Pixotope, the leading software platform for end-to-end real-time virtual production solutions, is breaking new ground by enabling remote real time virtual production for NEP The Netherlands (NEP), a pioneer in broadcast technology. NEP recently leveraged Pixotope to enable remote camera tracking for the inaugural all-electric speedboat race, the E1 Series. For the E1 series, Pixotope Camera Tracking was deployed on-site in Jeddah, Saudi Arabia, while the graphics engine was situated remotely at NEP headquarters in Hilversum, The Netherlands, 3,500 miles (5,632 km) away. This gave NEP the ability to run the production from their fully-equipped home base studio in Hilversum instead of a cramped OB truck or other temporary on-site setup. "We are incredibly pleased with the outcomes of our collaboration with Pixotope. Their camera tracking solutions allowed us to harness the full potential of remote production, resulting in substantial reductions in on-site crew and equipment," says Daan Zeestraten, Manager of Graphics Operations at NEP The Netherlands. "This not only cut down our travel and logistical expenses but also underscored our commitment to environmental sustainability. Additionally, the streamlined workflow afforded us greater agility in addressing last-minute changes or technical challenges, ensuring a seamless broadcast for the E1 Series." With Pixotope Camera Tracking, NEP was able to embed tracking data within the SDI signal alongside the camera feed. This data was then transmitted to Hilversum via a contribution link. The result was a significantly reduced on-site logistical footprint. As well as lowering costs and enhancing environmental sustainability but also offered a more flexible and responsive production environment. Real Time Remote Virtual Production Becomes a Reality Pixotope addresses the remote workflow challenges typically involved in virtual production, including the need for equipment and technicians on-site near the action and cameras. Issues such as camera tracking complexities, poor integration of graphics engines over IP, SDI signal conversion hardware, latency and hardware licensing are eliminated with Pixotope virtual production solutions. By enabling remote virtual production workflows, we re rewriting the script on how to create immersive experiences in live broadcasting, says Javier Reyes, Technical Product Manager at Pixotope. Instead of rigorous and resource-intensive on-location setups, our customers can now minimize their on-site footprint while increasing flexibility and efficiency. It's a lower barrier to entry that enables the creation of rich, immersive experiences once limited to the confines of a local network. This symbolizes the next phase of virtual production accessibility for the entire broadcast industry. By harnessing the power of markerless through-the-lens (TTL) camera tracking, streamlined signal collection, and advanced graphics infrastructure capable of running on virtual machines, Pixotope makes remote virtual production workflows a reality. Broadcasters can now easily leverage virtual production to create high-quality immersive content remotely while reducing costs, increasing flexibility, optimizing talent and technology. The result is an increased competitive edge that keeps broadcasters bottom line healthy. Pixotope Remote Virtual Production Solutions Pixotope solutions cover the entire virtual production ecosystem from camera and talent tracking to augmented reality (AR) and virtual studio graphics and extended reality (XR) workflows, providing an efficient, flexible, and reliable turnkey solution for remote virtual production. The comprehensive suite of innovative features and workflows is designed to simplify the entire remote production process with purpose-built solutions: Streamlined Camera Operations
De-embedding Tracking Data: Pixotope Graphics has native support for extracting camera tracking data embedded within video inputs, including SDI and SRT inputs, as well as files played back. This ensures frame-accurate playback of clips with live virtual production graphics, addressing synchronization challenges and simplifying the workflow.
Turnkey Camera Tracking Solutions
Pixotope Fly: This Through The Lens (TTL)-based tracking solution enables camera tracking by analyzing the video output from the production drone or cable camera itself. It negates the need for additional sensors or equipment, simplifying setup and reducing costs.
Signal Connector Box (SCB): For situations where Pixotope Fly is not applicable, the SCB aggregates signals from extra sensor cameras and encoders (for zoom and focus) into a single output. This device can be attached to, and powered directly by, production cameras, allowing for the transport of the SCB signal over supported networking infrastructure. This includes over the trunk for cameras with a compatible fiber link.
Simplified Graphics Integration
Virtualized Render Engines and Infrastructure: Pixotope enables the running of all parts of the graphics infrastructure, including render engines, on virtual machines. This flexibility allows for both cloud-based and on-premise deployment, accommodating remote operations seamlessly.
Native Remote Operations: Built to operate in the cloud and on-premise, Pixotope Graphics allows access via web browsers or dedicated desktop applications, facilitating remote and collaborative design workflows.
Native Synchronization: Utilizing Pixotope DataHub and AssetHub, data and user interactions are natively synchronized, supporting hybrid on-site and remote production workflows.
