
A legendary talk show host employs a young scriptwriter and sparks fly in the new indie feature Late Night, premiering at the Sundance Film Festival. Written by and starring Mindy Kaling, and co-starring Emma Thompson, the set-up depicts them as poles apart in generation and culture, adding further twists in the comedy.
Cinematographer Matthew Clark on set.
The interplay between the two leads, as well as the desire to convey differences in the characters personalities and environment, led director of photography Matthew Clark to work closely with Panavision and Light Iron, who he had collaborated previously with on Set it Up and Little Evil.
Director Nisha Ganatra (Transparent) wanted to try and create as naturalistic a world as we could for the actors. That way, they would feel free to play around on set and location, explains Clark. I feel that with comedy especially, you want to allow your actors the freedom to move around physically and to improvise in order to find that true comic moment. So, we needed to keep our camera and lighting package small and our sets an open space. To be clear, we weren't aiming for the natural style of a documentary, but more of a heightened realism.
The film's three main locations are given a different tonal look. The parts of the story which cover Katherine's (Thompson) personal life at home in a town house in Brooklyn were given an elegant, rich, warm feel to which we added a little smoke haze to create some depth, notes Clark. The talk show studio (on a set in a Greenpoint Studio/Warehouse) was crisp and clean with a more neutral feel to it. The writers' room, which we shot in an office on the 17th floor in a building on Manhattan's east side, was given a cooler palette, more office or business-like.
Clark chose a Panasonic VariCam 35 to accommodate a tight budget and 25-day schedule. Sometimes, we had three or four locations a day. That means you have to move fast. I liked the ability to shoot at 5,000 ISO at night on location. I knew we would have a good base to start. Then, Ken Shibata (gaffer), Tommy Kerwick, Jr. (key grip) and I could use a minimal lighting package and still get our look while working at that speed.
For lens selection, he visited Panavision in Woodland Hills, and got his pick of 70s era Ultra Speeds and Super Speeds. Dan Sasaki presented me with two tables full of lenses from classic old Primos to new glass. I had the whole place to myself and was able to test shoot a lot of it.
Clark continues, I took the tests to Light Iron in Hollywood where colorist Corinne Bogdanowicz and I tried different looks, playing with saturation, shadows, highlights and even adding grain. That color prep really helped us move quickly and seamlessly when the production moved from L.A. to New York for principal photography where I collaborated with Light Iron NY colorist Sean Dunckley.
We tried out some pretty stylized filmic emulations, and then adjusted the levels of color in the blacks and highlights to create a more refined look, notes Bogdanowicz. The grain tests helped us add some subtle texture to the images.
Clark also worked with Light Iron Dailies Colorist Aaron Burns for a couple days to establish a LUT which Dunckley then finessed. I like to light for the LUT on location and I tend not to change it, says Clark, but if needed I will play around with it later. That's what Sean and I were able to do.
On finessing that LUT, Dunckley adds, I worked with Matt to create a LUT that was a bit more dynamic, pushing some cyan into the shadows and smoothing the skin tone colors. The LUT was used for dailies, and because Matt takes the time in pre-production to make the post process easy, we were a step ahead of the game when starting the DI.
Clark continues, One of the things you used to be able to do with film was pre-flash the raw stock. This opened up the blacks and allowed you to add color in the shadows depending on the percentage and color of the flash. It's a way to create an emotional effect. I wanted to do this digitally for our story. So, we mapped out the emotional change as we went through different scenes. The basic narrative arc is that the character's start out as individuals and wind up working together as a team. So, we start out with colder hues in the office, introducing a steely look in the shadows, and as the story moves forward we minimize blue for more rosy, warm tones with addition of some grain. There's a big juxtaposition between a scene in Katherine's bedroom, which is tonally rich, and the next day when she comes into the office and realizes she has to do something to get her job back. It's not a straight arc from blue to warm but changes according to the scene and context of the scene.
Lens choices included an 11:1 Primo Zoom the tried and trusted workhorse which is still beautiful and very creamy, Clark says. The older glass he chose helped break down the digital image in the way he wanted. The coating on the 40 delivers a warm glow which we mostly used for Katherine's personal world while several of the lenses had this rainbow flare which I felt gave us something different. These lenses are not perfect' which makes them perfect for this film. The aberrations, the older coatings, and the glass itself is less precise than most contemporary lenses and gives the digital image a softer look with more personality.
The two-camera, 4K production was lensed mostly on tripods and dollies with some Steadicam and occasional handheld.
A lot of the time, we were shooting close to wide open, maybe 2-2.8. That's hard on a 100mm with minimal lighting, so all credit to my A camera AC Pedro Corcega and B cam Adriana Brunetto-Lipman. Pulling focus on a Steadicam moving through a party is not for the faint-hearted. If you don't have tale
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
07/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/07/2026
New appointments to Screen Australia board 7 July 2026
The Albanese Labor Government has made new appointments to the Screen Australia board.
Dr Tania Chamber...
07/07/2026
The right team. The right time.' How The Killings at Parrish Station stuck t...
07/07/2026
Berklee College of Music Alum and Faculty Perform at Boston Public Library's...
07/07/2026
Scripps Research scientists train the immune system to make antibodies against numerous HIV strains Preclinical findings mark progress toward a long-sought vacc...
