
Digital innovation has been a driving force in how content is created, managed, and distributed within the media industry. In the last few years especially, organisations have needed to continually adapt to maintain consistency across workflows. Remote working has moved from business critical during the pandemic, to a long-term strategic decision with a wide range of approaches taken by different companies.
There are now more ways to work than ever, and these transformations have dealt new challenges to media teams, particularly in the realm of asset management. Creative professionals need to access content from anywhere, and so both nearline and archive storage needs to balance accessibility and affordability. As media organisations continue to create larger volumes of content, and with the ongoing desire to work remotely, the need for secure and scalable storage has become more pressing.
In response to a changing workforce and media workflow trends, there has been a rise in companies transitioning to the cloud. However, with various iterations, it can be difficult to know the best cloud-based approach to take. Fortunately, the hybrid cloud exists to provide teams with more flexibility.
The Goldilocks Effect
While legacy LTO platforms may be considered too restrictive, and public cloud storage not quite secure enough for valuable assets, the hybrid cloud offers a mix which is just right. Hybrid cloud storage solutions combine the benefits of on-premises storage, private cloud storage, and public cloud storage. This offers media teams integrated workflows that blend performance and security, with scale and global reach. This means having the flexibility to optimise storage resources based on specific needs, while also knowing that your high-value assets are well protected.
A hybrid approach allows media companies to choose the appropriate level of security for their content. By doing so, sensitive data can be kept safe and the risk of data breaches can be reduced. Whatever stage of the post-production process they are working on, media professionals need to collaborate. A hybrid approach supports the connections between individuals and departments, and enables teams to access and manage content in the way that works best for them. With seamless storage and more comprehensive toolsets for content workflows, both productivity and cohesiveness improves.
Turning Archives into Income
Monetisation is another important consideration when managing media in the hybrid cloud. Making the most of archive assets has always been a challenge for media and entertainment companies. The restrictions of legacy systems have made it difficult and time-consuming to access archive content. Especially in cases where metadata doesn't exist. Prior to the cloud, if a provider wanted to show a previously broadcasted clip from a TV show, the production team would have to put in a request, then wait patiently for someone with authorised access to locate that particular segment. The content would then arrive via some form of hardware, before being shipped back into archive storage once utilised.
Cloud technology has overhauled the process of managing archives and made it easier to generate revenue from existing content. Media teams can quickly locate the necessary files and start working with them straight away. By using cloud-based storage solutions, companies can easily make their content available to a wider audience, whether through streaming services, downloads, or other channels.
More Ways to Work
For many media teams, the initial move to the cloud was considered a temporary solution. But now, the long-term benefits are outweighing those of traditional on-premise LTO/ODA platforms. The widespread adoption of hybrid cloud systems has allowed media teams to continue operations with minimal disruption, and has ensured teams remain connected even when working from different locations. With an industry-wide focus on collaboration, media teams need solutions which can facilitate seamless workflows.
Object Matrix hybrid cloud storage, is a media-focused solution. It combines high-speed on-premise workflows, with seamless and non-proprietary synchronisation of content and metadata to cloud storage platforms. It provides instant and predictable access to archive content from anywhere, and allows teams to maximise opportunities for growth. Find out more here.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
24/07/2026
Referee hat cameras, player/coach mics, and virtual graphics will be deployed at the three-day event for the first time
The NFL FLAG Championships return to ES...
24/07/2026
Qvest, Ateme, and Scaleway have partnered to offer broadcasters, media organizat...
24/07/2026
LTN has completed satellite-to-IP migrations for more than 3,000 broadcaster, MVPD (Multi-Channel Video Programming Distributor), head-end, and content owner si...
24/07/2026
Chyron has released Virtual Placement 8.1, an update to its live sports virtual graphics platform. The release adds workflow and graphics changes across chroma ...
24/07/2026
Riedel's RefCam Live was used for the first time at an international soccer match during a friendly between the German men's national team and Ghana in ...
24/07/2026
USSI Global said it is prepared to help broadcasters, satellite network operators, and media organizations manage the next phase of C-band spectrum clearing, fo...
24/07/2026
FuboTV and The Athletic have launched The Athletic Video Hub on Fubo, bringing The Athletic's sports video content to connected TV (CTV) for the first time....
24/07/2026
Tagboard and Momento have partnered to bring Momento's fan reaction photos to venue videoboards in real time following big plays. The Seattle Mariners will ...
24/07/2026
Stephen Arnold Music (SAM) created an anthem called The World Is Here for Fox ...
