
Andy Warman, senior vice president of product, Imagine Communications, details how leveraging cloud infrastructure can reduce operational costs and help the planet at the same time!
By Contributor
Published: February 29, 2024
Andy Warman, senior vice president of product, Imagine Communications, details how leveraging cloud infrastructure can reduce operational costs and help the planet at the same time!
target=_blank title=Share on LinkedIn class=share-linkedin>
The public cloud offers media companies new business opportunities and a chance to radically rethink some of the foundational choices in television distribution. At the same time, many media organisations - driven by remote workforces and workflow simplifications - are looking to consolidate broadcast centres or transition to smaller facilities, also enabled by systems modernisation. These two forces are conspiring in a way that has the potential to improve broadcasters' bottom line, while also improving the carbon footprint of the television industry.
Reduction in facilities and infrastructure One lasting effect of the global pandemic is the sea change in workplace presence. Television production and operations teams learned to work remotely, in many cases from home, and the productivity was good. Many media enterprises were already in the process of reducing physical real-estate footprints even before the work-from-home trend, but WFH makes the economics even better - reducing the requirements for in-person office space significantly.
A similar transition has been underway in machine room spaces. As Moore's Law scaling has steadily reduced the size and thermal load of computing and networking equipment, the equipment stack (and related power and cooling) required to produce a finished television channel gets smaller each year. These savings are only realised when operators transition to new equipment, which means the steps of reduction are quite large when they happen. This allows companies, as a byproduct of tech stack modernization, to reclaim and repurpose space once consumed by technology infrastructure - or simply take it off-lease entirely.
Peak demand and steady demand Television production and distribution is a combination of peak demand workloads and steady-state workloads. Linear channel playout is historically a 24/7 operation, requiring a seamless, uninterrupted solution. Resource consumption for these types of channels is predictable with little variation over time. But during high-viewership hours, it can be worthwhile to create multiple versions of channels with different advertising delivered to different viewers in regional or demographic splits - ramping up the resource footprint temporarily. Regional sports and news breakouts also drive up the number of concurrent playlists temporarily, as does systemic redundancy.
Traditionally, technical infrastructures have been built to handle the worst-case demand - even though that demand only materialises a few days a year. This seeming inefficiency (or underutilisation) is often cited in making a case for cloud-based operations as a supplement to on-prem. It is easy to see the potential savings in finding the right mix of on-prem and remote/cloud operations if the technology platform allows a flexible mix of the two technologies.
The goal of most operations teams is to optimise the high-revenue channels with complex advertising and last-moment schedule changes - especially where there is an operational workflow component such as studio and live integration - while using heavily automated, exception-driven (and increasingly cloud-hosted) deployment models for FAST and thematic (non-live) channels.
The cloud is a shared resource - of nearly infinite capacity The public cloud is built and maintained to serve the largest cross-section of potential customers from a vast array of industries, which all have different needs and goals. It is built to be shared, securely, including sharing enormous amounts of network bandwidth. The public cloud is also inherently remote from the users, the content, and the distribution point of view.
The public cloud gets its operating efficiency from scale. Users leverage the cloud provider's dedicated teams who deal with maintenance, system refreshes, security and all the other services that would normally require support from local staff. These cloud provider resources are shared by all users of the cloud platform.
Famously, the public cloud is pay-as-you-use; you do not have to engineer for peak usage - indeed, each day can define a new peak. Being able to use the cloud for peak-demand operations and business continuity means your local plant does not need to dedicate space, power, air conditioning or racks of equipment to the peak demand, but only to the steady-state demand. This provides real, measurable savings in capital, power, and of course real estate.
How much can you save? How much you can save and how much you can reduce your environmental impact by using the cloud will depend on the mix of channels you plan to run there and what you will continue to run on-prem. Some systems are best left running on-prem, while others are well-suited to the cloud. A growing number of users place their high-value linear channels and critical redundancy systems on-prem, but use the cloud for DR, FAST channels, occasional use, and special and live events.
In practice, you should plan for hybrid environments that let you mix on-prem systems and the cloud in a way that works best for your business.
For many users, the greatest benefit of the public cloud is the ability to turn resources on and off as needed. Couple this with the fact that you are effectively outsourcing compute, storage and networking to the provider, and the benefits multiply: the ability to quickly take channels on and off line; a reduct
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
31/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
31/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
31/10/2026
Riedel Communications today announced that live event production company FOH Productions has built a portable camera switching and control flypack that uses Rie...
30/10/2026
A highlight clip goes to air after a person says yes. What would it take to say how often that yes had to be earned?
Andreas EhstandA common design for automat...
30/10/2026
SNF's Chiefs-Seahawks leads the week with 26.3 million, Prime Video's Pa...
