
--
From Amazon Studios, Late Night, directed by Nisha Ganatra from a screenplay by Mindy Kaling, follows late-night talk show host Katherine Newbury (Emma Thompson) teams up with new writer, Molly Patel (Kaling), to help revitalize the program and her career. The comedy feature, which had its premiere at the 2019 Sundance Film Festival, was shot by cinematographer Matthew Clark (Pitch Perfect 3, Mike and Dave Need Wedding Dates) with the VariCam 35 camera.
Clark got involved with Late Nightthrough Ganatra, whom he had worked with on several projects since they both attended NYU Tisch School of the Arts years before. For Clark, one of the toughest tasks in shooting comedy is to make it look and feel natural for the audience while allowing the space for them to laugh. The visuals has to have some depth to them, but you need to let the actors work things out on screen, he explains. That was a big part for this film knowing the way Nisha likes to work. She's visual but she's also very actor oriented, so one of the things I wanted to do was make our technical footprint as small as possible to give the actors room to work and to find those comic moments.
For Late Night, Clark describes the look as heightened naturalism. He created a look book that contained images from still photographers Gregory Crewdson's artificial reality to Robert Frank's super naturalism images. He also worked with Light Iron colorists Corinne Bogdanowicz in Los Angeles and Sean Dunckley in New York to develop the look during prep. There were three distinct kind of looks we wanted, describes Clark. One was for Catherine's home, which was more elegant with warm tones. The television studio needed to be crisp and clean with more neutral tones and for the writers' room office, the look was more chaotic and business-like with blue or cooler tones.
Late Nightwas shot with the VariCam 35 with a small crew in a short 25-day schedule. During prep, Clark, gaffer Ken Shibata and key grip Tommy Kerwick, Jr. decided that if they went with a traditional lighting and grip package, there would not be enough man power to complete the days since they would be shooting sometimes three to four locations on the same day.
We didn't have the money to put up condors three blocks away with four generators, so we went with the idea of going with the VariCam because of its native 5000 ISO, explains Clark. The camera allowed us to move fast and have a good base when we moved out to those night exteriors and even the night interiors. For example, working with a China ball, we could light an entire room. It's a valuable resource to have if you need to shoot that way and in this instance we did. We were able to get that base and still have time to make it better on top of that, as well as allow for motion in and out of the light.
With the VariCam 35, Clark captured 4K 12-bit 444 AVC Intra files in V-log. With Bogdanowicz, he developed a basic 709 LUT. For any night exterior or interior, Clark utilized the VariCam's native 5000 ISO and for daytime sequences, he captured at native 800 ISO. For lenses, he used 70s era Superspeeds and Ultraspeeds from Panavision, which he feels added warmth and took some of the digital edge off. My ACs, Pedro Corcega and Adriana Brunetto-Lipman, were so on it, explains Clark. When you're shooting with a 100mm lens and you're on your fourth location of the day, people can get pretty tired, but they were always on top of things. Clark occasionally made use of an 11 - 1 Primo zoom, which delivered a similar look to his primes.
Clark and Shibata cut generators out of their lighting package and went with smaller instruments that they could plug into a wall socket or run off a portable Putt-Putt. They mainly lit with small LED lights and an ARRI M18 1.8K open faced lamp. We did it as lo-fi as possible, explains Clark. We had one day where we had a 4K and that was because we had a big window outside this house, and I wanted to light it from outside at night with no lights inside.
Perhaps the most challenging location to light was the writers' room office set, since they were several stories up and there were two half walls that were windows.
Whenever we wanted to have light come from one side, explains Clark, we put up ND 3 and ND 6 hard gels that we'd either stack on one side and then allow the light to come in clean from the other side. It gives you that contrast so instead of getting two sides with a lot of light, you can expose for the outside, open up, and the light is coming in from one side of the building giving you your key light. When we turned around and looked towards those windows then you could move the hard gels to the other side.
For shooting New York City night exteriors, Clark used a China ball for walk-and-talks. New York street lamps used to be orange sodium vapor but now they're changing everything out for these LED street lights that are super bright white and they're hard, reveals Clark. There's no romance about them. That was hard because they would sometimes overpower the 5000 ISO sensitivity and you'd have to figure out how to get something up on that light or when they walk under, you had to swing something out over them. We often picked streets based on the street lights they were going to walk under because we really couldn't fix that in the middle of the night.
At 5000, you see everything so it's about shaping what you see, continues Clark. You can shoot 5000 ISO at night under a street light, so your ratios have to be there. You still have to light it, but you don't have to pull out big instruments to give you a good exposure. It's more about figuring out where you need to be and then shape that exposure.
Proper pre-planning with post made the color grade more effe
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
17/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/07/2026
Foundry Releases SmartRoto for Nuke
Brie Clayton July 17, 2026
0 Comments
Spline-based AI powered plugin accelerates time-consuming rotoscoping, helping...
17/07/2026
A Short Documentary About a Giant Pencil Edited with DaVinci Resolve Studio
Brie Clayton July 17, 2026
0 Comments
SBIFF jury award winner finished fro...
