
Mission Impossible for Robe and Liteup Live at the Warehouse posted: 27/11/2020
The warehouse was Fareham, UK-based lighting rental specialist Liteup's premises - part of which has been repurposed and energised for streaming activities since the first coronavirus lockdown started in March.
Popular UK rockers Nothing But Thieves recently played a sizzling hot series of Live from The Warehouse' pay-per-view live stream concerts, designed by Warren Hutchison and directed by Tim Perrett, that traversed three time zones - USA, UK and Australia / Asia Pacific - having just dropped new single Impossible' and announcing a major UK, Ireland and European tour for autumn 2021. Warren - who specified Robe fixtures as the majority of the lighting rig and is also a regular freelance LD and technician for Liteup - pitched a production design to the band for the streams which showcased hits, plus new music from their forthcoming album, Moral Panic.
His design was based on their idea for an in-the-round setup, to which tour and production manager Andy Sweeny added a B-stage area for acoustic numbers and the more intimate moments of the set.
The project was managed for Liteup by Gordon Torrington, who commented, The idea was to replicate a live concert look in the studio, including high production values. The space is ideal for this style of performance, and Warren produced an innovative and great looking design that was a perfect fit!
The Studio occupies one end of Liteup's extensive warehouse facility, and the 14-metre-wide by 12-metre-deep floor area features three flown roof trusses.
The Robe package comprised 16 x ESPRITES - newly purchased by Liteup at the start of the year, just before the pandemic brought everything to a standstill, so these were the main profiles, key lights and specials, joined by 16 x LEDBeam 150s, 16 x MegaPointes and 16 x Spiider LED wash beams, all divided between the overhead rig and the floor.
One hundred and thirty-two LED pixel tubes formed the video elements and brought additional kinetics and fluidity to the visual picture.
Warren combined all of this into a colourful and dynamic visual showcase for the band.
All the lights were pulled from Liteup's stock, which includes a substantial investment in Robe and some other top brands, and the company supplied the 7-camera package for the stream together with PPU / control.
The key was in being flexible and having enough latitude in the rig to cover all 28 songs that were played across the three different stream presentations.
Another challenge was that being in the round, it had to look consistent and continuous from all camera angles, and when they stripped back everything in the acoustic section, that needed to have its own ambience a notably different visual impact.
That's why Warren selected the Robes.
I love the ESPRITE, he stated, adding that although he'd not had much time to use these newest Robe TE LED technology fixtures from Robe, he found them extremely useful and excellent in combination with Robe MegaPointes.
The main stage area was set up in an L-shape for social distancing purposes.
Ten vertical trussing towers were arranged around the space in two semi-circles to give a basic geography and shape the space, each rigged with one ESPRITE and two strobes, plus the LED video battens which were also loaded onto the towers, so they filled the back-of-camera shots with movement, colour and funky effects.
The remaining six ESPRITES were all up in the rig for the key lighting, joining the MegaPointes - used for effects, camera-candy and the striking beam-technology looks they do so well, as the Spiiders effortlessly washed the floorspace from above.
The little LEDBeam 150s were arranged on the floor in between the 16 x moving LED battens.
The B-stage was lit with a mix of tank-trap mounted tungsten battens and 2-cell blinders on 3 metre poles, and also in the studio there were additional blinders, plus strobes and moving LED bars
Warren's main challenge was to balance the band's enthusiasm for strobing and smoke, ensuring that the cameras always had sufficient light to work with.
The streams took place over two days. Gordon and the crew had a few days set up in the studio and Warren had four days off-site programming at home before joining the Liteup crew.
Warren's main challenge was to balance the band's enthusiasm for strobing and smoke, ensuring that the cameras always had sufficient light to work with.
The streams took place over two days. Gordon and the crew had a few days set up in the studio and Warren had four days off-site programming at home before joining the Liteup crew.
The camera operators were Rob Judge and Ray White, video content was created and operated by Rob Benson, and Brooke Chapman was an amazing addition to the Liteup studio team as their production runner.
The streams were critically acclaimed, very well attended and received and gave music fans a much-needed opportunity to engage in the absence of any live shows right now due to the coronavirus pandemic!
Liteup's studio is a flexible space in Fareham, Hampshire, UK, able to fly just under 3 tonnes in roof, using V-mix pro and a dedicated 1GB fibre line for the livestreams.
In addition to Nothing But Thieves, other artists in recent months have included Tesseract, Hot Milk, Never Not Nothing Moondance, Bleed from Within and Sylosis. Earlier in the year, Liteup staged their own charity fundraising 24-hour DJ stream Techs on The Decks' featuring 24 talented DJs who also work as technicians and backstage across the live music and events industry.
