
NAB 2019 Reflections: AT&T's Scott Beckett on 5G, At-Home Production, 4K HDR and 100G Connectivity By Jason Dachman, Chief Editor
Wednesday, May 1, 2019 - 11:48 am
Print This Story
AT&T was back in Las Vegas this month for NAB and the company highlighted the latest developments from its Global Video Services team, which provides fiber transmission services with up to 400 or more points of presence for domestic and international sports and entertainment events. In addition, AT&T highlighted the latest offerings from its Video Managed Solutions division and previewed what is to come on the 5G front.
Scott Beckett, Director of Product Management, Global Video Services, AT&T
SVG sat down with Scott Beckett, Director of Product Management, Global Video Services, AT&T, to discuss the latest developments from GVS, how 5G is going to change live-sports production, the explosion of the at-home-production model and its successful partnership with PSSI, the evolution of company's Video Management Centers in New York in Atlanta, the rising demand for 4K HDR and 100-Gbps connectivity, and the promise of AI for AT&T's customers.
What is AT&T showcasing here at NAB this year?
From the Global Video Services perspective, we're focused on media connected . We want to be part of the workflow, so we're taking that big contribution feed and asking what else can we do for you? We have connects into the hybrid cloud and various cloud providers, so we can provide several different services.
Here [at the booth], we are also [highlighting] our Video Managed Solutions, which is built on our QuickPlay acquisition and brings the contribution piece all the way out to OTT. They already support DirecTV Now and we're seeing a lot of excitement in that area.
Also, obviously a lot of the conversation at NAB this year is focused on 5G and we have [AT&T experts] speaking on several 5G panels, so we are definitely emphasizing how 5G can help the media industry.
AT&T is obviously one of the main drivers behind 5G - how do you see the technology enabling live-sports productions in the future?
Everybody in the [M&E] industry is asking how can we do 5G? How can 5G help enable our broadcasts, help our productions, and also help reduce cost and improve efficiency. And sports is a big push for us in terms of 5G and beyond. We have a growing sports strategy and we want to make sure we're promoting all of what AT&T does - not just the [Video Global Services segments] for stadiums. There are a lot of different aspects in which we can serve the sports market.
How have you seen the use of the at-home-production model for live sports grow? How is AT&T playing a role in enabling these productions?
From our standpoint, [at-home] is the way to go and everybody's headed in that direction. Especially when you look at the smaller productions - not necessarily the huge NFL shows - but smaller college productions, it make a lot of sense. We want to support that as much as we can.
PSSI has been a great collaborator [on at-home production]. What we've been doing with PSSI is now, instead of dropping a venue panel and putting our equipment into a stadium, we're doing now is putting the equipment in a PSSI truck. So when that truck arrives, it is basically a small AT&T [connection point] with all the capacity that we would have at a [permanent venue installation]. Just think about it from an efficiency standpoint - that truck goes wherever the fiber handoffs are once it's connected it's on my network. Having the satellite uplink and having fiber together - that's a great marriage.
How has the media market responded to the AT&T Video Management Center in New York City since you launched it in 2016?
It's been really amazing. Interest just exploded, so we actually opened a second Center in Atlanta. So we now have three - Manhattan, Atlanta, and another DVC in Dix Hills [Long Island], which manages our core backbone. That gives us a nice geographic redundancy. We're really excited about that part of the business and see a great future ahead from that standpoint.
Are you seeing more demand for 4K and HDR contribution services these days? Since DirecTV is leading the charge in terms of delivering 4K HDR to the home, what role can AT&T Global Video Services play in advancing the 4K HDR ecosystem?
Absolutely - we're very focused on [4K]. Here at the show, Media Links announced [a new line of] 100G switches and we've partnered with them. We are running 4K content connectivity over a 1G pipe using J2K across the network. From our perspective we see the volume of 4K and 100G growing, so we're starting to expand our core. And 100G is likely going to be the next generation of what we do.
Are there any particular trends or popular requests you've seen in the live-sports sector of your business lately?
We've had a number of requests asking what AT&T is doing in respect to the integration of AI. So that's something that we're definitely looking at. How can we help customers facilitate AI and machine learning? How can we reduce latency and move those capabilities closer to the venue. We're having those discussions with our customers and the interest has really exploded over the past couple of months.
This interview has been edited for length and clarity.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
21/05/2026
Game Creek Video Columbia and Celtic, NEP Supershooter 8 will house onsite produ...
21/05/2026
Freshly graduated, this upstart producer, director, and camera operator is already working as an AP on videoboard shows for the Philadelphia Phillies
In the li...
21/05/2026
Media Links has announced a channel partnership with Clearcast Asia, a broadcast...
21/05/2026
SiriusXM and NASCAR have announced a multi-year renewal of their broadcasting agreement. SiriusXM will continue to carry live broadcasts of every NASCAR Cup Ser...
21/05/2026
Audio-Technica held a demonstration event at its Technica House location in New ...
