
SVG Sit-Down: Blackmagic Design's Dan May Explores Addition of Instant-Replay to Davinci Resolve Solution Feature promises new way to produce replays, add postproduction capabilities By Ken Kerschbaumer, Editorial Director
Monday, May 13, 2024 - 7:00 am
Print This Story | Subscribe
Story Highlights
Blackmagic Design had its usual bevy of new products at NAB 2024, highlighted by a new instant-replay feature within the latest version of its Davinci Resolve solution for editing, color, VFX, motion graphics, and audio. The feature combines the company's HyperDeck studio recorder with Resolve software to open up a new way of producing replays and also layer in postproduction capabilities. Blackmagic Design President Dan May sat down with SVG during the show to discuss the new capabilities.
Blackmagic Design's Dan May: The guy sitting next to the TD is doing replay for the live event while somebody in another country could be doing social media because they're downloading the Resolve files in real time.
Tell us about the new replay system, which seems exciting.
We wanted to figure out how we could make editing faster for news and sports and whatnot within Resolve. Then, it became how do we do multicam editing faster? That would be great to do. With Resolve, we already do live production, so how do we integrate that more? As we started looking at replay solutions where you're kind of doing these basic cuts, we had this epiphany of using Resolve to do replay. Now we can edit faster with Resolve, and we can do replay for a live production.
What makes it different?
We're basically using software on a laptop or a computer in Resolve to do the replay in an all-Blackmagic world. We have an ATEM [Mini switcher] doing the live switching, and we have the iso files being recorded somewhere, whether it is to an internal Blackmagic ISO ATEM or a HyperDeck. The big change for Resolve is, rather than editing finished clips, we're pointing them to folders where the clips are continuously growing because we're still shooting live. It feels like a normal replay, but, because it's Resolve, we can do titles, we can do fusion effects, we can add stingers, we can color-grade. We can do anything we want.
In addition, we can either just push highlights to social media via Resolve directly, or we can push it back out via one of our other boxes, like a multi-studio 4K mini, and then to an ATEM, which would do the actual replay in the live event. It's kind of an la carte approach to start doing cool things: the guy sitting next to the TD is doing replay for the live event while somebody in another country could be doing social media because they're downloading the Resolve files in real time. It's really powerful and is much different from buying just a replay box.
How can people access the Replay feature?
Resolve 19 is in beta, so people can download it, start playing with the software, and then put some multicam clips down to see how they would be doing replay. You could literally just buy an ATEM Mini Extreme ISO that has internal recording in H.264, and you can start playing with replay. It's not a tremendous investment for somebody serious about looking at our replay solution to say, What do I need to do to start testing this and start working with it?
And how can it improve postproduction?
It helps with post because all of the isos are in a Resolve project and ready to go for post. It's part of our constant evolution to solve problems and take advantage of the technologies we have, whether it is acquisition, live production, or postproduction. How can we use these tools to benefit customers in a way that maybe another company, which is all-live or all-post, can't? Being able to combine these technologies and use the strengths of these brands that we've acquired over the years and put them together in a powerful way is a big goal for us.
Can you discuss the physical controller?
It originally started out as a multicam editor, and we had always talked about how to make multicam editing faster and cut between different cameras. Then it became how to get to the end of a clip real fast. We wanted to have enough capabilities so that an operator [accustomed to other systems] can't say they can't use it because it doesn't allow them to work the way they are used to working.
The good news is, we've worked on this for months and months, and the feedback so far has been really good.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
07/05/2026
Two multi-role L3Harris products - the Red Wolf launched effects vehicle and SK...
07/05/2026
L3Harris will be developing key features of a secure and resilient digital infra...
07/05/2026
Alysa Liu and Shohei Ohtani Help Drive Viewership as 91 of the Top 100 Broadcast...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
Cobalt Digital Wins Two Future Best of Show Awards at 2026 NAB Show
Manufacturer Recognized by TV Tech and TVBEurope for Innovation in signal processing
Cobal...
07/05/2026
Software and hardware platforms, AI power and user-friendliness on show...
07/05/2026
Intinor will demonstrate its latest technical enhancements for the Direkt series at BroadcastAsia 2026. With a continued focus on reliable contribution and remo...
07/05/2026
Bitmovin has announced that MUBI has chosen Bitmovin as its cloud VOD encoding partner, replacing MUBI's legacy on premises encoding setup to improve scalab...
07/05/2026
Meet Graduates from Berklees Class of 2026 Members of this years graduating class reflect on their proudest moments at Berklee and look ahead to whats next.
...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
At BroadcastAsia 2026, Interra Systems will demonstrate its latest innovations in automated quality control (QC), real-time monitoring, and captioning. The comp...