24/07/2026
Caz TV has acquired Brazilian broadcast rights to the entire WTA Tour driven by Mercedes-Benz, covering all WTA 250, WTA 500, and WTA 1000 tournaments. The agre...
24/07/2026
SiriusXM and WWE have launched WWE Radio on SiriusXM channel 156, beginning Monday, July 27. The channel will carry live audio of WWE Premium Live Events, audio...
24/07/2026
Harvard Athletics produces more than 325 live NCAA Division 1 sports events and 500 edited videos per year. To manage video capture, streaming, recording, and s...
24/07/2026
Chyron's PRIME 5 graphics platform supported live graphics workflows for NBCUniversal Telemundo's FIFA World Cup 2026 coverage across Telemundo, Univers...
24/07/2026
Wearable tech returns to the coverage, and a brand-new mobile unit is rolled out for the 2026 edition
The 21-stage Tour de France is nearing its conclusion. Th...
24/07/2026
More than 20 cameras, extensive player and coach audio, and a REMCO production model will power coverage of the league's showcase
For an event designed to ...
24/07/2026
New broadcast tool uses live timing, telemetry, and predictive analysis to decode real-time team decision-making for fans at home...
24/07/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
24/07/2026
First string library captured at Studio Richter Mahr
The latest sample library to be created at Max Richter's Studio Richter Mahr facility captures the ...
24/07/2026
Official emulation of Blackbird Studios reverb chamber
In their latest collaboration with Blackbird Studios, KIT Plugins have captured the sound of the Stud...
24/07/2026
Sohonet's partners at BIND Studio have published a great case study on the V...
24/07/2026
Angela Gomez brings over 14 years of experience in broadcast communications and audio engineering, specialising in live outside broadcasts, live sports and larg...
24/07/2026
Between the maturation of IP and remote production workflows, collegiate sports production is advancing rapidly. For an Ivy League institution like Harvard, kee...
24/07/2026
iWedia, a global provider of software solutions for connected TV devices, today announces the launch of Teatro Factory, a new operator-facing software factory o...
24/07/2026
Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 11.57 billion one-to-one addressable advertisements into live video streams during the 2026 ...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Current DASDEC software enables customers to comply with the FCC's new 15-character password mandate without requiring updates
LYNDONVILLE, N.Y. July 23,...
24/07/2026
At the IBC2026 Show, SDVI will give European media organizations their first hands-on look at the next-generation Rally media supply chain management platform f...
24/07/2026
Sonnet Technologies at IBC2026
Brie Clayton July 23, 2026
0 Comments
Hero image: Sonnet Twin25G T5 Thunderbolt 5 Adapter
At this year's IBC Sho...
24/07/2026
Musora Enhances Online Music Lessons with Blackmagic Design
Brie Clayton July 23, 2026
0 Comments
Director of Production Josh Holliday details workflo...
24/07/2026
Interview with Production 360. Original article published here
The theme of thi...
24/07/2026
Article courtesy of postPerspective
Read the article
While Toy Story 5 maintai...
24/07/2026
Kerry and Mayo fans Up For The Match as excitement builds in Croke Park on the e...
23/07/2026
Staines-upon-Thames, UK, 23rd, JULY, 2026 - Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 11.57 billion one-to-one addressable advertisem...
23/07/2026
This Spring 2026 graduate from Honolulu found a home at SoonerVision as a live-production star and is ready to enter the industry as a replay op on Prime Video&...
23/07/2026
As the AUSL postseason begins tonight, listening in to players during games enhances fan engagement for the young organization
Ballplayers chatting with announ...
23/07/2026
Snap Inc. and the Esports Foundation have announced Snap's activations at the Esports World Cup 2026 in Paris, running July 6 through August 23. For the fir...
23/07/2026
Sony has announced the FX5, a full-frame Cinema Line camera built around a newly developed fully stacked Exmor RS CMOS image sensor and BIONZ XR2 image processi...
23/07/2026
TNDV (a division of Live Media Group) provided technical production support for the Pickleball Slam 4 live broadcast from Seminole Hard Rock Live in Hollywood, ...
23/07/2026
LTN has announced it has completed satellite-to-IP migrations for more than 3,00...
23/07/2026
Daktronics has announced the winners of the 2026 DakClassroom Student Showcase, a national competition recognizing student work in media production, storytellin...
23/07/2026
The French Tennis Federation (FFT) and beIN Media Group have announced a five-ye...
23/07/2026
Clear-Com provided the communications infrastructure for the Fryderyk Awards Gal...
23/07/2026
The 2026 FIFA World Cup is, on paper, an unparalleled financial success. Total t...