[Editor's note, we're publishing this Friday Tip on a Wednesday, since we're closed for the holidays on Dec. 24 and 25; a Thursday and a Friday.]
The Friday Tip series started three years ago, and it's been an honor to be part of the family of Studio One enthusiasts. Ultimately, these tips come out of doing projects, and the album I dropped last week was the first one done from start to finish in Studio One. So, I thought you might like to hear what a few of these tips sound like not as isolated SoundCloud examples in a weekly blog, but as integral parts of a musical collection.
The specific examples below include start times, so you don't have to listen aimlessly-just drag the dot on the embedded video to the indicated place on the timeline. But first, let's start with the tips that were used on pretty much everything.
This phrase-by-phrase normalization techniques described in How to Gain Better Vocals and Get Better Vocals with Gain Envelopes were used on every vocal-lead and background-in every song. Most vocals added light limiting, and a few added compression, but these tips were the key to consistent vocals. The appearance of Gain Envelopes in V5 became the icing on the cake.
The Streaming: Limiter2 to the Rescue technique was used when assembling songs in the Project page. If it sounds like the songs have the same perceived level throughout the album that's why! Anything with a fadeout uses the technique described in How to Obtain The Perfect Fadeout, and Why Overlap Correction Is Totally Cool was used on every bass part (they were all MIDI bass).
Now let's listen to some specific examples:
Reverb Chord Progressions? Why Not!
The effect is applied here to cymbals and noise, not reverb, but the principle is the same-and the harmonic tuning provides what sounds like some strange kind of psychedelic organ behind the guitar at 08:18. This same organ effect occurs at 09:06, 09:38, and 10:25 (not to be confused with the obvious Farfisa organ sound). I'll be exploring this off-the-wall harmonic editing application much more in the future it's very cool, and unique to Studio One.
In Praise of Saturation
Saturation (using the Softube Saturation Knob) was crucial on several bass and drum parts to help them cut through busy mixes, or to add drama. Saturation is on bass all the way through three songs; the bass comes in at 00:17, 03:02, and 13:59. It's also on drums all the way through two songs, where the drums enter at 08:25 and 16:58.
Back to the 60s with Preverb
The preverb effect provides the ghostly sort of sound that starts at 12:00 behind the lead vocal, as well as several other places throughout the song.
Synthesize Open Air Impulse Responses in Studio One
It's easy to make your own reverb impulses, and I took advantage of that for lead vocals starting at 03:02, 08:34, 16:09 (the most obvious example), and all vocals (lead/background) starting at 18:50. Custom impulses are also on drums at 16:58, and the Mai Tai organ starting at 19:14.
Create the Barberpole Audio Illusion
I love the way the barberpole effect starting at 12:25 accompanies the moon in the video getting bigger and bigger. The barberpole also uses a custom Open Air impulse with a long reverb time, which enhances the illusion of a tone that never stops rising.
The Best Flanger Plug-In?
This is applied to the entire stereo mix at 12:49 (go big or go home, right?), but it's also applied more subtly to the flanged guitar parts in the same song. And I didn't write a tip about it, but you gotta love that factory preset Mai Tai bell sound
The De-Stresser FX Chain
Yes, even something done in the middle of a pandemic when you just want to de-stress can come in handy. This provides a transition between songs; the first one is at 10:45, and the second at 13:38.
Polyphonic Glide with Any Synth
The steel guitar sound that starts at 21.22 and goes through to the end is actually a synthesizer that uses this technique.
Blues Harmonica FX Chain
This doesn't dial up the gritty blues sound as much as on my 2017 album Simplicity, but it does make the harmonica at 03:52 and 0 4:52 sound a little less wholesome. This is a good thing.
Virtual Nashville Tuning
Although I converted a guitar to Nashville tuning to replace the faux part, it didn't sound quite right so I mixed some of the virtual Nashville tuning part back in at 17:02 and 17:55. It's the kind of effect you don't notice until you take it out.
Varispeed-Type Formant Changes
This was used most prominently at 07:20, on the background vocals by the Nashville QTs. The goal was to create a sound like there were more people singing, but without using time-based effects.
Tremolo: Why Be Normal?
Three hand percussion parts, processed as described in the tip, kick in at 06:04, and again at 06:40, after a brief drum solo. The odd thing about this technique is the percussion sounds like what percussion should sound like but if you take out the tremolos and have the parts going all the time, they sound repetitive. (Oh, and I think you'll recognize what's providing much of the video background )
Tempo Changes for Already Mixed Songs-Reloaded
When doing a mostly continuous mix, you're bound to have beats that don't quite match up. This technique was used in the two segues that start at 02:29 (the guitar carries the transition and speeds up) and 05:02 (the keyboard carries the transition, and slows down).