07/05/2026
At this year's Broadcast Asia, PlayBox Neo is set to unveil recent innovations across its PlayBox Neo Suite and integrated range of broadcast media solution...
07/05/2026
Strategic three-year partnership marks delivery phase of BFBS' next-generation media vision
Media organisation and military charity BFBS (British Forces Br...
07/05/2026
Amagi, the agentic industry cloud platform for unified broadcast, streaming, and monetization, today announced the availability of its In-Content Ads offering v...
07/05/2026
Lightware Visual Engineering has developed Rack Taurus for rack-based environments such as education and corporate training spaces. It enables clean and simple ...
07/05/2026
Jigsaw24, the UK's leading media equipment supplier and systems integrator, will showcase its expanded end-to-end workflow capabilities at MPTS 2026, signal...
07/05/2026
Ease Live, an Evertz company, today announced that it has been granted a US Patent for its proprietary graphical overlay technology, the foundation for interact...
07/05/2026
Test & measurement innovator Leader Electronics of Europe will present an extensive range of Leader, PHABRIX and LeaderPhabrix test and measurement solutions at...
07/05/2026
At Broadcast Asia 2026 (Stand 5H3 8), LiveU is redefining live production with its most powerful IP-video EcoSystem to date built to help broadcasters and con...
07/05/2026
January 8, 2024
Colorfront (colorfront.com), a leader in high-performance, on-s...
07/05/2026
February 9, 2024
Colorfront (colorfront.com), the multi-award-winning pioneer i...
07/05/2026
March 20, 2024
NAB 2024, Las Vegas - Colorfront (colorfront.com), the multi-awa...
07/05/2026
April 1, 2025
CINEMACON, APRIL 1, 2025 - Colorfront (colorfront.com), the multi-award-winning developer of high-performance dailies/transcoding/streaming syste...
07/05/2026
June 15, 2025
Colorfront (colorfront.com), an Academy and Emmy Award-winning de...
07/05/2026
June 15, 2025
Colorfront participated in the ICTA Barcelona Cinema Technology Summit on Sunday, June 15, 2025. Held at The Phenomena Experience, the event feat...
07/05/2026
July 1, 2025
Colorfront (colorfront.com), the multi-award-winning developer of high-performance dailies/transcoding/streaming systems for motion pictures, OTT,...
07/05/2026
July 1, 2025
Passion and dedication will take you places. Come with us on a short trip to the heart of India, where Annapurna Studios is living-up to the inspi...
07/05/2026
July 3, 2025
Colorfront (colorfront.com), the multi-award-winning developer of high-performance dailies/transcoding/streaming systems for motion pictures, OTT,...
07/05/2026
September 1, 2025
IBC 2025, Amsterdam - Colorfront (colorfront.com) - the Acade...
07/05/2026
April 17, 2026
LOS ANGELES - April 17, 2026 - Colorfront today announced Colorf...
07/05/2026
April 23, 2026
NAB 2026, Las Vegas - the Academy and Emmy Award-winning develop...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
Recreating the 1974 Doctor Who Time Tunnel in After Effects
Graham Quince May 6, 2026
0 Comments
The Time Tunnel from Doctor Who titles is one of th...
07/05/2026
Production sound mixer Dirk Sciarrotta has mixed Family Feud for 28 seasons. Thats up to 200 syndicated episodes per year, plus primetime celebrity specials - a...
07/05/2026
As audience expectations have evolved, Owen has stopped trying to hide microphones or excuse amplification. Instead, he treats sound as a fully immersive part o...
07/05/2026
Well known Irish faces pushed to the edge in new series of
Uncharted with Ray G...
07/05/2026
RT will premiere A Traveller Family, a compelling new documentary exploring the...
07/05/2026
Less typing, more tanking.
Faster logins mean more time in the gaming action - and this week provides GeForce NOW members with a smoother path straight into th...
06/05/2026
Gravity Media Chief RF Communications Engineer Glenn Willems uses Wisycom RF over Fiber and wireless solutions across major cycling events and international mar...
06/05/2026
A Sennheiser Spectera module is now available in Bitfocus Companion and Buttons, enabling direct integration of Spectera with the two software platforms. The mo...
06/05/2026
Ted Turner, the visionary media entrepreneur whose appetite for disruption helpe...
06/05/2026
Peacock is going all-in on the beautiful game - streaming all 104 FIFA World Cup...
06/05/2026
New pricing tiers for vocal/dialogue restoration tool
NoiseWorks Audio's AI-powered vocal and dialogue processing plug-in is now available in three diff...