21/05/2026
Ateme has announced that RTL Deutschland has selected Ateme's software-based...
21/05/2026
LiveU has announced that BCC Live deployed the LU900Q intelligent production unit for the first time during the 2026 Memorial Hermann IRONMAN Texas North Americ...
21/05/2026
ATSC has announced that Mark Aitken, President of ONE Media and Senior VP of Advanced Technology at Sinclair Broadcast Group, will receive the 2026 Mark Richer ...
21/05/2026
BBright has published a technical analysis of the Media eXchange Layer (MXL), de...
21/05/2026
The Esports Foundation has announced that the 2026 Esports World Cup (EWC) will be hosted in Paris, France, from July 6 through August 23. The event marks the f...
21/05/2026
Chyron has announced PRIME Scorebug, a scorebug solution built on the PRIME Platform for on-premises sports production, and has expanded Chyron LIVE with purpos...
21/05/2026
Media Links has announced the integration of its Xscend IP transport platform with Skyline Communications' DataMiner xOps platform. The integration will be ...
21/05/2026
As live sports productions continue to demand more flexible, scalable, and cost-...
21/05/2026
In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into...
21/05/2026
Hey Miami & Atlanta post-production folks!
Shade is hosting a free private suite at a Braves game (6/2) and Marlins game (6/5) and have about a dozen extra tic...
21/05/2026
The Suns and Mercury become the first NBA and WNBA teams to make games available under a single broadcast partner across both over-the-air and streaming....
21/05/2026
iPhones are part of the the regular production rotation for Friday Night Baseba...
21/05/2026
In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into...
21/05/2026
Heather Matarazzo as Dawn Wiener in Todd Solondz's Welcome to the Dollhouse...
21/05/2026
Spotify has always been about helping you find something you want to listen to. And over the years, we've learned your taste and the moments that matter to ...
21/05/2026
Getting concert tickets today can feel like a race you're set up to lose.
You show up at the right time, refresh endlessly, and still miss out. Too often, ...
21/05/2026
In 2022, Spotify entered a new chapter by introducing audiobooks to our platform. Since then, we've grown our catalog to include more than 700,000 titles, e...
21/05/2026
Opening remarks
ALEX
Good morning everyone, I'm Alex [Norstr m].
GUSTAV
And I'm Gustav [S derstr m].
ALEX
Whether you've been following our j...
21/05/2026
Today, Spotify hosted our third Investor Day in New York City, offering the fina...
21/05/2026
Spotify hat heute seinen dritten Investor Day in New York City veranstaltet und der Finanzwelt tiefere Einblicke in das Gesch ft, die Produktstrategie und die l...
21/05/2026
Aujourd'hui, Spotify a organis son troisi me Investor Day New York. En pl...
21/05/2026
Oggi, a New York City, Spotify ha presentato il suo terzo Investor Day, offrendo...
21/05/2026
Hoy Spotify celebr su tercer Investor Day en Nueva York, donde ofrecimos a la c...
21/05/2026
Hari ini, Spotify menyelenggarakan Investor Day yang ketiga di New York City, me...
21/05/2026
2026 : (Investor Day) , , . ...
21/05/2026
Hoje, o Spotify realizou seu terceiro Investor Day em Nova York, oferecendo co...
21/05/2026
Spotify Investor Day ...
21/05/2026
Spotify bug n, 20'nci y l d n m m z kutlad m z bu y lda, finans camias na, i modelimiz, r n stratejimiz ve uzun vadeli vizyonumuz hakk nda daha detayl ...
21/05/2026
Two new Story Packs join orchestral instrument line-up
Sonuscore have just introduced two new additions to The Score, marking the instrument's first maj...
21/05/2026
30,000 samples, 99 presets & 504 loops
Heavyocity are well known for their hard-hitting cinematic instruments, and their latest release is no exception to t...
21/05/2026
Rohde & Schwarz AI powered voice to data: The future of air traffic control take...
21/05/2026
SKY RAIDER II INTERNATIONAL's modular open systems architecture delivers expanded operational reach and mission flexibility....
21/05/2026
ASO-enabled WESCAM MX-10 systems conduct systematic wide-area maritime search patterns, autonomously managing sensor scan operations to expand coverage, reduce ...
21/05/2026
HBO Max, a new addition to Gracenote Data Hub, is home to the most sports programming among major streamers
NEW YORK May 21, 2026 New analysis by Gracenote...
21/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/05/2026
The UK's leading event for the creative industries united thousands of professionals for two days of networking, debate, industry insight and getting hands-...
21/05/2026
Recreating Doug Trumbull's Slitscan VFX - After Effects Mastery
Graham Quince May 21, 2026
0 Comments
In this After Effects tutorial, I'm divi...
21/05/2026
Cavalry: An Array of Fun Stuff
Simon Ubsdell May 21, 2026
0 Comments
Arrays are a really powerful feature of Cavalry and here we'll go over some o...
21/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...