--
From Amazon Studios, Late Night, directed by Nisha Ganatra from a screenplay by Mindy Kaling, follows late-night talk show host Katherine Newbury (Emma Thompson) teams up with new writer, Molly Patel (Kaling), to help revitalize the program and her career. The comedy feature, which had its premiere at the 2019 Sundance Film Festival, was shot by cinematographer Matthew Clark (Pitch Perfect 3, Mike and Dave Need Wedding Dates) with the VariCam 35 camera.
Clark got involved with Late Nightthrough Ganatra, whom he had worked with on several projects since they both attended NYU Tisch School of the Arts years before. For Clark, one of the toughest tasks in shooting comedy is to make it look and feel natural for the audience while allowing the space for them to laugh. The visuals has to have some depth to them, but you need to let the actors work things out on screen, he explains. That was a big part for this film knowing the way Nisha likes to work. She's visual but she's also very actor oriented, so one of the things I wanted to do was make our technical footprint as small as possible to give the actors room to work and to find those comic moments.
For Late Night, Clark describes the look as heightened naturalism. He created a look book that contained images from still photographers Gregory Crewdson's artificial reality to Robert Frank's super naturalism images. He also worked with Light Iron colorists Corinne Bogdanowicz in Los Angeles and Sean Dunckley in New York to develop the look during prep. There were three distinct kind of looks we wanted, describes Clark. One was for Catherine's home, which was more elegant with warm tones. The television studio needed to be crisp and clean with more neutral tones and for the writers' room office, the look was more chaotic and business-like with blue or cooler tones.
Late Nightwas shot with the VariCam 35 with a small crew in a short 25-day schedule. During prep, Clark, gaffer Ken Shibata and key grip Tommy Kerwick, Jr. decided that if they went with a traditional lighting and grip package, there would not be enough man power to complete the days since they would be shooting sometimes three to four locations on the same day.
We didn't have the money to put up condors three blocks away with four generators, so we went with the idea of going with the VariCam because of its native 5000 ISO, explains Clark. The camera allowed us to move fast and have a good base when we moved out to those night exteriors and even the night interiors. For example, working with a China ball, we could light an entire room. It's a valuable resource to have if you need to shoot that way and in this instance we did. We were able to get that base and still have time to make it better on top of that, as well as allow for motion in and out of the light.
With the VariCam 35, Clark captured 4K 12-bit 444 AVC Intra files in V-log. With Bogdanowicz, he developed a basic 709 LUT. For any night exterior or interior, Clark utilized the VariCam's native 5000 ISO and for daytime sequences, he captured at native 800 ISO. For lenses, he used 70s era Superspeeds and Ultraspeeds from Panavision, which he feels added warmth and took some of the digital edge off. My ACs, Pedro Corcega and Adriana Brunetto-Lipman, were so on it, explains Clark. When you're shooting with a 100mm lens and you're on your fourth location of the day, people can get pretty tired, but they were always on top of things. Clark occasionally made use of an 11 - 1 Primo zoom, which delivered a similar look to his primes.
Clark and Shibata cut generators out of their lighting package and went with smaller instruments that they could plug into a wall socket or run off a portable Putt-Putt. They mainly lit with small LED lights and an ARRI M18 1.8K open faced lamp. We did it as lo-fi as possible, explains Clark. We had one day where we had a 4K and that was because we had a big window outside this house, and I wanted to light it from outside at night with no lights inside.
Perhaps the most challenging location to light was the writers' room office set, since they were several stories up and there were two half walls that were windows.
Whenever we wanted to have light come from one side, explains Clark, we put up ND 3 and ND 6 hard gels that we'd either stack on one side and then allow the light to come in clean from the other side. It gives you that contrast so instead of getting two sides with a lot of light, you can expose for the outside, open up, and the light is coming in from one side of the building giving you your key light. When we turned around and looked towards those windows then you could move the hard gels to the other side.
For shooting New York City night exteriors, Clark used a China ball for walk-and-talks. New York street lamps used to be orange sodium vapor but now they're changing everything out for these LED street lights that are super bright white and they're hard, reveals Clark. There's no romance about them. That was hard because they would sometimes overpower the 5000 ISO sensitivity and you'd have to figure out how to get something up on that light or when they walk under, you had to swing something out over them. We often picked streets based on the street lights they were going to walk under because we really couldn't fix that in the middle of the night.
At 5000, you see everything so it's about shaping what you see, continues Clark. You can shoot 5000 ISO at night under a street light, so your ratios have to be there. You still have to light it, but you don't have to pull out big instruments to give you a good exposure. It's more about figuring out where you need to be and then shape that exposure.
Proper pre-planning with post made the color grade more effe
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
08/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
Liberty University on why broadcast technology isn't just a technical invest...
08/05/2026
COW Jobs: UGC, On-Camera Video Content
Brie Clayton May 7, 2026
0 Comments
UGC, On-Camera Video Content
April 17, 2026Documentary Editor - US,......
07/05/2026
Journalists reporting on Sudan are working in one of the most complex and fast-m...
