Traditional methods of live content production are struggling to keep pace with today s demands due to their reliance on heavy physical infrastructure, which leads to inflexibility in operations and high costs. This traditional approach limits media companies ability to quickly adapt to live event dynamics and capitalize on monetization opportunities as they are constrained by physical onsite infrastructure. These challenges are exacerbated by the shift towards remote work and decentralized production setups, necessitating tools that can handle a diverse range of media formats and enable real-time quality control (QC) and collaboration from any location. As media companies strive to adapt to this evolving landscape, the demand for flexible, cost-effective, and efficient solutions has never been greater. Telestream is set to address these critical challenges head-on with the introduction of Live Capture as a Service, GLIM as a Service, and the enhanced Live Play 2.0 at the upcoming NAB Show in Las Vegas, offering an integrated suite of live products designed to simplify and accelerate live media production workflows.
Simplifying and Accelerating Live Content Ingest with Live Capture as a Service
Capturing live content efficiently and cost-effectively poses significant challenges, with traditional methods proving to be both financially and operationally burdensome. Telestream s Live Capture as a Service addresses these issues head-on by leveraging cloud technology to offer unmatched flexibility and cost efficiency. This service eliminates the need for physical infrastructure, enabling media companies to dynamically scale operations and reduce overhead. Live Capture as a Service offers a new approach to live content ingest, making it more flexible and cost-effective than ever before," highlights Mike Gilson, Chief Product Officer at Telestream. "By moving live capture to the cloud, we re eliminating the traditional barriers of physical infrastructure, allowing media companies to scale their operations dynamically and pay only for what they use. This not only cuts down on overhead but also opens up new possibilities for content capture and monetization, ensuring our customers can take full advantage of live production opportunities without the constraints of hardware investments. It s about providing the freedom to capture more, with less."
Enhancing Visual QC with GLIM as a Service
The rapid review and quality control of media assets, especially in remote and decentralized production setups, present a significant challenge to media companies. GLIM as a Service delivers a cloud-based platform for instant playback and visual QC, facilitating ultra-responsive review cycles as content is produced. Its compatibility with a wide range of cloud storage options ensures effortless remote access, making it an indispensable tool for video professionals. GLIM as a Service is a game-changer for live media production, states Gilson. "It grants instant access to media, enabling real-time QC and collaboration, crucial in today s fast-paced production environments. Compatible with various cloud storage platforms, GLIM as a Service ensures video professionals can effortlessly review content, regardless of their location or the complexity of their storage solutions. This innovation significantly boosts production efficiency and quality, making it an indispensable tool for anyone facing the challenges of modern, collaborative media workflows."
Streamlining Playback with Live Play 2.0
For newsrooms and live studio productions, seamless integration of live, recorded, and archived content is vital. Live Play 2.0 introduces a dynamic playback solution that accelerates access to content and streamlines the assembly and broadcast of news stories. This enhanced platform allows for the swift organization of both new and archived content, supporting rapid story compilation with diverse media elements. By accommodating a broad spectrum of media formats, Live Play 2.0 simplifies the workflow, enabling newsrooms to concentrate on storytelling without being hindered by technical limitations.
In live studio settings, Live Play 2.0 is an indispensable quality control (QC) tool, offering the capability for immediate review of multiple camera feeds. The upcoming new user interface, featuring multi-viewer capabilities, is set for a demonstration at NAB, enhancing content accessibility and real-time QC for broadcasters. While the integration of the ST2110 standard is still under development, slated for completion in the second half of 2024, Live Play 2.0 now includes support for the Advanced Media Protocol (AMP), facilitating seamless integration with third-party Newsroom Control Systems (NCS). This addition underscores Live Play 2.0's commitment to improving today's playback challenges and preparing for the future of IP-based production.
Live Play 2.0 is evolving to meet the immediate and future needs of newsrooms and live studios, says Gilson. "By introducing AMP protocol support and soon showcasing our new UI with multi-viewer capabilities, we're enhancing our platform's integration and quality control features. These developments ensure our clients remain at the forefront of a rapidly changing industry, as we continue to work on incorporating the ST2110 standard for a complete transition to IP-based workflows.
Telestream customers stand to gain unprecedented speed in their live capture workflows so they can adapt to the unprecedented demand for live content in today's media environment. With the introduction of Live Capture as a Service, GLIM as a Service, and the enhanced Live Play 2.0, Telestream is at the forefront of providing solutions that are not only efficient and cost-effective but also robust and flexible enough to meet the needs of a rapidly changing industry. These advancements en
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
15/07/2026
The 2026 FIFA World Cup is a big deal for DAZN, which has distribution rights in three markets: Italy, Spain, and Japan. Each requires a different editorial app...
15/07/2026
As sports-media organizations manage rapidly growing content libraries and incre...
15/07/2026
HBS director of digital Johannes Franken talks SVG Europe through the operation built to serve FIFA World Cup 2026 rights holders remotely from Stratford, east ...
15/07/2026
IBC has unveiled the conference program for IBC2026, with this year's event ...
15/07/2026
Software-defined wideband RF platform supports 96-kHz monitoring, streamlined fr...
15/07/2026
New AI-powered module enables broadcasters and content owners to extract dialogu...
