Robe for Melodifestivalen 2021 posted: 19/04/2021 No country takes the ESC more seriously than Sweden. It is one of the most successful competing nations with a total of six victories and the most top five results of the 21st century, with 11!
Enthusiasm for the 2021 Eurovision Song Contest is bursting every disco bubble this year, especially in the wake of last year's first ever cancellation due to - we all know what - as competing countries ramp up the glorious glitz, glamour, drama and pop moments with gusto! Melodifestivalen - Mello' for short - the annual competition to select the Swedish entry is organised by Sveriges Television and is a phenomenon in itself! In recent years, it has been a touring show visiting six key cities, but due to Covid restrictions, this year the six rounds - four heats, the second chance' and the final - were staged in one place, the Annexet arena in Stockholm, part of the Globe complex, and broadcast live on STV1.
It was lit - for the 20th time - by Fredrik Jonsson who utilised 200 Robe moving lights and four RoboSpot systems among other fixtures on the rig.
Taking this fund of experience into account, Fredrik always relishes the challenge of making Mello look fresh, exciting and fun each year and 2021 was no exception offering the rare opportunity to work in what was effectively a very large studio space without an audience, which opened new doors for technical experimentation.
Fredrik once again worked closely with set designer Viktor Brattstrom, another long-term member of the Mello creative team. The two enjoy a great imaginative synergy, and usually start throwing ideas into the mix the previous summer and autumn.
Video content was supplied by Green Wall Designs, another regular collaborator, who had their content wranglers onsite together with a disguise operator.
With a trim height of around 10 metres - and without the limitations of having to tour the rig - the circumstances gave rise to an idea floating around for some time which involved integrating a roof into the set design.
This resulted in shiny black rectangular scenic roof sections being rigged in the upstage / downstage orientation, with lighting trusses filling the gaps in between.
With the 24-metre-wide by 28-metre-deep stage to achieve the desired catwalk / runway perspective, the whole roof system needed a lower trim, so this was set at 4.9 metres from the stage floor, resulting in the fantastic epic cinematic look that they had been dreaming of for some years!
The low trim also meant that any big bulky lights were out, so Fredrik wanted as many compact powerful fixtures as possible on the rig and turned to Robe, choosing MegaPointes and LEDBeam 150s to be at the core of the main lighting system.
The 88 x MegaPointes and 82 x LEDBeam 150s were rigged in triangular-shaped trusses to maintain the linear perspective at the heart of the set concept.
The next challenge was the rear follow spot positions!
For Fredrik, the choice of follow spot fixture was easy - BMFL WashBeams! However, with this design, it was impossible to rig them on the back bars and keep the clean lines due to the larger size of the fixture compared to the LEDBeam 150! After some experimentation, Fredrik opted to use six MegaPointes as his rear follow spots which retained the aesthetic integrity of the rig. These six fixtures were hooked in to the RoboSpot system.
Some applied rigging magic from rental company - and lighting equipment suppliers - Creative Technology Northern Europe's crew combined with short pipes and swivel couplers enabled the LED Beams to sit slightly lower from the trusses so their lenses aligned trim wise with the MegaPointes.
Also on the rig were 27 x Robe BMFL WashBeams utilised for key lights, four of which were the front follow spots, also running on the RoboSpot system.
MegaPointes were the main workhorses for creating all the effects in the stage area. Most of them were in the roof rig, with a few on the flowerbox' set pieces two sets of lights on shelves running US / DS on both sides of the stage
MegaPointes were chosen for their size and weight in conjunction with the many features and huge scope for producing stunning effects. Given the low trim, I needed a good zoom and LOTS of options to give each of the 28 competition songs plus around 20 interval acts a unique and distinctive look, explains Fredrik.
The LEDBeams were rigged in almost identical positions as the two types of fixtures were essentially working in tandem so that alignment was also important.
The LEDBeam has been a favourite of Fredrik's since he started using them a couple of years ago.
It's outstanding bang-for-buck' considering the tiny size, he commented. They create impressive ACL style beam effects, big voluminous washes and can even be used for key lighting at specific times. It's a great little fixture with plenty of tricks up its sleeve . For Mello this year, they were even pixel mapped via the disguise video system!
Fredrik's key light of choice is still the BMFL WashBeam.
For this show, BMFL WashBeams were used as the front follow spots and key lights for the main stage, the B stage and other critical positions like the hosts, etc.
The BMFL WashBeam optical system is amazing! he stated. He loves the big chunky lens and the wonderful texture in the beam that really looks and acts like a real' follow spot when used as key light .
The high CRI of the bulb means it looks great on camera, and to date he's never run out of punch using a BMFL WashBeam as a follow spot and can also drop in cool colour effects during the song - like going red for an emphasis moment - all without any loss in intensity!
I absolutely love them!
Two lighting operators worked alongside Fredrik on the show - Danne Persson and Timo Kauristo - usin
