
Carving powder: Austrian broadcaster ORF on the challenges of bringing the Alpine Ski World Cup on the Rettenbach Glacier to viewers By Heather McLean
Friday, October 11, 2024 - 09:31
Print This Story
ORF is the host broadcaster for the Alpine Ski World Cup 2024, S lden, Austria
The winter season is starting once again at S lden in Austria, where the F d ration Internationale de Ski et de Snowboard (FIS) Alpine Ski World Cup is set to take place for the 30th time on the Rettenbach Glacier for the Alpine Ski Championship Season Opener.
With the women's giant slalom set to take off down the glacier on Saturday 26 October and the men's competition on Sunday 27, the athletes will compete against the mountain, the clock and themselves.
Rettenbach Glacier with one of the steepest pitches on the tour is one of the select few on the World Cup circuit to hold both the ladies' and men's events. Austrian national public broadcaster, ORF, is the host broadcaster for FIS at the Alpine Ski World Cup.
The camera plan for S lden in Austria, where the F d ration Internationale de Ski et de Snowboard (FIS) Alpine Ski World Cup is set to take place for the 30th time on Rettenbach glacier for the Alpine Ski Championship Season Opener CLICK ON THE IMAGE TO SEE A LARGER VERSION
Moving targets
Unlike any other championship that ORF is the host broadcaster for, the glacier causes issues for the broadcast setup, as it is literally always on the move.
Says Michael K gler, ORF head of directors: It's a really demanding scene as it's a glacier and the glacier is always moving each year, so we have to adapt our set up there. We have to adapt the positions every year according to the new circumstances. I'm always going there in between to try and gauge what the situation is.
K gler comments on other challenges the glacier creates for the broadcast during set up: For us, the glacier is a real demanding situation for everybody because for the technical crew to build the setup, it can be foggy, it can be really bad circumstances. So it's always a challenge to be ready in time with all the setup and all the things, because it's a lot of stuff to bring up to the mountain, a lot of cabling.
K gler notes that unlike other mountainous ski events, because of Rettenbach and its annual movement, this is the only one ORF carries out where there is no cabling infrastructure ready to plug into.
He states: Compared to some other great races like Kitzb hel [the FIS Alpine Ski World Cup race, Hahnenkamm World Cup Races, Austria] where we have a lot of fibre lines already in the mountain, you cannot do that on the glacier.
Every single cable has to be brought to its position, and this is a lot of work to do, continues K gler. And it's also challenging because the racecourse is really slippery and icy, and so if the people are not able to walk and to work, especially under this circumstance, it's difficult. It's not like the soccer field. Soccer fields, you go in, it's a plain stadium. You have your outlet there, you have the pre-cabling. So skiing itself, like a biathlon or cross country, is one of those events which are really demanding for the technical staff, especially for the crew to set up. I give them a really big round of applause for what they're doing, because whatever the wish is, they try to make it possible. So this is the challenge we have there.
Rettenbach glacier causes issues for the broadcast setup for ORF, as the glacier moves every year so no permanent cabling can be put in place. Everything must be taken up the mountain in the two days prior to the Alpine Ski Championship Season Opener
Austrian enthusiasm
The technical crew will arrive on site for the setup on the Tuesday prior to the event, then they have Wednesday and Thursday to get everything up the mountain and set up on the glacier, with test day on Friday.
K gler adds: The positive thing there is that people are enthusiastic especially in Austria about these winter sports and alpine races. We have a complete arena in the finish area for the people to watch, which is integrated into the lift station. There are stands, there is a complete setup there; this is really packed and crowded with between 15,000 and 20,000 people in the finish area. And this finish area is on a parking lot, so there is concrete there which makes the situation easier for us to work in, and for fans to congregate in.
Although this season we have a complete change of the setup from the side where we put the cameras in the finish; we were previously on race's right side but this year we go back to the race's left side, which we were doing about 10 years ago, but then for the flow of the audience they had a different concept. But now we are back on the left side, which for us is a big advantage because using a crane camera, we can get a shot like in a soccer stadium with a big crowd in the back.
This is great for us because now we have the celebrating audience in the back and the athletes in the front, so this is giving another dynamic shot for the audience.
On site production
Solden is produced entirely on site, with OB 1, ORF's own truck. Says K gler. This has to be an OB event; it doesn't make sense in this case to say no, I would go with this or with that remote production, we can save money or whatever, because you always have to move and adapt on ski. The handheld positions, for example, I go down on each racecourse before the race and according to the setup of the racecourse, I decide where to put the handheld cameras. You always have to renew the plan and you always have to adapt, and actually the second challenge for cameras is also the safety challenge. You are not allowed to go in certain positions due to safety issues, even though you would have a better angle
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
CVP, one of Europe's leading suppliers of professional video and broadcast solutions, today announces the launch of its new German operation and the formati...
03/04/2026
Mark Roberts Motion Control (MRMC) today announces the appointment of Nick Barthee as Chief Operating Officer, strengthening its leadership as the company conti...
03/04/2026
Net Insight introduces programmable Trust Boundaries that make live media interconnection predictable as traffic moves between facilities, networks and cloud en...
