A legendary talk show host employs a young scriptwriter and sparks fly in the new indie feature Late Night, premiering at the Sundance Film Festival. Written by and starring Mindy Kaling, and co-starring Emma Thompson, the set-up depicts them as poles apart in generation and culture, adding further twists in the comedy.
Cinematographer Matthew Clark on set.
The interplay between the two leads, as well as the desire to convey differences in the characters personalities and environment, led director of photography Matthew Clark to work closely with Panavision and Light Iron, who he had collaborated previously with on Set it Up and Little Evil.
Director Nisha Ganatra (Transparent) wanted to try and create as naturalistic a world as we could for the actors. That way, they would feel free to play around on set and location, explains Clark. I feel that with comedy especially, you want to allow your actors the freedom to move around physically and to improvise in order to find that true comic moment. So, we needed to keep our camera and lighting package small and our sets an open space. To be clear, we weren't aiming for the natural style of a documentary, but more of a heightened realism.
The film's three main locations are given a different tonal look. The parts of the story which cover Katherine's (Thompson) personal life at home in a town house in Brooklyn were given an elegant, rich, warm feel to which we added a little smoke haze to create some depth, notes Clark. The talk show studio (on a set in a Greenpoint Studio/Warehouse) was crisp and clean with a more neutral feel to it. The writers' room, which we shot in an office on the 17th floor in a building on Manhattan's east side, was given a cooler palette, more office or business-like.
Clark chose a Panasonic VariCam 35 to accommodate a tight budget and 25-day schedule. Sometimes, we had three or four locations a day. That means you have to move fast. I liked the ability to shoot at 5,000 ISO at night on location. I knew we would have a good base to start. Then, Ken Shibata (gaffer), Tommy Kerwick, Jr. (key grip) and I could use a minimal lighting package and still get our look while working at that speed.
For lens selection, he visited Panavision in Woodland Hills, and got his pick of 70s era Ultra Speeds and Super Speeds. Dan Sasaki presented me with two tables full of lenses from classic old Primos to new glass. I had the whole place to myself and was able to test shoot a lot of it.
Clark continues, I took the tests to Light Iron in Hollywood where colorist Corinne Bogdanowicz and I tried different looks, playing with saturation, shadows, highlights and even adding grain. That color prep really helped us move quickly and seamlessly when the production moved from L.A. to New York for principal photography where I collaborated with Light Iron NY colorist Sean Dunckley.
We tried out some pretty stylized filmic emulations, and then adjusted the levels of color in the blacks and highlights to create a more refined look, notes Bogdanowicz. The grain tests helped us add some subtle texture to the images.
Clark also worked with Light Iron Dailies Colorist Aaron Burns for a couple days to establish a LUT which Dunckley then finessed. I like to light for the LUT on location and I tend not to change it, says Clark, but if needed I will play around with it later. That's what Sean and I were able to do.
On finessing that LUT, Dunckley adds, I worked with Matt to create a LUT that was a bit more dynamic, pushing some cyan into the shadows and smoothing the skin tone colors. The LUT was used for dailies, and because Matt takes the time in pre-production to make the post process easy, we were a step ahead of the game when starting the DI.
Clark continues, One of the things you used to be able to do with film was pre-flash the raw stock. This opened up the blacks and allowed you to add color in the shadows depending on the percentage and color of the flash. It's a way to create an emotional effect. I wanted to do this digitally for our story. So, we mapped out the emotional change as we went through different scenes. The basic narrative arc is that the character's start out as individuals and wind up working together as a team. So, we start out with colder hues in the office, introducing a steely look in the shadows, and as the story moves forward we minimize blue for more rosy, warm tones with addition of some grain. There's a big juxtaposition between a scene in Katherine's bedroom, which is tonally rich, and the next day when she comes into the office and realizes she has to do something to get her job back. It's not a straight arc from blue to warm but changes according to the scene and context of the scene.
Lens choices included an 11:1 Primo Zoom the tried and trusted workhorse which is still beautiful and very creamy, Clark says. The older glass he chose helped break down the digital image in the way he wanted. The coating on the 40 delivers a warm glow which we mostly used for Katherine's personal world while several of the lenses had this rainbow flare which I felt gave us something different. These lenses are not perfect' which makes them perfect for this film. The aberrations, the older coatings, and the glass itself is less precise than most contemporary lenses and gives the digital image a softer look with more personality.
The two-camera, 4K production was lensed mostly on tripods and dollies with some Steadicam and occasional handheld.
A lot of the time, we were shooting close to wide open, maybe 2-2.8. That's hard on a 100mm with minimal lighting, so all credit to my A camera AC Pedro Corcega and B cam Adriana Brunetto-Lipman. Pulling focus on a Steadicam moving through a party is not for the faint-hearted. If you don't have tale
Europe Stories
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
15/03/2026
Visit ToolsOnAir at NAB Las Vegas 2026
More Details:From April 19-22, join us at NAB Show Las Vegas in the North Hall, Booth N1258, for an exclusive preview of...
15/03/2026
Latest dark drama, thrillers & tension library announced
The Very Loud Indeed Co.'s latest Kontakt library has just arrived, delivering a third instalme...
14/03/2026
Combines mic, USB interface & wireless IEMs
Following a successful Kickstarter campaign, HISONG have announced that their innovative AirStudio S1 device is ...
13/03/2026
Spotify has always been built around your taste. More than 80% of listeners say personalization is what they love most about us. Now we're taking that even ...
13/03/2026
The new Spotify Legends Club has opened its doors. Its members: select German-sp...