07/05/2026
Multi-year partnership positions Victory+ as a free home for Dallas Cowboys orig...
07/05/2026
From sideline reporting to directing and producing, the talented sophomore is building a well-rounded foundation for a career in live sports production
In the ...
07/05/2026
Cobalt Digital has received two Future Best of Show awards at NAB Show 2026. The COBALT blueCORE platform was recognized by TV Tech, and the COBALT PACIFIC ULL-...
07/05/2026
ESPN analyst Mina Kimes will host the televised semifinals and finals of the 202...
07/05/2026
Bitmovin has announced that MUBI, the global film streaming platform, has selected Bitmovin as its cloud VOD encoding partner. Bitmovin's encoding infrastru...
07/05/2026
NBCUniversal Telemundo Enterprises and the U.S. Soccer Federation have announced...
07/05/2026
Angel City Football Club (ACFC) and Victory have announced a regional broadcast partnership bringing live match coverage to fans across the greater Los Angeles...
07/05/2026
Spiideo has announced the launch of AI Highlights inside Spiideo Play, its automated sports production platform. AI Highlights combines video, event data, audio...
07/05/2026
Leostream Corporation has announced a unified remote access ecosystem for high-p...
07/05/2026
The Atlanta Dream has partnered with Victory to stream all locally broadcast Dream games for free, expanding the team's digital distribution strategy and g...
07/05/2026
Riedel Communications has announced the appointment of Marc Engroff as Chief Fin...
07/05/2026
SES and ARD, Germany's largest public broadcasting network, have announced a long-term extension of their satellite distribution partnership through 2039. U...
07/05/2026
UpLight Technologies delivers a flexible video and lighting system for a new televised sportLaunching the Pro Cheer League required more than creating a compell...
07/05/2026
Full Day Productions and GSE Worldwide have announced Spikes Under the Lights, a...
07/05/2026
Seit dem Start im Jahr 2023 hat DJ (Beta) das personalisierte H rerlebnis von 94...
07/05/2026
Da quando stata presentata nel 2023, DJ (beta) ha aiutato a definire un'esperienza d'ascolto pi personalizzata per 94 milioni di utenti Spotify Premi...
07/05/2026
Since launching in 2023, DJ (beta) has helped shape a more personalized listenin...
07/05/2026
Desde o lan amento em 2023, o DJ (beta) j ajudou a deixar a experi ncia de ouvi...
07/05/2026
From our earliest days, Spotify has been built on a simple principle: Great audio should be easy to reach. It's what's driven us to expand from music to...
07/05/2026
Asian and Pacific Islander artists continue to shape the global soundscape, pushing creative boundaries and connecting with fans worldwide. This Asian & Pacific...
07/05/2026
Company announce long-requested choir instrument
In the latest expansion of their Symphonic Elements series, UJAM have introduced an all-new vocal instrumen...
07/05/2026
Modular-inspired sound generation with digital control
Buchla have introduced Ziggy, a new compact synthesizer built around the company's complex oscill...
07/05/2026
Combines analogue voices with digital synthesis and sequencing
Polyend have announced Drums, a new hybrid analogue and digital drum machine that combines sy...
07/05/2026
Control surface now officially supports four DAWs
When Nektar launched the Panorama CS12 control surface, it worked exclusively with Apple's Logic Pro, ...
07/05/2026
In the first quarter 2026, SGL Carbon generated consolidated sales of 184.5 million, which was 49.8 million, or 21.3%, lower than in the prior year (Q1 2025: ...
07/05/2026
Rohde & Schwarz and Greenerwave achieve precise and fast ESA antenna characteriz...
07/05/2026
Two multi-role L3Harris products - the Red Wolf launched effects vehicle and SK...
07/05/2026
L3Harris will be developing key features of a secure and resilient digital infra...
07/05/2026
Alysa Liu and Shohei Ohtani Help Drive Viewership as 91 of the Top 100 Broadcast...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
Cobalt Digital Wins Two Future Best of Show Awards at 2026 NAB Show
Manufacturer Recognized by TV Tech and TVBEurope for Innovation in signal processing
Cobal...
07/05/2026
Software and hardware platforms, AI power and user-friendliness on show...
07/05/2026
Intinor will demonstrate its latest technical enhancements for the Direkt series at BroadcastAsia 2026. With a continued focus on reliable contribution and remo...
07/05/2026
Bitmovin has announced that MUBI has chosen Bitmovin as its cloud VOD encoding partner, replacing MUBI's legacy on premises encoding setup to improve scalab...
07/05/2026
Meet Graduates from Berklees Class of 2026 Members of this years graduating class reflect on their proudest moments at Berklee and look ahead to whats next.
...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
At BroadcastAsia 2026, Interra Systems will demonstrate its latest innovations in automated quality control (QC), real-time monitoring, and captioning. The comp...
07/05/2026
At this year's Broadcast Asia, PlayBox Neo is set to unveil recent innovations across its PlayBox Neo Suite and integrated range of broadcast media solution...
-- 