06/07/2026
Long-developed relationships and informal access, three production models, and c...
06/07/2026
The deal follows Lumine's recent acquisition of Synamedia's video-networ...
06/07/2026
This former SportsCenter producer is shaping local-team studio coverage to surro...
06/07/2026
IMS Productions and FOX Sports deployed more than 100 cameras, 32 onboard feeds,...
06/07/2026
Lumine Group Inc. has announced the completion of its acquisition of the Video Network Business from Synamedia. The business will operate as a standalone compan...
06/07/2026
NASCAR has announced a content and commercial partnership with Motorsport Network, a motorsports and automotive media platform, to distribute NASCAR original co...
06/07/2026
Versant Media Group has announced a definitive agreement to acquire Full Swing, a sports technology company, from Bruin Capital and a group of minority investor...
06/07/2026
DAZN has announced global broadcast rights to 3ICE, a professional hockey format featuring three skaters and a goalkeeper per side, with no power plays or offsi...
06/07/2026
Bundle gains 100 new synths & more
Synth Anthology 5 the largest and most feature-packed edition of UVI's hardware synth emulation bundle, bringing toge...
06/07/2026
Available now via free firmware update
MOTU have just announced that three of their popular audio interfaces now boast official Milan Certification. The 16A...
06/07/2026
Rohde & Schwarz completes Hunter Preliminary Design Review for the Integrated Co...
06/07/2026
The R&S IMAGER from Rohde & Schwarz uses millimeter wave imaging to inspect the ...
06/07/2026
The National Film and Video Foundation (NFVF), an agency of the Department of Sp...
06/07/2026
Digital Domain Appoints Industry Veteran Patrick Davenport as Executive Vice Pre...
06/07/2026
Gravity Media USA appoints Brittney Boston as Head of Business Development
Brie Clayton July 6, 2026
0 Comments
The strategic new appointment supports...
06/07/2026
Remote Editing Without Cloud Storage in Resolve
Michael Cioni July 6, 2026
0 Comments
This is a step-by-step guide that demonstrates how to setup your...
06/07/2026
Automatic Caption Translation in Adobe Premiere Pro
Colin Smith July 6, 2026
0 Comments
Here I showcase the innovative automatic caption translation f...
06/07/2026
Flavor's First Ever Managing Director Neal Cohen Retires; Longstanding Execu...
06/07/2026
How Adam Rosenwach Pivoted from Music to Medtech Without Missing a Beat What do the rehearsal room and the boardroom have in common? More than you might think...
06/07/2026
Zhongyi Optics unveils the Dreamy Zone T1 FF Cine Lens Series on Indiegogo with ...
06/07/2026
Open source AI has shown how quickly developers can innovate when models, data a...
06/07/2026
Techtel debuts insyght: making ST 2110 media discovery easy
intellisphereinsyght2026
6 July Written By Suzanne Costello
Sydney, Australia - 06 July 2026 T...
06/07/2026
Monday 6 July 2026
Sky agrees to acquire ITV Media & Entertainment, creating a ...
06/07/2026
Fresh from his World Cup heroics with Cabo Verde, Roberto Pico' Lopes will join the RT panel for Argentina v Egypt tomorrow and for the England v Norway q...
06/07/2026
Nations have long invested in domestic infrastructure to advance their economies, protect and use their data, and take advantage of technology opportunities in ...
06/07/2026
Every year, the International Conference on Machine Learning (ICML) reveals where thousands of AI researchers have decided to put their work.
This year's ...
06/07/2026
A death can be unsuspicious, but it has to be explained
What happened to Ke...
05/07/2026
We've gone to another level of integrating the graphics into the set architecture' - Zac Fields, SVP, Graphic Technology and Integration, FOX Sports...
05/07/2026
Browser-based and desktop apps available
Digital Sunset Studios have been busy working on an interesting project: a free software tool that provides compute...
04/07/2026
When Canada qualified for the FIFA World Cup 2026, OneSoccer knew this wasn'...
04/07/2026
Celebrates company's 80th anniversary
Rhodes have recently revealed that they will be producing a limited run of electric pianos in celebration of their...
04/07/2026
Blackmagic Design Cameras Empower Youth Broadcasting Program
Brie Clayton July 3, 2026
0 Comments
Blackmagic Pocket Cinema Camera 6K Pro and Blackmagi...
04/07/2026
iZotope Joins Boris FX
Boris Yamnitsky July 3, 2026
0 Comments
iZotope, the team behind RX and Ozone, is joining Boris FX. A letter from founder Boris...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
03/07/2026
New bundle & three Single Packs
Continuing to expand their already sizeable orchestral collection, VSL's latest release introduces three new Single Pack...
03/07/2026
Venue installs new ATC-equipped control room
LSO St Luke's, a unique music venue that also serves as the home of the London Symphony Orchestra, have rec...
03/07/2026
Caden Pearson appointed new Commissioning Editor for NITV
3 July, 2026
Media releases
National Indigenous Television (NITV) has strengthened its commitment...
03/07/2026
1 February 2023
SHARE Facebook Twitter Linkedin Email
Munich, Germany, 1st February 2023: Cinegy GmbH, the premier provider of software technology for digit...
03/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...