Remote Operations and Flexible Licensing
Remote Desktop Support: Pixotope software supports Remote Desktop functionality, enabling users to log in and operate the system from any location.
Flexible Licensing: Through Pixotope Cloud, camera tracking an
North America Stories
28/01/2026
Top L-R: The Liars, Jazz Infernal, Living with a Visionary
Second Row L-R: Paper Trail, The Baddest Speechwriter of All, Crisis Actor
Third Row: The Boys and ...
28/01/2026
Airlines, cruise and tour operators double down on ad spend as Australians' prioritise travel
Sydney January 28, 2026 - New Nielsen Ad Intel data shows a...
28/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/01/2026
Marshall Electronics launches the CV420-27X, its next-generation ultra-high-definition (UHD) IP camera, at ISE 2026 (Stand 4N900). Engineered for modern IP-base...
28/01/2026
Grass Valley has announced that Television Mobiles Ltd. (TVM), one of Europe's leading independent outside broadcast providers, has carried out a major refu...
28/01/2026
AI, graphics and virtual software power new production capabilities
FOR-A is bringing remarkable new technologies to FOMEX, the Future of Media Exhibition (ex...
28/01/2026
Continuing a longstanding collaboration, Riedel Communications and Nordic media technology company Media Tailor have once again joined forces to deliver a state...
28/01/2026
Pebble has appointed Paul Nagle-Smith as vice president for customer fulfilment, strengthening its senior leadership focus on customer delivery and operational ...
28/01/2026
Cloud playout solutions provider, Veset has announced that leading Mexican broadcaster, TV Azteca is using Veset Nimbus on AWS as a disaster recovery (DR) playo...
28/01/2026
Ensuring it can keep pace with a rapidly evolving live sports market, Balkan broadcast facility provider MVP Most Valuable Production has upgraded its flags...
28/01/2026
Akamai Technologies, Inc. (NASDAQ: AKAM), the cloud solutions provider that powers and protects life online, and Yospace, the leader in dynamic ad insertion tec...
28/01/2026
The renowned Reykjavik City Theatre (RCT) recently underwent a major intercom system upgrade using Clear-Com solutions. This milestone project utilizes Clear-C...
28/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/01/2026
Boston Conservatory Orchestra Premieres a New Piano Concerto by Peter and Leonar...
28/01/2026
Back to All News
The Wait Is Over: Teaser Trailer Drops for Jo Nesbo's Dete...
28/01/2026
Back to All News
Netflix Announces a Fictional Miniseries Inspired by the Marta del Castillo Case
Entertainment
28 January 2026
GlobalSpain
Link copied to ...
28/01/2026
Back to All News
Netflix Announces Santiago Mitres New Film Starring Ver nica L...
28/01/2026
Back to All News
Netflix Unveils the Teaser Trailer for Berlin and the Lady wit...
27/01/2026
L-R: Jonathan Cuchacovich, Sonia Kennebeck, Alan Fischer, Daeil Kim, Andrew Sta...
27/01/2026
Nielsen will continue to drive growth and provide local audience measurement
in...
27/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Pinterest
Bluesky
Email...
27/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Pinterest
Bluesky
Email...
27/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Pinterest
Bluesky
Email...
27/01/2026
Amagi Media Labs Limited, the only cloud-native SaaS provider offering end-to-end solutions across live production, content preparation, distribution, and monet...
27/01/2026
Miri Technologies Inc. today unveiled its V410 live 4K video encoder/decoder for streaming, IP-based production workflows and AV-over-IP distribution. Designed ...
27/01/2026
The Paul E. Tsongas Center at UMass Lowell in Massachusetts has chosen Ikegami cameras for incorporation into its broadcast-quality television production facili...
27/01/2026
SipRadius, specialists in secure, low latency media transport, will show the pro AV community its end-to-end solution for high quality content distribution and ...
27/01/2026
Hiltron will highlight the fruits of its 45-plus years of experience in satellite communications system integration and product development at the annual GovSat...
27/01/2026
Klvr will demonstrate how its Charger Pro solution is delivering cost reduction and performance benefits for live entertainment and pro AV markets at ISE 2026 (...
27/01/2026
Amino, a global media technology leader in enterprise video and digital signage, today announced that its Integrated Systems Europe (ISE) 2026 booth (4N700) wil...
27/01/2026
ANI, India's leading news agency and a major content provider across the Asia Pacific region, today announced a significant expansion of its long standing p...
27/01/2026
Independent analysis confirms faster encoding, lower CPU usage, and improved perceptual quality compared to CBR and CRF
VisualOn, a leader in multimedia playba...
