
IBU World Championships Biathlon 2017 in Hochfilzen posted: 05/03/2017
Videohouse Supports Host Broadcaster ORF
ORF was Host Broadcaster of the Biathlon World Championship 2017 in Hochfilozen. For many years, ORF Sport has been among the world's best winter sports broadcasters. This is proved by numerous international awards, including the FIS TV Award for the overall production of the World Championship in Austria: in Ramsau 1999 (Nordic) and in St. Anton 2001 (Alpine). As Host Broadcaster, ORF also generated enthusiasm for winter sports at the Olympic Winter Games in Innsbruck (1964 and 1976), at the Alpine Ski World Championships in Bad Gastein (1958), in Saalbach-Hinterglemm (1991) as well as in Schladming (1982 and 2013), at the Biathlon World Championships in Feistritz (1989) and in Hochfilzen (2005).
The production of an international signal of a biathlon competition is one of the greatest challenges for a TV production crew. The goal for the ORF team was to deliver a top quality, unbiased international coverage in close cooperation with IBU, EBU and the local Organizing Committee Hochfilzen 2017 to a worldwide audience. To achieve this ORF hired in two HD OBVans and the related technical crew from the Belgium production company Videohouse.
Camera Plan
List of Cameras
List of Cameras
The clear focus of the teams of ORF and Videohouse was on the beautiful sport of Biathlon, by telling a definitive storyline of the drama of each race. ORF brought together their top qualified director, producers, camera crews and operators, experienced in the coverage of major sport events, involved in winter sports for years and devoted to capture the action, drama and intimacy of Biathlon.
Camera Control in Videohouse OBVan HDtwo
The use of innovative camera angles, rope and rail cameras (by MAT) as well as super slomo and hypermotion cameras (by LMC) helped to show the spectators the tension, the twists and the excitement of the competitions. Another essential factor of the production was the integration of the beautiful landscape of Hochfilzen and the colourful atmosphere the spectators have created during the events.
ARD/ZDF Presenter Position in Hochfilzen - Stagebox with Riedel MediorNet
Commentator Positions at the Biathlon Station in Hochfilzen
Wired Control for the Shooting Range - Wireless receiver for the Athletes Timing Data
The International Broadcast Centre (IBC)
The IBC was located next to the OBVan compound and very close to the Biathlon stadium. The IBC was a temporary construction, build by using 48 containers. The distance from the IBC to the finish area was about 200m the main facilities of the host broadcaster such as master control room, booking office, frequency coordination, TOC, etc. was accommodated within the IBC. Furthermore the IBC offered all services rights holding broadcasters needed for the production of their unilateral signals and was the gateway for all international broadcast transmissions.
Videohouse OBVans HDone and HDtwo - Production Area in HDone
Biathlon Masstart Woman Hochfilzen 2017
Graphics at the Shooting Range
Production of the Graphics for the Shooting Range
One of the SloMo Control Desks
ORF Director Michael K gler
Biathlon Masstart Woman - Standings at Finish
The Master Control Room (MCR) / Technical Operation Centre (TOC)
The MCR/TOC, located within the IBC, was the centre for coordination, contribution and distribution of all signals and feeds. All multilateral and unilateral signals were monitored and processed at the MCR/TOC and then distributed to the unilateral broadcasters and the EBU. In addition to the world feed, clean feed, isolated camera feeds, beauty cameras, colour bars, black burst reference, test signals and time were provided.
All signals passing the MCR/TOC were synchronized with the sync pulse generator / main reference of the host broadcaster (HB). The MCR/TOC was also the gateway for all unilateral interconnections. This included distribution panels for the HB signals and feeds, as well as fibre termination panels and connection panels for incoming and outgoing VandA- and/or audio-circuits.
The Master Control Room (MCR) / Technical Operation Centre (TOC)
The ORF/Videohouse host broadcast team achieved acclamation not only from all the rights holding broadcasters on location but also from the worldwide Biathlon community. Meanwhile the last bullets are shot, the medals are handed out and the fans left - on behalf of the IBU board members president Anders Besseberg and Vice President of information Ivor Lehotan used their chance to review the past 11 days.
Soon we'll end the season's highlight. The great diversity of nationalities, the perfect weather and the nerve-wrecking and - more than anything - fair competitions made up for World Championships we've never seen before in the history of biathlon. I can't think of WC that have been as exciting as we've seen it now. Whether it's been winning athletes with bib number four or with bib number 96, surprising winners like Bailey or the enormous attention by the media. After every bullet there were cheers in the stadium and the location itself has done it's job: the infrastructure in Hochfilzen is unique.
