In an effort to keep their members engaged-both in person and at home-an emerging trend among video production departments at houses of worship across the country is the use of handheld cameras and a lot of creative motion in their shots. Some call it the cinematic look.
At Woodside Bible Church, a non-denominational Christian megachurch, based in Troy, Michigan, the team has a different opinion about production values. The visual arts team there recently installed a complete multi-camera robotic camera system from Telemetrics and they are now getting the exact look and feel of the services they are after.
[What some traditionally refer to as the cinematic look] does not reflect our personality as a church, said Alan Lockwood, Visual Arts Director/Live Video Director who leads the church's video and lighting team. It's too fast and jerky. We want to see smooth, solid dynamic motion. So, placing robotic cameras in strategic places throughout the auditorium and on stage has allowed us to get that immersive' look we're after. It helps our church members feel closer to the action on stage and more a part of the service and its message.
Installing a robotic system has been a huge win for us, added Casey Selph, Arts Tech Director at Woodside's Troy campus. We're getting consistent repeatable shots now that a human operator cannot easily get.
Prior to the pandemic, Woodside Church boasted a total weekly attendance of over 9,000 across its 15 locations in the Detroit Metro area, making it the 48th largest church in America. That in-person That in-person number has seen a decline, so the Church decided to prioritize the current livestream and to invest more in its online experience for its three Sunday Services to people's homes and the results have been fantastic.
Beginning in December 2020, they installed a total of six broadcast-quality cameras: four Blackmagic Ursa Mini Pro cameras on Telemetrics PT-HP-S5 Pan/Tilt Heads and two RoboEye HD Pan/Tilt Camera Systems. All are under the control of two Telemetrics RCCP-2A control panels with Studio software that features Telemetrics exclusive reFrame Automatic Shot Correction technology that enables them to program pre-determined shots and automatically keep the pastor and band members on stage in frame at all times. ReFrame uses both facial and object tracking to follow the people on stage at all times and keep them centered in the video frame without a human operator having to touch a camera.
Rounding out the robotic camera control system is a Televator elevating pedestal, which supports the cameras and Pan/Tilt heads, and TeleGlide camera track system mounted on stage to capture the entire devotional experience in panorama or in a highly focused way on a specific person.
The back wall of our auditorium is about 90 feet away from the main stage up front, Lockwood said. We wanted to get the camera closer to the main stage, to give viewers at home a more immersive experience. As if they were sitting in the auditorium. This allowed us to avoid having to rely on zooming the cameras so much. But we also wanted to have them as close to center stage as we could, understanding that we could not block seats in the audience.
We ended up going with the Televator near the center of the auditorium with a couple of robotically controlled cameras, said Selph. This is a custom bar configuration that accommodates three cameras. Two Blackmagic Ursas and a RoboEye in the center.
During each service, the camera control panels are manned by a single person at each location in the church. Because many of the operators are church volunteers, Selph often mans the second panel during more complex services, like those held on holidays, to add more creativity to the service presentation.
Once they get confident in operating the system, we let them try out during a Sunday service. The RCCP-2A panel is very intuitive to learn and our volunteers have been having a lot of fun with it.
The second panel is also used for training new operators, which Selph said has been relatively easy to do (it takes about three hours to train a new person to run the cameras with the panel's dual joysticks and user configurable TeleKeys (shot presets.).
The RCCP-2A's illuminated dynamic graphical TeleKeys automatically change to show options relevant to the operator's task at hand. It's fully customizable dials, levers, and knobs make it easier to operate robotic cameras, elevating columns, and elevating pedestal. Six TeleKeys on the top row of the main button panel automatically present user determined commonly used functions related to the current operation. Another separate group of Hot TeleKeys provide fast access to system parameters for on-the-fly changes and individualized program settings. The RCCP-2A can also easily store and recall specific user preferences to help manage production workflows and streamline camera control operations.
We start them with one camera or two: one camera they are running with a touch screen to run pre-programmed keyframe shots while they're using another or two features, he said, adding that they have about 45 volunteers on the video production team.
Once they get confident in operating the system, we let them try out during a Sunday service. The RCCP-2A panel is very intuitive to learn and our volunteers have been having a lot of fun with it. At least those that express an interest in video production. We've had young and old people learning the system that have done really well and have taken to it pretty naturally.
The two RCCP-2-STS control panels are linked together with a Telemetrics server running Enterprise Database Control Software (EDCS), which allows Selph to sit at any of the two panels-located in separate control rooms within the auditorium-and take cont
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
23/07/2026
Illusionfx is finally coming!
Alex Perea July 23, 2026
0 Comments
The new website is now live to mark the occasion.
Since the last update, feedback h...
23/07/2026
Evergent (5.A86) will showcase its Agentic Revenue Orchestration Platform for streaming services, sports leagues, pay-TV operators at IBC2026 (RAI Amsterdam, 11...
23/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/07/2026
David Dvir, 2D founder (left), Sundeep Reddy (center), and Jean-Marc Bouchut (right), both of Zeiss...