17/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/07/2026
Lightware has published its second voluntary Sustainability Report, showing how energy efficiency, product longevity and responsible material use are increasing...
17/07/2026
Creative software developer Foundry today announced Griptape Enterprise, a new tier of the Griptape AI workflow orchestration platform, extended to meet the str...
17/07/2026
Creative software developer Foundry today announced the availability of SmartRoto, a new AI-powered plugin upgrade for Nuke, NukeX, Nuke Studio, and Nuke Indie ...
17/07/2026
The Final Release of Blackmagic Fairlight Live is Now Available!
Brie Clayton July 16, 2026
0 Comments
Fairlight Live is a new audio mixer designed fo...
17/07/2026
Leveraging All of Entertainment's IP
Andy Marken July 16, 2026
0 Comments
Nobody ever wins the games. Period. There are survivors. There\s no win...
17/07/2026
From intimate acoustic settings to large-scale festival stages, her focus has remained constant: preserving the true natural voice of the violin in every perfor...
17/07/2026
New and returning series, live festival broadcasts, powerful documentaries and major sporting moments headline RT Radio 1's summer schedule
RT Radio 1 is...
17/07/2026
Think of a professional athlete. What separates elite performers is what happens...
17/07/2026
Up For The Match - Live From Croke Park this Saturday at 8pm on RT One and RT ...
17/07/2026
RT Commercial has today announced DiscoverIreland.ie, as sponsor of The Traitor...
16/07/2026
Media organisations with tested plans for new products, services or revenue models can now apply for grants of up to 30,000 through the Business Innovation Syn...
16/07/2026
This recent graduate and Georgia native has turned an early fascination with live production into a growing passion for camera work
In the live-sports-video in...
16/07/2026
TNDV is marking the first anniversary of Aspiration 35, a mobile production truck built around ARRI Alexa 35 Live camera systems. Over its first year, the truck...
16/07/2026
ATSC has completed a major revision to its A/85 Recommended Practice: Techniques...
16/07/2026
FloSports has announced an exclusive global media partnership with CrossFit for the 2026 CrossFit Games, presented by Air National Guard, beginning July 21 in S...
16/07/2026
Sennheiser has released firmware version 1.4 for its Spectera wireless system and announced the Spectera Command Button (Cat. No. 701014). The update adds comma...
16/07/2026
ESPN and the Southwestern Athletic Conference (SWAC) have announced a multi-year...
16/07/2026
Audio-Technica has announced the 20 Series Control Application, a Stream Deck plug-in for compatible Audio-Technica USB microphones. The application is compatib...
16/07/2026
The fifteenth season of The Voice - La plus belle voix on TF1 used four Solid St...
16/07/2026
Gray Media and the Atlanta Hawks have announced a broadcast partnership that wil...
16/07/2026
Season 3 of Netflix's docuseries, which dropped this week, follows Jayden Da...
16/07/2026
The Texas Rangers and Rangers Sports Network presented by Progressive (RSN) have announced BZZR as the new direct-to-consumer distributor for Rangers game broad...
16/07/2026
With England's FIFA World Cup 2026 team getting ready to fly home after losi...
16/07/2026
In a return to Royal Birkdale, the team enjoys partnering with ETP and Gravity M...
16/07/2026
Along with a new studio at Ball Arena, the Colorado-based RSN is working with XR...
16/07/2026
Austria was back at the World Cup for the first time in 28 years, and the team d...
16/07/2026
With 42 RF cameras and high-power radio mics deployed, the spectrum environment ...
16/07/2026
A new benchmark in bass enhancement
Described as a new benchmark in bass enhancement , Baby Audio's latest release has been designed to augment the lo...
16/07/2026
Popular library rebuilt in new Orbita Engine
Other Worlds Evolved is the latest of Zero G's sample libraries to be treated to a ground-up rebuild using ...
16/07/2026
Created in collaboration with A. G. Cook
The newest addition to Native Instruments' software collection introduces a new synth created by A. G. Cook, a ...
16/07/2026
NITV and SBS bring Australians to the heart of Garma
16 July, 2026
Media releases
The Garma Festival returns from 31 July-3 August, with NITV and SBS deliv...
16/07/2026
Rohde & Schwarz supplies conformance test systems to Marquistech for India's...
16/07/2026
June brought stabilization to the television market. Poles spent an average of 3 hours and 36 minutes a day in front of their TV screens exactly the same as i...
16/07/2026
Glensound returns to IBC with a major new addition to its intelligent loudspeaker range, the Greater Divine Supernal studio monitor, alongside recent developmen...
16/07/2026
33 leading exhibitors are taking part in the GREAT Britain and Northern Ireland Pavilions and linked locations across IBC2026 (Amsterdam RAI, 11 14 September)...
16/07/2026
Hitomi Broadcast will introduce Spectra, a new HDR colour verification solution measured in picture, not using VPID, at IBC2026 (Hall 10, Stand A40). Expanding ...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...