Clipster incorpora nuevas herramientas para entornos IMF La nueva herramienta IMF genera versiones para paquetes multiling es de una forma que es muy sencilla de utilizar. A partir de finales del 2013, Clipster podr soportar tambi n el sistema de audio avanzado Dolby Atmos.
Una vez m s la estaci n de trabajo Clipster DI de DVS (Rohde & Schwarz) demostrar en IBC las posibilidades que ofrece como un flujo de trabajo de masterizaci n de punto a puntoIMF. Adem s, tambi n demostrar su potencial en otros mbitos de masterizaci n, como puede ser con el DCI y AS-02 de SD a 4K en 3D y HFR.
Todos los que visiten el IBC podr n comprobar las nuevas prestaciones de la estaci n Clispter y otras soluciones DVS innovadoras en el stand 7.E25. La estaci n de trabajo DI soporta los est ndares pioneros AS-02 e IMF, permitiendo que la estaci n CLIPSTER pueda crear paquetes maestros interoperables (IMP) en la capa n mero dos de aplicaci n extendida hasta 4K.
Con la estaci n Clipster, DVS ha sido una empresa pionera en el procesamiento de datos 4K en tiempo real desde el a o 2007 y tambi n es l der en lo que se refiere a tasas de frame. La nueva herramienta IMF genera versiones para paquetes multiling es de una forma que es muy sencilla de utilizar, de nuevo posicion ndose en lo m s alto del sector. Con su conjunto de herramientas punta-a-punta IMF, DVS ha establecido un sucesor estandarizado SMPTE para flujos de trabajo basados en cinta, permitiendo as que los operadores puedan sortear el laberinto del versionado en m ltiples idiomas.
Por supuesto la estaci n Clipster tambi n ofrece un nivel parecido de sencillez en el uso de flujos de trabajo AS-02. La estaci n de trabajo DI permite que los usuarios puedan abrir, desplegar y crear paquetes AS-02, adem s de insertar subt tulos y mientras genera los paquetes AS-02 la Clipster asegura que los datos VANC grabados (ejemplo, subt tulos, AFD e informaci n V-chip) tambi n se puedan almacenar.
Una vez m s la Clipster demostrar su alt simo nivel de pericia en etalonaje. No solo puede gestionar esta tarea a una velocidad de v rtigo, sino que tambi n la gestiona a un nivel de calidad insuperable para cualquier versi n imaginable y a cualquier resoluci n. Con sus aclamadas y altamente consideradas capacidades de cine digital, la Clipster puede generar DCPs complacientes en tiempo real, independientemente de si el material se encuentra en 2D, 3D, 4K o HFR. Al utilizar el propio hardware de codificaci n JPEG2000 de DVS, se pueden convertir 96 frames por segundo, lo que significa que la Clipster puede masterizar pel culas a una velocidad cuatro veces superior al tiempo real (3D HFR en tiempo real) con la mejor calidad de imagen posible.
Adem s, a partir de finales del 2013, Clipster podr soportar el sistema de tecnolog a punta Dolby Atmos. En lugar de asignar pistas de audio a canales discretos, hay 64 objetos disponibles que se pueden posicionar en el espacio. Con la CLIPSTER las mezclas Atmos se pueden integrar en el proceso de masterizaci n DCI para el DCP.
Con soporte para codecs como el Sony XAVC en la CLIPSTER, DVS est demostrando su capacidad para adaptarse r pidamente a los nuevos est ndares. Tambi n es posible reproducir y debayer innumerables formatos de c mara digital RAW, incluyendo RED EPIC, Sony F65, F55 y F5 en tiempo real hasta 4K. Y m s a n, la CLIPSTER tambi n es capaz de procesar material sin comprimir 4K a una velocidad de hasta 60 fps.
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Clipster incorpora nuevas herramientas para entornos IMF La nueva herramienta IMF genera versiones para paquetes multiling es de una forma que es muy sencilla de utilizar. A partir de finales del 2013, Clipster podr soportar tambi n el sistema de audio avanzado Dolby Atmos. 
