Traditional methods of live content production are struggling to keep pace with today s demands due to their reliance on heavy physical infrastructure, which leads to inflexibility in operations and high costs. This traditional approach limits media companies ability to quickly adapt to live event dynamics and capitalize on monetization opportunities as they are constrained by physical onsite infrastructure. These challenges are exacerbated by the shift towards remote work and decentralized production setups, necessitating tools that can handle a diverse range of media formats and enable real-time quality control (QC) and collaboration from any location. As media companies strive to adapt to this evolving landscape, the demand for flexible, cost-effective, and efficient solutions has never been greater. Telestream is set to address these critical challenges head-on with the introduction of Live Capture as a Service, GLIM as a Service, and the enhanced Live Play 2.0 at the upcoming NAB Show in Las Vegas, offering an integrated suite of live products designed to simplify and accelerate live media production workflows.
Simplifying and Accelerating Live Content Ingest with Live Capture as a Service
Capturing live content efficiently and cost-effectively poses significant challenges, with traditional methods proving to be both financially and operationally burdensome. Telestream s Live Capture as a Service addresses these issues head-on by leveraging cloud technology to offer unmatched flexibility and cost efficiency. This service eliminates the need for physical infrastructure, enabling media companies to dynamically scale operations and reduce overhead. Live Capture as a Service offers a new approach to live content ingest, making it more flexible and cost-effective than ever before," highlights Mike Gilson, Chief Product Officer at Telestream. "By moving live capture to the cloud, we re eliminating the traditional barriers of physical infrastructure, allowing media companies to scale their operations dynamically and pay only for what they use. This not only cuts down on overhead but also opens up new possibilities for content capture and monetization, ensuring our customers can take full advantage of live production opportunities without the constraints of hardware investments. It s about providing the freedom to capture more, with less."
Enhancing Visual QC with GLIM as a Service
The rapid review and quality control of media assets, especially in remote and decentralized production setups, present a significant challenge to media companies. GLIM as a Service delivers a cloud-based platform for instant playback and visual QC, facilitating ultra-responsive review cycles as content is produced. Its compatibility with a wide range of cloud storage options ensures effortless remote access, making it an indispensable tool for video professionals. GLIM as a Service is a game-changer for live media production, states Gilson. "It grants instant access to media, enabling real-time QC and collaboration, crucial in today s fast-paced production environments. Compatible with various cloud storage platforms, GLIM as a Service ensures video professionals can effortlessly review content, regardless of their location or the complexity of their storage solutions. This innovation significantly boosts production efficiency and quality, making it an indispensable tool for anyone facing the challenges of modern, collaborative media workflows."
Streamlining Playback with Live Play 2.0
For newsrooms and live studio productions, seamless integration of live, recorded, and archived content is vital. Live Play 2.0 introduces a dynamic playback solution that accelerates access to content and streamlines the assembly and broadcast of news stories. This enhanced platform allows for the swift organization of both new and archived content, supporting rapid story compilation with diverse media elements. By accommodating a broad spectrum of media formats, Live Play 2.0 simplifies the workflow, enabling newsrooms to concentrate on storytelling without being hindered by technical limitations.
In live studio settings, Live Play 2.0 is an indispensable quality control (QC) tool, offering the capability for immediate review of multiple camera feeds. The upcoming new user interface, featuring multi-viewer capabilities, is set for a demonstration at NAB, enhancing content accessibility and real-time QC for broadcasters. While the integration of the ST2110 standard is still under development, slated for completion in the second half of 2024, Live Play 2.0 now includes support for the Advanced Media Protocol (AMP), facilitating seamless integration with third-party Newsroom Control Systems (NCS). This addition underscores Live Play 2.0's commitment to improving today's playback challenges and preparing for the future of IP-based production.
Live Play 2.0 is evolving to meet the immediate and future needs of newsrooms and live studios, says Gilson. "By introducing AMP protocol support and soon showcasing our new UI with multi-viewer capabilities, we're enhancing our platform's integration and quality control features. These developments ensure our clients remain at the forefront of a rapidly changing industry, as we continue to work on incorporating the ST2110 standard for a complete transition to IP-based workflows.