30/10/2026
The company aims to be more horizontal and not vertical' in managing sports rights and producing events
GRUP MEDIAPRO has begun charting a new course that...
30/10/2026
Player mics, an in-arena drone, enhanced replay operations, and a full onsite pr...
30/10/2026
By Ramona Flume
Each harvest season brings a sense of renewal and possibility. ...
30/10/2026
(L-R) Peter Dinklage, Alexander Skarsg rd, and Olivia Colman attend the Q&A for Wicker by Eleanor Wilson and Alex Huston Fischer, an official selection of the...
30/10/2026
Creates melodies from wavetables
BangZilla is the new plug-in division of The Audio Programmer, and their debut offering comes in the form of Wave Theory, a...
30/10/2026
30 October - 1 November 2026
This years AES Show is just around the corner, with this year's event marking the annual convention's first appearance ...
30/10/2026
Company launch new digitally controlled analogue hardware
Neve have just entered the world of digitally controlled analogue in style with not one, but four ...
30/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/10/2026
GB Labs Wins Future's Best of Show Award for Core.ONE, Presented by TVBEurope at IBC 2026
GB Labs, a leader in scalable, shared storage solutions, has rec...
30/10/2026
Lightware is introducing GPIO Button control for its Microsoft Teams Rooms on Windows (MTRoW) integration, giving users a simple, one-touch way to switch betwee...
30/10/2026
Lightware has added AVIXA Renewal Units (RUs) to its D sseldorf in-person training program, allowing AV professionals to earn recognized professional developmen...
30/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/10/2026
Creative software developer Foundry today announced Nuke Stage now supports macOS, making the end-to-end virtual production and in-camera visual effects (ICVFX)...
30/10/2026
While science fiction lore tells us that humans will meet extraterrestrial life ...
29/10/2026
Jameis Winston and Willie Colon are among current and former players hosting pro...
29/10/2026
After arriving in Fayetteville with dreams of calling games, the Arkansas native found her passion in the control room, building a promising future in replay an...
29/10/2026
The National Hockey League is taking on a larger role in local game production w...
29/10/2026
Media Links has appointed Mikhail Zavalin Market Development Technical Specialis...
29/10/2026
Gravity Media delivered the live broadcast and media infrastructure for the 2026...
29/10/2026
Rise AV has announced the 23 women selected for the second year of its Elevate program, a six-week management and leadership development course. The cohort incl...
29/10/2026
The F d ration Internationale de l'Automobile (FIA) and Amazon Web Services (AWS) have announced a global partnership under which AWS becomes the Official A...
29/10/2026
Advanced Systems Group (ASG) has appointed Bob Daniel Storage and Workflow Solutions Architect within its Enterprise Storage team. Daniel has more than 30 years...
29/10/2026
FloSports and the Pac-12 Conference have entered a media partnership that will b...
29/10/2026
TSN will launch Film Never Lies Grey Cup Playoffs Watchalong, an altcast hosted by TSN football analyst Luke Willson, for two CFL Grey Cup Playoffs games. Wills...
29/10/2026
For decades, broadcasters have designed production around one rule: build for th...
29/10/2026
Live event production company FOH Productions has built a portable camera switch...
29/10/2026
Gravity Media is marking its 25th year facilitating the host broadcast for the M...
29/10/2026
In-venue and creative video staffers at the professional and collegiate level ha...
29/10/2026
LA28 has named film producer Kathleen Kennedy Head of Ceremonies and Content for the LA28 Olympic and Paralympic Games. Kennedy, an eight-time Academy Award nom...
29/10/2026
In-house local telecasts have added new camera angles, graphics package, and dee...
29/10/2026
In this SVG New Sponsor Spotlight, Jake Blount, EVP, Sales, ICAT Logistics, disc...
29/10/2026
Mastering plug-in treated to ground-up rebuild
With a few plug-in releases now under their belt, Musik Hack have revisited their debut offering and kitted i...
29/10/2026
New modular full-range monitoring system arrives
Following a few weeks of teasers, HEDD Audio have just revealed the latest addition to their high-end monit...
29/10/2026
SGL Carbon LLC ( SGL Carbon ) has received an additional order for the supply of nuclear graphite from X-energy Reactor Company, LLC ( X-energy ) in accordance ...
29/10/2026
Rohde & Schwarz introduces MXO AI Connect for AI-assisted oscilloscope workflows Rohde & Schwarz connects AI assistants to its MXO oscilloscopes through MXO A...
29/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/10/2026
When LinkedIn set out to upgrade meeting spaces across nine APAC cities, the goal was clear: employees needed to walk into rooms in Bangalore, Beijing, Hong Kon...
29/10/2026
Lightware has expanded its LARA (Lightware Advanced Room Automation) Wizard platform with a new Elgato Stream Deck integration, allowing supported Stream Deck d...