13/03/2026
Pushing drum sampler technology into new territories
The latest version of Klevgrand's software drum sampler has just arrived, boasting a newly designe...
13/03/2026
Expanded headphone support & engine improvements
IK Multimedia's recently introduced ARC On-Ear system brings the power of their monitoring-correction s...
13/03/2026
Extra sound collections, more presets & new Keys category
UVI's rhythm and pattern instrument has just received a major update that introduces four new ...
13/03/2026
13 Mar 2026
VEON Delivers Record Digital Growth: 4Q25 Digital Revenues Grow 84%...
13/03/2026
Friday 13 March 2026
Sky Adds Blood on Snow to Original Film Slate in Acquisiti...
13/03/2026
RT has announced today that Rick O'Shea is the new presenter of Arena RT Radio 1's flagship weeknight arts and culture programme. Rick has been pres...
13/03/2026
Lights! Camera! Action! The 98th Oscars set to air live as RT backs the Irish n...
12/03/2026
Staines-upon-Thames, UK, 11th March, 2026 - Yospace, the trusted leader in Dyna...
12/03/2026
In Latin America, women are shaping music and defining its future. To kick off t...
12/03/2026
En Am rica Latina, las mujeres est n moldeando la m sica y definiendo su futuro....
12/03/2026
Let's turn back the clock 20 years: The music landscape was a world away fro...
12/03/2026
Bad Bunny is no stranger to Spotify's Billions Club. In fact, he has a whopp...
12/03/2026
Spotify was at the London Book Fair this week, joining conversations across the publishing industry about how people can make reading part of their daily lives....
12/03/2026
Mastering tool improves mono compatibility
Tokyo Dawn Labs' Ohlhorst Digital range is a series of mastering-focused plug-ins developed by Jan Ohlhorst, ...
12/03/2026
Wave FX processor integrated into four products
Lewitt have teamed up with Elgato to create a new processor for the company's Wave Next product range, i...
12/03/2026
Free tool for annotating audio files
Mix Notes is a new, free iOS App that provides users with a simple way to annotate their audio files. It's been cre...
12/03/2026
Side-chain ducking tool gets an upgrade
Devious Machines' popular side-chaining and envelope-shaping tool has just been kitted out with an improved enve...
12/03/2026
Ceremony to take place on 16 April 2026
The MPG (Music Producers Guild) have revealed the full shortlist for this year's MPG Awards, which will be takin...
12/03/2026
Emulates three classic dbx 160 variants
The latest arrival to Overloud's Gem Series plug-in range faithfully recreates not one, but three versions of th...
12/03/2026
New granular soft synth announced
Said to be their most advanced software synthesizer to date, Baby Audio's latest release has been built on a new granu...
12/03/2026
Latest version now live!
Edit 11 March 2026 - Bitwig Studio 6 is now live, and available for all to download!
The latest version of Bitwig's DAW softwa...
12/03/2026
Latest free eBook now available!
Designed for recording engineers, audio-technology students and technically minded musicians, our latest free eBook deliver...
12/03/2026
Rohde & Schwarz Cybersecurity expands SITLine network encryptor portfolio - more...
12/03/2026
Rohde & Schwarz to showcase future-proof EMC testing solutions at EMV 2026 Rohde & Schwarz will participate in EMV 2026, Europe's premier trade fair and c...
12/03/2026
Modern media operations demand a platform that unites automation, orchestration, and human oversight without compromise. In this post, we explore the six key te...
12/03/2026
A deep dive into the platform
Architecture The Blue Lucy platform follows a distributed microservices architecture, meaning the overall operational capability...
12/03/2026
Orchestration platform enables broadcasters to deploy multiple AI models safely with full auditability, rights protection, and regulatory oversight.
LONDON, En...
12/03/2026
Wuppertal March 12, 2026
Riedel Expands Managed Technology Division in the Ame...
12/03/2026
Advanced Media Server Delivers Double the Channel Density at Half the Cost per C...
12/03/2026
The Late Late Show Show St Patrick's Day special
Dancing with the Stars f...
11/03/2026
First Medium-Earth Orbit (MEO) deployment of the emergency.lu platform for refugees and their host communities' use provides dependable broadband for humani...
11/03/2026
Following a successful first series, UKTV today announces the commission of two ...
11/03/2026
Wednesday 11 March 2026
Sky and CANAL launch new partnership to develop English-language drama
Sky and CANAL are today announcing a strategic co commissioni...
11/03/2026
NTCA, Cartesian Release New Report on the Business Case for USF
March 11, 2026
Network Economics
News
NTCA - March 11, 2026 - As the FCC and Congr...
11/03/2026
TELL US YOUR (SHORT) STORIES
The 2026 RT Short Story Competition is now open for entries
Recognising and rewarding the best new Irish fiction writing for...
11/03/2026
RT 's The Traitors Ireland is among the nominees for the 2026 Celtic Media Festival Torc Awards for Excellence, announced today....
10/03/2026
10 Mar 2026
VEON's Largest Market Pakistan Almost Triples Mobile Spectrum i...
09/03/2026
Contains all six dual-ensemble libraries
VSL's Duality Strings series offers an intriguing alternative to your average string library, capturing two str...
09/03/2026
Outstanding Contribution To UK Music
Photo: Samuel Bradley
Ahead of their upcoming MPG Awards, the Music Producers Guild (MPG) have revealed the latest win...
A legendary talk show host employs a young scriptwriter and sparks fly in the new indie feature Late Night, premiering at the Sundance Film Festival. Written by and starring Mindy Kaling, and co-starring Emma Thompson, the set-up depicts them as poles apart in generation and culture, adding further twists in the comedy.