23/07/2026
Screen Australia announces new national documentary accelerator program 23 July 2026
Screen Australia has today announced the Above the Line Documentary Accel...
23/07/2026
RT Commercial today announced Honda as sponsor of Today with David McCullagh RT Radio 1, weekdays 9am 11am.
Broadcasting directly after Morning Ireland in ...
23/07/2026
RT News is pleased to announce Barry Gallagher has been assigned as the new journalist covering news from Cork, Kerry and the wider Southern region
Working al...
23/07/2026
Lock in and load up the cloud. GFN Thursday brings fresh updates and new adventu...
22/07/2026
Among other tweaks to coverage, the broadcaster added announce positions in the ...
22/07/2026
The Australian Sports Technologies Network (ASTN) has reported a sharp acceleration in Australia's sportstech sector, with revenue growth rising from 10% in...
22/07/2026
From a retrofitted broadcast bus to packed Match Day Live! events, Bennett detai...
22/07/2026
TMRW Sports has named Brendan Donohue as President, Flag Football, where he will lead the company's professional flag football business in partnership with ...
22/07/2026
Stephen Arnold Music (SAM) designed and produced soundtracks for nine projection...
22/07/2026
Harmonic has announced a $25,000 donation to Global Empowerment Mission (GEM) fo...
22/07/2026
Telemundo has announced it has acquired from UC3 exclusive U.S. Spanish-language...
22/07/2026
The Rest Is Football, hosted by Gary Lineker, Alan Shearer, and Micah Richards, ...
22/07/2026
Sports Studio has announced a partnership with TheSoul Group to distribute Free ...
22/07/2026
Daktronics has concluded its 2026 High School Video Summit, a two-day hybrid event combining virtual sessions with hands-on host school visits across the countr...
22/07/2026
FOR-A America will exhibit at the MMCA Show in Pensacola, Florida (July 21-24), marking the company's first appearance at the house of worship AV event. FOR...
22/07/2026
The New York Yankees have selected Lumen Technologies (NYSE: LUMN) to connect Ya...
22/07/2026
Calrec will exhibit at IBC 2026 (Stand 8.C47) with demonstrations of its IP-native audio ecosystem built around the Argo console range, and will announce two ne...
22/07/2026
Solid State Logic has announced the appointment of Algam EKO as its distributor for SSL large format consoles in Italy, covering the Live, Broadcast, and Studio...
22/07/2026
FloSports has announced the launch of the FloSports Channel, a free ad-supported streaming channel premiering on Prime Video in the U.S. on July 21. The channel...
22/07/2026
Banana Ball TV (BTV), the broadcast operation of the Savannah Bananas, has insta...
22/07/2026
SiriusXM and Audacy have announced an agreement bringing 42 Audacy sports, news, and talk stations from 29 U.S. markets to SiriusXM. Twenty-three Audacy sports ...
22/07/2026
The collaboration produced more than 500 short-form videos across four cities th...
22/07/2026
At 2,600 sq. ft., the new home of digital content houses a main studio, podcast space, and an auxiliary control room
NFL franchises are accelerating their prod...
22/07/2026
Library now available in Engine Player
Another of Eduardo Tarilonte's popular sample libraries has just been moved over to Engine Audio's Engine Pla...
22/07/2026
All-in-one mic & DSP interface overhauled
Cloudvocal have just refreshed the design of their all-in-one mic, audio interface and DSP processor, introducing ...
22/07/2026
The final boss of the lost dual-op-amp circuit
Electro-Harmonix have just introduced the Deluxe Big Muff Pi 2, which they say offers their latest take on t...
22/07/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Proven managed IP solution helps broadcasters confidently navigate the future of broadcast distribution
LTN announces it has completed successful satellite-to-...
22/07/2026
Today, Chaos announced V-Ray 7, update 4, eliminating the need for asset conversions and tool switching, which slow down media and entertainment pipelines. Arti...
22/07/2026
An AI playground for the Project Indigo camera app
Marc Levoy July 22, 2026
0 Comments
At left is the user interface of our Playground, running on an ...
22/07/2026
Custom Consoles announces the completion of a large technical furniture project for Radio T l vision Suisse (RTS) at the networks recently inaugurated productio...
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Culver City, CA, July 21, 2026 3D streaming infrastructure provider Miris today announced glTF intake, including the binary .glb form, to its spatial streamin...
22/07/2026
Documentary Lo Invisible Captured with Blackmagic PYXIS 6K
Brie Clayton July 21, 2026
0 Comments
Camera's versatile design allowed filmmakers to c...
22/07/2026
AAF Bridge converts AAF and XML Timelines to Ableton Live - and back
Jerome Gardier July 21, 2026
0 Comments
A two-way converter for macOS and Windows...
22/07/2026
From Class to Concert: Explore a Student-Led Production of David Bowies Work Thr...
In an effort to keep their members engaged-both in person and at home-an emerging trend among video production departments at houses of worship across the country is the use of handheld cameras and a lot of creative motion in their shots. Some call it the cinematic look. 