27/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Pinterest
Bluesky
Email...
27/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Pinterest
Bluesky
Email...
27/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Pinterest
Bluesky
Email...
27/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Pinterest
Bluesky
Email...
27/01/2026
Back to All News
That Night Premiering on Netflix March 13
Entertainment
27 January 2026
GlobalSpain
Link copied to clipboard
DOWNLOAD THE KEY ART
DOWNLO...
27/01/2026
Back to All News
Netflix Kicks Off 15-Year Anniversary Celebrations in Brazil W...
27/01/2026
Back to All News
When It Feels Real, Is It Still a Lie? The Art of Sarah' ...
27/01/2026
Back to All News
That Night premiering on Netflix March 13
Entertainment
27 January 2026
GlobalSpain
Link copied to clipboard
DOWNLOAD THE KEY ART
DOWNLO...
27/01/2026
Back to All News
Netflix Revealed the Future of Mexican Stories Coming in 2026
Entertainment
27 January 2026
GlobalMexico
Link copied to clipboard
Among t...
27/01/2026
Back to All News
Four New Japan Titles Announced for 2026: Viral Hit', On...
27/01/2026
Back to All News
What's Next on Netflix from Japan: Expanding the Possibili...
27/01/2026
AI, graphics and virtual software power new production capabilities...
26/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Pinterest
Bluesky
Email...
26/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Pinterest
Bluesky
Email...
Pixotope, the leading software platform for end-to-end real-time virtual production solutions, is breaking new ground by enabling remote real time virtual production for NEP The Netherlands (NEP), a pioneer in broadcast technology. NEP recently leveraged Pixotope to enable remote camera tracking for the inaugural all-electric speedboat race, the E1 Series. For the E1 series, Pixotope Camera Tracking was deployed on-site in Jeddah, Saudi Arabia, while the graphics engine was situated remotely at NEP headquarters in Hilversum, The Netherlands, 3,500 miles (5,632 km) away. This gave NEP the ability to run the production from their fully-equipped home base studio in Hilversum instead of a cramped OB truck or other temporary on-site setup. "We are incredibly pleased with the outcomes of our collaboration with Pixotope. Their camera tracking solutions allowed us to harness the full potential of remote production, resulting in substantial reductions in on-site crew and equipment," says Daan Zeestraten, Manager of Graphics Operations at NEP The Netherlands. "This not only cut down our travel and logistical expenses but also underscored our commitment to environmental sustainability. Additionally, the streamlined workflow afforded us greater agility in addressing last-minute changes or technical challenges, ensuring a seamless broadcast for the E1 Series." With Pixotope Camera Tracking, NEP was able to embed tracking data within the SDI signal alongside the camera feed. This data was then transmitted to Hilversum via a contribution link. The result was a significantly reduced on-site logistical footprint. As well as lowering costs and enhancing environmental sustainability but also offered a more flexible and responsive production environment. Real Time Remote Virtual Production Becomes a Reality Pixotope addresses the remote workflow challenges typically involved in virtual production, including the need for equipment and technicians on-site near the action and cameras. Issues such as camera tracking complexities, poor integration of graphics engines over IP, SDI signal conversion hardware, latency and hardware licensing are eliminated with Pixotope virtual production solutions. By enabling remote virtual production workflows, we re rewriting the script on how to create immersive experiences in live broadcasting, says Javier Reyes, Technical Product Manager at Pixotope. Instead of rigorous and resource-intensive on-location setups, our customers can now minimize their on-site footprint while increasing flexibility and efficiency. It's a lower barrier to entry that enables the creation of rich, immersive experiences once limited to the confines of a local network. This symbolizes the next phase of virtual production accessibility for the entire broadcast industry. By harnessing the power of markerless through-the-lens (TTL) camera tracking, streamlined signal collection, and advanced graphics infrastructure capable of running on virtual machines, Pixotope makes remote virtual production workflows a reality. Broadcasters can now easily leverage virtual production to create high-quality immersive content remotely while reducing costs, increasing flexibility, optimizing talent and technology. The result is an increased competitive edge that keeps broadcasters bottom line healthy. Pixotope Remote Virtual Production Solutions Pixotope solutions cover the entire virtual production ecosystem from camera and talent tracking to augmented reality (AR) and virtual studio graphics and extended reality (XR) workflows, providing an efficient, flexible, and reliable turnkey solution for remote virtual production. The comprehensive suite of innovative features and workflows is designed to simplify the entire remote production process with purpose-built solutions: Streamlined Camera Operations 