Telestream customers stand to gain unprecedented speed in their live capture workflows so they can adapt to the unprecedented demand for live content in today's media environment. With the introduction of Live Capture as a Service, GLIM as a Service, and the enhanced Live Play 2.0, Telestream is at the forefront of providing solutions that are not only efficient and cost-effective but also robust and flexible enough to meet the needs of a rapidly changing industry. These advancements en
Most recent headlines
11/12/2025
Dalet, a leading provider of cloud-native, end-to-end media workflow solutions, ...
27/11/2025
LONDON Vizrt has added several AI-driven advanced features offering improved speed, intelligence and accuracy in the newest version of its media asset managemen...
27/11/2025
Prime Video has launched AI-powered video season recaps in a beta version for select English-language Prime Original series in the U.S., a move Amazon is callin...
27/11/2025
27 Nov 2025
GSMA brings M360 Eurasia 2026 to Samarkand in partnership with VEON...
27/11/2025
Tahar Rahim and Izuka Hoyle star in the gripping six-part Sky Original from Acad...
27/11/2025
Thursday 27 November 2025
Sky Arts Reveals the Nation's Greatest Basslines - and Queen Reign Supreme
The UK's most iconic basslines have been revealed...
27/11/2025
Back to All News
Stranger Things 5': Prepare for One Last Adventure With O...
27/11/2025
The media industry has a paradox at its core. It's an industry built on light, color and imagination, yet behind the scenes, it's powered by one of the ...
27/11/2025
Rating reflects rating progress across areas including policies, diversity & inclusion, health & safety and Net Zero leadership
Winchester, UK, 27 November 202...
27/11/2025
What are the industry standards for Retail Media? Kathryn explains that certification is based on the IAB Europe Retail Media Measurement Standards and the IAB ...
27/11/2025
World champion boxer and Irish sporting icon Katie Taylor will be in studio this...
27/11/2025
Roblox, one of the world's most popular online gaming platforms for primary ...
27/11/2025
Black Friday is leveling up. Get ready to score one of the biggest deals of the season - 50% off the first three months of a new GeForce NOW Ultimate membership...
26/11/2025
SVG Sit-Down: Prime Video EP Mike Muriano Previews Massive Black Friday Slate Fe...
26/11/2025
A cinematic snow sculpture at the 1995 Sundance Film Festival. Photo by Randall Michelson...
26/11/2025
Book podcasts are booming. On Spotify, you'll find everything from celebrity book clubs to deep dives with bestselling authors. And in markets where audiobo...
26/11/2025
Mumbai, November 24, 2025: In a first-of-its-kind initiative, JioStar, in collab...
26/11/2025
LONDON Factual content producer ITN Productions has launched a new low-latency IP gallery for news bulletins....
26/11/2025
MIAMI TelevisaUnivision said it struck a new multiyear distribution agreement with YouTube TV that includes distribution of TelevisaUnivision's U.S. network...
26/11/2025
OpenDrives, Inc., a leader in software-defined data storage and data services, today announced the launch of the Atlas Corporate Creative Solution. This new Atl...
26/11/2025
Disguise, the industry-leading company powering the world's biggest live performances, is partnering with pioneering LED wall manufacturer DVS to give atten...
26/11/2025
HighField AI, the pioneer in agentic and multimodal automation for broadcast and media production, today announced the expansion of its global channel partner n...
26/11/2025
As high-stakes Premier League fixtures approach and additional premium content launches, with MONO positioning themselves to dominate Thailand's sports stre...
26/11/2025
Hosting a wide variety of events from high-intensity NHL games to complex live music concerts and major entertainment productions, Montreal's 21,000 capacit...
26/11/2025
Vizrt, the leader in live production technology revolutionizing viewer engagement and experience, releases AI-driven advances focusing on speed, intelligence, a...
26/11/2025
ITN Productions, an award-winning factual content producer, today launched a new low-latency IP gallery for news bulletins. Responsible for delivering a leading...
26/11/2025
Ikegami reports ongoing advances throughout 2025 in developing and delivering coordinated television production solutions that maximize quality, versatility and...
