
Tech-eye view: Inside the epic remote production for Riot Games' League of Legends World Championship Finals 2024 By Heather McLean
Tuesday, November 5, 2024 - 09:56
Print This Story
For the Riot Games' League of Legends Championships Final 2024, a technical director works from the Dublin RBC
At Riot Games' League of Legends World Championship Finals 2024, which took place at the O2 Arena in London on 2 November, technical services partner on the ground NEP, Amazon Web Services (AWS), and Riot Games' own Dublin-based Remote Broadcast Centre staffed by EMG / Gravity Media crew all contribute to an epic remote production. SVG Europe caught up with Alex Rybalko, broadcast engineering manager at Riot Games, and James Wyld, principal infrastructure engineer at Riot Games, to find out more.
Roles that were previously done on-site that are now done from Riot Games' Remote Broadcast Centres:
Observers
Directors
Technical directors
Graphics
Producers
Audio operators
How is the show packaged to and from Dublin?
AR: As a remote production, our footprint on site in London is a production truck for the Opening Ceremony portion, then we transition into the sports side of the event and all of that is being done from Dublin. We have two control rooms working the world feed in English, and onsite we have four languages (French, English, Chinese, Korean) and eight co-streamers here.
What is AWS's role on the Worlds?
AR: The vertical feed is a new product that we also offer to our co-streamers in addition to the traditional broadcast, and the core of the vertical feed automated production runs with the use of AWS technologies.
Read more Fan-eye view: Riot Games on creating a superior viewer experience and taking fans forwards in esports
As a zero-operator production, we can take the main show and produce a separate bespoke feed with its own set of graphics and assets where we can then dynamically substitute various elements, allowing creators and partners to customise their broadcast in a way that really caters to their specific audience.
When you add the vertical feed, we have more than 30 different versions of our broadcast being distributed around the world from the technical operations centre (TOC) at our Remote Broadcast Centre in Dublin. All of this is possible due to our use of AWS media services technologies.
JW: On the creative side, we've got a couple of specific AWS partnerships that play a large part in this production. One being AWS Win Probability where AWS is running a machine learning model for every second of the game to conduct binary predictive analysis to figure out which team is most likely to win. It's a graphic that viewers will see pop up on screen during appropriate times of a match that ultimately works to enhance the viewing experience for fans.
The other is Global Power Rankings, which was first introduced at the start of Worlds 2024. When you have teams all around that don't always play each other, it can be difficult to determine who has the upper hand going into match. AWS helped us come up with a model with numerous data inputs based around things like past history of the league, relative strengths of the teams within each league, and past international results just to name a few. This all works to create this new rankings system that creates another element of fandom and chatter, building more excitement for upcoming matches.
Separately on the production side, at our Remote Broadcast Centres powered by AWS we have all the operator workstations are running on Amazon Workspaces. Additionally, our distribution pipeline, which is how we compress the broadcast production signals and deliver them to partners and platforms all around the world, runs in the AWS Media Services Suite (AWS Media Connect and Media Live). That allows us to scale our production from a single world feed to 22 language partners around the world.
A Riot Games producer in Dublin, working on last weekend's League of Legends Championships Final 2024
What is the value for Riot Games of the remote production model you use?
JW: With 30-plus variants of the Worlds broadcast coming out of the TOC, while it's a lot to manage, we can see the value of the remote production model because all of the stuff anchored in the facility - observers, encoding, the vertical feed workflow - we've been able to float that from show to show throughout the tournament.
Read more Producer-eye view: Getting the lowdown on the League of Legends World Championships Finals 2024
We started in Berlin about a month ago and that set up has been able to stay relatively static in Dublin. We can throw the production from Berlin (where the earlier rounds of Worlds took place) to Paris (for the semifinals) without changing much in the RBC. Then we come to finals in London where that production is already set up from Paris. We have to do some tweaks, like adding a production truck onsite for the Opening Ceremony, but the core sport production can stay relatively the same in one location, rather than breaking down and setting up at the different stages of the event.
AR: Basically, every position that you would traditionally see in a production truck on site can now be based out of the RBC. We do run a hybrid operation because there are cases where sometimes it still makes sense for a specific role to be on site at the event, but the underlying platform and technology that everything is built on top of allows us to be flexible.
Facts on Riot Games' League of Legends World Championships Finals 2024:
72 cameras
Sony HDC
Sony Venice
Sony P50
Sony FR7
Sony FX3 and FX6
Panasonic POV cameras
Winch cam
2 cable cam
2 techo cranes
4 rail cams
Arri trinity rig
Jimmy jib
80 transmission lines
48 return lines
256 transmission audio channels An observer on the Lea
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
22/07/2026
Among other tweaks to coverage, the broadcaster added announce positions in the ...
22/07/2026
The Australian Sports Technologies Network (ASTN) has reported a sharp acceleration in Australia's sportstech sector, with revenue growth rising from 10% in...
22/07/2026
From a retrofitted broadcast bus to packed Match Day Live! events, Bennett detai...
