Technicolor refuerza sus servicios de correcci n de color en Hollywood con Baselight X La salida de v deo en Ultra HD, disponible en todos los sistemas Baselight, proporciona una se al de pantalla 4:4:4 de 4K con velocidades de fotogramas de hasta 60p, permitiendo al usuario ver directamente el trabajo 4K en su resoluci n nativa.
Los estudios Technicolor en Hollywood ha ampliado sus servicios de etalonado y correcci n de color con la soluci n Baselight X de Filmlight. Los servicios de clasificaci n de color en HDR est n disponibles en las instalaciones de postproducci n de Technicolor en todo el mundo, pero su centro de Hollywood representa obviamente un importante mercado de producci n de cine y televisi n. Baselight X proporciona una gran potencia y rendimiento para proyectos HDR, junto con una gesti n nica del espacio de color.
HDR no es la nica tecnolog a donde Technicolor es muy activo. En los ltimos a os, el grupo ha hecho un compromiso significativo con el crecimiento de varios formatos de entretenimiento de pr xima generaci n, tales como la estereoscop a en 4K a 120fps, el 8K UHD y otros formatos de visualizaci n personalizados. La arquitectura de Baselight X garantiza que Technicolor puede enfrentarse al reto de trabajar con la m xima resoluci n en todas las etapas del proceso, desde el material original hasta las entregas finales.
Maxine Gervais, supervisora de color de Technicolor, ha trabajado con Baselight durante muchos a os. De las muchas cosas que son importantes para servir mejor a mis clientes, una de ellas es trabajar directamente con archivos RAW de c mara. La capacidad de debayer fr estos archivos en vivo no s lo ahorra tiempo, sino que preserva los detalles de las im genes que se pueden acceder y manipular durante la intermediaci n digital .
La salida de v deo en Ultra HD, disponible en todos los sistemas Baselight de FilmLight, proporciona una se al de pantalla 4:4:4 de 4K con velocidades de fotogramas de hasta 60p, permitiendo al usuario ver el trabajo 4K en su resoluci n nativa. Adem s, Baselight X tambi n incorpora un gran sistema de almacenamiento de alta velocidad que se conecta directamente a los componentes internos del procesamiento de im genes, respondiendo al requisito de Dolby de reproducir la pel cula en 4K a 16 bits con una resoluci n 4096 3112 y almacenar en cach los resultados al mismo tiempo.
A medida que evolucionan las tecnolog as de c maras, se ha vuelto com n que los programas capturen y entreguen archivos RAW de 6K. Y algunas demostraciones se est n moviendo hacia un flujo de trabajo de 4K VFX tambi n. La capacidad de procesamiento y capacidad de almacenamiento adicional de Baselight X es esencial para que pueda trabajar con los archivos m s grandes de hoy, sin sacrificar la reproducci n en tiempo real con una correcci n de color compleja y la composici n que mis clientes esperan , agreg Gervais.
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Technicolor refuerza sus servicios de correcci n de color en Hollywood con Baselight X La salida de v deo en Ultra HD, disponible en todos los sistemas Baselight, proporciona una se al de pantalla 4:4:4 de 4K con velocidades de fotogramas de hasta 60p, permitiendo al usuario ver directamente el trabajo 4K en su resoluci n nativa. 