Liteup would like to thank the artists and their team - Nothing But Thieves - Conor Mason (lead vocals / guitar), Dom Craik (guitarist / keyboardist), Joe Langridge-Brown (guitarist), Philip Blake (bass) and Ja
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
14/07/2026
South end zone videoboard, cloud-based control system will be ready for 2026 football season...
14/07/2026
Redesigned website, enhanced mobile app unify content, ticketing, and personalized fan engagement...
14/07/2026
Agreement spans sponsorship sales, digital monetization, radio production, and new practice facility naming rights...
14/07/2026
Independent league adds 14 regional sports network affiliates, growing distribut...
14/07/2026
New strategy aims to unify competitions, content, fan engagement, and commercial...
14/07/2026
ESPN and Disney+ become exclusive home of PFL events in key international MMA market...
14/07/2026
Gill will oversee engineering, technology, and sports operations across the company's 64 local television stations...
14/07/2026
Submitted by North American Broadcasters Association (NABA)
As broadcasters con...
14/07/2026
Modernized mobile unit combines HOME Apps, mc 56 console, and IP infrastructure ...
14/07/2026
Every match of the 32-team tournament will air across ION and Scripps Sports platforms in English and Spanish...
14/07/2026
FloHockey to stream every game of the annual international tournament under four...
14/07/2026
Victory+ telecasts to be simulcast on TEGNA-owned station, expanding free local distribution...
14/07/2026
Plug-ins for heavy music
Avalanche Tones is the brainchild of Ava Toton, a 17-year-old musician and developer who says her goal is to make the lives of gui...
14/07/2026
Launched alongside new Singer Showcase purchase model
IK Multimedia's innovative vocal-synthesis software has just gained its latest voice add-on, the R...
14/07/2026
Registration open until 1 September 2026
The MIDI Association have revealed that the registration deadline for this year's MIDI Innovation Awards has no...
14/07/2026
88-note model completes MK4 range
Novation have just introduced the final model in their flagship MIDI controller keyboard range, the Launchkey MK4 88. Roun...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
IBC2026 has unveiled a powerful Conference programme bringing together global media leaders, technology innovators, creators, sports organisations, broadcasters...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Broadcast Solutions, a leading systems integrator and provider of innovative solutions for the broadcast media industry, has delivered two highly capable outsid...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Techtel Successfully Relocates AICD Broadcast Studio to New Sydney Headquarters
BroadcastBroadcast EquipmentLive StreamingBroadcast Studio2026
14 July Writ...
14/07/2026
Tuesday 14 July 2026
First look revealed for Friday the 13th prequel, Crystal ...
14/07/2026
When immersive audio dominates industry headlines, it's easy to assume that every broadcaster is preparing for an Atmos future. The reality is quite differ...
14/07/2026
Emma and Sophie from ICG's marketing team joined thousands of fellow marketers, brands and agencies at MAD//Fest London 2026, one of the UK's biggest ma...
14/07/2026
Why Trusted and Secure Media Operations Matter In this series, we explore the technologies, architectures and operational realities shaping modern media operati...
14/07/2026
Pilot Project Shows How Retailers Are Prepared for the Next Step in the Evolution of Digital Commerce
Arvato Systems Drives Agentic Commerce Forward
G terslo...
14/07/2026
As part of this commitment, weve joined the SME Climate Hub, publicly pledging to:
measure our greenhouse gas emissions
reduce them in line with a net zero p...
14/07/2026
Power is AI infrastructure's inescapable constraint. How many tokens an AI factory can generate within a fixed power budget determines its revenue and profi...
13/07/2026
The Braves opted to keep production in-house rather than hand it off to MLB...
13/07/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, including new deals, departures, and assignments compiled from press releases and repo...
13/07/2026
Eurovision Sport is making live athletics more accessible to fans than ever befo...
13/07/2026
The Milwaukee Bucks will return to full-season over-the-air television for the 2...
13/07/2026
SMPTE has announced an expanded education pathway for media technology professio...
13/07/2026
Vizrt has announced that its graphics technology was used by broadcast design agency Girraphic for Netflix's debut MVP MMA event, broadcast live from the In...
13/07/2026
ARRI has announced an agreement to sell its global rental activities in Europe, the United Kingdom, and North America to H2 Equity Partners through a management...
13/07/2026
DAZN has announced a partnership with Premier Boxing Champions (PBC) to bring PBC fight nights to DAZN subscribers globally. The partnership begins Saturday, Ju...
13/07/2026
TikTok and WSC Sports have announced a strategic partnership that gives sports r...
13/07/2026
Two new Ross products -Brushback: Full Count and CapGo - are debuting at Citizens Bank Park All-Star festivities...
13/07/2026
MSG Networks' was given exclusive access during the Knicks' unforgettabl...
13/07/2026
LOS ANGELES, July 13, 2026 - Sundance Institute today announced the 10 producers selected to participate in its annual Producers Labs taking place July 13-18 fo...