03/04/2026
Winning in the new media economy: Avid showcases AI-powered, connected intellige...
03/04/2026
NUGEN Audio CEO Dr. Paul Tapper to Lead Presentation About Dialog Intelligibilit...
03/04/2026
NAB Show 2026: PlayBox Neo Highlights Workflow, Security, and IP Advances
Brie Clayton April 2, 2026
0 Comments
PlayBox Neo will showcase the latest i...
03/04/2026
For Taku Hirano, Everything Is Connected From touring and composition to teaching and instrument design, the in-demand percussionist sees it all as one body o...
03/04/2026
Berklee Honors Humberto Ramirez with Master of Latin Music Award The alumnus and acclaimed trumpeter is honored for his influence as a performer, composer, an...
02/04/2026
HBO and NFL Films have announced Hard Knocks: Training Camp with the Seattle Sea...
02/04/2026
Haivision has announced the Makito ONE, a single-blade video encoding and decoding platform, at NAB Show 2026. The platform combines dual-channel video encoding...
02/04/2026
Telestream has introduced UP.Lens, a cloud-based multiviewer and monitoring serv...
02/04/2026
Mark Roberts Motion Control (MRMC) will exhibit at NAB Show 2026 (Booth C5220, April 19-22, Las Vegas Convention Center), marking the company's 60th anniver...
02/04/2026
Net Insight has introduced programmable Trust Boundaries, a feature integrated i...
02/04/2026
Bitmovin has announced support for SGAI (Server-Guided Ad Insertion) in its playback products, using HLS interstitials. SGAI combines elements of client-side an...
02/04/2026
Riedel Communications' SimplyLive RiMotion R12 replay system is supporting B...
02/04/2026
LTN, a managed IP video transport company, and Ateme, a video compression and de...
02/04/2026
Harmonic has announced that TDF, a broadcast infrastructure operator in France, has deployed Harmonic's XOS Advanced Media Processor and ProStream X Video S...
02/04/2026
Eluvio and the United Rugby Championship (URC) have announced first-year results...
02/04/2026
The Kansas City Current and Scripps Sports have announced that ION will broadcas...
02/04/2026
ESPN will debut Courtside at the Women's Final Four Presented by AT&T, an alt-cast airing Friday, April 3 at 7 p.m. and 9:30 p.m. ET on ESPN2, and Sunday, A...
02/04/2026
The Professional Audio Manufacturers Alliance (PAMA) and Shure Incorporated are ...
02/04/2026
ESPN's MegaCast Coverage of 2026 NCAA Women's Final Four Begins Friday, ...
02/04/2026
DAZN has announced the launch of DAZN Playmakers, a global influencer program designed to build a network of sports content creators. The programme will give cr...
02/04/2026
Tony Cole, Jessica Lee shift into new roles reporting to ESPN SVP/Content Operations Chris Calcinari....
02/04/2026
Michigan's Fab Five will reunite for an alternate presentation of the Mich...
02/04/2026
Real-time tracking, virtual production, and Pixar storytelling converge for Apri...
02/04/2026
NASA's long-awaited Artemis II mission has launched four astronauts on a 10-day journey around the moon, marking the first manned launch toward the moon sin...
02/04/2026
(L-R) Molly Belle Wright, Wyatt Solis, and John Magaro appear in Omaha by Cole Webley, an official selection of the 2025 Sundance Film Festival. (Photo courte...
02/04/2026
4 - 11 April 2026
VEMIA's latest gear auction is just around the corner, and there's already a wealth of sought-after instruments and studio gear li...
02/04/2026
Little Labs emulation now available to all
The latest Universal Audio plug-in to become available outside of the company's DSP-powered UAD2 platform has...
02/04/2026
SBS Welcomes Back Cup Fever! For The Biggest FIFA World Cup Ever
2 April, 2026
Media releases
Santo Cilauro, Ed Kavalee and a host of special guests retur...
02/04/2026
Truth. Power. Perspective: NITV's Flagship Current Affairs Programs Return t...
02/04/2026
L3Harris has successfully powered the historic launch of the Artemis II mission, providing propulsion and avionics....
02/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/04/2026
Already deployed extensively by NBC Sports, FOR-A Corporation will demonstrate GoVertical! AiDi, the real-time 9:16 autocropping feature of viztrick AiDi, durin...
02/04/2026
Interra Systems, a provider of end-to-end quality assurance solutions for the digital media industry, announced that Elite Media Technologies has selected its B...
02/04/2026
Harmonic's Media Processing Solutions Maximize Bandwidth Efficiency for Terrestrial Broadcast Delivery
Harmonic (NASDAQ: HLIT) today announced that TDF, a...
02/04/2026
NBC Sports Deploys viztrick AiDi to Stream Live Events in 9:16 Mobile-First Formats with Auto Tracking, Development Signals Strategic Shift for FOR-A
Long reco...
02/04/2026
Evergent will showcase new innovations in subscriber lifecycle management and monetization at NAB Show 2026 (Las Vegas, April 18 22), including:
New advances i...
02/04/2026
Riedel Communications is proud to be part of Binghamton University, State University of New York, Athletics' milestone year, celebrating the university'...