26/11/2025
Following the Nov. 21 blackout of NBCUniversal channels on Fubo, the two sides have traded barbs about their inability to reach a new carriage deal....
26/11/2025
LONDON As TV sports rights become increasingly important for both broadcasters and streamers, Ampere Analysis predicts global investment in the genre will surpa...
26/11/2025
LOS ANGELES Vubiquity said it has achieved the Amazon Web Services (AWS) Media & Entertainment Competency as part of the AWS Partner Network (APN). This designa...
26/11/2025
WASHINGTON The Federal Communications Commission's Enforcement Bureau said it has entered into a consent decree with Comcast calling for the cable company t...
26/11/2025
Berklee Named to the Hollywood Reporters Top Music Schools List The publication highlights the college's screen scoring program, industry partnerships, and ...
26/11/2025
Back to All News
Animated Series Love Through a Prism' Casts New Light on ...
26/11/2025
Back to All News
NALIP Unveils Fifth Cohort of Director Incubator
Social Impact
26 November 2025
United States
Link copied to clipboard
The National Assoc...
26/11/2025
YouView Achieves Greenly Gold Certification for SustainabilityNov 26, 2025
YouView is proud to announce a Gold Certification award from Greenly for our perform...
26/11/2025
Back to All News
Netflix Deepens Partnership with Taiwan's 62nd Golden Hors...
25/11/2025
Tracy Bonareri Onchoke, an investigative journalist from Kenya is the winner of the Thomson Foundation's Young Journalist Award 2025.
The 26-year-old-sele...
25/11/2025
SVG All-Stars: Blayke Scheer, Senior Director, Creative Content, YES NetworkThe Indiana alum has turned storytelling into an artform for more than two decadesBy...
25/11/2025
Op-Ed: With FCC's C-Band Auction on the Horizon, Broadcasters Need Proven, C...
25/11/2025
Analysis: Is Baller League really the future of sport? By Callum McCarthy, Editor-at-Large
Tuesday, November 25, 2025 - 10:10
Print This Story
With KSI on...
25/11/2025
Platinum Whitepaper: The Growth of Broadcast in the World of Major Large Scale E...
25/11/2025
SVG Summit 2025 Preview: SVG Women's Sports WorkshopBy Samantha Gabay
Tuesday, November 25, 2025 - 10:27 am
Print This Story | Subscribe
Story Highlig...
25/11/2025
SVG New Sponsor Spotlight: CacheFly's Matt Levine on the Evolving Role of th...
25/11/2025
Peacock's EA SPORTS Madden NFL Cast Levels Up on Thanksgiving With SkyCam as...
25/11/2025
Mathias Broe attends the 2025 Sundance Film Festival premiere of Sauna at Library Center Theatre. (Photo by Michael Hurcomb/Shutterstock for Sundance Film Fes...
25/11/2025
The best playlists, podcasts, and audiobooks bring a little extra magic to your daily routine. With new features and offerings, Spotify Premium delivers even mo...
25/11/2025
Comprehensive new research confirms what we already knew: Australian music fans love the quality, quantity, and access they have to new and local music on strea...
25/11/2025
Applicable Products
Objectives The purpose of this application note is to give a brief background on 5G (NR) wireless communication an explain the reason a SN...
25/11/2025
Nielsen will now measure both Lionsgate's FAST channel MovieSphere and Movie...
Traditional methods of live content production are struggling to keep pace with today s demands due to their reliance on heavy physical infrastructure, which leads to inflexibility in operations and high costs. This traditional approach limits media companies ability to quickly adapt to live event dynamics and capitalize on monetization opportunities as they are constrained by physical onsite infrastructure. These challenges are exacerbated by the shift towards remote work and decentralized production setups, necessitating tools that can handle a diverse range of media formats and enable real-time quality control (QC) and collaboration from any location. As media companies strive to adapt to this evolving landscape, the demand for flexible, cost-effective, and efficient solutions has never been greater. Telestream is set to address these critical challenges head-on with the introduction of Live Capture as a Service, GLIM as a Service, and the enhanced Live Play 2.0 at the upcoming NAB Show in Las Vegas, offering an integrated suite of live products designed to simplify and accelerate live media production workflows.