15/07/2026
Weeklong gathering at EBU headquarters will test new IPMX capabilities and expand certified product ecosystem...
15/07/2026
Force Tech has announced the appointment of Bryan Adams, CTS, as Vice President of Integration. Adams will oversee AV and broadcast integration project delivery...
15/07/2026
USA Sports has announced an exclusive English-language agreement with the Bundes...
15/07/2026
ITV Sport's FIFA World Cup 2026 coverage has been produced from one of the m...
15/07/2026
Program will provide professional camera kits, training, and technical support to participating local newsrooms...
15/07/2026
San Francisco church becomes first U.S. deployment of the 2 M/E production switcher...
15/07/2026
Former ESPN and NFL Network executive to advise startup league on media, distribution, technology, and fan engagement...
15/07/2026
The Houston-based RSN is the live-game home of the Astros and Rockets...
15/07/2026
Launched alongside new FreqSoft installer
Designed to bridge the gap between hardware and software, Freqport's FreqInOut FO1 unit provides a simple way ...
15/07/2026
Save up to 55% on software until 23 July 2026
Expressive E have just launched their Summer Offer sale, with discounts of up to 55% now applied across their ...
15/07/2026
Real-time stem-separation tool updated
zplane have recently released a new and improved version of their real-time stem-separation plug-in which they say ma...
15/07/2026
A new benchmark in bass enhancement
Described as a new benchmark in bass enhancement , Baby Audio's latest release has been designed to augment the lo...
15/07/2026
DMC Production's AR 1 and AR 2 units reverse the conventional OB workflow, keeping all production-critical processing at the venue while operators work remo...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
GigaCloud, a leading Ukrainian cloud service provider, and Cubbit, the first geo-distributed cloud storage enabler, today announced a new Business Alliance Part...
15/07/2026
SMPTE, the global society for media professionals, technologists, and engineers, has announced the launch of the SMPTE 110th Anniversary Campaign, a fundraising...
15/07/2026
Studio Technologies, a leading manufacturer of high-quality audio, video, and fiber-optic solutions, unveils the new StudioComm Model 762 Stereo Level Control, ...
15/07/2026
COW Jobs: Producer, Virtual Events - Hybrid, Full Time, Salaried
Brie Clayton July 15, 2026
0 Comments
Producer, Virtual Events (Hybrid | Full-time | ...
15/07/2026
Brazilian media organization builds nationwide CDN with Broadpeak's high-performance software for low-latency streaming and new content distribution service...
15/07/2026
DHD announces a new utility designed to increase the efficiency of its audio mixing systems during initial installation and subsequent configuration.
Anyone w...
15/07/2026
BCNEXXT Brings Next-Generation Vipe to IBC2026, Breaking the 1:1 Channel-to-Server Ratio New innovations liberate broadcasters from legacy playout infrastructur...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Wednesday 15 July 2026
Screeners and press pack now available: Gomorrah: The Or...
15/07/2026
Trinity's Treasures features Ruth Negga, Eleanor McEvoy, and David Norris, a...
15/07/2026
Join geographer Dr Susan Hegarty, Engineer Tim Joyce and Architect Orla Murphy a...
15/07/2026
Home to leading manufacturers, robotics pioneers, infrastructure builders and gaming, of course, Japan is one of the world's centers of AI - building across...
14/07/2026
South end zone videoboard, cloud-based control system will be ready for 2026 football season...
14/07/2026
Redesigned website, enhanced mobile app unify content, ticketing, and personalized fan engagement...
14/07/2026
Agreement spans sponsorship sales, digital monetization, radio production, and new practice facility naming rights...
14/07/2026
Independent league adds 14 regional sports network affiliates, growing distribut...
14/07/2026
New strategy aims to unify competitions, content, fan engagement, and commercial...
14/07/2026
ESPN and Disney+ become exclusive home of PFL events in key international MMA market...
14/07/2026
Gill will oversee engineering, technology, and sports operations across the company's 64 local television stations...
14/07/2026
Submitted by North American Broadcasters Association (NABA)
As broadcasters con...
14/07/2026
Modernized mobile unit combines HOME Apps, mc 56 console, and IP infrastructure ...
14/07/2026
Every match of the 32-team tournament will air across ION and Scripps Sports platforms in English and Spanish...
14/07/2026
FloHockey to stream every game of the annual international tournament under four...
Traditional methods of live content production are struggling to keep pace with today s demands due to their reliance on heavy physical infrastructure, which leads to inflexibility in operations and high costs. This traditional approach limits media companies ability to quickly adapt to live event dynamics and capitalize on monetization opportunities as they are constrained by physical onsite infrastructure. These challenges are exacerbated by the shift towards remote work and decentralized production setups, necessitating tools that can handle a diverse range of media formats and enable real-time quality control (QC) and collaboration from any location. As media companies strive to adapt to this evolving landscape, the demand for flexible, cost-effective, and efficient solutions has never been greater. Telestream is set to address these critical challenges head-on with the introduction of Live Capture as a Service, GLIM as a Service, and the enhanced Live Play 2.0 at the upcoming NAB Show in Las Vegas, offering an integrated suite of live products designed to simplify and accelerate live media production workflows.
