--
From Amazon Studios, Late Night, directed by Nisha Ganatra from a screenplay by Mindy Kaling, follows late-night talk show host Katherine Newbury (Emma Thompson) teams up with new writer, Molly Patel (Kaling), to help revitalize the program and her career. The comedy feature, which had its premiere at the 2019 Sundance Film Festival, was shot by cinematographer Matthew Clark (Pitch Perfect 3, Mike and Dave Need Wedding Dates) with the VariCam 35 camera.
Clark got involved with Late Nightthrough Ganatra, whom he had worked with on several projects since they both attended NYU Tisch School of the Arts years before. For Clark, one of the toughest tasks in shooting comedy is to make it look and feel natural for the audience while allowing the space for them to laugh. The visuals has to have some depth to them, but you need to let the actors work things out on screen, he explains. That was a big part for this film knowing the way Nisha likes to work. She's visual but she's also very actor oriented, so one of the things I wanted to do was make our technical footprint as small as possible to give the actors room to work and to find those comic moments.
For Late Night, Clark describes the look as heightened naturalism. He created a look book that contained images from still photographers Gregory Crewdson's artificial reality to Robert Frank's super naturalism images. He also worked with Light Iron colorists Corinne Bogdanowicz in Los Angeles and Sean Dunckley in New York to develop the look during prep. There were three distinct kind of looks we wanted, describes Clark. One was for Catherine's home, which was more elegant with warm tones. The television studio needed to be crisp and clean with more neutral tones and for the writers' room office, the look was more chaotic and business-like with blue or cooler tones.
Late Nightwas shot with the VariCam 35 with a small crew in a short 25-day schedule. During prep, Clark, gaffer Ken Shibata and key grip Tommy Kerwick, Jr. decided that if they went with a traditional lighting and grip package, there would not be enough man power to complete the days since they would be shooting sometimes three to four locations on the same day.
We didn't have the money to put up condors three blocks away with four generators, so we went with the idea of going with the VariCam because of its native 5000 ISO, explains Clark. The camera allowed us to move fast and have a good base when we moved out to those night exteriors and even the night interiors. For example, working with a China ball, we could light an entire room. It's a valuable resource to have if you need to shoot that way and in this instance we did. We were able to get that base and still have time to make it better on top of that, as well as allow for motion in and out of the light.
With the VariCam 35, Clark captured 4K 12-bit 444 AVC Intra files in V-log. With Bogdanowicz, he developed a basic 709 LUT. For any night exterior or interior, Clark utilized the VariCam's native 5000 ISO and for daytime sequences, he captured at native 800 ISO. For lenses, he used 70s era Superspeeds and Ultraspeeds from Panavision, which he feels added warmth and took some of the digital edge off. My ACs, Pedro Corcega and Adriana Brunetto-Lipman, were so on it, explains Clark. When you're shooting with a 100mm lens and you're on your fourth location of the day, people can get pretty tired, but they were always on top of things. Clark occasionally made use of an 11 - 1 Primo zoom, which delivered a similar look to his primes.
Clark and Shibata cut generators out of their lighting package and went with smaller instruments that they could plug into a wall socket or run off a portable Putt-Putt. They mainly lit with small LED lights and an ARRI M18 1.8K open faced lamp. We did it as lo-fi as possible, explains Clark. We had one day where we had a 4K and that was because we had a big window outside this house, and I wanted to light it from outside at night with no lights inside.
Perhaps the most challenging location to light was the writers' room office set, since they were several stories up and there were two half walls that were windows.
Whenever we wanted to have light come from one side, explains Clark, we put up ND 3 and ND 6 hard gels that we'd either stack on one side and then allow the light to come in clean from the other side. It gives you that contrast so instead of getting two sides with a lot of light, you can expose for the outside, open up, and the light is coming in from one side of the building giving you your key light. When we turned around and looked towards those windows then you could move the hard gels to the other side.
For shooting New York City night exteriors, Clark used a China ball for walk-and-talks. New York street lamps used to be orange sodium vapor but now they're changing everything out for these LED street lights that are super bright white and they're hard, reveals Clark. There's no romance about them. That was hard because they would sometimes overpower the 5000 ISO sensitivity and you'd have to figure out how to get something up on that light or when they walk under, you had to swing something out over them. We often picked streets based on the street lights they were going to walk under because we really couldn't fix that in the middle of the night.
At 5000, you see everything so it's about shaping what you see, continues Clark. You can shoot 5000 ISO at night under a street light, so your ratios have to be there. You still have to light it, but you don't have to pull out big instruments to give you a good exposure. It's more about figuring out where you need to be and then shape that exposure.
Proper pre-planning with post made the color grade more effe
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
13/11/2026
The UIM E1 Series wraps its third season this week with the Bombay Sapphire E1 Miami GP, Nov. 11-14, on Biscayne Bay at the Miami Seaplane Base on Watson Island...