Of course there were plenty of other workflow and FX Chain-based tips used throughout, but I think these are arguably the most interesting ones. I'm looking forward to seeing what PreSonus comes up with in 2021 as we work our way through a new year. Stay healthy, stay optimistic-and keep making music! As Quincy Jones says, it's food for the soul.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
09/10/2026
September 10 2026, 06:00 (PDT) Dolby Expands Dolby OptiView Platform with New Capabilities at IBC 2026
New Sports Intelligence helps providers better unders...
08/10/2026
Modern venues have come a long way since the tinny, echoing audio of the mid 20t...
08/10/2026
ESPN's first Super Bowl production will stream in English and Spanish on Disney+, while the ESPN App carries the full slate of game, ManningCast, studio, an...
08/10/2026
From high-school videoboards to War Eagle Productions, the Opelika native is learning how to lead shows and capture big moments
The future of live sports produ...
08/10/2026
The Television Academy and Prime Video have announced a six-year agreement making Prime Video the exclusive global home of the Emmy Awards beginning with the 20...
08/10/2026
Techex will exhibit at NAB Show New York 2026 (Booth 623, Javits Center, October...
08/10/2026
X Games has announced the appointment of Steve Rogers as Chief Operating Officer. Rogers previously served as COO of World Supercross and spent nearly a decade ...
08/10/2026
Fonn Group has appointed Trevor Spielmann as Sales Director for Germany, Austria, and Switzerland. Spielmann joins from EVS, where he held sales and business de...
08/10/2026
The flagship program will originate from major PG events with a four-camera production, live distribution across PGTV, social platforms
Perfect Game is bringin...
08/10/2026
Innovation rarely happens in a vacuum. More often, it happens at the point of collision: when worlds that have run on separate tracks begin to converge. That is...
08/10/2026
For decades, the production and broadcast services business has run on a familia...
08/10/2026
Uplynk, Zixi, BroadView Software, and Grass Valley have published The IP Converg...
08/10/2026
The NFL has announced the return of the Big Data Bowl, the league's analytics competition, now in its ninth year and again powered by AWS. Registration is o...
08/10/2026
Eutelsat has renewed its partnership with T l diffusion d'Alg rie (TDA), Algeria's national broadcasting network operator, for continued distribution of...
08/10/2026
Disney will livestream Super Bowl LXI on February 14, 2027, alongside the game's broadcast on ESPN and ABC. All Disney subscribers in the United States wi...
08/10/2026
RHStv and Red House Streaming have announced an expansion of their partnership w...
08/10/2026
Gray Media has announced a distribution agreement with TEGNA and DAZN to simulca...
08/10/2026
SVG readers can save 10% on registration and receive a complimentary Solutions H...
08/10/2026
PROTON Camera Innovations GmbH has been named a recipient of a 2026 Technology a...
08/10/2026
Industry leaders discuss real-world cloud workflows for live game production, pl...
08/10/2026
The next-gen audio technology joins Dolby Vision as part of Apple TV's immersive F1 experience...
08/10/2026
David France, Jesse Short Bull, Mato Wayuhi, N. Bird Runningwater, Jodi Archambau, Jhane Myers, Paul McGuire, Amber Morning Star Byars, Holly Macarro, Nick Tils...
08/10/2026
Dynamic panning plug-ins get an upgrade
Sound Particles have just announced major updates for two of their popular dynamic panning plug-ins. Energy Panner 2...
08/10/2026
New expandable instrument boasts full DMNO engine
UDO Audio have just announced the upcoming release of a new, expandable synth that packs the power of the ...
08/10/2026
Two new subwoofers added to monitoring line-up
ADAM Audio's monitoring range has just been expanded with two new DSP-equipped subwoofers, the Sub8 PRO a...
08/10/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
08/10/2026
Calrec gives broadcasters freedom of choice at NAB Show New York We're looking forward to meeting up with you all at NAB New York on 21st-22nd October.
Cal...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Globecast, a leading provider of broadcast, media and entertainment managed services, will showcase its next generation of media orchestration services at NAB S...
08/10/2026
Clear-Com played a critical role in the production communications infrastructure for Rock in Rio 2026, one of the world's largest and most recognized music...
08/10/2026
Sohonet Launches ClearView Rush: A Leap Forward in Studio Review, Built for Crea...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Ikegami announces a major expansion to its range of broadcast-quality live production cameras. Scheduled for introduction on Ikegami booth 708 at NAB New York, ...
08/10/2026
Calrec will be located at Booth 444.
Freedom to choose
The media landscape is evolving quickly, and the broadcasters best placed for what comes next will be...
08/10/2026
LiveU has announced that CRD Audiovisuel relied on LiveUs LU900Q intelligent production unit, with built-in native LiveU IQ (LIQ ) connectivity, to deliver live...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Marshall Electronics, a globally recognized provider of high-performance video solutions for broadcast, streaming, AV and professional production, will exhibit ...
08/10/2026
14-hour package also includes A Remarkable Place to Die season 2 as well as libr...
[Editor's note, we're publishing this Friday Tip on a Wednesday, since we're closed for the holidays on Dec. 24 and 25; a Thursday and a Friday.]
