
The TV industry is continually facing disruption, especially as more OTT and D2C offerings are launched. This disruption has also created a haven for those intent on streaming illegal content. These modern-day pirates have seemingly endless numbers of services to attack but why has the move to OTT streaming created such rich pickings for them?
Unlike traditional pay-TV services that have one route between provider and end device - the set-top box - the new distribution landscape is a maze of devices and networks spread across the internet; much of which providers cannot control and are finding increasingly difficult to protect. This creates many different potential weak points that pirates can exploit, and we're now seeing not just content being stolen but entire services, the most infamous case being beoutQ's theft of beIN Sports' service.
Consequently, service providers need to rethink their service protection strategies to ensure they're fit for purpose, especially as more and more people are consuming streamed content.
We spoke to Tim Pearson, Senior Director, Product Marketing at NAGRA to find out how it is helping service providers to ensure they have a comprehensive service protection strategy in place that enables them to continue making investments in compelling content.
What are the main challenges for service providers who want to launch or expand their streaming services?
While many traditional pay-TV operators have and understand CAS systems, in part because they can see and control the endpoint device, the growth of OTT and D2C has disrupted many elements of the TV industry, including how it fights piracy. This landscape evolution has brought with it an exponential set of challenges and threats largely due to the increased surface area that operators delivering streaming services have to navigate to deliver their content. These factors make it significantly harder to track and stop pirates from stealing content, and potentially the entire service.
Many providers currently assume that they will be safe if they stick with their existing DRM solutions - and there's no disputing that such technologies do indeed protect the content, but it's the passage of that content across the network that now means that the wider service needs additional protection as the maze through which it travels has pirates lying in wait.
What is the implication for the Operator's business?
This problem gets greater as the service scales, with new threats constantly arising. While some of the largest Tier 1 providers could invest in large scale service protection strategies straight away, it may not be at the top of Tier 2 operators and D2C providers' investment lists.
However, investments made incrementally in direct response to risks identified by an operator makes for a pragmatic rebuttal of illicit consumer behaviour. Looking at these challenges from a business perspective, operators are also starting to become increasingly cognisant of patterns of consumer behaviour - such as where account activity shows a sudden and sustained spike in consumption from multiple devices and locations. This may be a potential warning sign that increased levels of service or content piracy are being evidenced; requiring an increasingly forensic analysis of consumer behaviour patterns - particularly in the current pandemic situation - meaning there is a clear need to ensure that services remain secure and any patterns of pirate behaviour are acted upon to ensure such behaviour isn't continued beyond the end of the lockdown.
How is NAGRA helping service providers to overcome these challenges?
The first step is to create an OTT streaming service protection strategy that captures the types of devices to be secured, the threats expected together with their mitigative actions, a data source for business decisioning and a legal framework through which to take corrective action.
To then support the strategy and to help service providers of all scales combat the piracy threat, NAGRA has created a toolset called Active Streaming Protection. It is designed to give service providers the tools they need to solve their specific business problems. Taking multi-DRM as a baseline, operators can then add additional tools and capabilities as they scale their service - meaning that there are no costly upfront investments in solutions that won't be fully realised until a later date.
Stay tuned for the second instalment in this interview, where Tim discusses some of tools available to operators within Active Streaming Protection and examples of where solutions have been deployed.
Contact us to find out how NAGRA's Active Streaming Protection can help you protect your service.
Most recent headlines
12/12/2025
SVG Summit 2025 Preview: Everything You Need to Know for Next Week's Big Sho...
12/12/2025
Hailey Gates at the Atropia premiere (photo by George Pimentel / Shutterstock for Sundance Film Festival)...
12/12/2025
Last month, Spotify announced a new collaboration with the ATP Tour, the global governing body of men's professional tennis, aimed at bringing the next gene...
12/12/2025
CONWAY, Ark. In a notable example of how the elimination of Federal federal funding is forcing public stations to make massive cuts and changes in the way they...
12/12/2025
Wisycom and DPA Microphones announce the appointment of Ren Moerch as Group Product Director, Wireless, a strategic leadership role that will guide the combine...
12/12/2025
SMPTE , the home of media professionals, technologists, and engineers, in conjuncture with the European Broadcasting Union (EBU) and the Entertainment Technolog...
12/12/2025
Keepit, the vendor-independent, cloud-native data protection provider, today announced a strategic go-to-market relationship in Poland with Ingram Micro, a lead...
12/12/2025
Atomos announced the immediate availability of a new firmware update for its Ninja TX GO and Ninja TX monitor-recorders, unlocking Open Gate 48P RAW recording w...
12/12/2025
Professional Wireless Systems (PWS) once again played a critical role in delivering flawless wireless coordination and support at the 2025 Latin Grammy Awards a...
12/12/2025
The Alliance for IP Media Solutions (AIMS), together with the Video Services Forum (VSF), the Advanced Media Workflow Association (AMWA) and the European Broadc...
12/12/2025
DHD audio will demonstrate the latest additions to its range of digital audio production solutions on Booth 321 in Hall B6 at Hamburg Open 2026. The show will b...
12/12/2025
Chaos today announces the release of V-Ray for Blender, update 2, bringing its award-winning rendering technology to even more Blender users by adding support f...
12/12/2025
Lighting specialist UltraLEDs has launched Precision LED Tape, a high-CRI lighting solution designed specifically for professional film, TV, and studio use.
P...