EBU Distrubution Rack at the Biathlon World Championships
The IBU president was particularly pleased not only regarding the high level of fan interest but also about the worldwide media coverage and the sensational TV quotas. Thanks to the ORF with 170 staff members and 49 cameras under the direction of producer Michael K gler, outstanding impressions of the event were broadcasted in almost 60 countries worldwide. Besseberg further stated, that statistics like that make him proud, especially if one notices that only with regard to Germany over five million fans watched the competitions on TV.
ORF Director Michael K gle
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
15/07/2026
Brazilian media organization builds nationwide CDN with Broadpeak's high-performance software for low-latency streaming and new content distribution service...
15/07/2026
DHD announces a new utility designed to increase the efficiency of its audio mixing systems during initial installation and subsequent configuration.
Anyone w...
15/07/2026
BCNEXXT Brings Next-Generation Vipe to IBC2026, Breaking the 1:1 Channel-to-Server Ratio New innovations liberate broadcasters from legacy playout infrastructur...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Home to leading manufacturers, robotics pioneers and infrastructure builders, Japan is one of the world's centers of AI - building across the full stack wit...
14/07/2026
South end zone videoboard, cloud-based control system will be ready for 2026 football season...
14/07/2026
Redesigned website, enhanced mobile app unify content, ticketing, and personalized fan engagement...
14/07/2026
Agreement spans sponsorship sales, digital monetization, radio production, and new practice facility naming rights...
14/07/2026
Independent league adds 14 regional sports network affiliates, growing distribut...
14/07/2026
New strategy aims to unify competitions, content, fan engagement, and commercial...
14/07/2026
ESPN and Disney+ become exclusive home of PFL events in key international MMA market...
14/07/2026
Gill will oversee engineering, technology, and sports operations across the company's 64 local television stations...
14/07/2026
Submitted by North American Broadcasters Association (NABA)
As broadcasters con...
14/07/2026
Modernized mobile unit combines HOME Apps, mc 56 console, and IP infrastructure ...
14/07/2026
Every match of the 32-team tournament will air across ION and Scripps Sports platforms in English and Spanish...
14/07/2026
FloHockey to stream every game of the annual international tournament under four...
14/07/2026
Victory+ telecasts to be simulcast on TEGNA-owned station, expanding free local distribution...
14/07/2026
Plug-ins for heavy music
Avalanche Tones is the brainchild of Ava Toton, a 17-year-old musician and developer who says her goal is to make the lives of gui...
14/07/2026
Launched alongside new Singer Showcase purchase model
IK Multimedia's innovative vocal-synthesis software has just gained its latest voice add-on, the R...
14/07/2026
Registration open until 1 September 2026
The MIDI Association have revealed that the registration deadline for this year's MIDI Innovation Awards has no...
14/07/2026
88-note model completes MK4 range
Novation have just introduced the final model in their flagship MIDI controller keyboard range, the Launchkey MK4 88. Roun...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
IBC2026 has unveiled a powerful Conference programme bringing together global media leaders, technology innovators, creators, sports organisations, broadcasters...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Broadcast Solutions, a leading systems integrator and provider of innovative solutions for the broadcast media industry, has delivered two highly capable outsid...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Editor's note: This post is part of the Nemotron Labs blog series, which exp...
14/07/2026
Techtel Successfully Relocates AICD Broadcast Studio to New Sydney Headquarters
BroadcastBroadcast EquipmentLive StreamingBroadcast Studio2026
14 July Writ...
14/07/2026
Tuesday 14 July 2026
First look revealed for Friday the 13th prequel, Crystal ...
14/07/2026
When immersive audio dominates industry headlines, it's easy to assume that every broadcaster is preparing for an Atmos future. The reality is quite differ...
14/07/2026
Emma and Sophie from ICG's marketing team joined thousands of fellow marketers, brands and agencies at MAD//Fest London 2026, one of the UK's biggest ma...
14/07/2026
Why Trusted and Secure Media Operations Matter In this series, we explore the technologies, architectures and operational realities shaping modern media operati...
14/07/2026
Pilot Project Shows How Retailers Are Prepared for the Next Step in the Evolution of Digital Commerce
Arvato Systems Drives Agentic Commerce Forward
G terslo...
14/07/2026
As part of this commitment, weve joined the SME Climate Hub, publicly pledging to:
measure our greenhouse gas emissions
reduce them in line with a net zero p...
14/07/2026
Power is AI infrastructure's inescapable constraint. How many tokens an AI factory can generate within a fixed power budget determines its revenue and profi...
13/07/2026
The Braves opted to keep production in-house rather than hand it off to MLB...
13/07/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, including new deals, departures, and assignments compiled from press releases and repo...
13/07/2026
Eurovision Sport is making live athletics more accessible to fans than ever befo...
13/07/2026
The Milwaukee Bucks will return to full-season over-the-air television for the 2...
13/07/2026
SMPTE has announced an expanded education pathway for media technology professio...