Camera Corps Q takes centre stage at 04 NAB Show

Camera Corps Q3 takes centre stage at 2014 NAB Show 16 Apr 2014

Camera Corps reports a swarm of interest in its new Q3 compact robotic head among television production creatives attending the 2014 National Association of Broadcasters Show in Las Vegas, April 7-10. Five years on from the launch of the multiple-award-winning Q-Ball, Q3 is completely redesigned to offer more features, greater sensitivity and higher image quality.

Q-Ball gave television producers the freedom to place cameras literally anywhere, for daytime or infra-red-illuminated night operation, without having to risk the safety of camera operators or sending the crewing cost into the stratosphere, comments Camera Corps managing director Laurie Frost. Up to 100 remote heads could be operated from a single panel. Q-Ball2 introduced the ability to store presets in non-volatile memory. Q3 adds a raft of refinements including twice the zoom range, a new high-performance imager with nearly double the sensitivity, ultra-smooth pan/tilt/zoom, the ability to intercut with studio cameras, and by popular request a cue light. Q3 can be controlled via a wide range of serial data formats including IP and our own audio-based data system.

Q-Ball was easy to install, operate and de-rig, making it very popular for outside broadcasts, stage productions and reality shows as well as our own work at major international sports events such as the Olympics, adds technical director Jim Daniels. Q3 takes that simplicity to a new level by allowing control data, genlock, power and return HD-SDI to be sent over a pair of single-mode fibers using an optional built-in fiber card. Q3 retains the compact spherical housing which made Q-Ball unobtrusive and therefore easy to place within view of other cameras. Q3 is just a few millimeters greater in diameter than the original DVD-sized Q-Ball. All commonly used HD formats are accommodated, interlaced and progressive, with up to 60 hertz frame rate plus quick. The format can be selected from the operators control panel. An enhanced pan/tilt/zoom drive gives producers the freedom to match the precise acceleration and deceleration of much larger robotic heads when tracking moving performers on-air.

The Camera Corps Q3 can perform an unlimited number of 360 degree lateral rotations, 3 gigabits per second video being transferred over high-quality slip rings to ensure complete freedom from cable-snagging. Pan and tilt speed are adjustable from an ultra-slow 360 degrees in 90 minutes to 90 degrees per second. Motion control sequences of up to 25 seconds duration can be stored to internal non-volatile memory.

Q3 is compatible with all high-definition and intermediate-definition video formats currently in common use, including 1080 or 720 progressive or interlaced at 60, 50, 30, 25 or 24 frames per second. A concurrent PAL/NTSC output is available. Minimum illumination requirement is 0.5 lux (color mode) or 0.02 lux (monochrome). Camera alignment features include gamma correction, white balance, 16-step edge enhancement and a 2 second to 1/10,000 second shutter. A genlock input with user-adjustable sync timing offset is provided. The camera can be locked to external C sync or tri-level HD sync. An optional optical-interface provides data control, genlock and 3 gigabits per second video over a pair of single-mode fibers.

Fully compatible with all existing Camera Corps control systems, the Q3 robotic pan/tilt/zoom/focus head is deliverable now.

Camera Corps

A Vitec Group company, Camera Corps (www.cameracorps.co.uk) specialises in providing high-volume support services for reality television programs as well as very large-scale sports and stage events worldwide. Based on the site of the former Brooklands motor-racing circuit near London's Heathrow airport, Camera Corps has achieved a pre-eminent reputation for its ability to acquire exciting and unusual television content from exceptionally challenging environments.

The Camera Corps equipment fleet encompasses HotShots, MiniShots and array of remote specialist cameras and lenses, remote underwater systems, cranes, platforms and dollies. Equipment of Camera Corps own design includes the iconic Q-Ball, and Q-Ball Preset, and RF Q-Ball, as well as bespoke builds such as Pop-Up Ice-Cam. Baseball Base Cam, Archery Cam, Underwater Remote Cam, Slalom Pole Cam, Helmet Cam and Body Cam.

Following the March 2014 acquisition of the Special Cameras division of SIS LIVE (formerly BBC Special Cameras Division), the Camera Corps inventory now includes world-leading systems such as Halibut HD, Plunge Cam, HD Pod, and HD Stump Cam and Turn Cam plus a wide range of miniature devices such a wearable cameras with the latest high-performance RF video links.

Follow Camera Corps on http://www.facebook.com/CameraCorpsLtd

Vitec Videocom

Vitec Videocom (www.vitecvideocom.com) brings together some of the most respected, most innovative and most sought-after brands in the industry: Anton/Bauer, Autoscript, Litepanels, OConnor, Petrol Bags, Sachtler, Vinten and Vinten Radamec. It acts as an endorsing brand for these market-leading broadcast, film and pro video products, encouraging multi-brand system sales and simplifying the way that customers worldwide do business.

Vitec Videocom is an operating division within the Vitec Group, an international business serving customers in the broadcast, photographic and military aerospace and government markets. Vitec is based on strong well-known premium brands which its customers rely on worldwide.

Vitec Videocom - innovative products around the camera.

LINK:	http://www.theiabm.org/article.php?group_id=11593...
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