12/12/2025
Zixi, the Emmy Award-winning leader in live broadcast-quality video over IP, today announced that Roi Sasson has joined the company as Vice President, Engineer...
12/12/2025
BitFire (bitfire.tv), the leader in software-defined live production and IP transmission, today announced a strategic partnership with Appear, a leader in high-...
12/12/2025
LOS ANGELES The Hollywood Professional Association (HPA) today said futurist Robert Tercek, creative technologist Jessie Hughes from Leonardo.AI and Emmy-winnin...
12/12/2025
HUDSON, Mass. BitFire and Appear have struck a strategic partnership aimed at offering broadcasters, sports leagues and streaming platforms a faster, more flexi...
12/12/2025
The broadcast industry is evolving faster than ever. #IPWorkflows #remoteproduction, and next-gen audio systems are reshaping how teams design, deliver, and sca...
12/12/2025
LOS ANGELES The payroll and production accounting platform Wrapbook has announced the acquisition of Cinapse, a modern scheduling platform for film and televisi...
12/12/2025
DEHLI Ross Video has announced that it is expanding and restructuring its commercial and technical teams in the South Asian Association for Regional Cooperation...
12/12/2025
LONDON Following the success of its UK launch in January 2025, Rise AV, the global not-for-profit initiative dedicated to supporting and advancing women in the ...
12/12/2025
SAN FRANCISCO Ad-supported streaming service Tubi next week will launch Matter Casting, a new casting standard that will enable seamless mobile-to-TV viewing di...
12/12/2025
LOS ANGELES The Hollywood Professional Association (HPA) today said futurist Robert Tercek, creative technologist Jessie Hughes from Leonardo.AI and Emmy-winnin...
12/12/2025
Friday 12 December 2025
Ted is back! Seth MacFarlane's live-action comedic ...
12/12/2025
In Las Vegas's T-Mobile Arena, fans of the Golden Knights are getting more than just hockey - they're getting a taste of the future. ADAM, a robot devel...
12/12/2025
Uachtar n na h ireann, Catherine Connolly visited RT Raidi na Gaeltachta's...
12/12/2025
Ireland AM host Eric Roberts has been revealed as the sixth contestant taking to...
12/12/2025
Scripps Research team pioneers an efficient way to stereoselectively add fluorine to drug-like molecules A new method uses a novel catalyst and inexpensive fluo...
11/12/2025
Thomson and the Center for News, Technology and Innovation (CNTI) convened a two-day workshop in Sarajevo bringing together more than 35 journalists, editors, p...
11/12/2025
ESPN's Aims for Spectacular With Heisman Trophy ShowEvent firsts include 1080p HDR production airing on both national broadcast and cableBy Dan Daley, Audio...
11/12/2025
SVG Students To Watch: Frankie Patton, University of ColoradoThe 2025 grad is hitting the ground running as a PA on national broadcastsBy Brandon Costa, Directo...
11/12/2025
SVG Summit 2025 Technology Exhibits Preview, Part 3By SVG Staff
Thursday, December 11, 2025 - 7:24 am
Print This Story | Subscribe
Story Highlights
The 2...
11/12/2025
SVG Sit-Down: What Makes Gen Z, X, and Y Fans Tick? Dave Gavant of WSC Sports Go...
11/12/2025
SVG Summit 2025 Preview: 5G, MXL, Spectrum Loss, and Outerspace on Tap for Tues...
11/12/2025
2025 Sports Broadcasting Hall of Fame: David Levy, Turner Titan and Master of Al...
11/12/2025
SVG Launches Follow the Money' Podcast: Go Inside the Sports Media Biz with...
11/12/2025
A Deep Dive Inside Game Creek Video's Bird and Magic Mobile Units, Home to A...
11/12/2025
How Sound Effects for Monsters Funday Football' Emulated the Sonic Soul of ...
11/12/2025
SVG New Sponsor Spotlight: CSP Mobile Productions' Len Chase on Upgrading Tr...
11/12/2025
Having the right song soundtrack your moves can make all the difference when gam...
11/12/2025
It's been a big year for Taylor Swift. Her highly anticipated album The Life...
11/12/2025
New satellites for the SDA Tranche 1 Tracking program in production at L3Harris&...
11/12/2025
The Meadowlands system, a compact and mobile version of the CCS, uses ground-based radio frequency units to disrupt satellite communications....
11/12/2025
The L3Harris demonstration united tactical communications devices, counter-UAS c...
11/12/2025
Throughout 2025, L3Harris delivered innovative solutions to U.S. and allied warfighters across every domain.
With an unrelenting commitment to excellence, our...
11/12/2025
A Majority of the World's Population (51%) Identify As Soccer Fans
The 2025 MLB postseason notched 58.2 billion viewing minutes, up +24% from the prior y...
11/12/2025
WALTHAM, Mass. Video-over-IP software provider Zixi said Roi Sasson has joined the company as vice president, engineering....
11/12/2025
MOUNTAIN VIEW, Calif. In a move that highlights the growing competition between broadcasters and CTV platforms for local advertising, LG Ad Solutions has announ...
11/12/2025
Boston Conservatory Earns Several Best of Accolades in 2025 Highlights include a faculty Grammy win, a seventh consecutive year on Playbill's list of co...
11/12/2025
RASTATT, Germany Lawo and the Society of Motion Picture and Television Engineers (SMPTE) have partnered to launch the SMPTE ST 2110 Practical Lab, an immersive ...