13/11/2026
In-venue and creative video staffers at the professional and collegiate level ha...
13/11/2026
Singer-songwriter Benson Boone will headline entertainment for the Discover NHL Winter Classic between the Utah Mammoth and Colorado Avalanche at Rice-Eccles St...
13/11/2026
Blackmagic Design has announced the Blackmagic Ambisonic Microphone, a 7th order ambisonic microphone array that captures spatial audio for immersive video prod...
13/11/2026
SMPTE has announced that The Studio B&H and Riedel Communications will provide the video infrastructure and communications technology for the Solutions Hub at t...
13/11/2026
The Hollywood Professional Association (HPA) has announced the theme and program focus for the 2027 HPA Tech Retreat, which takes place Feb. 14-18, 2027, in La ...
13/11/2026
Football Manager 27 Touch is available on Apple Arcade starting today. The game ...
13/11/2026
MotoGP has announced a two-year media rights agreement with ESPN covering the Un...
13/11/2026
Apple Sports, the free iPhone app, has added the Ultimate Fighting Championship (UFC) to its lineup of supported sports, in time for Saturday's UFC 334. The...
13/11/2026
The NBA and Fanatics Studios, the joint venture between Fanatics and entertainme...
13/11/2026
ESPN held its annual EDGE Innovation Conference last night and offered up an ove...
13/11/2026
Regional sports network gives Ithaca College, SUNY Cortland students a platform to thrive
One of the biggest games in Division III college football will be pla...
13/11/2026
Studer-inspired 500-series PWM compressor unveiled
The HLabs range already includes a couple of Studer-inspired offerings in the form of the PRE169 and EQ16...
13/11/2026
Download Now!
To view the white paper, please enter the following details:
--
First Name* First Name
Company*
Country* Please select your countryA...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Blue Lucy, the workflow orchestration and integration platform for broadcasters, rights owners and localisation companies, today announced an integration with c...
13/11/2026
Krotos announces Black Friday offers on Studio Pro and Studio Max
Brie Clayton November 12, 2026
0 Comments
First-year annual plans start at US$195.99...
13/11/2026
Blackmagic Design Announces Blackmagic Ambisonic Microphone
Brie Clayton November 12, 2026
0 Comments
New 7th order ambisonic microphone with 108 MEMS...
13/11/2026
Meet the Berklee Student Setting Planetary Motion to Music With his compositional platform SoniKosmos, Javier Roqueni aims to make the universe the ultimate i...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , er...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , er...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Amagi, the media industry cloud company, today announced a partnership with Golden Times Media Technology (stock code 920021.BJ), a Beijing-based media and tech...
13/11/2026
CGI (TSX: GIB.A) (NYSE: GIB), one of the largest independent IT and business consulting services firms in the world, together with its Malaysian partner, Cedar ...
13/11/2026
SMPTE, the home for media professionals, technologists and engineers, today announced that The Studio B&H and Riedel Communications will provide the video infra...
13/11/2026
iWedia, a global leader in connected TV software solutions, will present its software-first approach to DRAM optimization at Android TV APAC Summit 2026 in Bang...
13/11/2026
Beginning today, November 13, Apple HomeView is available for purchase at Apple Store locations, on the Apple Store online, and in the Apple Store app in select...
13/11/2026
From pediatric research to smart hospitals, AI is helping care teams spend less time on routine tasks and more time with patients.
Health systems and startups...
12/11/2026
Industry leaders examine how Dynamic Media Facility, Media eXchange Layer, and c...
12/11/2026
The junior Tar Heel is embracing the technical and creative challenges of live production while emerging as a leader and mentor in the control room...
12/11/2026
Gracenote, Nielsen's content intelligence business, has released its fifth a...
12/11/2026
RTL Deutschland will bring the NHL to free-to-air TV in Germany starting Nov. 30...
12/11/2026
Clear-Com supported On Air 2026, a 24-hour student-led broadcast connecting 45 u...
12/11/2026
uniqFEED has opened a Remote Operations Center (ROC) in Madrid, Spain. It is already operational, delivering virtual advertising for LaLiga matches. The ROC is ...
12/11/2026
Disney, ESPN and the NBA will present Dunk the Halls, the third real-time animated NBA game using Sony's Beyond Sports data visualization technology, on Chr...
12/11/2026
Van Wagner has launched Van Wagner RELAY, a digital platform for official athlet...
12/11/2026
Deal brings together two of the industry's most established graphics brands and significantly expands Vizrt's footprint in U.S. sports and regional broa...
12/11/2026
Euro TV Production GmbH of Austria has upgraded its outside broadcast vehicle with Lawo technology. The mc 36 Classic console in service since 2019 was replaced...
12/11/2026
Tagboard has launched Spark Resize, an AI-assisted tool now in beta that takes an existing graphic and produces a new version for a different aspect ratio or sc...
-- 
