The major blockbusters of the summer used Blackmagic technology in its production

The major blockbusters of the summer used Blackmagic technology in its productionThe cameras digital and the solutions Fusion Studio and DaVinci Resolve Studio of Blackmagic made possible some of them titles more blockbuster of the season as the founder , Independence Day, Jason Bourne or X-Men: Apocalypse .

A score of grossing films of this summer were produced with digital cameras manufactured by Blackmagic Design.

Also be employed in its production solutions as Fusion Studio and DaVinci Resolve Studio of the manufacturer Australian. The first led to the creation of special effects and graphic animations, while the tools and applications of the second were oriented to the editing, the grading and the completion of the projects.

Blackmagic products simplified the work of filming and post-production in these films, from the capture of action scenes and car accidents in The Infiltrator and Jason Bourne, composition of images in The founder e Independence Day: counterattack or the grading of the material recorded for Alice through the looking glass or the super production of 20th Century Fox, X-Men: Apocalypse.

The films also involving solutions from Blackmagic include also the initial action sequence in the remake of Ben-Hur shot by Sergei Kozlov, director of photography, where several units of Blackmagic Micro Cinema Camera were used.

He also cinematographer Pedro Luque used the version Pocket Cinema Camera to capture the action in the film scenes Do not breathe. In the film The Infiltrator, Joshua Reis, used three cameras of shock 4K Camera Production units, on the other hand in Jason Bourne, Igor Meglic, filmed the scenes of action with various units Micro Cinema Camera and Pocket Cinema Camera.

In the field of Visual effects, the Blackmagic tools were used on tapes as The founder, where Jeremy Nelson worked the digital compositing with Fusion Studio or in Independence Day: counterattack where Douglas Hans Smith and his team took pictures with the Mini Ursa 4.6K.

Finally, Blue hell was Etalon by Cody Cuellar with DaVinci Resolve Studio, program that also is has employee for the work and color grading digital in multiple films among which are found: Warcraft (etalon by Siggy Ferstl), Alice through the looking glass (Stefan Sonnenfeld), Now you see me (Stephen Nakamura), Swiss Army Man (Sofie Borup) or Me before you (Rob Pizzey), among many others.

Samuel Vazquez Vicente

LINK:	http://www.panoramaaudiovisual.com/en/2016/07/26/the-major-blockbuster...
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