mobile Expansion of ZBrush and Cinema 4D Brie Clayton April 20, 2026 0 Comments Cinema 4D brings professional 3D workfl...

20/04/2026

Vizrt AI Keyer kills the green screen and creates virtual scenes in any environment

Vizrt AI Keyer kills the green screen and creates virtual scenes in any environm...

20/04/2026

Register now - Market & Audience Department Ask Me Anything (AMA) Session

Register now - Market & Audience Department Ask Me Anything (AMA) Session 11 February 2026 Screen Australia Head of Market & Audience Rakel Tansley Talking to...

20/04/2026

Screen Australia appoints Tanya Phegan as Narrative Content Head of Development

Screen Australia appoints Tanya Phegan as Narrative Content Head of Development 17 March 2026 Tanya Phegan Screen Australia has today announced the appointmen...

20/04/2026

Applications Open for Skip Ahead 11

Applications Open for Skip Ahead 11 19 March 2026 Past Skip Ahead recipients (L-R): Macfarlane Bros, Rainbow Bop, Lyanna Kea. Screen Australia and YouTube Aus...

20/04/2026

Screen Australia empowers the next games generation, including new creatives from neighbouring disciplines

Screen Australia empowers the next games generation, including new creatives fro...

20/04/2026

Official Co-production Ask Me Anything (AMA) Session

Official Co-production Ask Me Anything (AMA) Session 26 March 2026 Image (L-R): Mix Tape, Michele McDonald, Flower & Flour. Interested in international Co-pro...

20/04/2026

Screen Australia announces Narrative Content funding for 91 projects, including four short films paired with industry mentors

Screen Australia announces Narrative Content funding for 91 projects, including ...

20/04/2026

Production Infrastructure and Capacity Analysis (PICA) pinpoints four key workforce challenges in the Australian screen industry

Production Infrastructure and Capacity Analysis (PICA) pinpoints four key workfo...

20/04/2026

Australians in Film and Screen Australia Announce the 2026 Participants in the Talent Gateway and Global Producers Program

Australians in Film and Screen Australia Announce the 2026 Participants in the T...

20/04/2026

Screen Australia relaunches website with new tools and improved user experience

Screen Australia relaunches website with new tools and improved user experience 16 April 2026 Screen Australia relaunches website Screen Australia has relaun...

20/04/2026

Ikegami Announces VFE-P07D Monocular OLED Viewfinder

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

EVS Launches Choreon Robotic Control Solution

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Ross Video Showcases End-To-End Production Ecosystem at 2026 Nab Show

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Heidi Steffen to Become President of TitanTV

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

NVIDIA and Partners Showcase the Future of AI-Driven Manufacturing at Hannover Messe 2026

Manufacturing is at an inflection point. Across every major industrial economy, ...

20/04/2026

Autonomous AI at Scale: Adobe Agents Unlock Breakthrough Creative Intelligence With NVIDIA and WPP

AI agents are transforming how work gets done across all industries, acceleratin...

19/04/2026

NAB Show 2026 Is Here! Follow All of our Live Coverage!

Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...

19/04/2026

Live From NAB 2026: Grass Valley CEO Jon Wilson on AMPPs Explosive Growth, Hybrid Workflows, and Whats New at the Show

Grass Valley is finding the right balance between its hardware heritage with an ...

19/04/2026

Live From NAB 2026: Oracles Kip Schauer on Why OCI Is Doubling Down on Media, Sports, and Broadcast

Oracle's strategy rests on the foundational strengths of Oracle Cloud Infras...

19/04/2026

Live From NAB 2026: Program Productions Jess Kowatch on Whats New with ProCrewz and the Impact of AI on Crewing

Program Productions, the live sports production industry's leading crewer, i...

19/04/2026

Live From NAB 2026: Aggrekos Joe Scionti on Powering the Super Bowl, PGA Championship, and the Road to the FIFA World Cup

At the 2026 NAB Show in Las Vegas, SVG sat down with Joe Scionti, Account Manage...

19/04/2026

NAB 2026: Evertz to highlight evertz.io XChange for live event management and market switching

Evertz (Booth N817) is set to present new services within its evertz.io platform...

19/04/2026

NAB 2026: Evertz to showcase IPMX-certified NUCLEUS and MMA platforms for AV and ST 2110 integration

Evertz (Booth N817) will showcase its IPMX-certified NUCLEUS platform alongside ...

19/04/2026

NAB 2026: Evertz to showcase ENX media core for hybrid SDI and IP facilities

Evertz (Booth N817) is set to showcase ENX at NAB 2026, a media core platform designed to support hybrid SDI and IP infrastructures in production facilities and...

19/04/2026

NAB 2026: Evertz introduces Studer VistaVUE Touch for broadcast control

Evertz (Booth N817) will introduce Studer VistaVUE Touch at NAB 2026, a control surface designed to integrate audio, video and control workflows within a custom...

19/04/2026

NAB 2026: Evertz highlights X-CALIBER high-density encoding platform for media transport

Evertz (Booth N817) will highlight X-CALIBER at NAB 2026, an encoding and decodi...