22/07/2026
TMRW Sports has named Brendan Donohue as President, Flag Football, where he will lead the company's professional flag football business in partnership with ...
22/07/2026
Stephen Arnold Music (SAM) designed and produced soundtracks for nine projection...
22/07/2026
Harmonic has announced a $25,000 donation to Global Empowerment Mission (GEM) fo...
22/07/2026
Telemundo has announced it has acquired from UC3 exclusive U.S. Spanish-language...
22/07/2026
The Rest Is Football, hosted by Gary Lineker, Alan Shearer, and Micah Richards, ...
22/07/2026
Sports Studio has announced a partnership with TheSoul Group to distribute Free ...
22/07/2026
Daktronics has concluded its 2026 High School Video Summit, a two-day hybrid event combining virtual sessions with hands-on host school visits across the countr...
22/07/2026
FOR-A America will exhibit at the MMCA Show in Pensacola, Florida (July 21-24), marking the company's first appearance at the house of worship AV event. FOR...
22/07/2026
The New York Yankees have selected Lumen Technologies (NYSE: LUMN) to connect Ya...
22/07/2026
Calrec will exhibit at IBC 2026 (Stand 8.C47) with demonstrations of its IP-native audio ecosystem built around the Argo console range, and will announce two ne...
22/07/2026
Solid State Logic has announced the appointment of Algam EKO as its distributor for SSL large format consoles in Italy, covering the Live, Broadcast, and Studio...
22/07/2026
FloSports has announced the launch of the FloSports Channel, a free ad-supported streaming channel premiering on Prime Video in the U.S. on July 21. The channel...
22/07/2026
Banana Ball TV (BTV), the broadcast operation of the Savannah Bananas, has insta...
22/07/2026
SiriusXM and Audacy have announced an agreement bringing 42 Audacy sports, news, and talk stations from 29 U.S. markets to SiriusXM. Twenty-three Audacy sports ...
22/07/2026
The collaboration produced more than 500 short-form videos across four cities th...
22/07/2026
At 2,600 sq. ft., the new home of digital content houses a main studio, podcast space, and an auxiliary control room
NFL franchises are accelerating their prod...
22/07/2026
Library now available in Engine Player
Another of Eduardo Tarilonte's popular sample libraries has just been moved over to Engine Audio's Engine Pla...
22/07/2026
All-in-one mic & DSP interface overhauled
Cloudvocal have just refreshed the design of their all-in-one mic, audio interface and DSP processor, introducing ...
22/07/2026
The final boss of the lost dual-op-amp circuit
Electro-Harmonix have just introduced the Deluxe Big Muff Pi 2, which they say offers their latest take on t...
22/07/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Proven managed IP solution helps broadcasters confidently navigate the future of broadcast distribution
LTN announces it has completed successful satellite-to-...
22/07/2026
Today, Chaos announced V-Ray 7, update 4, eliminating the need for asset conversions and tool switching, which slow down media and entertainment pipelines. Arti...
22/07/2026
An AI playground for the Project Indigo camera app
Marc Levoy July 22, 2026
0 Comments
At left is the user interface of our Playground, running on an ...
22/07/2026
Custom Consoles announces the completion of a large technical furniture project for Radio T l vision Suisse (RTS) at the networks recently inaugurated productio...
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Culver City, CA, July 21, 2026 3D streaming infrastructure provider Miris today announced glTF intake, including the binary .glb form, to its spatial streamin...
22/07/2026
Documentary Lo Invisible Captured with Blackmagic PYXIS 6K
Brie Clayton July 21, 2026
0 Comments
Camera's versatile design allowed filmmakers to c...
22/07/2026
AAF Bridge converts AAF and XML Timelines to Ableton Live - and back
Jerome Gardier July 21, 2026
0 Comments
A two-way converter for macOS and Windows...
22/07/2026
From Class to Concert: Explore a Student-Led Production of David Bowies Work Thr...
22/07/2026
A poisoned spy, a secret war, and a small English city contaminated by a deadly chemical weapon. Available on Sky Documentaries from 4 AugustWednesday 22 July 2...
22/07/2026
Audio at Parity: Comscore Launches Transcript-Level Targeting and Measurement wi...
22/07/2026
Arvato Systems and Lobster Enter into a Partnership and Combine the Integration Platform and Managed Services
Flexible integration solutions for cloud, hybrid...
22/07/2026
RT REPORTS NET SURPLUS OF 22.5 MILLION IN 2025...
22/07/2026
In the Opinion of the Censor airs Monday 27 July at 9.35pm on RT One and RT Player
In the Opinion of the Censor looks at how films for theatrical release wer...
22/07/2026
Before a healthcare robot can be useful in the real world, it has to learn how the physical world pushes back. Anatomy varies. Instruments bend, press, slip and...
21/07/2026
New research involving a cross-section of Mongolias independent media landscape finds enthusiasm for AI as a tool to improve efficiency, sustainability and resi...
21/07/2026
With winners Spain having already paraded the World Cup trophy through Madrid in front of millions of fans and the dust now settling on an epic tournament of th...